Casey—Frankie pushed her first love away. A decade later, he walks back into her life, but is she prepared to trust again?When rock star Risk Keller shows up in Frankie’s diner with his heart on his sleeve, it turns her world upside down. Letting him go was the hardest thing she ever had to do. For years, his voice has been a reminder of everything she sacrificed, and now it’s time to face the music.For Risk, coming home shows him what he’s always known deep down—every song, every gig, every drink, every girl—it’s always been about Frankie.There’s no denying their intense chemistry. But Risk still has a career that takes him around the world; Frankie still has a sick mother she loves too much to leave. Can they overcome everything in their way to give first love a second chance?

    As the founder of Mötley Crüe, who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world. Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time but deeply troubled. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid—hunting, fishing, chasing girls, and playing football—but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle—the president of Capitol Records—for a short time. But there was no easy path to the top. He was soon on his own. There were dead-end jobs: dipping circuit boards, clerking at liquor and record stores, selling used light bulbs, and hustling to survive. But at night, Frank honed his craft, joining Sister, a band formed by fellow hard-rock veteran Blackie Lawless, and formed a group of his own: London, the precursor of Mötley Crüe. Turning down an offer to join Randy Rhoads’s band, Frank changed his name to Nikki London, Nikki Nine, and, finally, Nikki Sixx. Like Huck Finn with a stolen guitar, he had a vision: a group that combined punk, glam, and hard rock into the biggest, most theatrical and irresistible package the world had ever seen. With hard work, passion, and some luck, the vision manifested in reality—and this is a profound true story finding identity, of how Frank Feranna became Nikki Sixx. It's also a road map to the ways you can overcome anything, and achieve all of your goals, if only you put your mind to it.

    Jones? One night in 1979, a woman in a red beret skyrocketed to fame after a performance on Saturday Night Live. The song was “Chuck E’s in Love,” and the singer, Rickie Lee Jones. A vital part of the burgeoning Los Angeles jazz pop scene, she would soon be pronounced “Duchess of Coolsville” by TIME magazine.Last Chance Texaco is the first no-holds-barred account of the life of one of rock’s hardest working women in her own words. With candour and lyricism, Rickie Lee Jones takes us on the journey of her exceptional life, including her nomadic childhood as the granddaughter of vaudevillian performers; her father’s abandonment of the family and her years as a teenage runaway; her beginnings at LA’s Troubadour club; her tumultuous relationship with Tom Waits and her battle with drugs; and her longevity as a woman in rock and roll.These are never-before-told stories of the girl in the raspberry beret, a songwriter who would inspire American culture for decades.

    Indeed, fist-pumping hits like Twisted Sister's "We're Not Gonna Take It," Mötley Crüe's "Girls, Girls, Girls," and Guns N' Roses' "Welcome to the Jungle" are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T.From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's "Nothin' But a Good Time" captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it.

    Centerstage is my role, but I prefer being the person behind the scenes helping others. My best friend Jo is the driving force behind our all-girl band. Jo says I’m the heart, and that I give away too much of it without looking after myself, but that’s the way she sees me. The tall and devastatingly handsome but grumpy drummer for the Heavy Metal Enthusiasts seems to see me differently. After watching the hot sex video Jo did with him for the RFC, I’m looking at Tyler Vaughn differently too. Usually Ty and I just fight, but now I’m wondering what it would be like for him to do me like he did Jo in that video. TYLER VAUGHNDolly Byron is a sweet, fiery little pixie, and every curvy inch of her is sexy as hell. With those dimples and highland green eyes, she’s the most beautiful woman I’ve ever seen, not that I would ever tell her any of that. She hates me. Since Jo broke up with me, Dolly is all I can think about. But she’s not impressed like the other chicks are that I’m a rockstar. She seems to see through all that to the real me, not a good thing for a guy too difficult for even his parents to love. So the question remains. How do I get her into my bed? In His Eyes is an unputdownable, standalone spin-off from the completed RFC series. It’s 73 chapters long, an enemies to lovers, best friend’s boyfriend, rockstar romance trope packed with emotion, angst, and scorching heat. If you prefer that your hero and heroine not have combustible chemistry or serious obstacles to overcome to be together, do not read this book.

    More than that, this is a story about the enduring friendship among the book's three central voices: Theo Kogan, Sydney Silver, and Gina Volpe. They formed the Lunachicks at LaGuardia High School (of "Fame" fame) in the late '80s and had a record deal with Blast First Records as teenagers, whisked into the studio by Kim Gordon and Thurston Moore.Over the course of thirteen-ish years, the Lunachicks brought their brand of outrageous hard-rockin' rebelliousness around the world countless times, simultaneously scaring conservative onlookers and rescuing the souls of wayward freaks, queers, and outcasts.Their unforgettable costume-critiques of pop culture were as loud as their "Marsha[ll]" amps, their ferocious tenacity as lasting as their pre-internet mythology. They toured with bands like the Go-Go's, Marilyn Manson, No Doubt, Rancid, and The Offspring; played the Reading Festival with Nirvana; and rocked the main stage at the Warped tour twice.Yet beneath all the makeup, wigs, and hilarious outfits were three women struggling to grow into adulthood under the most unorthodox of conditions. Together onstage they were invincible B-movie superheroes who kicked heaps of ass—but apart, not so much. Depression, addiction, and identity crises loomed overhead, not to mention the barrage of sexist nonsense they faced from the music industry.Filled with never-before-seen photos, illustrations, and ephemera from the band's private archive, and featuring contributions from Lunachicks drummer Chip English, founding member Sindi B., and former bandmate Becky Wreck, Fallopian Rhapsody is a bawdy, gripping, warts-and-all account of how these city kids relied on their cosmic creative connection to overcome internal strife and external killjoys, all the while empowering legions of fans to shoot for the moon.For readers of Carrie Brownstein's Hunger Makes Me a Modern Girl, Kim Gordon's Girl in a Band, and Chrissie Hynde's Reckless, Fallopian Rhapsody is the literary equivalent of diving headfirst into a moshpit and slowly but surely venturing up to the front of the stage.

    The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life.This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.

    Unable to cope with the pain of losing her, Luke is damn close to giving it all up—the music, his band, even his life. Until he learns his wife is alive. He rushes to bring her home, only to find himself heartbroken as the woman he loves has no memory of him or their life together.Sal wants to remember this tall, tan country singer who’s true, kind and hot as hell. As Luke struggles to help her revive her memories, as well as his own flailing music career, danger threatens their second chance. The madman responsible for Sal’s disappearance has found her, and will stop at nothing to claim what is his.With Sal’s life hanging in the balance, Luke vows to do what he couldn’t do the first time—protect his wife at any cost.Sing You Home is the first book in the Nashville Star series. It’s a full-length second-chance country romance with no cliffhanger, no cheating, and a happily-ever-after guaranteed. Sing You Home features adult situations and language.CW: plane crash, kidnapping, abuse, suicidal idealization, miscarriage

    Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siecle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

    She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, Dead Kennedys and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose.

    But spoilt brat Martha Nicholson just might be the worst thing he’s ever encountered. The beautiful troublemaker claims to have reformed, but Sam knows better than to think with what’s in his pants. Unfortunately, it’s not so easy to make his heart fall into line.Martha’s had her sights on the seriously built bodyguard for years. Quiet and conservative, he’s not even remotely her type. So why the hell can’t she get him out of her mind? There’s more to her than the Louboutin wearing party-girl of previous years, however. Maybe it’s time to let him in on that fact and deal with this thing between them.CloserWhen a stalker gets too close to plus-size model Mae Cooper, it’s time to hire some muscle.Enter former military man turned executive protection officer Ziggy Thayer. Having spent years guarding billionaires, royalty, and rock n roll greats, he’s seen it all. From lavish parties through to every kind of excess.There’s no reason some Instagram stylista should throw him off his game. Even if she does have the most dangerous curves he’s ever seen...Love SongThere’s always the one that got away. Or kicked you out...The new darling of rock n’ roll, Adam Dillon, is ready to show his ex-girlfriend, Jill Schwartz, what a mistake she made kicking him to the curb. So maybe he wasn’t the best of boyfriends. Writing great songs and climbing to the top of the charts isn’t easy. Only problem is, he's fast finding out that success isn't everything.Plus bonus stories:Mal and AnneMal and Anne +1**Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.**

    The complete and extraordinary journey of the Pogues’ notorious frontman from outcast to national treasure has never been told – until now. A Furious Devotion: The Life of Shane MacGowan vividly recounts the experiences that shaped the greatest songwriter of his generation: the formative trips to his mother’s homestead in Tipperary, the explosion of punk which changed his life, and the drink and drugs that nearly ended it. As well as exclusive interviews with Shane himself, author Richard Balls has secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore, Sinead O’Connor and Dermot O’Leary are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography also includes many previously unseen personal photographs.

    Although Gainsbourg’s music has been discovered by new generations, his life has rarely been illuminated and contextualized with such style and insight." - BECK Why has Serge Gainsbourg crossed over to the English-speaking world when so many of his contemporaries have remained largely confined to the Francosphere? What is it about this unshaven provocateur that so appeals to us? And who was the real Serge Gainsbourg anyway? Was he the sensitive seducer and songwriting colossus of the 60s and 70s? Was he Lucien Ginsburg, the son of Russian Jewish refugees who had to wear a yellow star during the Nazi Occupation of Paris? Or was he Gainsbarre, the deplorable, attention-seeking drunk who shamelessly propositioned Whitney Houston on live TV? Gainsbourg’s cult has only grown since his death in 1991, and Histoire de Melody Nelson is now regarded as a classic in France and internationally. The 1971 album had only sold eighty thousand copies by 1986 when it finally went gold fifteen years after its release; its canonical elevation is a remarkable story, and there are many more remarkable stories attached to all of Gainsbourg’s genre-defying, transgressive long-players. In Relax Baby Be Cool, writer Jeremy Allen takes each studio album in turn while exploring themes pertinent to Gainsbourg’s life and music: performance, provocation, theft, dandyism, avant-gardism, muses, Nazis, film and TV, Surrealism, vice, posterity, and fame. French pop music is more popular than it’s been since the mid-90s, when the French touch was breaking. Gainsbourg’s influence has also been huge on alternative music: from Pulp to Massive Attack, De La Soul to Danger Mouse, Black Grape to Kylie, David Guetta to Die Antwoord, Air to Iggy Pop. This book is full of new interviews from people who knew him, but also younger artists who discovered him after his death. Contributors include Jane Birkin, Charlotte Gainsbourg, Jacqueline Ginsburg (Gainsbourg’s sister), Anna Karina, Mike Patton, Etienne Daho, Sly Dunbar, Alan Hawkshaw, Jean-Claude Vannier, Tony Frank, Mick Harvey, Bertrand Burgalat, Acid Arab, Jehnny Beth, Alan Chamfort, Metronomy, David Holmes, Blonde Redhead, Nicolas Godin of Air, Russell Mael of Sparks, Will Oldham, and many more.

    Flames and Flowers is a friends-to-lovers / forbidden love / MMF romance novella.It is meant to be read at the end of the players series, after Lovely Madness (Players #4).

    In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter.Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums."Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney "Twitter being used for something really positive." - Mary Beard