The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

    Recorded over a series of 30 hours of conversation between Simon, Gladwell, and Gladwell’s oldest friend and co-writer, journalist and Broken Record podcast co-host Bruce Headlam, the conversation flows from Simon’s music, to his childhood in Queens, NY, to his frequent collaborators including Art Garfunkel and the nature of creativity itself. Gladwell and Headlam traveled from the mountains of Hawaii to Simon’s own backyard studio to record an artist they’ve idolized since childhood. Woven throughout the audiobook is distinctive commentary about Simon’s songwriting alongside archival audio footage and never-before-heard live studio versions and original recordings of beloved hits including “The Boxer", “The Sound of Silence", and “Graceland”. Between conversations, Gladwell deploys his signature blend of historical research and social science in an attempt to understand how a boy from 1940s Queens conjured near-perfect songs over an incredible 65-year career. Along the way, he gathers reflections on Simon’s particular genius from the likes of Sting, Herbie Hancock, Renee Fleming, Jeff Tweedy, Aaron Lindsey, and Roseanne Cash.The result is an intimate audio biography of one of America’s most popular songwriters. Brimming with music and conversation, Miracle and Wonder is a window into Simon’s legendary career, what it means to be alive as an artist, and how to create work that endures.

    Spanning two alphabetically arranged volumes, these commentaries reveal how the songs came to be and the people who inspired them: his devoted parents, Mary and Jim; his songwriting partner, John Lennon; his “Golden Earth Girl,” Linda Eastman; his wife, Nancy McCartney; and even Queen Elizabeth, among many others. Here are the origins of “Let It Be,” “Lovely Rita,” “Yesterday,” and “Mull of Kintyre,” as well as McCartney’s literary influences, including Shakespeare, Lewis Carroll, and Alan Durband, his high-school English teacher.With images from McCartney’s personal archives—handwritten texts, paintings, and photographs, hundreds previously unseen—The Lyrics, spanning sixty-four years, becomes the definitive literary and visual record of one of the greatest songwriters of all time.

    After indie favorite Nirvana catapulted into the mainstream with its unexpected phenomenon, Nevermind, rebellion was suddenly en vogue. Looking to replicate the band’s success, major record labels set their sights on the underground, and began courting punk’s rising stars. But the DIY punk scene, which had long prided itself on its trademark authenticity and anti-establishment ethos, wasn’t quite ready to let their homegrown acts go without a fight. The result was a schism: those who accepted the cash flow of the majors, and those who defiantly clung to their indie cred.   In Sellout, seasoned music writer Dan Ozzi chronicles this embattled era in punk. Focusing on eleven prominent bands who made the jump from indie to major, Sellout charts the twists and turns of the last “gold rush” of the music industry, where some groups “sold out” and rose to surprise super stardom, while others buckled under mounting pressures. Sellout is both a gripping history of the music industry’s evolution, and a punk rock lover’s guide to the chaotic darlings of the post-grunge era, featuring original interviews and personal stories from members of modern punk’s most (in)famous bands:Green DayJawbreakerJimmy Eat WorldBlink-182At the Drive-InThe DonnasThursdayThe DistillersMy Chemical RomanceRise AgainstAgainst Me!

    From beloved indie musician Andrew McMahon comes a searingly honest and beautifully written memoir about the challenges and triumphs of his childhood and career, as seen through the lens of his personal connection to three pianos.

    After enduring seventeen years of abuse and neglect, Bobby ran away from home and—with nothing more than a discarded laptop and a ninth-grade education—he found his voice in the world of hip-hop and a new home in a place he never expected: the untamed and uncharted wilderness of the social media age.In the message boards and livestreams of this brave new world, Bobby became Logic, transforming a childhood of violence, anger, and trauma into music that spread a resilient message of peace, love, and positivity. His songs would touch the lives of millions, taking him to dizzying heights of success, where the wounds of his childhood and the perils of Internet fame would nearly be his undoing.A landmark achievement in an already remarkable career, This Bright Future looks back on Bobby’s extraordinary life with lacerating humor and fearless honesty. Heart-wrenching yet ultimately uplifting, this book completes the incredible true story and transformation of a human being who, against all odds, refused to be broken.

    The last person to touch it was Nina Simone, her saliva and fingerprints unsullied. The idea that it was still in her towel was something I had drawn strength from. I thought each time I opened it some of Nina Simone's spirit would vanish. In many ways that thought was more important than the gum itself.On Thursday 1 July, 1999, Dr Nina Simone gave a rare performance as part of Nick Cave's Meltdown Festival. After the show, in a state of awe, Warren Ellis crept onto the stage, took Dr Simone's piece of chewed gum from the piano, wrapped it in her stage towel and put it in a Tower Records bag. The gum remained with him for twenty years; a sacred totem, his creative muse, a conduit that would eventually take Ellis back to his childhood and his relationship with found objects, growing in significance with every passing year.

    She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

    This is Beginner's Mind, Ma’s extraordinary addition to Audible’s Words + Music series, blending vivid personal memoir and breathtaking exclusive performances with indelible lessons gained over a lifetime pursuing meaning, connection, and shared purpose.Beginner's Mind continues Ma’s passionate exploration of culture’s role in helping us to imagine and build a better future, asking each of us "to strip away preconceptions and reclaim a beginner's mind…one open to new questions, new connections, new explorations, and unexpected answers." As Ma tracks his own profound journey through "four stories of beginnings," listeners gain insight into his past and discover how the cultural visionary continues to find hope in the endless possibility of human curiosity, creativity, and collaboration.Beginner's Mind joins Audible’s ongoing Words + Music series, providing an outlet for musical icons to defy traditional formats with an innovative, and unprecedented approach to musical storytelling and personal expression.©2021 Yo-Yo Ma (P)2021 Audible Originals LLC

    Renegades: Born in the USA is a candid, revealing, and entertaining dialogue between President Barack Obama and legendary musician Bruce Springsteen that explores everything from their origin stories and career-defining moments to our country’s polarized politics and the growing distance between the American Dream and the American reality. Filled with full-color photographs and rare archival material, it is a compelling and beautifully illustrated portrait of two outsiders—one Black and one white—looking for a way to connect their unconventional searches for meaning, identity, and community with the American story itself. It includes:• Original introductions by President Obama and Bruce Springsteen• Exclusive new material from the Renegades podcast recording sessions• Obama’s never-before-seen annotated speeches, including his “Remarks at the 50th Anniversary of the Selma to Montgomery Marches”• Springsteen’s handwritten lyrics for songs spanning his 50-year-long career• Rare and exclusive photographs from the authors’ personal archives• Historical photographs and documents that provide rich visual context for their conversation In a recording studio stocked with dozens of guitars, and on at least one Corvette ride, Obama and Springsteen discuss marriage and fatherhood, race and masculinity, the lure of the open road and the call back to home. They also compare notes on their favorite protest songs, the most inspiring American heroes of all time, and more. Along the way, they reveal their passion for—and the occasional toll of—telling a bigger, truer story about America throughout their careers, and explore how our fractured country might begin to find its way back toward unity and global leadership.

    Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jackson’s documentary feature film, The Beatles: Get Back.The book opens in January 1969, the beginning of The Beatles’ last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.The Beatles: Get Back tells the story of those sessions through transcripts of the band’s candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions―Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson’s documentary is also drawn.Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.

    He is Tyler James, Amy’s best friend from the age of thirteen. They met at stage school as two insecure outsiders, formed an instant connection and lived together from their late teenage years right up until the day she died, aged just twenty-seven.Tyler was there by her side through it all. From their carefree early years touring together to the creation of the multiple Grammy-winning Back To Black, which she wrote on their kitchen floor. From her volatile marriage to Blake Fielder-Civil through her escalating addictions, self-harm and eating disorders as the toxic nature of fame warped Amy’s reality. For the last three years of her life, Tyler was with her every day when she’d beaten drugs and was close to beating alcoholism too. He also knew better than anyone the real Amy Winehouse who the tabloid-reading public rarely saw – the hilarious, uncompromising force-of-nature busy taking care of everyone else.We all think we know what happened to Amy Winehouse, but we don’t. This definitive insider’s story tells us all, finally, the truth.

    But now, after fifty years, The Doors’ notoriously quiet guitarist is finally breaking his silence to set the record straight.Through a series of vignettes, Robby Krieger takes readers back to where it all happened: the pawn shop where he bought his first guitar; the jail cell he was tossed into after a teenage drug bust; his parents’ living room where his first songwriting sessions with Jim Morrison took place; the empty bars and backyard parties where The Doors played their first awkward gigs; the studios where their iconic songs were recorded; and the many concert venues that erupted into historic riots. SET THE NIGHT ON FIRE is packed with never-before-told stories from The Doors’ most vital years, and offers a fresh perspective on the most infamous moments of the band’s career.Krieger also goes into heartbreaking detail about his life’s most difficult struggles, ranging from drug addiction to cancer, but he balances out the sorrow with humorous anecdotes about run-ins with unstable fans, famous musicians, and one really angry monk. SET THE NIGHT ON FIRE is at once an insightful time capsule of the ‘60s counterculture, a moving reflection on what it means to find oneself as a musician, and a touching tale of a life lived non-traditionally. It’s not only a must-read for Doors fans, but an essential volume of American pop culture history.

    Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day.Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn't until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination.In Saved by a Song, Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.

    The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.

    At 5' 11' (8 stone, 32 inch chest, 27 inch waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, John Cooper Clarke is instantly recognisable. As a writer his voice is equally unmistakable.This memoir covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from all the great punks to Bernard Manning, and on to more recent fans and collaborators Alex Turner and Plan B. John also reveals his boggling encyclopaedic knowledge of 20th-century popular culture, from Baudelaire to Coronation Street. Inimitable and iconic, his book will be a joy for lifelong fans and for a whole new generation.

    As the founder of Mötley Crüe, who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world. Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time but deeply troubled. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid—hunting, fishing, chasing girls, and playing football—but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle—the president of Capitol Records—for a short time. But there was no easy path to the top. He was soon on his own. There were dead-end jobs: dipping circuit boards, clerking at liquor and record stores, selling used light bulbs, and hustling to survive. But at night, Frank honed his craft, joining Sister, a band formed by fellow hard-rock veteran Blackie Lawless, and formed a group of his own: London, the precursor of Mötley Crüe. Turning down an offer to join Randy Rhoads’s band, Frank changed his name to Nikki London, Nikki Nine, and, finally, Nikki Sixx. Like Huck Finn with a stolen guitar, he had a vision: a group that combined punk, glam, and hard rock into the biggest, most theatrical and irresistible package the world had ever seen. With hard work, passion, and some luck, the vision manifested in reality—and this is a profound true story finding identity, of how Frank Feranna became Nikki Sixx. It's also a road map to the ways you can overcome anything, and achieve all of your goals, if only you put your mind to it.

    Following his bestselling memoir, It’s a Long Story, Willie Nelson now delivers his most personal and intimate thoughts and stories in Willie Nelson's Letters to America. From his opening letter “Dear America” to his “Dear Willie” epilogue, Willie digs deep into his heart and soul--and his music catalog--to lift us up in difficult times, and to remind us of the endless promise and continuous obligations of all Americans--to themselves, to one another, and to their nation.In a series of letters straight from the heart, Willie sends his thanks and his thoughts toAmericans past, present, and future,his closest family members, andhis personal heroes, from our founding fathers to the leaders of future generations.Willie’s letters are rounded out with the moving lyrics to some of his most famous and insightful songs, including “Let Me Be a Man,” “Family Bible,” “Summer of Roses,” “Me and Paul,” and “Yesterday's Wine.”

    In Major Labels, Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music--as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble.Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

    Unwavering integrity. Billie Joe Armstrong isn’t the first punk to negotiate mainstream success, but he might be its most undisguised example. In Welcome to my Panic, Green Day’s iconic front man holds nothing back as he tracks listeners though his deeply personal and artistic journey in raw detail.Matching his emotional storytelling with new, exclusive, recordings of Green Day’s biggest hits including "Basket Case," "Good Riddance," "Wake Me Up When September Ends," and "American Idiot," Armstrong chronicles the seminal moments in his life: the trauma and triumphs that have come to define him. As we listen, Billie Joe reminds us punk rock is not about how hard you can play, but how hard you can remain yourself.©2021 Billie Joe Armstrong (P)2021 Audible Originals LLCAbout the Creator and PerformerBillie Joe Armstrong is the frontman and guitarist for four-time Grammy award-winning rock band Green Day. Originally hailed as punk revivalists blindsiding the mainstream from the margins, Green Day has become one of rock’s sturdiest institutions, a band whose sound threads the three-chords-and-a-head-rush excitement that runs through everything from East Bay punk, power pop, 60s garage, and hard rock. The band, inducted into the Rock & Roll Hall of Fame in 2015, has released thirteen studio albums to date, including the Diamond-selling Dookie, the punk rock opera album turned Broadway musical American Idiot, and their latest album Father of All… which debuted at number one on the Billboard Top Rock Albums chart and number four on the Billboard 200, resulting in the band’s eleventh US top-10 album.Outside of Green Day, Billie Joe also fronts The Foxboro Hot Tubs, The Longshot, and The Coverups. In 2013, he teamed with jazz singer and pianist Norah Jones in a project to re-create the classic 1958 Everly Brothers album Songs Our Daddy Taught Us that they titled Foreverly. In early 2020 Armstrong launched the No Fun Mondays series in quarantine, released as an LP later that year. The collection of covers sees Armstrong putting his signature melodic-punk spin on the songs that have formed the soundtrack to his life, including classics by John Lennon, Billy Bragg, and Johnny Thunders.

    Tracey's music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock 'n' roll love affairs.Morrison - a headstrong heroine blazing her way through a male-dominated industry - came to be a kind of mentor to Thorn. They shared the joy and the struggle of being women in a band, trying to outwit and face down a chauvinist music media.In My Rock 'n' Roll Friend Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. This important book asks what people see, who does the looking, and ultimately who writes women out of - and back into - history.

    Jones? One night in 1979, a woman in a red beret skyrocketed to fame after a performance on Saturday Night Live. The song was “Chuck E’s in Love,” and the singer, Rickie Lee Jones. A vital part of the burgeoning Los Angeles jazz pop scene, she would soon be pronounced “Duchess of Coolsville” by TIME magazine.Last Chance Texaco is the first no-holds-barred account of the life of one of rock’s hardest working women in her own words. With candour and lyricism, Rickie Lee Jones takes us on the journey of her exceptional life, including her nomadic childhood as the granddaughter of vaudevillian performers; her father’s abandonment of the family and her years as a teenage runaway; her beginnings at LA’s Troubadour club; her tumultuous relationship with Tom Waits and her battle with drugs; and her longevity as a woman in rock and roll.These are never-before-told stories of the girl in the raspberry beret, a songwriter who would inspire American culture for decades.

    After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie's East Third Street apartment.It may feel like Disney World now, but in The History of Bones, the East Village, through Lurie's clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor--Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today.History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.

    “If you are a Frank fan, buy this book” (Jimmy Kimmel).More than a hundred books have been written about legendary crooner and actor Frank Sinatra. Every detail of his life seems to captivate: his career, his romantic relationships, his personality, his businesses, his style. But a hard-to-pin-down quality has always clung to him—a certain elusiveness that emerges again and again in retrospective depictions. Until now. From Sinatra’s closest confidant and an eventual member of his management team, Tony Oppedisano, comes an extraordinarily intimate look at the singing idol that offers “new information on almost every page” (The Wall Street Journal). Deep into the night, for more than two thousand nights, Frank and Tony would converse—about music, family, friends, great loves, achievements and successes, failures and disappointments, the lives they’d led, the lives they wished they’d led. In these full-disclosure conversations, Sinatra spoke of his close yet complex relationship with his father, his conflicts with record companies, his carousing in Vegas, his love affairs with some of the most beautiful women of his era, his triumphs on some of the world’s biggest stages, his complicated relationships with his talented children, and, most important, his dedication to his craft. Toward the end, no one was closer to the singer than Oppedisano, who kept his own rooms at the Sinatra residences for many years, often brokered difficult conversations between family members, and held the superstar entertainer’s hand when he drew his last breath. “Frank Sinatra fans, pull up a chair and let longtime confidante and road manager Tony Oppedisano regale you with tales from the entertainer’s inner circle” (Parade magazine)—Sinatra and Me pulls back the curtain on a man whom history has, in many ways, gotten wrong.

    Duane Tudahl takes us back into the world of Prince's musical masterpieces and personal battles, weaving together the voices of those who knew Prince best during this period. As Prince's relationship with his band, the Revolution, and his fianc�e, Susan Melvoin, crumbled, he threw himself into creative catharsis, recording and releasing multiples studio albums and side projects.Prince and the Parade and Sign "O" the Times Era Studio Sessions provides a definitive chronicle of more than 260 recording sessions and two tours during 1985 and 1986. These years were full of struggle, but as millions of fans know, Prince would emerge from this darkness to show that the fire of true genius cannot be extinguished.

    But they can’t tell anyone they’re doing so.As their trips to the past continue, they begin to realise how it could change a devastating moment from their own past. But for Caroline, it’s clear they don’t want the same outcome.Until, on one trip, one of them does something unthinkable which will change both their lives forever.For fans of Matt Haig, Claire North and Audrey Niffenegger.

    Even though he couldn’t read it, his talent – whether on piano, drums, guitar or vocals – turned him into an icon. Combining funk, disco, soul and almost every other genre out there, his songs are some of the best-loved all around the world. Prince knew that he didn’t have to be like anyone else to be a star – and there was no one quite like Prince. This inspiring book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the music legend’s life."Pequeña & Grande" (aka "Little People, Big Dreams") is a best-selling series of books and educational games that explore the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream.

    Within months, they were anything but underground....

    Indeed, fist-pumping hits like Twisted Sister's "We're Not Gonna Take It," Mötley Crüe's "Girls, Girls, Girls," and Guns N' Roses' "Welcome to the Jungle" are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T.From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's "Nothin' But a Good Time" captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it.

    Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

    His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.

    Journey with the inimitable folk musician and MacArthur "Genius Grant" recipient as the celebrated artist examines the multitude of influences and identities that have led her to a life "nestled in the nexus" - defined and further made whole by the sum of her parts.Blending songs and stories from shared and personal histories, To Balance on Bridges finds Giddens in continued pursuit of truth in all its raw and underexposed forms. Performing tracks from several of her acclaimed albums, Giddens leads listeners through a multitude of musical styles, lyrical patterns, and instrumentation confronting questions on race, culture, appropriation, and class with searing precision. Hear an indelible artist reflect vividly on her own path as she, in turn, sheds light on our deeply connected journey ahead.

    There are rappers who everyone loves and there are rappers who every rapper loves, and Corey Woods, a.k.a. Raekwon the Chef, is one of the few who is both. His versatile flow, natural storytelling, and evocative imagery have inspired legions of fans and a new generation of rappers. Raekwon is one of the founding members of Wu-Tang Clan, and his voice and cadence are synonymous with the sound that has made the group iconic since 1991. Now, for the first time, Raekwon tells his whole story, from struggling through poverty in order to make ends meet to turning a hobby into a legacy. The Wu-Tang tale is dense, complex, and full of drama, and here nothing is off-limits: the group’s origins, secrets behind songs like “C.R.E.A.M.” and “Protect Ya Neck,” and what it took to be one of the first hip-hop groups to go from the underground to the mainstream. Raekwon also delves deep into the making of his meticulous solo albums—particularly the classic Only Built 4 Cuban Linx—and talks about how spirituality and fatherhood continue to inspire his unstoppable creative process. A celebration of perseverance and the power of music, From Staircase to Stage is a master storyteller’s lifelong journey to stay true to himself and his roots.

    

    They wanted to become rockstars. They didn't expect to find love.This box set includes all the books to complete this series, including the #1 bestselling prequel novel. The 7 full-length novels included inside this box set are:SOUTHSIDE HIGH * Irresistible Refrain * Enticing Interlude * Captivating Bridge * Relentless Rhythm*Tempting Tempo * Scandalous BeatSOUTHSIDE HIGHMy best friend and I want the same girl. But Lace Lowell is mine. She was mine first. She’ll be mine forever. Sure, she was his friend when they were kids, long before I ever met her. But that’s in the past. This is now. I’m Warren Jinkins. War. My name is my battle cry. I take what I want. I don’t ask, and I want her.I’m in love with two men. Bryan Jackson is the guitarist in our band, and War is the lead singer. They’re sexy bad boys, the most dangerous guys in our school. All the girls at Southside High want them. But loving two guys is a problem—especially when those two guys also love each other.IRRESISTIBLE REFRAINTwo years ago, everything changed for the remaining members of the Seattle rock band Tempest.Two years is a long time.Too long to keep on remembering.Not nearly long enough to forget.In trouble with nowhere else to go songstress, Lace Lowell seeks refuge with the band during their stop in New York City. It's a risky move for her because they are both there, two impossibly good-looking men whose lives are inseparably entwined with hers. One who bruised her heart and one who smashed it into pieces.ENTICING INTERLUDETo the talented vocalist Justin Jones, love is merely a game that he plays by his own rules.But to Bridget Dubois, love and heartache are one and the same.Broken too many times before, the delicate beauty keeps her emotions carefully concealed. Bridget has her own set of rigid rules when it comes to men. She prefers to avoid them altogether, especially dangerously seductive auburn haired emerald eyed players like Justin.CAPTIVATING BRIDGEWarren "War" Jinkins is that guy.The bad one.Tempest's ex front man, an arrogant rock god.The only thing larger than his ego is his capacity for self-destruction.His bad attitude has cost him. His woman. His best friend. His band. Everything.Shaina Bentley is that girl.The good one.Hollywood's pink candy-coated sweetheart.The star of Pinky Swear, television's top rated teen show.He's a one-man island. She's a fragile captive soul.Is love a current too dangerous to cross or will it be the bridge that brings them together?RELENTLESS RHYTHMThe one she really wants is out of reach.The one he really needs is already taken.Dizzy Lowell, rhythm man for the rising rock band Tempest is a wizard on the guitar and a wonder with women. But the hookup specialist hides his emotional scars beneath his suave exterior. He never lets anyone truly touch him until he meets April Reynolds, the confident bartender of the Diamond Mine.TEMPTING TEMPOSager Reed the strong and silent bassist for the rock band Tempest is well acquainted with loss. The thoughtful tattoos he designs only hint at his turbulent youth. He buries his guilt about it deeply within his troubled heart.Melinda T. Belle is the daughter of a dysfunctional rock legend. Avoiding emotional entanglement, she has turned her back on nearly everyone and everything she has ever known. Alone, she tries desperately to find fulfillment in the one dream she has left, competitive skiing.Can Sager overcome his dark past?Will Melinda realize her worth?Will they both see that love is only thing that really matters?SCANDALOUS BEATA rock star. A stripper. Can a hookup lead to a happily ever after?

    More than that, this is a story about the enduring friendship among the book's three central voices: Theo Kogan, Sydney Silver, and Gina Volpe. They formed the Lunachicks at LaGuardia High School (of "Fame" fame) in the late '80s and had a record deal with Blast First Records as teenagers, whisked into the studio by Kim Gordon and Thurston Moore.Over the course of thirteen-ish years, the Lunachicks brought their brand of outrageous hard-rockin' rebelliousness around the world countless times, simultaneously scaring conservative onlookers and rescuing the souls of wayward freaks, queers, and outcasts.Their unforgettable costume-critiques of pop culture were as loud as their "Marsha[ll]" amps, their ferocious tenacity as lasting as their pre-internet mythology. They toured with bands like the Go-Go's, Marilyn Manson, No Doubt, Rancid, and The Offspring; played the Reading Festival with Nirvana; and rocked the main stage at the Warped tour twice.Yet beneath all the makeup, wigs, and hilarious outfits were three women struggling to grow into adulthood under the most unorthodox of conditions. Together onstage they were invincible B-movie superheroes who kicked heaps of ass—but apart, not so much. Depression, addiction, and identity crises loomed overhead, not to mention the barrage of sexist nonsense they faced from the music industry.Filled with never-before-seen photos, illustrations, and ephemera from the band's private archive, and featuring contributions from Lunachicks drummer Chip English, founding member Sindi B., and former bandmate Becky Wreck, Fallopian Rhapsody is a bawdy, gripping, warts-and-all account of how these city kids relied on their cosmic creative connection to overcome internal strife and external killjoys, all the while empowering legions of fans to shoot for the moon.For readers of Carrie Brownstein's Hunger Makes Me a Modern Girl, Kim Gordon's Girl in a Band, and Chrissie Hynde's Reckless, Fallopian Rhapsody is the literary equivalent of diving headfirst into a moshpit and slowly but surely venturing up to the front of the stage.

    Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world.  And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world’s hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of “Sun City,” an anti-apartheid anthem that sped the demise of South Africa’s institutionalized racism and helped get Nelson Mandela out of prison.  By the '90s, Van Zandt had lived at least two lives—one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos—as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen).  Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Underground Garage), a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. ​Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt’s always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind.

    The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes.Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.

    The story of America's greatest musical pioneers follows Joplin from his first meeting with a piano to the creation of his record-breaking hit, “Maple Leaf Rag.” The book is set for spring 2019.

    This limited hardback edition presents the band’s complete lyrics (including B-sides and rarities) with handwritten excerpts by Scott, alongside his illustrations, many of which have never been seen before. The book is meant both as a celebration of and tribute to Scott’s unbridled creativity. It aims to fulfil his wishes by being the book that he wanted to create and had spoken of creating before his death.Readers are advised that The Work includes content about topics that some may find upsetting, including references to suicide.“Seeing this book come to life has been something of a bittersweet experience. Reading the lyrics without music really brings home the stark reality of what Scott was going through and at the same time highlights the talent of someone who I consider to be one of the best songwriters in the world. This would’ve been a different release had Scott been involved but we all felt it was important that his lyrics be celebrated and given the spotlight they deserve. As Scott has said, these words were always meant to be accompanied by music, but the impact of digesting them without is no less great. Pick up this book of words, hold it, share it and immerse yourself in the world Scott created by opening not only his heart but his whole soul to the world."Grant Hutchison (Scott’s brother and drummer of Frightened Rabbit)

    

    Featuring stories and anecdotes from a wide range of characters connected to Amy, specially commissioned photography of memorabilia, styled and dressed themed sets incorporating Amy’s clothing, possessions, and lyrics, and previously unseen archival images, this volume presents an intimate portrait that celebrates Amy’s creative legacy. Interspersed throughout are personal reflections on Amy’s life and work, provided by her friends, colleagues, and fans. These include Ronnie Spector, Vivienne Westwood, Bryan Adams, Little Simz, and Carl Barât, as well as Doug Landlord of the Hawley Arms, tattooist Henry Hate, goddaughter Dionne Bromfield, and DJ Bioux. Each one has a personal story to share, and together their anecdotes and reflections build into a complex picture of a much admired but troubled star. Vice Culture Editor Emma Garland puts these insights into context with an introduction that highlights the principal events and achievements in Amy’s life and work, and the key characters that played a part in it. Organized broadly chronologically, the book features newly shot lyric sheets, sketches, and ephemera together with contextual photographs and video stills, including album, single, and promotional artworks and outtakes. Punctuating the story are photographs of dressed room sets each created, designed, and styled especially for the book by Naomi Parry to evoke a period or aspect of Amy’s life or personality, incorporating Amy’s clothing, possessions, lyrics, and other memorabilia.

    

    The funny thing is, all that fucking mouthing off three years ago about how we were going to be the biggest band in the world - we actually went and did it.' Noel GallagherOasis are one of the biggest bands the word has ever seen. Here, in Supersonic, they tell the story of the their beginnings from dive-bar hopefuls to global superstars. They themselves talk us through the pivotal moments in their phenomenal trajectory, from the day Noel Gallagher joined his brother Liam's band, through their first crucial five years culminating at their landmark gigs at Knebworth Park in 1996 - the pinnacle of their success.With over thirty hours of interviews with Liam, Noel and those closest to them, this book documents in unprecedented depth and with their trademark candour and humour, the story behind one of the world's greatest bands, all told in their own words and fully illustrated with exclusive photographs and ephemera throughout.

    Since his band Van Halen burst onto the scene with their self-titled debut album in 1978, Eddie had been hailed as an icon not only to fans of rock music and heavy metal, but to performers across all genres and around the world. Van Halen’s debut sounded unlike anything that listeners had heard before and remains a quintessential rock album of the era. Over the course of more than four decades, Eddie gained renown for his innovative guitar playing, and particularly for popularizing the tapping guitar solo technique. Unfortunately for Eddie and his legions of fans, he died before he was ever able to put his life down to paper in his own words, and much of his compelling backstory has remained elusive—until now. In Eruption, music journalists Brad Tolinski and Chris Gill share with fans, new and old alike, a candid, compulsively readable, and definitive oral history of the most influential rock guitarist since Jimi Hendrix. It is based on more than 50+ hours of unreleased interviews they recorded with Eddie Van Halen over the years, most of them conducted at the legendary 5150 studios at  Ed’s home in Los Angeles. The heart of Eruption is drawn from these intimate and wide-ranging talks, as well as conversations with family, friends, and colleagues. In addition to discussing his greatest triumphs as a groundbreaking musician, including an unprecedented dive into Van Halen’s masterpiece 1984, the book also takes an unflinching look at Edward’s early struggles as young Dutch immigrant unable to speak the English language, which resulted in lifelong issues with social anxiety and substance abuse. Eruption: Conversations with Eddie Van Halen also examines his brilliance as an inventor who changed the face of guitar manufacturing.As entertaining as it is revealing, Eruption is the closest readers will ever get to hearing Eddie’s side of the story when it comes to his extraordinary life.

    No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.

    As the drummer and primary lyricist for the multi-platinum selling rock band, Rush, Neil charmed the world with his introspective and eclectic writing. Heavily inspired by science fiction, fantasy, philosophy, and his many cross-country trips on his motorcycle, Neil crafted universal lyrics that encapsulated the social and humanitarian issues of the time. While Neil is said to have inspired famous bands—like the Foo Fighters, Smashing Pumpkins, and Rage Against the Machine—with his lyrical chops, he contributed far more to the world than just lyrics. Neil also penned nine books, many that recount his trials and triumphs from decades spent on the road, giving the world affecting, memorable thoughts about life, loss, and inspiration.  Pairing striking black-and-white illustrations from the acclaimed artists at Fantoons with some of the drummer’s greatest quotes, Neil Peart: The Illustrated Quotes keeps the beautiful words and musings of Neil Peart alive. Neil Peart: The Illustrated Quotes is the first and only Neil Peart quotes collection authorized by Neil himself. Not only does the book provide Rush fans—both old and new—the opportunity to dive into Neil’s inspiring messages whenever they need a pick-me-up, it also serves as a love letter to Peart and his beautifully-crafted words that have inspired and influenced millions around the world.

    The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life.This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.

    . . Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them.This book redefines British history, the Empire and postcolonialism, and will invite you to think again about the narratives and key moments in history that you have been taught up to now.Thrilling, urgent, entertaining and thought-provoking, this beautifully illustrated companion to modern black music is a revelation and a delight.

    Over the next few years, this unlikely duo's shared affinity for visionary psychedelic music would become the foundation of not only a firm friendship, but also the most infectiously inclusive broadcasting style since the much-mourned death of John Peel.In their weekly radio shows and a one-of-a-kind live DJ roadshow which included a legendary appearance at Glastonbury, Steve and Kavus mapped out a musical landscape of rare enchantment, where the only passport needed was a pair of open ears. No-one, least of all Davis and Torabi themselves, was expecting the 6-time former World Snooker champion and a British-Iranian underground rock musician to become one of the most trusted brands in British alternative music.As Steve and Kavus were starting to get to grips with the challenge of their newfound status, events took a further unexpected turn. Suddenly they found themselves in a band together. And not just any band ... as two thirds of Britain's (if not the world's) leading harmonium, guitar and analogue synth power-trio (with Michael J.York of Coil)The Utopia Strong, the two friends found themselves plunging into a vortex of spontaneous compositional excitement.How Steve and Kavus pulled this off is just one of the many questions MEDICAL GRADE MUSIC will try to answer. Part sonic memoir, part Socratic dialogue, part gonzo mission to the heart of what makes music truly psychedelic this book is the first work of joint autobiography to ever trace the evolution of a life-changing friendship through the discographies of Gentle Giant and Voivod. From the chip-shops of Plumstead to the the wildest shores of Plymouth's nineties thrash scene. it's a funny and fearless buddy movie of the soul, with a soundtrack that will make your eyes bleed.

    From the instant she got her fingers on a flute and tambourine, music had transformed her life and become a way for her to express the hidden desires of her heart. And like every artist in the realm, joining the illustrious Olive Branch Music and Arts Festival was her ultimate dream. When Hakim encounters Melly singing in a grubby tavern, his world stops for the briefest of moments. For Hakim, it was as clear as the sky on a sunny day—her voice was what his band, Needlework, had been missing. On a whim, a deal is struck. Soon Melly finds herself whisked away with the band as they join the Olive Branch Festival for what promises to be one wild ride.***Trigger Warning: Content includes after-effects of sexual assault, as well as depression, grief, and suicidal thoughts/attempts.

    It is written as scenes from a movie shot on location in London, Kingston, New York, Los Angeles, Windhoek, Salt Lake City, and Goldeneye. Co-starring a cast of hundreds, including Joe Strummer, John Lydon, Bob Marley, Chrissie Hynde, Chris Blackwell, Paul McCartney, Nelson Mandela, Keith Richards, Pattie Smith, Chuck D.,McLaren, and Westwood, etc., it takes in major cultural movements from skinhead through punk to Black Lives Matter, and includes scenes of civil unrest, live music, humour, and political struggle. There And Black Again describes in clear-eyed detail a life of work and love, of battles against prejudice and negativity, of failures and great successes. It describes a six-decade journey through sound and vision which has left a unique body of award-winning work in film, television, and music.

    She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, Dead Kennedys and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose.

    Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siecle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

    This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed "cool" as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world.Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as "Enjoy the Silence" and "Personal Jesus"); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master.Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: "A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them." This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.

    

    A collection of folk tales about art, money, drugs, and love told first hand by the songwriter and storyteller Beans on Toast

    Plus, there are full-color photos on every page!Explore all this and more in this exclusive peek at Julie and the Phantoms, the hit new show from High School Musical and Descendants director Kenny Ortega!

    But it was too big for his four-year-old hands. Over time, Ma honed his amazing talent, and his music became a reflection of his own life between borders, cultures, disciplines, and generations.Since then, he has recorded over a hundred albums, won nineteen Grammy Awards, performed for eight American presidents, and received the National Medal of the Arts and the Presidential Medal of Freedom, just to name a few accomplishments.Staying true to himself, Yo-Yo Ma performed at the US-Mexico border at the Rio Grande on April 13, 2019, as part of his multi-continent “Bach Project” tour to prove a point—through music, we can build bridges rather than walls between different cultures.

    Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day.In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange’s progress through an inflexible industry, charting the artist’s development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019’s When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.

    

    Their album sold hundreds of millions of copies and their music--classics like "Sultans of Swing," "Romeo and Juliet," "Money for Nothing," and "Brothers in Arms"--is still played on every continent today. There was, quite simply, no bigger band on the planet throughout the eighties.In this powerful and entertaining memoir, founding member John Illsley gives the inside track on the most successful rock band of their time. From playing gigs in the spit-and-sawdust pubs of south London, to hanging out with Bob Dylan in LA, Illsley tells the story of the band with searching honesty, soulful reflection, and wry humor. Starting with his own unlikely beginnings in Middle England, he recounts the band's rise from humble origins to the best-known venues in the world, the working man's clubs to Madison Square Garden, sharing gigs with wild punk bands to rocking the Live Aid stage at Wembley. And woven throughout is an intimate portrait and tribute to his great friend Mark Knopfler, the band's lead singer, songwriter, and remarkable guitarist.Tracing an idea that created a phenomenal musical legacy, an extraordinary journey of joy and pain, companionship and surprises, this is John Illsley's life in Dire Straits.

    While his music teacher Yui drills him relentlessly on technique and theory, Dai prepares to take his stand. Everyone at the school festival goes wild for rock and pop, but Dai takes the stage with tenor sax in hand. Does his solo jazz have what it takes to win over a hostile crowd?

    Because music consoles and restores us. Through music, whether we are listening or playing, we know ourselves more intimately, more honestly, and more clearly with every note. And with every note, music offers us a hand to the beyond.Through music, we can say what we didn't even know we felt.This book is an ode to music, and a celebration of humanity's greatest creation. It is not a call to arms, but a call to instruments.In music, Ed Ayres finds answers to the big questions life throws at us. Using personal anecdotes - including those relating to his transition from Emma to Ed - and observations from teaching and learning music, Ed finds hope in our desire to become whole, with some simple music lessons along the way.PRAISE'Whole Notes may appear to be about music, but really, it's simply about how to be kind and how to listen without judgement. Which is the best definition of love, no?' Jessie Tu, Sydney Morning Herald'A truly beguiling account' Geraldine Doogue'An almost divine presence' Rick Morton

    These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

    Paul Cardall is an internationally acclaimed pianist whose career has been an inspiration to millions. But before the awards and success, he was just a little boy with half a functioning heart.Numerous surgeries and many decades later, Paul is building a successful career despite the limitations his condition have infringed upon him. Now a husband and father, it seems that Paul has everything he could have ever hoped for...until his heart begins to fail.As time passes, the pressure of his waning health and the seemingly endless wait for a new heart test not only Paul's faith, but his marriage and relationships as well. He begins to wonder if luck will ever be on his side or if it's time he let the curtains fall in what could be the final act of his life.Though characters and places were fictionalized for storytelling purposes, the main events in the duology are real. Drawn from private notes and journals made available to the author, The Broken Miracle is a riveting story that will take the reader on an unforgettable journey.

    With a natural sense of timing and exuberance—some would say even flamboyance—Mercury seemed to be made for the stage. Still, it took a lot of hard work for him to get there.This book details Freddie Mercury’s rise to stardom—from his youth in Zanzibar and his arrival in England to his first forays with rock music and the ultimate formation of Queen. Here you will learn of Mercury’s triumphs as well as his tragedies. Freddie Mercury was arguably one of the greatest performers ever to grace the stage, and this book recalls his life in full.Discover a plethora of topics such asEarly Life in ZanzibarLife at Art SchoolMusical Endeavors Before QueenThe Birth of QueenThe Failed Australian TourLive Aid and Mercury’s Final YearsAnd much more!

    For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators--including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole.Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

       Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes- try, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan, and the way his appetite for pop culture taught him about America.   A history of the last half-century and an intimate conversation with one of music’s most influential and original voices, Music Is History is a singular look at contemporary America.

    As Ronnie contemplates the achievement of a dream, he reflects on the key aspects that coalesced into this moment—the close gang of friends that gave him his start in music, playing parties, bars, frats, and clubs; the sudden transition that moved him to the microphone and changed his life forever; the luck that led to the birth of Rainbow and a productive but difficult collaboration with Ritchie Blackmore; the chance meeting that made him the second singer of Black Sabbath, taking them to new levels of success; the surprisingly tender story behind the birth of the Devil Horns, the lasting symbol of heavy metal; his marriage to Wendy, which stabilized his life, and the huge bet they placed together to launch the most successful endeavor of his career…his own band, Dio. Everything is described in great detail and in the frankest terms, from his fallout with Blackmore, to the drugs that derailed the resurrection of Black Sabbath, to the personality clashes that frayed each band. Written with longtime friend of thirty years and esteemed music writer, Mick Wall, who took up the mantle after Ronnie’s passing, Rainbow in the Dark is a frank, startling, often hilarious, sometimes sad testament to dedication and ambition, filled with moving coming-of-age tales, glorious stories of excess, and candid recollections of what really happened backstage, at the hotel, in the studio, and back home behind closed doors far away from the road. (Black and white photos throughout plus an 8-page 4-color photo insert.)

    

    Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. This book profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap.

    With his trademark charm, clever wit, and insightful analysis, Biersack tells the story of his childhood and adolescence. The discovery of the artistic passions that would shape his life, and his decision to move to Hollywood after his eighteenth birthday to make his dreams come true, even when it meant living in his car to make it all a reality. It's the origin story of one of modern rock's most exciting young superheroes, from building miniature concerts with KISS action figures in his bedroom to making the RIAA gold-certified single In the End and connecting with passionate fans worldwide.

    

    

    Years of jam-packed work schedules, including hundreds of concert engagements, proved to be just too much for the Carpenters to keep the hits coming—and, ultimately, to keep the music playing at all. However, Richard and Karen never took their adoring public, or each other, for granted.In Carpenters: The Musical Legacy, Richard Carpenter tells his story for the first time. With candor, heart, and humor, he sheds new light on the Carpenters' trials and triumphs—work that remains the gold standard for melodic pop. This beautifully illustrated definitive biography, with exclusive interviews and never-before-seen photographs, is a must-have for any Carpenters fan.

    Past Chloe has a lot to answer for. She’s made a number of questionable decisions, but drunkenly turning Ryan down on a dating app? Currently top of my list. I love fall most of all, but oh my gourd, Ryan’s beard is fast becoming a close second. Luckily, he’s ready to give me a second chance. We have everything in common, from art to weird history facts to the correct opinions about Titanic. And boy, does he know how to pumpkin spice it up in the bedroom. We could easily be the cutest new couple in Boulder… if we ever leave his place. They say winter is coming… and thanks to Logan, I am too.If the past year has taught me anything, it’s that I am an idiot. Between The Incident, the upcoming nuptials, and finding a new place to live, I’m about ready to find a cave to hibernate in. Nearly murdering the lead singer of my favorite local band really should have been on everyone’s bingo card.Their drummer going from medic to love interest was a plot twist I didn’t expect.Logan has all the things I’ve been looking for--the newness of spring, heat of summer, comfort of fall, and the distraction I’d like. It may not be the traditional third date, but I’m bringing him to my best friend’s wedding anyway.Charlotte’s not the only one who can lock a good time down.The second two books in the laugh-out-loud Dating Season series together in one bundle. Includes Fall Hard and Winter Bloom.

    In the doldrums of a career as a cult figure, singer-songwriter Rudy has been overshadowed by Ryan Orland, to the point where Rudy is now identified as an imitator of the younger man. Ryan is generous and supportive of Rudy, but Rudy finds it hard to be grateful. Forced to confront the limitations of his own talent and ambition, his resentment triggers a confrontation that ends in their estrangement. When Rudy’s niece, a teenage runaway who admires the freedom of his lifestyle, turns up asking to join him on the road, he has to come to terms with the nature of his obligation to family and accountability for his past. Someone Should Pay for Your Pain is an exploration of the nature of creativity and popular success; artistic and ethical influence; the pathos of the middle-aged artist; changing standards of sexual morality; and guilt and penance in a post-religious society.

    When they arrived, the two met Jerry Wick, a prickly malcontent and lead singer of the punk rock band Gaunt, and the trio quickly forged a contentious friendship that would be challenged for the next 20 years by addiction, mental illness, homelessness, divergent whims and tragic paths. They bonded over their obsessive love of music, especially the scrappy, welcoming world of independent labels and bands, where heroes could be a neighbor, a bartender or even a know-it-all behind the counter of a record store. Through the label Koe-Krompecher and Wick launched, and the music Leffel made, these three friends gained fans nationwide and garnered unexpected critical acclaim from The New York Times, Entertainment Weekly, SPIN and more while sharing the stage with bands like Superchunk, Mudhoney and Guided by Voices. At its heart, Love, Death & Photosynthesis is a story of the love between friends and the power of music to pull people together—often in spite of themselves—in the universal search for connection.

    Amidst the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows.Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn - later replaced by Wayne Hussey - on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T.S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation.Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how - against the odds and all reasonable expectation - these young men came to make transcendent and life-changing music.

    Predating #MeToo, Viv reckons with the difference between choice and acquiescence, free will and circumstance, and ultimately determines that the only choice we have is to take ownership of ourselves, our stories, and our love of self.

    For those coming of age in the 1970s, during that transitional decade when the boundaries between rock and jazz had begun to blur, Brecker stood as a transcendent figure. He was their Trane. Ode to a Tenor Titan follows Michael's story from growing up in Philadelphia, finding his tenor sax voice during his brief stint at Indiana University, making his move to New York City in 1969 and taking the Big Apple by storm through the sheer power of his monstrous chops on the instrument. A commanding voice in jazz for four decades, Brecker possessed peerless technique (a byproduct of his remarkable work ethic and relentless woodshedding) and an uncanny ability to fit into every musical situation he encountered, whether it was as a ubiquitous studio musician (more than nine hundred sessions) for such pop stars as Paul Simon, James Taylor, Bruce Springsteen, Todd Rundgren, Chaka Khan, and Steely Dan; playing with seminal fusion bands like Dreams, Billy Cobham, and the Brecker Brothers; or collaborating with the likes of Frank Zappa, Charles Mingus, Pat Metheny, and Herbie Hancock. But his biggest triumphs came as a bandleader during the last twenty years of his career, when he produced some of the most challenging, inspired, and visionary modern jazz recordings of his time. A preternaturally gifted player whose facility seemed almost superhuman, he was also modest to a fault and universally beloved by fellow musicians. After coming through a dark decade of heroin addiction, he turned his life around and became a beacon for countless others to lead clean and sober lives. At the peak of his powers, he was struck down by a rare preleukemic blood disease that sidelined him for two and a half years. He got off a sick bed to make a heroic comeback with his swan song, Pilgrimage, which Pat Metheny called "one of the great codas in modern music history" and which earned him a posthumous Grammy Award in 2007. Michael Brecker was a player of tremendous heart and conviction as well a person of rare humility and kindness, and his story is one for the ages.

    No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues."--President Barack Obama"He is without a doubt the most important artist the blues has ever produced."--Eric ClaptonRiley "Blues Boy" King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister's guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge.King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)--in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago's Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color.Daniel de Visé has interviewed almost every surviving member of B.B. King's inner circle--family, band members, retainers, managers, and more--and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby "Blue" Bland simply called "the man."

    They and their music stir in her an ecstatic new sense of freedom. With a friend, she hatches a bold plan to escape their dreary lives and run away to London to meet the Fab Four.On their own for the first time―in “Beatleland”―they explore a new city, a new culture, and a new life, visiting the hippest clubs of Soho, meeting some nice English boys, hitchhiking to Liverpool …But unbeknownst to them, the runaways have become international news―and a hunt is on.Adventure and newfound freedom end abruptly when Janice is apprehended by London police and hauled home to Cleveland and an unforgiving juvenile justice system. Warned by responsible adults to put it all behind her, she doesn’t speak of her extraordinary adventure for more than fifty years.In this memoir, she looks back with fresh insight on the heady early days of Beatlemania and an era in America when young women exercising some control over their lives presented a serious threat to adult society.

    Impressive sure, but that’s not why fans crowded the merch table she manned at her early gigs, hoping to share a word. In All I Can, recorded exclusively for Audible’s Words + Music series, Van Etten muses on the emotional power of music and along the way demonstrates the truism of the personal illustrating the universal. Her research in the affairs of the heart was hard-won, her catharsis earned; her recordings are a master class on emotional survival. Van Etten takes us through her early struggles and her fascination and focus on how music connects with us so deeply. Her charmingly modest account of a career that has blossomed well beyond her indie rock roots and into acting and collaborations with likeminded creatives like David Lynch, Jeff Goldblum, and Norah Jones is enlivened by performances of several of her best-known songs, including "Stay", "Seventeen", "Like I Used To", and "I Love You but I’m Lost".

    What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper.Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline - a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years.Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001.From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel - think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy.'Of course this road trip comes with a top-quality mix-tape - it's by Barry Divola - but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' - Nick Earls'This book is the super f∗∗∗ing gnarly lead break of rock-lit novels.' - John Birmingham'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York-centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' - Stuart CoupeAn interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' - Tim Rogers'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' - Malcolm Knox

    After a free-spirited youth, he headed to the United States where he built a career that led to a life of musical performance on stages all over the world. Shared Notes traces this remarkable journey.Picking up his first fiddle at the age of seven, Hayes learned that music must express feeling. No amount of technical prowess can compensate for an absence of soulfulness. His interpretations of traditional Irish music are recognized the world over for their exquisite musicality and irresistible rhythm. Hayes has toured and recorded with guitarist Dennis Cahill for over twenty years, founded the Irish-American band The Gloaming, The Martin Hayes Quartet and The Common Ground Ensemble, and here, for the first time, tells his story of getting to the heart of the music.

    

    

    It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter. For years, this set of tools, prompts, and ideas has inspired students on campuses including Yale, Wesleyan, Berklee, Oberlin, and NYU's Clive Davis Institute of Recorded Music. Alongside his own lessons, Errico interviews the writers, producers, and A&R executives behind today's biggest hits and investigates the larger questions of creativity through lively conversations with a wide range of innovative thinkers: astrophysicist Janna Levin explains the importance of repetition, both in choruses and in the exploration of the universe; renowned painter John Currin praises the constraints of form, whether it's within a right-angled canvas or a three-minute pop song; bestselling author George Saunders unpacks the hidden benefit of writing, and revising, authentically; and much more. The result is that Music, Lyrics, and Life ends up revealing as much about the art of songwriting as it does about who we are, and where we may be going. This is a book for songwriters, future content creators, music lovers, and anyone who wants to understand how popular art forms are able to touch us so deeply. Mike Errico has honed these lessons over years of writing, performing, teaching, and mentoring, and no matter where you are on your songwriting journey, Music, Lyrics, and Life will help you build a creative world that's both intrinsic to who you are, and undeniable to whoever is listening.

    The complete and extraordinary journey of the Pogues’ notorious frontman from outcast to national treasure has never been told – until now. A Furious Devotion: The Life of Shane MacGowan vividly recounts the experiences that shaped the greatest songwriter of his generation: the formative trips to his mother’s homestead in Tipperary, the explosion of punk which changed his life, and the drink and drugs that nearly ended it. As well as exclusive interviews with Shane himself, author Richard Balls has secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore, Sinead O’Connor and Dermot O’Leary are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography also includes many previously unseen personal photographs.

    Throughout the book’s 144 pages of dazzling color illustrations, readers will revisit Billie’s peak years as she helped lead the transition from the Harlem Renaissance to the iconic Swing Era alongside some of the top names in jazz—including Artie Shaw, Lester Young, and Count Basie.  Meanwhile, readers will learn the true history behind the making and recording of some of Billie’s most-classic hits, like “God Bless the Child,” and “Strange Fruit,” the latter of which is considered to be the first protest song of the civil rights era.  Widely recognized as one of the greatest jazz singers of all time, Billie’s emotive voice, distinct phrasing, and flawless technique cemented her place as an American icon. Now, new and longtime fans alike have the opportunity to learn more about Lady Day’s short but spectacular life.  At a time when the country is struggling with issues involving identity and race, this graphic novel provides a timely look into the fascinating life of a fighter, survivor, and world-renowned artist.

    Heralded as one of the most influential groups in modern music—hip hop or otherwise—WTC created a rap dynasty on the strength of seven gold and platinum albums that launched the careers of such famous rappers as RZA, GZA, Ol' Dirty Bastard, Raekwon, Ghostface Killah, Method Man, and more. During the ‘90s, they ushered in a hip-hop renaissance, rescuing rap from the corporate suites and bringing it back to the gritty streets where it started. In the process they changed the way business was conducted in an industry known for exploiting artists. Creatively, Wu-Tang pushed the boundaries of the artform dedicating themselves to lyrical mastery and sonic innovation, and one would be hard pressed to find a group who's had a bigger impact on the evolution of hip hop.S.H. Fernando Jr., a veteran music journalist who spent a significant amount of time with The Clan during their heyday of the ‘90s, has written extensively about the group for such publications as Rolling Stone, Vibe, and The Source. Over the years he has built up a formidable Wu-Tang archive that  includes pages of unpublished interviews, videos of the group in action in the studio, and several notepads of accumulated memories and observations. Using such exclusive access as well as the wealth of open-source material, Fernando reconstructs the genesis and evolution of the group, delving into their unique ideology and range of influences, and detailing exactly how they changed the game and established a legacy that continues to this day. The book provides a startling portrait of overcoming adversity through self-empowerment and brotherhood, giving us unparalleled insights into what makes these nine young men from the ghetto tick. While celebrating the myriad accomplishments of The Clan, the book doesn't shy away from controversy—we're also privy to stories from their childhoods in the crack-infested hallways of Staten Island housing projects, stints in Rikers for gun possession, and million-dollar contracts that led to recklessness and drug overdoses (including Ol' Dirty Bastard's untimely death). More than simply a history of a single group, this book tells the story of a musical and cultural shift that started on the streets of Shaolin (Staten Island) and quickly spread around the world.Biographies on such an influential outfit are surprisingly few, mostly focused on a single member of the group's story. This book weaves together interviews from all the Clan members, as well as their friends, family and collaborators to create a compelling narrative and the most three-dimensional portrait of Wu-Tang to date. It also puts The Clan within a social, cultural, and historical perspective to fully appreciate their impact and understand how they have become the cultural icons they are today.  Unique in its breadth, scope, and access, From The Streets of Shaolin is a must-have for fans of WTC and music bios in general.

    Selected and arranged by the author, and with an introduction by acclaimed novelist and music writer Bill Flanagan, Somewhere Apart presents the lyrics of Robyn Hitchcock for the first time in a beautiful cloth-bound Tiny Ghost edition.

    She, along with dozens of others. Until one day she is asked by the real Epiphanie to do a life swap for a couple of weeks. Epiphanie trades Madison Square Gardens for doing gigs in pubs. Sally is catapulted from suburban semi life to double for a mega-star, her life turned upside down. But which life will they each choose in the end? Laugh-out-loud and unputdownable, Starstruck will leave you feeling warmer about all the different lives we choose.

    The book consists of Kevin's selection of pictures from his Joy Division archive accompanied by short personal essays and memories from the band's family, contemporaries and fans and from several writers including Ian Rankin, David Peace and Natalie Curtis. The foreword is by Ian Rankin. Now comprehensively updated with new material and images that have never been published in a book before, this new edition will allow the band's many die-hard fans to own it for the first time. Juvenes is a truly special celebration of the magic of Joy Division.

    Although Gainsbourg’s music has been discovered by new generations, his life has rarely been illuminated and contextualized with such style and insight." - BECK Why has Serge Gainsbourg crossed over to the English-speaking world when so many of his contemporaries have remained largely confined to the Francosphere? What is it about this unshaven provocateur that so appeals to us? And who was the real Serge Gainsbourg anyway? Was he the sensitive seducer and songwriting colossus of the 60s and 70s? Was he Lucien Ginsburg, the son of Russian Jewish refugees who had to wear a yellow star during the Nazi Occupation of Paris? Or was he Gainsbarre, the deplorable, attention-seeking drunk who shamelessly propositioned Whitney Houston on live TV? Gainsbourg’s cult has only grown since his death in 1991, and Histoire de Melody Nelson is now regarded as a classic in France and internationally. The 1971 album had only sold eighty thousand copies by 1986 when it finally went gold fifteen years after its release; its canonical elevation is a remarkable story, and there are many more remarkable stories attached to all of Gainsbourg’s genre-defying, transgressive long-players. In Relax Baby Be Cool, writer Jeremy Allen takes each studio album in turn while exploring themes pertinent to Gainsbourg’s life and music: performance, provocation, theft, dandyism, avant-gardism, muses, Nazis, film and TV, Surrealism, vice, posterity, and fame. French pop music is more popular than it’s been since the mid-90s, when the French touch was breaking. Gainsbourg’s influence has also been huge on alternative music: from Pulp to Massive Attack, De La Soul to Danger Mouse, Black Grape to Kylie, David Guetta to Die Antwoord, Air to Iggy Pop. This book is full of new interviews from people who knew him, but also younger artists who discovered him after his death. Contributors include Jane Birkin, Charlotte Gainsbourg, Jacqueline Ginsburg (Gainsbourg’s sister), Anna Karina, Mike Patton, Etienne Daho, Sly Dunbar, Alan Hawkshaw, Jean-Claude Vannier, Tony Frank, Mick Harvey, Bertrand Burgalat, Acid Arab, Jehnny Beth, Alan Chamfort, Metronomy, David Holmes, Blonde Redhead, Nicolas Godin of Air, Russell Mael of Sparks, Will Oldham, and many more.

    In this book Harry Freedman, a leading author of cultural and religious history, explores the mystical and spiritual sources Cohen drew upon, discusses their original context and the stories and ideas behind them.Cohen's music is studded with allusions to Jewish and Christian tradition, to stories and ideas drawn from the Bible, Talmud and Kabbalah. From his 1967 classic 'Suzanne', through masterpieces like 'Hallelujah' and 'Who by Fire', to his final challenge to the divinity, 'You Want It Darker' he drew on spirituality for inspiration and as a tool to create understanding, clarity and beauty.Born into a prominent and scholarly Jewish family in Montreal, Canada, Cohen originally aspired to become a poet, before turning to song writing and eventually recording his own compositions. Later, he became immersed in Zen Buddhism, moving in 1990 to a Zen monastery on Mount Baldy, California where he remained for some years. He died, with immaculate timing, on the day before Donald Trump was elected in 2016, leaving behind him a legacy that will be felt for generations to come.Leonard Cohen: The Mystical Roots of Genius looks deeply into the imagination of one of the greatest singers and lyricists of our time, providing a window on the landscape of his soul. Departing from traditional biographical approaches, Freedman explores song by song how Cohen reworked myths and prayers, legends and allegories. By the end the reader will be left with a powerful understanding of Cohen's story, together with a far broader insight into the mystical origins of his inimitable work.

    Introduction by Lawrence Kumpf and Magnus Nygren. Text by Keith Knox, Rita Knox, Bengt af Klintberg, Iris R. Orton, Åke Holmquist, Pandit Pran Nath, John Esam, Michael Lindfield, Sidsel Paaske, George Trolin, Alan Halkyard, Moki Cherry, Don Cherry, Ben Young, Christer Bothén, Ruba Katrib, and Fumi Okiji. Interviews by Keith Knox and Rita Knox with Don Cherry, Terry Riley, and Steve Roney.Avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry (née Karlsson) met in Sweden in the late sixties. They began to live and perform together, dubbing their mix of communal art, social and environmentalist activism, children’s education, and pan-ethnic expression “Organic Music.” Organic Music Societies, Blank Forms’ sixth anthology, is a special issue released in conjunction with an exhibition of the same name devoted to the couple’s multimedia collaborations. The first English-language publication on either figure, the book highlights models for collectivism and pedagogy deployed in the Cherrys’ interpersonal and artistic work through the presentation of archival documents alongside newly translated and commissioned writings by musicians, scholars, and artists alike. Beginning with an overview by Blank Forms Artistic Director Lawrence Kumpf and Don Cherry biographer Magnus Nygren, this volume further explores Don’s work of the period through a piece on his Relativity Suite by Ben Young and an essay on the diasporic quality of his music by Fumi Okiji. Ruba Katrib emphasizes the domestic element of Moki’s practice in a biographical survey accompanied by full-color reproductions of Moki’s vivid tapestries, paintings, and sculptures, which were used as performance environments by Don’s ensembles during the Sweden years and beyond. Two selections of Moki’s unpublished writings—consisting of autobiography, observations, illustrations, and diary entries, as well as poetry and aphorisms—are framed by tributes from her daughter Neneh Cherry and granddaughter Naima Karlsson. Swedish Cherry collaborator Christer Bothén contributes period travelogues from Morocco, Mali, and New York, providing insight into the cross-cultural communication that would soon come to be called “world music.” The collection also features several previously unpublished interviews with Don, conducted by Christopher R. Brewster and Keith Knox. A regular visitor to the Cherry schoolhouse in rural Sweden, Knox documented the family’s magnetic milieu in his until-now unpublished Tågarp Publication. Reproduced here in its entirety, the journal includes an interview with Terry Riley, an essay on Pandit Pran Nath, and reports on counter-cultural education programs in Stockholm, including the Bombay Free School and the esoteric Forest University.Taken together, the texts, artwork, and abundant photographs collected in Organic Music Societies shine a long overdue spotlight on Don and Moki’s prescient and collaborative experiments in the art of living.__________Distributed by Les presses du réel in French-speaking Europe, Antenne Books in the rest of Europe, and DAP in the rest of the world.Contact Adrian Rew at adrian@blankforms.org with press inquires.

    Kennedy to the popularization of the sitar and the ukulele.• Includes full-color photo insert."Growing up, an endless stream of musicians and artists came from across the country to my family's music store. Bess Lomax Hawes, Joan Baez, Sonny Terry, and Brownie McGee—all the singers, organizers, guitar and banjo pickers and players, songwriters, painters, dancers, their husbands, wives, and children—we were all in it together. And we believed singing could change the world."—Ellen HarperMusic lovers and history buffs will enjoy this rare invitation into a world of stories and song that inspired folk music today.• A must-read for lovers of music, history, and those nostalgic for the acoustic echo of the original folk music that influenced a generation• Harper's parents opened the legendary Folk Music Center in Claremont, California, as well as the revered folk music venue The Golden Ring.• A perfect gift for people who are obsessed with folk music, all things 1960s, learning about musical movements, or California history• Great for those who loved Small Town Talk: Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix and Friends in the Wild Years of Woodstock by Barney Hoskyns; and Girls Like Us: Carole King, Joni Mitchell, Carly Simon—and the Journey of a Generation by Sheila Weller.