He lived with them throughout their 1969 American tour, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones, paying special attention to the tragedy of Brian Jones, it is about much more than a writer and a rock band. It has been called—by Harold Brodkey and Robert Stone, among others—the best book ever written about the sixties. In Booth’s new afterword, he finally explains why it took him 15 years to write the book, relating an astonishing story of drugs, jails, and disasters.

    That same combination of flamboyance and aesthetic rigor may be found in this collection of Gould's writings, which covers composers from Bach to Terry Riley, performers from Arthur Rubinstein to Petula Clark, and yields unfettered and often heretical opinions on music competitions, the limitations of live audiences, and the relationship between technology and art. Witty, emphatic, and finely honed, The Glenn Gould Reader presents its author in all his guises as an impassioned artist, an omnivorous listener, and an astute and deeply knowledgeable critic.The Glenn Gould Reader abounds with the literary voice of one of the most extraordinary musical talents of our time. Whether Gould's subject is Boulez, Stokowski, Streisand, or his own highly individual thoughts on the performance and creation of music, the reader will be caught up in his intensity, intelligence, passion and devotion. For those who never knew him, this book will be a particular treasure as a companion to his recordings and as the delicious discovery of a new friend.

    King, and Howlin' Wolf; the multicolored psychedelic hallucinations promoting the Grateful Dead, Dylan, and the Doors; the deliciously tasteless art for the Sex Pistols, Crime, and the Clash. From the Red Dog Saloon in San Francisco, where the psychedelic scene started, to CBGB, New York's punk Mecca, and beyond. 1,500 images searched out world-wide from clubs, attics, and bedrooms—as well as more formal collections—are reproduced in their original blazing colors. Replete with firsthand history—including exclusive interviews with scores of insiders, poster artists, musicians, and promoters—this is the ultimate high for the rock music fan, required reading for the poster collector, a treasure trove for the graphic artist, and a riotous feast for anyone who digs pop culture.

    Stephen Davis has created an intimate portrait of the charismatic reggae superstar, which takes us through his life and career and charts the legal battles surrounding his estate. Originally published in 1994, Bob Marley is now available for the first time in the United States.

    More than just a series of shrewd and evocative portraits of these and sixteen other performers, this book is also a paean to a forsaken time of relentless excess, sudden ruin, and fierce music. For this edition, the author has contributed a new listing of recent CD reissues. From 1945 to 1955, from Chinese hillbillies to Elvis's long-lost twin brother, here are the Unsung Heroes of Rock 'n' Roll.

    This is a related release to the Sing Blue Silver video and with very few words, the book comprises mainly of various sized photographs in color and black & white.The pictures were taken by Denis O'Regan who toured with Duran Duran as official photographer.

    

    A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing. Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.

    Here are the recollections of many of the giants of soul—Smokey Robinson, Diana Ross, Aretha Franklin, Ray Charles, James Brown, Mary Wilson, Marvin Gaye, Screaming Jay Hawkins, and Wilson Pickett. These and other interviews, many of them exclusive, add up to a brilliant anecdotal portrait of the music and the life. Gerri Hirshey is the author of We Gotta Get Out of this Place: The True, Tough Story of Women in Rock; she has also written for Rolling Stone and the New York Times.

    Edited by Felix Bartholdy Mendelssohn. Arranged by August Ferdinand Hermann Kretzschmar. For 2 Soprano voices, 2 Alto voices, Tenor voice, and 2 Bass voices (Soli), SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1846. 200 pages. Duration 131 minutes. Published by Serenissima

    He is the heart throb of millions, the possessor of a voice that can melt even the stoniest heart and a soul that's ignited thousands of dancefloor romances.He's the curious enigma who's thrilled us with his sparkling performances on record and video. He's the source of countless rumors and mysteries. He's the innocent Peter Pan of pop who the world has welcomed with open arms. He's the bewildered superstar who lives in fortress-like seclusion. He's the doe-eyed dreamer who lives in a fantasy world of cartoons, animals and mannequins.At 25, he's an award-winning best-selling singer, songwriter, producer, movie-star, dancer, and he's likely to become the biggest star the world has ever known.This is Michael Jackson.

    Revised to include all the songs from the album Stormfront. 59 songs, including: Allentown * It's Still Rock and Roll To Me * Keeping The Faith * The Longest Time * Tell Her About It * Uptown Girl * We Didn't Start The Fire * and more.

    This fourth edition has been updated to feature 150 of the best ballads of all time! Includes: Always on My Mind * Blue Moon * Body and Soul * (They Long to Be) Close to You * Fly Me to the Moon * How Deep Is Your Love * Longer * My Funny Valentine * Some Enchanted Evening * Tears in Heaven * Tenderly * Till There Was You * Yesterday * You Are So Beautiful * and scores more!

    

    Dubal interviews each pianist on matters of technique, performance, and interpretation.

    A compilation of black-and-white photographs chronicles Bruce Springsteen's groundbreaking Darkness on the Edge of Town tour in 1978, which established him as a star.

    This is the story of a self-described "brash young man from Brooklyn" who went on to become a founding father of "serious" American music with works that include "Appalachian Spring, " "Lincoln Portrait, " the movie scores for "Of Mice and Men" and "Our Town, " and numerous orchestral and chamber works. The book charts his early years.The celebrations marking Aaron Copland's centenary will include numerous musical festivals such as the Tanglewood Festival, The New York City Opera, the American Musical Festival, The Library of Congress, and more.

    This laminated reference chart shows fingerings, a notation guide, instrument care tips and an instrument diagram. 9 x 12

    All your favorite piano masterpieces in one convenient collection! This book features solo arrangements of 100 classics by Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Franck, Gounod, Grieg, Handel, Haydn, Mahler, Mendelssohn, Mozart, Pachelbel, Puccini, Tchaikovsky, Verdi, Vivaldi, Wagner, and more!List: Adagio Cantabile Adagio in G Minor Addio, Del Passatto Air Air On The G String Allegro Maestoso Alleluia The Aquarium The Four Seasons ('Autumn') Ave Maria Ave Verum (Jesu, Word of God Incarnate) Barcarolle Bist du bei mir (You Are With Me) By The Beautiful Blue Danube Bridal Chorus Can Can Canon In D Dance Of The Reed-Flutes Dance Of The Sugar Plum Fairy 1812 Overture Eine Kleine Nachtmusik ('Serenade'), First Movement Excerpt Evening Prayer The Evening Star Fingal's Cave Overture The Fledermaus Waltz Funeral March Of A Marionette Fur Elise Gavotte Golliwogg's Cake Walk Gypsy Rondo Habanera Hallelujah Chorus HMS Pinafore, Selected Melodies Humoresque I Know That My Redeemer Liveth In The Hall Of The Mountain King Jerusalem Jesu, Joy Of Man's Desiring La donna e mobile La Fille Aux Cheveux De Lin (The Girl With The Flaxen Hair) Lacrymosa Largo Lullaby (Cradle Song) Mandolin Concerto in C Major Meditation The Merry Widow, Selected Melodies A Midsummer Night's Dream Overture, Excerpt Minuet In G Major The Moldau Morning O Mio Babbino Caro O Soave Fanciulla Ode To Joy Panis Angelicus (O Lord Most Holy) Piano Concerto in A Minor, First Movement Themes Piano Concerto No. 5 in E-flat Major ('Emperor') Piano Concerto No. 21 in C Major ('Elvira Madigan'), Second Movement Excerpt Pie Jesu Pilgrims' Chorus Pizzicato Polka Polovetsian Dances Prelude in A Major, Op. 28, No. 7 Prelude in C Major Prelude In C Minor, Op. 28, No. 20 Prelude in D-flat Major, Op. 28, No. 15 ('Raindrop') Prelude in E Minor, Op. 28, No. 4 Prelude To The Afternoon Of A Faun Quando Men Vo (Musetta's Waltz) Reverie Romeo And Juliet (Love Theme) Rondeau Serenade (Ständchen) Sheep May Safely Graze Sheherazade, Themes from Part 1 The Sleeping Beauty Waltz Solvejg's Song Sonata in C Major, K. 545, First Movement Song Of India The Swan (Le Cygne) Symphony No. 1 in C Minor, Fourth Movement Excerpt Symphony No. 1 in D Major ('Titan') Symphony No. 2 in C Minor ('Resurrection'), Fifth Movement Choral Theme Symphony No. 3 In E-Flat Major ('Eroica') Symphony No. 3 in F Major Symphony No. 4 in E Minor, First Movement Excerpt Symphony No. 5 In C Minor, First Movement Excerpt Symphony No. 6 in B Minor ('Pathetique') Symphony No. 9 in E Minor ('From The New World'), Second Movement Excerpt Symphony No. 94 In G Major ('Surprise'), Second Movement Excerpt Tales From The Vienna Woods Trumpet Tune Turkish March Un Bel Di Vedremo Vienna Life Violin Concerto in D Major, Op. 35, First Movement Excerpt Vissi D'arte Waltz in A-Flat Major, Op. 69, No. 1 Waltz in A-flat Major, Op. 39, No. 15 Wedding March

    A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music.Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called "program music" — i.e., instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets.This Dover edition presents two of the greatest of these "program" pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's "program" for the Symphonie Fantastique.Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance.

    25 classic hits, including: All You Need Is Love * Eight Days a Week * Eleanor Rigby * Help! * Hey Jude * Let It Be * Love Me Do * Penny Lane * She Loves You * We Can Work It Out * Yesterday.

    Here in one convenient volume are all five, reproduced directly from the authoritative Breitkopf and Härtel edition, including most of the composer's own cadenzas.These concertos reveal the steady development of Beethoven's mastery of pianistic and orchestral resources through his early and middle periods. The first two, No. 1 in C Major, Op. 15 (1795), and No. 2 in B-flat Major, Op. 19 (before 1793), reflect the youthful exuberance of Beethoven's earlier style. No. 3 in C Minor, Op. 37 (1800), is "one of the most successful embodiments of Beethoven's "C Minor mood'" (New Grove Dictionary) and No. 4 in G Major, Op. 58 (1805–1806), is considered a milestone in concerto development. No. 5 in E-flat Major, Op. 73 ("Emperor," 1809), clearly illustrates Beethoven's further innovations in concerto structure.Pianists, musicians, conductors, and students seeking to learn more about Beethoven's impact on musical history, and lovers of music in general, will appreciate having these concertos in one handy, inexpensive edition.

    

    Every child's favorite seasonal song can be found in this jolly compilation, from "Here We Come A-Caroling" to "The First Noel" to "Here Comes Santa Claus," and the one-hour CD or cassette can be used to follow along with the book or on its own. No Christmas would be complete without this Yuletide treasure!

    RogersTeaching Approaches in Music Theory emphasizes thoughtful examination and critique of the underlying and often tacit assumptions behind textbooks, materials, and technologies. Consistently combining general methods with specific examples and both philosophical and practical reasoning, Rogers compares and contrasts pairs of concepts and teaching approaches, some mutually exclusive and some overlapping. The volume is enhanced by extensive suggested reading lists for each chapter.

    

    He was a master of instrumentation and symphonic form, composing a total of nine symphonies. His most celebrated work, Symphony No. 9, "From the New World" (composed during Dvořák's three-year stay in America), echoes the folk spirit of his native Czechoslovakia as well as American influences, and is filled with the spontaneous melodic invention, rhythmic variety, and intensity of harmony that characterize his orchestral works.The popular acclaim accorded the symphony "From the New World" tends to overshadow Dvořák's other symphonies, but Grove's Dictionary of Music and Musicians notes the "interesting…form…folk-spirit…virile serenity" of Symphony No. 8. The delightful freshness and uninhibited emotionalism of the composition have contributed to its lasting success. The Dover edition presents both symphonic masterpieces — among the most popular works in the orchestral repertoire — reprinted from authoritative editions in one inexpensive, practical volume.This full-size, easy-to-read score has been printed with generous margins to allow insertion of notes, analyses, etc. The sturdy binding, high quality of reproduction, and affordable price make this volume ideal for musicians, music students, and music lovers in general.

    This second volume of Peter Heyworth's celebrated biography follows the conductor's fortunes from his time as an �migr� in the United States to his final years as conductor of the Philharmonia Orchestra of London. His time in America was frustrating and unhappy. He became chief conductor of the Los Angeles Philharmonic, but failed to secure important engagements on the East Coast. Bedevilled by manic depression, his euphoric moods led to wild escapades, on one occasion finding him in police cells. Returning to Europe in 1946, he found work at the Budapest State Opera until Stalin's grip forced him away. In the fifties he found work where he could, suffering illness, accidents and depression. Finally, he was given a contract with EMI and his concerts and recordings with the Philharmonia brought, at last, the worldwide recognition that had so long eluded him. The two volumes are also available as a set.

    

    This fifth edition has been completely revised and now includes over 820 standards from 260 shows. Perfect for professional gigging musicians or hobbyists who simply want all their favorites in one collection! Songs include: Ain't Misbehavin' * All I Ask of You * And All That Jazz * And I Am Telling You I'm Not Going * Another Op'nin', Another Show * Another Suitcase in Another Hall * At the Ballet * Any Dream Will Do * Beauty and the Beast * Before the Parade Passes By * Big Girls Don't Cry * Bring Him Home * Capped Teeth and Caesar Salad * Castle on a Cloud * A Change in Me * Circle of Life * Close Every Door to Me * The Color Purple * Comedy Tonight * Consider Yourself * Don't Cry for Me Argentina * Edelweiss * Footloose * Getting to Know You * Hakuna Matata * Heat Wave * Hello, Dolly! * I Wanna Be a Producer * I'm Not Wearing Underwear Today * If I Said I Loved You * The Impossible Dream (The Quest) * It Only Takes a Moment * The Light in the Piazza * Love Changes Everything * Mama, I'm a Big Girl Now * Mama Who Bore Me * Mamma Mia * Memory * My Junk * On My Own * People * Popular * Prepare Ye (The Way of the Lord) * Seasons of Love * Seventy Six Trombones * The Song That Goes like This * Springtime for Hitler * The Surrey with the Fringe on Top * There Is Nothin' like a Dame * Tomorrow * Transylvania Mania * Try to Remember * and hundreds more!

    Particularly noteworthy is the systematic presentation of chords in all positions in both hands. Titles: America the Beautiful * Arkansas Traveler * The Battle Hymn of the Republic * Black is the Color of My True Love's Hair * Brahms Lullaby * Canon in D (Pachelbel) * Deep River * Down in the Valley * Farewell to Thee (Aloha Oe) * Fascination * A Festive Rondeau * Frankie and Johnnie * The Hokey-Pokey * The House of the Rising Sun * Introduction and Dance * La Cucaracha * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * The Marriage of Figaro * Morning Has Broken * Musetta's Waltz * Musette * Night Song * Nobody Knows the Trouble I've Seen * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Roman Holiday * Sakura * Scherzo * Space Shuttle Blues * Swingin' Sevenths * Theme from Symphony No. 6 (Tchaikovsky) * Tumbalalaika * Village Dance * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart

    Whimsical animals introduce children--and fun loving adults --to all instruments.

    This book draws upon many traditional disciplines that deal with specific aspects of sound, and presents material within an interdisciplinary framework. It establishes a model for understanding all acoustic and aural experiences both in their traditional forms and as they have been radically altered in the 20th century, Digital technology has completely redefined the listening and consumption patterns of sound. We are now able to benefit from the march of technology via a companion CD-ROM, which accompanies this volume for the first time.

    Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.

    In this analytical study of eighteen important works by Brahms, Walter Frisch makes skillful use of Schoenberg's provocative concept of "developing variation." Frisch traces a genuine evolution through Brahms's compositions; he considers their relationship not only to each other, but also to significant works by Beethoven, Schubert, Schumann, Liszt, and Schoenberg.

    As he traces its roots and branches in string bands, bluegrass, western swing, singing cowboys, rockabilly, honky-tonk, the Nashville sound, and the modern-day "outlaw", Morthland shows how country music shaped America, and how America shaped it.

    Now this unique collection presents the words and music of more than one hundred of the songs he has performed. From Paddy on the Road (1969) and Prosperous (1971), throught the Planxty and Moving Hearts albums and back to his solo career with The Time Has Come (1983) and Rode On (1984), Christy Moore's music has always been innovative, influential and entertaining."Christy Moore is the most successful solo artist in Irelaend." In Dublin magazine

    When Little Richard burst onto the scene in the early 1950s, he sounded like nothing on earth. Drenched in sweat, screaming, hollering and pumping his piano, his stage act was so explosive that for years people assumed the real man could never match the flamboyant public image. Then came Charles White's sensational book exposing the even more astonishing life and times of Richard Wayne Penniman from Georgia.Little Richard made himself a star through sheer force of personality, breaking racial and sexual taboos on his way to becoming the primal force of Fifties rock 'n' roll. Elvis Presley called him 'the greatest'. Otis Redding called him his 'inspiration' and James Brown called him his idol. Charles White is the only author to have captured the true energy of Little Richard. Using Richard's own words, White chronicles a staggering career that spanned the very rules of rock 'n' roll, the rise of The Beatles, tussles with God and The Devil and an erratic series of comebacks. Illustrated with pictures from Little Richard's own archive and including a comprehensive discography.

    

    100 black and white and 100 full-color photographs.

    The Technic Books provide reading and rhythm drills and exercises perfectly paced with each Lesson Book in Alfred's Basic Piano Library to improve musicianship and develop coordination of the hands.

    The most comprehensive and complete scale book written especially for the guitar. Divided into four main sections: 1) Fretboard Visualization, the breaking down of the whole into parts; 2) Scale Terminology - a thorough understanding of whole and half steps, scale degrees, intervals, etc.; 3) Scales And Modes - the rear of the book covers every scale you will ever need with exercises and applications; 4) Scale To Chord Guide - ties it all together, showing what scale to use over various chords.

    20 studies for the classical guitar written by Beethoven's contemporary, Fernando Sor. Revised, edited and fingered by the great classical guitarist Andres Segovia. These essential repertoire pieces continue to be used by teachers and students to build solid classical technique.

    Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.

    This edition of the highly acclaimed method features extensive editorial notes by Lucas Drew, in both English and Japanese. An indispensable resource for students of the bass.

    

    Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.

    A massive collection of 73 songs, including a foreword by Dorothy Rodgers and indexes by show title and song title. Songs include: Bewitched * Blue Moon * Ev'rybody Loves You * Falling in Love With Love * Have You Met Miss Jones? * I Could Write a Book * I Didn't Know What Time It Was * Isn't It Romantic? * The Lady Is a Tramp * Manhattan * The Most Beautiful Girl in the World * My Funny Valentine * My Romance * Sentimental Me * There's a Small Hotel * Thou Swell * You Took Advantage of Me * and more. Selections range from their most popular productions to some never-before published material a real collector's item! 288 pages.

    A compilation of 15 years of teaching jazz keyboard at several universities. The book also contains a Teacher's Supplement. Usable for classroom or individual study. If you are a pianist, or arrange, compose, accompany, play any instrument, read fake books, coach groups, teach or earn a living in the music field, you need this 64-page book.

    

    

    In 1888 Grieg arranged four pieces from his incidental music for Ibsen's verse drama Peer Gynt to form an orchestral suite (Op. 46). This was followed in 1891 by a second orchestral suite (Op. 55) again comprising 4 pieces. Both suites quickly became established in the concert repertoire and contributed significantly to Grieg's international fame. He made piano arrangements of both suites and published them simultaneously with the orchestral suites in 1888 and 1893. Grieg subsequently made further adjustments in the piano pieces: shortening some, for example "Morning," and expanding others like "The Death of Ase." Overall, Grieg reduces the dramatic orchestral conception in favour of a more intimate expression and more restrained effects. Suite 1: Morning-mood * The death of Ase * Anitra's dance * In the Hall of the Mountain King * Suite 2: Ingrid's Lament * Arabian Dance * Peer Gynt's Return Home * Solvejgs Song.

    There are also instructions on how to create your own flamboyant hats, hairstyles and, in the last part of the book, illustrated expert tips on make-up.

    

    Prerequisite is the knowledge of common chord types. The book provides information on the application of chords and the principles of chord functions and substitutions.

    

    

    In writing for the orchestra, Brahms's independent approach brought unusual dramatic power and intensity to his compositions. Those qualities are strikingly evident in three of the most popular and most frequently performed works in the orchestral repertoire, reproduced here in full score: Academic Festival Overture, Tragic Overture, and Variations on a Theme by Joseph Haydn.This volume reprints, complete and unabridged, the scores of all three orchestral works from the authoritative Breitkopf & Härtel edition, still considered the standard source for the music of Brahms. Included is a new English translation of the Editor's Commentary, which also appears in the original German.The Academic Festival Overture, built upon German student songs, is, according to Grove's Dictionary of Music and Musicians, "a very successful and individual pièce de circonstance," while the Tragic Overture is described as "a gloomy and impressive movement, full of that peculiar sense of foreboding that so many composers … have associated with the key of D minor." Variations on a Theme by Joseph Haydn is renowned for its spontaneity, melodic invention, and delightfully varied orchestral coloring.Students, composers, and musicologists will find the handy, inexpensive volume of Brahms's great orchestral favorites a valuable addition to their music libraries and an indispensable reference.

    Traditional passages from the Gospels of Luke and Matthew are presented in recitative, interspersed with arias and choruses that provide powerful emotional and contemplative responses to the story.Among the most famous segments of the Christmas Oratorio are the great opening chorus, "Jauchzet, frohlocket!" the beautiful pastoral Sinfonia, the bass aria "Grosser Herr, und starker König," the alto aria "Schlafe, mein Liebster" and the closing chorus, "Nun seid ihr wohl gerochen." This masterpiece of sacred music, for centuries a favorite of concert audiences and church congregations throughout the Christmas season, has been reproduced directly from the authoritative Bach-Gesellschaft edition published by Breitkopf & Härtel.

    Successful author and songwriter, Davis provides a complete guide to writing words for and to music, showing how to create lyrics with universal appeal.

    Over 200 great songs arranged for the five-string banjo complete with lyrics for each song. Includes folk songs, sentimental favorites, songs of the sea, fiddle tunes, and much more. Spiral bound. Songs include: Home on the Range * On Top of Old Smoky * She'll Be Comin' Round the Mountain * You Are My Sunshine * Polly Wolly Doodle * Little Liza Jane * Yankee Doodle * The Wabash Cannonball * Go Tell Aunt Rhody * Buffalo Gals * Skip to My Lou * Loch Lomond * What Do You Do with a Drunken Sailor? * The Camptown Races * Oh! Susanna * Ring, Ring the Banjo * Bill Bailey * Simple Gifts * and many more.

    

    Examines the development in New York City of a Black culture centered around break dancing, graffiti art, and rap songs

    

    

    All headings, footnotes translated to English. Best one-volume edition available.

    When blues first reached a large audience it was through the 'Race records' issued specifically for black purchasers in the 1920s. Blues South have been extensively discussed by many writers. Paul Oliver shows that this emphasis has drawn attention away from the other important vocal traditions also available on Race records: the songs of Southern rural dances, the comic and social songs and ballads of the medicine shows and travelling entertainments, and, even more neglected, the sacred vocal traditions, from the song-sermons of the Baptist and Sanctified preachers to the gospel songs of the church congregations and of the 'jack-leg' preachers and street evangelists. Over 500 artists and 700 song titles are indexed and there is a guide to reissued recordings.

    The Eulenburg Audio+Score Series covers more than 200 years of the world's favorite classical music. Each of the 50 volumes consists of a clearly-presented and authoritative musical score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear, read, and understand music for everyone from the casual music lover to the expert enthusiast. Each volume includes a study score of the music with an informative article and a CD with a complete recording of the featured piece.

    

    Songs include: Chim Chim Cher-ee * Supercalifragilisticexpialidocious * A Spoonful of Sugar * and more.