Now Michael Casey tells the remarkable story of this image, detailing its evolution from a casual snapshot to an omnipresent graphic—plastered on everything from T-shirts to vodka to condoms—and into a copyrighted brand. As Casey follows it across the Americas and through cyberspace, he finds governments exploiting it and their dissenters attacking it, merchants selling it and tourists buying it. We see how this image is, ultimately, a mercurial icon that still ignites passion—and a reflection of how we view ourselves.

    Those roots are lodged in the Universal Church's and local church's Christ-imaging roles as a prophetic witness, a priestly witness, and a kingly witness. The authors, both PCA (Presbyterian Church in America) ordained pastors and long-time campus ministers, Brian Habig and Les Newsom, assert that when the Church, and local churches, again major on its primary roles, health will be restored and a shine will go froth that is impossible to ignore. Nothing is more important to Christ than his Bride, pure and spotless! This book is devoted to that end.The Authors:Brian Habig, Vanderbilt University. A graduate of Covenant Theological Seminary (Master of Divinity) and Mississippi State University, Brian Habig has served as an ordained minister of the PCA and a campus minister for Reformed University Fellowship for six year. He is a regular conference speaker in addition to this primary pastoral role as campus minister at Vanderbilt University. Habig is currently completing a Master of Theology at Reformed Theological Seminary.Les Newsom, University of Mississippi. A native of Memphis, Les Newsom received his Master of Divinity degree from Reformed Theological Seminary. He has served as an ordained minister in the Presbyterian Church in America for seven years. The first five years were spent as the campus minister for RUF at The University of Memphis. He now serves at The University of Mississippi. A regular conference speaker, Les has taught philosophy of ministry classes at Reformed Theological Seminary."The Enduring Community succinctly shows that Christians with a church-optional mindset are as vulerable as a chorister without a choir."Marvin OlaskyEditor, World magazineSenior Fellow, Acton Institute

    Prostitutes and pagans, tax collectors and tricksters. The more unlikely, the more it seemed to please God and to demonstrate his power, might, and mercy. America in the 1960s and 1970s was full of unlikely people--men and women who had rejected the stuffy religion of their parents' generation, who didn't follow the rules, didn't fit in. The perfect setting for the greatest spiritual awakening of the 20th century.With passion and purpose, Greg Laurie and Ellen Vaughn tell the amazing true story of the Jesus Movement, an extraordinary time of mass revival, renewal, and reconciliation. Setting fascinating personal stories within the context of one of the most tumultuous times in modern history, the authors draw important parallels with our own time of spiritual apathy or outright hostility, offering hope for the next generation of unlikely believers--and for the next great American revival.Those who lived through the Jesus Revolution will find here an inspiring reminder of the times and people that shaped their lives and faith. Younger readers will discover a forgotten part of recent American history and, along with it, a reason to believe that God is not finished with their generation.

    With new interviews, never-before-published material, and fresh insights, Turner helps the reader understand the religious and spiritual ideas and ideals that influenced the music and lives of the Beatles and helps us see how the Fab Four influenced our own lives and culture.Topics discussed include the religious upbringing of John, Paul, George, and Ringo; the backlash in the United States after John Lennon's "The Beatles are more popular than Jesus" comment; the dabbling in Eastern religion; the use of drugs to attempt to enter a higher level of consciousness; and the overall legacy that the Beatles and their music have left. While there is no religious system that permanently anchored the Beatles or their music, they did leave a gospel, Turner concludes: one of love, peace, personal freedom, and the search for transcendence.

    She watched as John Kennedy was murdered in the streets below. Then, with a co-worker in tow, she ran down the back stairs of the building in order to get outside and determine what had happened... [Product description from Amazon.com]

    Hanegraaff masterfully exposes the stark contrast between these deeds of the flesh and a genuine work of the Spirit by contrasting modern "revivals" with the scriptural examples of God's movement among His people.

    Stephen Davis has created an intimate portrait of the charismatic reggae superstar, which takes us through his life and career and charts the legal battles surrounding his estate. Originally published in 1994, Bob Marley is now available for the first time in the United States.

    An inspiring, no-holds-barred, audacious memoir by Bettye LaVette, one of R&B's greatest legends - guaranteed to make news, and make hearts break, too.

    Even among megachurches with their modern technology and huge number of members, whole generations are now missing. In order to reach the 18-35 year olds, churches need to incorporate alternative worship services into their ministries that meet the unique needs of the emerging generations. In a conversational, narrative style, author Dan Kimball guides church leaders on how to create alternative services from start to finish. Using anecdotes from his own experience at Graceland, Kimball presents six creative models, providing real-life examples of each type. Emerging Worship covers key topics including • Developing a prayer team • Evaluating the local mission field and context • Determining leaders and a vision-based team • Understanding why youth pastors are usually the ideal staff to start a new service • Recognizing the difference in values between emerging worship and the rest of the church • Asking critical questions beforehand

    This is the story of the first 10 years of the Nation's Music Station. When MuchMusic launched in 1984, it was truly the Wild (Canadian) West of television--live, gloriously unpredictable, seat-of-the-pants TV, delivered fresh daily. Much was the dream child of TV visionary Moses Znaimer, and John Martin, the maverick creator of The New Music. An entire generation of Canadians lived and breathed TV's new kid in town and because it was live and largely improvised, viewers and VJs both shared the experience and grew up together, embracing the new music that became the video soundtrack of our lives. The careers of Canadian legends like Glass Tiger, Colin James, the Parachute Club, Honeymoon Suite, Blue Rodeo, Corey Hart, Jane Siberry and Platinum Blonde were launched when Much brought them closer to their fans. Much also brought us international acts, and events like the Bon Jovi BBQ and Iggfest, with Iggy Pop improvising songs in the midst of his fans on the sidewalk on Queen Street. This was also an era in which music found its conscience with events like Live Aid and the Amnesty International Human Rights Now! tour. And Much covered them all. With stories of the bands, the VJs, the music, the videos, the style and the improvisational approach to daily broadcast life at Much, and told by the people who were there--the colourful cast of on-air VJs, the artists who found their way into the living rooms of the nation as never before, and the people behind the camera--"Is This Live?" delivers a full-on dose of pop culture from the 1980s and '90s, when the music scene in Canada changed forever."

    The real identity of the person who chose to write under the pseudonym of Dionysius the Areopagite is unknown. Even the exact dates of his writings have never been determined. Moreover the texts themselves, though relatively short, are at points seemingly impenetrable and have mystified readers over the centuries. Yet the influence of this shadowy figure on broad range of mystical writers from the early middle ages on is readily discernible. His formulation of a method of negative theology that stresses the impotence of humans' attempt to penetrate the "cloud of unknowing" is famous as is his meditation on the divine names.Despite his influence, relatively few attempts have been made to translate the entire corpus of his written into English. Here in one volume are collected all of the Pseudo-Dionysius' works. Each has been translated from the Migne edition, with reference to the forthcoming Göttingen critical edition of A.M. Ritter, G. Heil, and B. Suchla.To present these works to the English-speaking public, an outstanding team of six research scholars has been assembled. The lucid translation of Colm Luibheid has been augmented by Paul Rorem's notes and textual collaboration. The reader is presented a rich and varied examination of the main themes of Dionysian spirituality by René Roques, an incisive discussion of the original questions of the authenticity and alleged heresies in the Dionysian corpus by Jaroslav Pelikan, a comprehensive tracing Dionysius' influence on medieval authors by Jean Leclercq, and a survey by Karlfried Froehlich of the reception given the corpus by Humanists and sixteenth-century Reformers.

    Sound Pictures offers a powerful and intimate account of how he did so. The second and final volume of the definitive biography of the man, Sound Pictures traces the story of the Beatles' breathtaking artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside the studio, Martin toils along with manager Brian Epstein to consolidate the Beatles' fame in the face of growing sociocultural pressures, including the crisis associated with the "Beatles are more popular than Jesus" scandal. Meanwhile, he also struggles to make his way as an independent producer in the highly competitive world of mid-1960s rock 'n' roll. As Martin and the Beatles create one landmark album after another, including such masterworks as Revolver, Sgt. Pepper's Lonely Hearts Club Band, The Beatles (The White Album), and Abbey Road, the internal stakes and interpersonal challenges become ever greater. During his post-Beatles years, Martin attempts to discover new vistas of sound recording with a host of acts, including Jeff Beck, America, Cheap Trick, Paul McCartney, and Elton John, his creative breakthroughs followed by unprecedented commercial success. Eventually, though, all roads bring Martin back to the Beatles, as the group seeks out new ways to memorialize their achievement under the supervision of the man who has come to be known as Sir George. Now, more than fifty years after the Beatles' revolutionary triumphs, Martin's singular stamp on popular music has become more vital than ever, as successive generations discover the magic of the Beatles and their groundbreaking sound.

    In Dreams as Revelation, BYU Church history professors Mary Jane Woodger, Ken Alford, and Craig Manscill share guidance and counsel from prophets as well as their own insights to help readers recognize when a dream is revelatory in nature. With a foreword by Robert L. Millet, this book also includes chapters about scriptural dreams and Joseph Smith’s dreams, as well as original accounts of hundreds of carefully selected dreams, including dreams of the Savior, temple work, and more. In addition to being personally applicable for how to understand your own dreams, this interesting and informative book is a valuable resource for talks, lessons, and family home evenings.

    

    She claimed the police had inserted a stick inside her… Swaranpreet realised that she had been cruelly violated; He spoke a single sentence but repeated it twice in chaste Punjabi: ‘Please give me a turban? I want nothing else…’ These are voices begging for deliverance in the aftermath of Indira Gandhi’s assassination in October-November 1984 in which 2,733 Sikhs were killed, burnt and exterminated by lumpens in the country. Nilanjan Mukhopadhyay walks us through one of the most shameful episodes of sectarian violence in post Independent India and highlights the apathy of subsequent governments towards Sikhs who paid a price for what was clearly a state-sponsored riot. Poignant, raw and most importantly, macabre, the personal histories in the book reveal how even after three decades, a community continues to battle for its identity in its own country.