Black-&-white illustrations throughout.IntroductionSentences & what we mean by them Words & what kinds of words they areNouns Verbs VerbalsMore on verbs Adjectives & adverbsPronouns Arriving at agreementsPhrases Clauses FragmentsComma splicesThe creation of sentences

    In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing. And he wrote as well and as incisively about the subject as any writer who ever lived…This book contains Hemingway’s reflections on the nature of the writer and on elements of the writer’s life, including specific and helpful advice to writers on the craft of writing, work habits, and discipline. The Hemingway personality comes through in general wisdom, wit, humor, and insight, and in his insistence on the integrity of the writer and of the profession itself.—From the Preface by Larry W. Phillips

     The essential source book for every romantic novelist, this helpful guide contains over 3,000 descriptive tags all arranged for quick, easy reference. Now you too can add life and breath to any romantic novel. The Romantic Writer's Phrase Book neatly organizes these tags into fifty easy-to-use categories, including: physical description, body movements, facial expressions, eyes, voices, emotions, and sex. Guaranteed to stimulate the imagination and make your manuscript a resounding success.

    The text's five units include chapters on the writing process, paragraph organization and development, the shape of the essay, all the rhetorical modes, and all the sentence skills. The writing chapters are fully process-oriented, showing the development of a paragraph in six steps, from planning and outlining through drafting, revising, editing, and proofreading. For all students, but especially for visual learners, the popular "Blueprints for Writing" in the rhetorical chapters offer models and concrete guidance, as do "Templates," which, new this edition, help students structure sentences and transitions. This focus on writing is balanced with equal attention to sentence skills, not only for native speakers of English who need help, but for non-English-dominant speakers as well.

      John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.

    

    Collections of interviews with notable modern writers

    Successful author and songwriter, Davis provides a complete guide to writing words for and to music, showing how to create lyrics with universal appeal.

    Kilpatrick, "good, better, and best." With the experience of a lifetime of writing, he tells us, he wants to make a few judgment calls. And Jack Kilpatrick, master of the art, is as good as his word. In the tradition of Theodore Bernstein, Edwin Newman, and William Safire, James J. Kilpatrick gives us a finely crafted, witty guide to writing well. Written for laymen and professionals alike, The Writer's Art highlights techniques and examples of good writing. A section of the book called "My Crotchets and Your Crotchets" comprises more than 200 personal judgment calls, often controversial, often funny, on word usage.

    H. Auden as the kind of critic every poet dreams of finding. Though published independently over many years, each of the essays in this collection asks how a poet's words reveal the force ofpoetry, that force--in Dr Johnson's words--which calls new power into being, which embodies sentiment, and animates matter. The poets covered range from John Gower, Marvell, and Milton to Wordsworth, Empson, Stevie Smith, Lowell, and Larkin, and the book contains four wider essays on clich�s, lies, misquotations, and American English.