A century later—1951—and about a hundred and fifty miles away, another war began when the U. S. government started setting off nuclear bombs at the Nevada Test Site, in what was called a nuclear testing program but functioned as a war against the land and people of the Great Basin. Savage Dreams is an exploration of these two landscapes. Together they serve as our national Eden and Armageddon and offer up a lot of the history of the west, not only in terms of Indian and environmental wars, but in terms of the relationship between culture—the generation of beliefs and views—and its implementation as politics.

    soldiers, without insulating himself with flak jackets and armored SUVs—where no one else would go (except, of course, Afghans). He made two long trips: the first in the wake of 9/11, and the next ten years later to see what a decade of U.S. occupation had wrought. On the first trip, he shouted his dispatches into a satellite phone provided by a Los Angeles radio station, attempting to explain that the booming in the background—and sometimes the foreground—were the sounds of an all-out war that no one at home would entirely own up to. Ten years later, the alternative newspapers and radio station that had financed his first trip could no longer afford to send him into harm's way, so he turned to Kickstarter to fund a groundbreaking effort to publish online a real-time blog of graphic journalism (essentially, a nonfiction comic) documenting what was really happening on the ground, filed daily by satellite. The result of this intrepid reporting is After We Kill You, We Will Welcome You Back as Honored Guests—a singular account of one determined journalist's effort to bring the realities of life in twenty-first-century Afghanistan to the world in the best way he knows how: a mix of travelogue, photography, and award-winning comics.

    Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

    The Long Pursuit tells the dramatic story of how these two radically different individuals rose to the top rung of American politics, and how their personal rivalry shaped and altered the future of the nation during its most convulsive era. Indeed, had it not been for Douglas, who served as Lincoln's personal goad, pace horse, and measuring stick, there would have been no Lincoln-Douglas debates in 1858, no Lincoln presidency in 1860, and perhaps no Civil War six months later. For both men—and for the nation itself—the stakes were that high.Not merely a detailed political study, The Long Pursuit is also a compelling look at the personal side of politics on the rough-and-tumble western frontier. It shows us a more human Lincoln, a bare-knuckles politician who was not above trading on his wildly inaccurate image as a humble "rail-splitter," when he was, in fact, one of the nation's most successful railroad attorneys. And as the first extensive biographical study of Stephen Douglas in more than three decades, the book presents a long-overdue reassessment of one of the nineteenth century's more compelling and ultimately tragic figures, the one-time "Little Giant" of American politics.

    Here is the plan. The plan is illustrated. The plan is quite complicated. But not too complicated. I think you will be thrilled by it. I am certain you will be thrilled by it.No need to read massive volumes or use the internetJUST READ THISONLY THIS

    These other subjects include...Caffeine | Ghostbusters | Being Poor | Twitter | Caravans | Obama | Wales | Paul McCartney | The Welfare State | Sherlock | David Cameron Looking Like Ham | Amy Winehouse | ‘The Big Society’ | Big Hair | Nutter-letters | Michael Jackson's funeral | Failed Nicknames | Wolverhampton | Squirrels’ Testicles | Sexy Tax | Binge-drinking | Chivalry | Rihanna’s Cardigan | Party Bags | Hot People| Transsexuals | The Gay Moon Landings

    The Spanish Civil War inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause—defending democracy from fascism at a time when Europe was darkening toward another world war—and the brutality of the conflict drew from them some of their best work: Guernica, For Whom the Bell Tolls, Homage to Catalonia, The Spanish Earth.The war spurred breakthroughs in military and medical technology as well. New aircraft, new weapons, new tactics and strategy all emerged in the intense Spanish conflict. Indiscriminate destruction raining from the sky became a dreaded reality for the first time. Progress also arose from the horror: the doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and front-line blood transfusion. In those ways, and in many others, the Spanish Civil War served as a test bed for World War II, and for the entire twentieth century. From the life of John James Audubon to the invention of the atomic bomb, readers have long relied on Richard Rhodes to explain, distill, and dramatize crucial moments in history. Now, he takes us into battlefields and bomb shelters, into the studios of artists, into the crowded wards of war hospitals, and into the hearts and minds of a rich cast of characters to show how the ideological, aesthetic, and technological developments that emerged in Spain changed the world forever.

    It is a frosty April evening in occupied Belgium when a beautiful young woman finds herself on the run from the enemy. Also being pursued is Ned Scott, a British army major who has been badly injured. The pair find themselves at a hospital run by the famous Edith Cavell, who agrees to treat the major while offering them both refuge and a false identity - she names the young girl Anna.However it seems no one is safe, and as details of Anna's true identity emerge, the enemy's net tightens. Meanwhile, the major is torn between his desire to stand by brave Edith and the knowledge that he must escape.Closely watched wherever they go, is there anyone these three people can trust? And will love have the power to overcome the horrors of war?

     Since its debut, The New York Times' acclaimed web journal entitled 'Disunion' has published hundreds of original articles and won multiple awards, including "Best History Website" from the New Media Institute and the History News Network. Following the chronology of the secession crisis and the Civil War, the contributors to Disunion, who include modern scholars, journalists, historians, and Civil War buffs, offer contemporary commentary and assessment of the Civil War as it unfolded chronologically. Now, this commentary has been gathered together and organized in one volume. In The New York Times: Disunion, historian Ted Widmer has curated more than 100 articles that span events beginning with Lincoln's presidential victory through the Emancipation Proclamation. Topics include everything from Walt Whitman's wartime diary to the bloody guerrilla campaigns in Missouri and Kansas. Esteemed contributors include William Freehling, Adam Goodheart, and Edward Ayers, among others. The book also compiles new essays that have not been published on the Disunion site by well-known historians such as David Blight, Gary Gallagher, and Drew Gilpin Faust. Topics include the perspective of African-American slaves and freed men on the war, the secession crisis in the Upper South, the war in the West (that is, past the Appalachians), the war in Texas, the international context, and Civil War-era cartography. Portraits, contemporary etchings, and detailed maps round out the book.

    Originally published by Palliard Press.

    . . In this evocative study a remarkable woman, creator of the ‘first lady' role, comes vividly to life."—The New York TimesWhen the roar of the Revolution had finally died down, a new generation of politicians was summoned to the Potomac to assemble the nation's capital. Into that unsteady atmosphere—which would soon enough erupt into another conflict with Britain—Dolley Madison arrived, alongside her husband, James. Within a few years, she had mastered both the social and political intricacies of the city, and by her death in 1849 was the most celebrated person in Washington. And yet, to most Americans, she's best known for saving a portrait from the burning White House.Why did her contemporaries so admire a lady so little known today? In A Perfect Union, acclaimed historian Catherine Allgor reveals how Dolley manipulated the contstraints of her gender to construct an American democratic ruling style and to achieve her husband's political goals. By emphasizing cooperation over coercion—building bridges instead of bunkers—she left us with not only an important story about our past but a model for a modern form of politics.

    Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology’s contributors comprise a diverse group of many ages, sexual orientations, and races—and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace. With a percentage of profits going to RAINN, Drawing Power is an anthology that stokes the fires of progressive social upheaval, in the fight for a better, safer world. Full list of contributors: Rachel Ang, Zoe Belsinger, Jennifer Camper, Caitlin Cass, Tyler Cohen, Marguerite Dabaie, Soumya Dhulekar, Wallis Eates, Trinidad Escobar, Kat Fajardo, Joyce Farmer, Emil Ferris, Liana Finck, Sarah Firth, Mary Fleener, Ebony Flowers, Claire Folkman, Noel Franklin Katie Fricas, Siobhán Gallagher, Joamette Gil, J. Gonzalez-Blitz, Georgiana Goodwin, Roberta Gregory, Marian Henley, Soizick Jaffre Avy Jetter, Sabba Khan, Kendra Josie Kirkpatrick, Aline Kominsky-Crumb, Nina Laden, Miss Lasko-Gross, Carol Lay, Miriam Libicki Sarah Lightman, LubaDalu, Ajuan Mance, MariNaomi, Lee Marrs, Liz Mayorga, Lena Merhej, Bridget Meyne, Carta Monir, Hila Noam Diane Noomin, Breena Nuñez, Meg O’Shea, Corinne Pearlman, Cathrin Peterslund, Minnie Phan, Kelly Phillips, Powerpaola, Sarah Allen Reed, Kaylee Rowena, Ariel Schrag, M. Louise Stanley, Maria Stoian, Nicola Streeten, Marcela Trujillo, Carol Tyler, Una, Lenora Yerkes, Ilana Zeffren

    For months now, Monique doesn’t know who she is anymore.Monique is living under a false identity in German-occupied Paris. No one knows that she is Jewish.Since last summer, Monique has been involved with a Nazi officer, and she knows that she will pay with her life if anyone discovers her secret, but she has no other choice.In the days leading to Christmas, Monique and Herr Ernest, the German officer she lives with, are preparing for a German officers’ reception which they plan to attend. Monique ardently continues to hide her secret. Still, she can’t ignore the signs of her past, and as the evening of the reception progresses, Monique finds it increasingly difficult to keep her true identity a secret, fearing that some may suspect her of hiding something.Monique must keep her secret, but can she continue to deny her identity and heritage?With the backdrop of illuminated Christmas trees and Hanukkah candles, Alex Amit’s short story illuminates the simple and extraordinary acts of courage by a young woman, fighting for her life and identity during those dark and dreadful days, and continuing to believe that next year will bring with it winds of change and hope.

    Whether playing the online dating game, trying couples therapy, dealing with uncooperative children, discovering the melancholy of middle age, dreaming of a better life, or finally grasping the golden (or at least bronze) ring, these chickens encounter everyday troubles and triumphs as painfully recognizable as they are hilarious. Clever, charming, and endlessly entertaining, Going for the Bronze is a brilliant follow-up to a wholly unique bestseller.

    Pragmatic utopian and practical visionary, Jefferson was one of the most creative men who ever lived. He penned the thirty-five most revolutionary words in the history of the English language: "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness." Humanities scholar Clay Jenkinson has written a bold call for a Jeffersonian renewal in America. "We need the Sage of Monticello's vision as we begin what is the most difficult periods of American history." The Jeffersonian consists of self-reliance, an uncompromising dedication to liberty (over security, profit, comfort, and tradition), an unambiguous wall of seperation between church and state, first-rate public education, thoughtfulness and diffidence about America's place in the world, and a commitment to civility. Jefferson brought genius (not to mention reason, good sense, and idealism) to whatever he undertook, and he believed that the purpose of America was not to seek glory and profit in the world's arena, but to build a nation of equality, justice, and cultural achievement. Becoming Jefferson's People is part manifesto, part call for a new political persuasion in the United States, part self-help book, and part critique of the consumerist world empire that the United States has become at the beginning of the twenty-first century.