And if we are our own, then it's up to us to forge our own identities and to make our lives significant. But while that may sound empowering, it turns out to be a crushing responsibility--one that never actually delivers on its promise of a free and fulfilled life, but instead leaves us burned out, depressed, anxious, and alone. This phenomenon is mapped out onto the very structures of our society, and helps explain our society's underlying disorder. But the Christian gospel offers a strikingly different vision. As the Heidelberg Catechism puts it, "I am not my own, but belong with body and soul, both in life and in death, to my faithful Savior Jesus Christ." In You Are Not Your Own, Alan Noble explores how this simple truth reframes the way we understand ourselves, our families, our society, and God. Contrasting these two visions of life, he invites us past the sickness of contemporary life into a better understanding of who we are and to whom we belong.

    Tucker Carlson, a top-rated TV anchor, discusses the "long slide" in American journalism from a respected profession that tried to focus on accuracy into a partisan forum controlled by a handful of people who make insidious decisions.

    Daniel Levin was at his office one day when he got a call from an acquaintance with an urgent, cryptic request to meet in Paris. A young man had gone missing in Syria. No government, embassy, or intelligence agency would help. Could he? So begins a suspenseful, shocking, and at times brutal true story of one man’s search to find a missing person in Syria over eighteen tense days. Levin, a lawyer turned armed conflict negotiator, uses his extensive Middle Eastern contacts to chase one lead to the next. In Beirut he meets with a powerful sheikh to learn who may have kidnapped the young man. In Dubai he has drinks with the king of the Captagon trade (the ISIS drug of choice that is fueling fighters and Syria and elsewhere) to learn why. His search takes him to a bar in Amman where men “purchase” women, girls really, who have been taken from their families. And, finally, he is able to track down the truth. We all know the horrific stories of Westerners kidnapped in the Mideast, but Levin dives into a true heart of darkness where reporters don’t have access—an underground world where arms, drugs, and people are for sale. He effectively captures the industry of war—the few who profit and the many who suffer—and his book is a study of the hidden levers of power. It’s about how people use leverage to get what they want from one another, where no one does a favor without wanting something in return, whether it’s immediately or years down the road. Daniel Levin is one of the few people with the access, expertise, and ability to tell this story. Proof of Life is a fast-paced thriller wrapped in a memoir, and is a must-read for anyone interested international affairs, current events, the Middle East, or our growing number of forever wars. But it is by no means all dark. Daniel finds the devil in Syria, but what’s most surprising is that he also finds people of courage and kindness, people to whom awful things have been done but who retain their essential goodness and spirit.

    A gorgeously illustrated goodnight story that celebrates the nighttime rituals of two young children visiting their grandparents in India.As nighttime falls over the city, two children visiting their grandparents in India find there's so much fun to be had! Whether it's listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special.In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents.

    What follows is a penetrating exploration of fluctuating literary power and authorial privilege, about whiteness and what we really mean by the term empathy, that examines writers from William Styron to Peter Ho Davies to Jeanine Cummins. Lucid, reflective, and astute, Appropriate presents a generous new framework for one of the most controversial subjects in contemporary literature.

    On October 27, 2018, a gunman killed eleven Jews who were worshipping at the Tree of Life synagogue in Squirrel Hill--the most deadly anti-Semitic attack in American history.Many neighborhoods would be understandably subsumed by despair and recrimination after such an event, but not this one. Mark Oppenheimer poignantly shifts the focus away from the criminal and his crime, and instead presents the historic, spirited community at the center of this heartbreak. He speaks with residents and nonresidents, Jews and gentiles, survivors and witnesses, teenagers and seniors, activists and historians.Together, these stories provide a kaleidoscopic and nuanced account of collective grief, love, support, and revival. But Oppenheimer also details the difficult dialogue and messy confrontations that Squirrel Hill had to face in the process of healing, and that are a necessary part of true growth and understanding in any community. He has reverently captured the vibrancy and caring that still characterize Squirrel Hill, and it is this phenomenal resilience that can provide inspiration to any place burdened with discrimination and hate.

    It is a heterogenous group with no one singular experience, no sole narrative to describe or define the multitudinous variations of cultural mixes and ethnic make ups that exist within this country.And yet despite the plethora of backgrounds that are encompassed under the term 'mixed', through the course of her work as a journalist, it became clear to Natalie Morris that there is a collective identity; recurring themes and experiences that suggest a commonality of mixed-race existence. From identity struggles to the openness and closeness of family life, from the complexities of dating and relationships to the feelings of cultural guilt and disconnect, the experience of existing outside of easily-defined labels of identity creates a unique experience in its own right.At a time when ethnically-ambiguous models fill our Instagram feeds and our high street shop windows, and with the phenomenon of an interracial marriage within the British royal family raising questions about one of the country's most established institutions, in Mixed/Other, Natalie Morris provides a voice to those who have up until now, not been included in the narrative.Examining identity, dating, family life, beauty, hostility, culture and more through a plethora of people across the UK, Mixed/Other will shine a light on what it is to be mixed race today.

    --Natasha Trethewey, Pulitzer Prize-winning author of Memorial DriveChet'la Sebree's Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poemI am society's eraser shards--bits used to fix other people's sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections.Seeking to understand the fallout of her relationship with a white man, the poet Chet'la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree's control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp.Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers--Audre Lorde, Maya Angelou, Tressie McMillan Cottom--that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. "Even as I accrue these notes," Sebree writes, "I'm still not sure I've found the pulse."A poem of love, heartbreak, womanhood, art, sex, Blackness, and America--sometimes all at once--Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.

    Bob Ross fell in love with painting and wanted to inspire others to find joy in their happy accidents. Follow his footsteps toward becoming a TV painter icon in this delightful and reverent picture book biography of a gentle soul who loved painting and teaching others how to paint too.

    Lewis’s most widely admired but least accessible works, The Abolition of Man, which originated as a series of lectures on ethics that he delivered during the Second World War.These lectures tackle the thorny question of whether moral value is objective or not. When we say something is right or wrong, are we recognizing a reality outside ourselves, or merely reporting a subjective sentiment? Lewis addresses the matter from a purely philosophical standpoint, leaving theological matters to one side. He makes a powerful case against subjectivism, issuing an intellectual warning that, in our “post-truth” twenty-first century, has even more relevance than when he originally presented it.Lewis characterized The Abolition of Man as “almost my favourite among my books,” and his biographer Walter Hooper has called it “an all but indispensable introduction to the entire corpus of Lewisiana.” In After Humanity, Michael Ward sheds much-needed light on this important but difficult work, explaining both its general academic context and the particular circumstances in Lewis’s life that helped give rise to it, including his front-line service in the trenches of the First World War.After Humanity contains a detailed commentary clarifying the many allusions and quotations scattered throughout Lewis’s argument. It shows how this resolutely philosophical thesis fits in with his other, more explicitly Christian works. It also includes a full-color photo gallery, displaying images of people, places, and documents that relate to The Abolition of Man, among them Lewis’s original “blurb” for the book, which has never before been published.

    He wanted to be a person, unlike his father, who knew how to work and get things done. He found himself in the oil fields of North Dakota during the Bakken fracking boom of 2013, where he spent a year as a swamper, assisting the truck drivers who hauled oil rigs from one site to another.The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles and rewards of one of the most difficult jobs on the planet. In doing so, the story delves into the internal struggles of people who seem naturally drawn to hard work and hard luck--the rough-hewn, castoff, disposable men who populate boomtowns. As an oil field greenhorn, Smith finds the job is a continual battle; men are mocked and clobbered by equipment. But he comes to love the intensity and camaraderie, forming close bonds with a number of fellow workers, including Huck, an aw-shucks friendly young giant of a man who is constantly getting into trouble with the law, and "The Wildebeest," a truck driver in his fifties who initially torments Smith but later becomes instrumental in helping him to become "a good hand." Smith also examines his troubled relationship with his father--a trait that most of his coworkers seem to share--and draws fascinating parallels between his labor as an oil field hand and his previous careers in theatre and folk music.The Good Hand is ultimately a book about transformation--a classic American story about submitting to something elemental and larger than oneself. Smith discovers that the communities forged by hard work can awaken both the heart and the hands.

    This was no easy task, especially for a six-year-old. Ruby's bravery and perseverance inspired children and adults alike to fight for equality and social justice. Perfect for back-to-school reading!Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Ruby Bridges's footsteps and make a difference!And don't miss out on the rest of the books in the She Persisted series, featuring so many more women who persisted!Praise for She Persisted: Ruby Bridges Bridges' voice, quoted from various sources, gives readers access to her own perspective. A context-offering complement to Bridges' own books for children. -- Kirkus Reviews Given the more relatable perspective of starting first grade, this volume makes Bridges's story poignant for the intended audience. --School Library Journal

    By looking at the symbolic and etymological histories of the sun, moon, Saturn, Venus, Mercury, Mars, and Jupiter, we can trace and understand the politics of magic–and challenge our own practices, interrogate our truths, and reshape our institutions to build better frameworks for communities of care.Fearless, radical, and fresh, Sparkly Kat’s Postcolonial Astrology ushers in a new wave of astrology revival, refusing to apologize for its magickism and connecting its power to the spirituality and politics we need now. Intersectional, inclusive, and geared towards queer and POC communities, it uses our historical and collective constructs of the planets, sun, and moon to re-chart our subconscious history, redefine the body in the world, and assert our politics of the personal, in astrology and all things.

    Sing with Me follows Selena’s rise to stardom, from front-lining her family’s band at rodeos and quinceañeras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena’s dedication–learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family–sharing her pride in her Mexican-American roots and her love of music and fashion with the world.

    That summer, Ben Hodgson became one of her most dedicated regulars, setting the still-unbroken single-season record for borrowing. Then Ben’s routine’s changed, and he didn’t cross paths again with Laura for almost two years. Loaners is the story they began to tell when they reconnected, offering a street-level perspective of a community whose stories are seldom told, alternating between their two unforgettable points of view in this addictively readable, occasionally sublime memoir.“Loaners is the most heartening, encouraging book I’ve read in years. Ever? What a beauty, how human and terrifying and funny, what a strange conversation. This could be the account of an inspired woman who built a bicycle-powered library for unhoused folks, revealing the pull of reading and the rich inner lives of those whose outer lives might seem unseemly; it could also be the testimony of a well-educated veteran who, living on the street and in the woods, finds purpose and connection through the library. That the book is both of these things, and told in these two sharp, distinct, and compassionate voices, is a true wonder — and yet, that is not what’s deepest and warmest here: This is the account of a friendship between people in different situations, who find a connection through books, and whose care for and appreciation of each other is evident in every single word. I loved this book. Loved it.”-Peter Rock, author of My Abandonment“As someone saved by books when homeless, I know that true resiliency lies in the imagination. Kudos to Street Books for bringing the magic literature to so many souls on the street, and this illuminating, powerful story to all of us.”-Rene Denfeld, bestselling author of The Child Finder“One of the single best ideas I’ve seen in this town.”-Omar El Akkad, author of American War and What Strange Paradise“A wonderfully sui generis memoir, braiding together hilarious and devastating anecdotes from Ben’s years living on the street in Old Town — ‘the Baltic and Mediterranean’ of Portland — and Laura’s first decade of building her first bike library, ‘a beautiful, ungainly, rolling creation,’ into a sprawling, city-wide network of street librarians and patrons. Like Street Books itself, Loaners is a powerful collaboration between neighbors, a wonderful, chimerical book held together by the glue of humor, hope, and connection. The right book can change a person forever in a few hours time. Anyone looking for evidence to pair with this grand claim of mine should read Loaners immediately.”-Karen Russell, author of Orange World and Swamplandia!

    But those stances emerge from an evangelical world with its own institutions—institutions that shape imagination as much as they shape ideology. In this unique exploration of evangelical subculture, Daniel Silliman shows readers how Christian fiction, and the empire of Christian publishing and bookselling it helped build, is key to understanding the formation of evangelical identity. With a close look at five best-selling novels—Love Comes Softly, This Present Darkness, Left Behind, The Shunning, and The Shack—Silliman considers what it was in these books that held such appeal and what effect their widespread popularity had on the evangelical imagination. Reading Evangelicals ultimately makes the case that the worlds created in these novels reflected and shaped the world evangelicals saw themselves living in—one in which romantic love intertwines with divine love, humans play an active role in the cosmic contest between angels and demons, and the material world is infused with the literal workings of God and Satan. Silliman tells the story of how the Christian publishing industry marketed these ideas as much as they marketed books, and how, during the era of the Christian bookstore, this—every bit as much as politics or theology—became a locus of evangelical identity.

    W. F. HegelWhenever we reach for our phones or scan a newspaper to get "caught up," we are being not merely informed but also formed. News consumption can shape our sense of belonging, how we judge the value of our lives, and even how our brains function. Christians mustn't let the news replace prayer as Hegel envisioned, but neither should we simply discard the daily feed. We need a better understanding of what the news is for and how to read it well. Jeffrey Bilbro invites readers to take a step back and gain some theological and historical perspective on the nature and very purpose of news. In Reading the Times he reflects on how we pay attention, how we discern the nature of time and history, and how we form communities through what we read and discuss. Drawing on writers from Thoreau and Dante to Merton and Berry, along with activist-journalists such as Frederick Douglass and Dorothy Day, Bilbro offers an alternative vision of the rhythms of life, one in which we understand our times in light of what is timeless. Throughout, he suggests practices to counteract common maladies tied to media consumption in order to cultivate healthier ways of reading and being. When the news sets itself up as the light of the world, it usurps the role of the living Word. But when it helps us attend together to the work of Christ--down through history and within our daily contexts--it can play a vital part in enabling us to love our neighbors. Reading the Times is a refreshing and humane call to put the news in its place.

    Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day.In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange’s progress through an inflexible industry, charting the artist’s development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019’s When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.

    Filled with busy stores and happy families, Opal also wants you to know that “everyone looks like me.”In both words and illustrations, this carefully researched and historically accurate book allows children to experience the joys and success of Greenwood, one of the most prosperous Black communities of the early 20th Century, an area Booker T. Washington dubbed America’s Black Wall Street.Soon after the day narrated by Opal, Greenwood would be lost in the Tulsa Race Massacre, the worst act of racial violence in American history. As we approach the centennial of that tragic event, children have the opportunity through this book to learn and celebrate all that was built in Greenwood.

    Our bodies and minds, though, have other ideas.In this striking debut, artist and writer Sarah Walker wrestles with the awkward spaces where anatomy meets society- body image and Photoshop, phobias and religion, sex scenes and onstage violence, death and grief. Her luminous writing is at once specific and universal as she mines the limits of anxiety, intimacy and control.Sharp-witted and poignant, this collection of essays explores our unruly bodies and asks how we might learn to embrace our own chaos.

    Along with friends, Cleve created the first panels for the quilt in 1987. The AIDS Memorial Quilt grew to be one of the largest public arts projects ever and helped grow awareness of HIV and AIDS. The Quilt is an iconic symbol of hope and remembrance and is Jones' shining achievement. It has since toured the world and been seen by millions.This evocative biography is a touching tribute to Jones' life of advocacy, the positive effects of a community working towards a common goal, and an inspiring story for young readers. Includes a timeline and extensive back matter.

    

    Written with a compulsion for lucidity that transforms outrage into clarity, Book of the Other resists the luxury of metaphor to write about the experience of being shut out, shut down and othered as a queer, working-class teacher, immigrant and refugee.What emerges from Tran’s sharp-eyed experiments in language and form is an achingly beautiful acknowledgment of the estrangement from self forced upon those seduced by the promise of color-blind acceptance and the rigorous, step by step act of recollection needed to find one's way home to oneself.

    From Roman ruins to a submerged playhouse, from an abandoned Tube station to underground rivers, Chivers leads us on a journey into the depths of the city he loves. A lyrical interrogation of a capital city, a landscape and our connection to place, London Clay celebrates urban edgelands: in-between spaces where the natural world and the metropolis collide. Through a combination of historical research, vivid reportage and personal memoir, it will transform how you see London, and cities everywhere.

    Illustrated throughout with more than 180 two-color drawings that are so sinuous they move on the page, it is a work for lovers of fantasy and mythology, ancient knowledge, fabulous beasts, and inspired art.   The beings catalogued within these pages come from the regions of the known world, from the mountains and seas, the Great Wastelands, and the Lands Within the Seas that became China. They include spirits and deities and all sorts of strange creatures—dragons and phoenixes, hybrid beasts, some with human features, some hideous or with a call like wood splitting, or that portend drought or flood or bounty; others whose flesh cures disease or fends off nightmares, or whose pelt guarantees many progeny.   Drawn from The Classic of Mountains and Seas, Fantastic Creatures is the work of two members of China's millennial generation, a young scholar and writer once known as the youngest "Genius of Chinese Cultural Studies" and an inspired illustrator trained in China and the United States, who together managed to communicate with the soul of a 4,000-year-old beast and have brought forth its strange beauty. Their work has been rendered into English by the foremost translator of modern Chinese literature in the West.

    There, the Sweet Gum Head was the club for achieving drag stardom.Martin Padgett evokes the fantabulous disco decade by going deep into the lives of two men who shaped and were shaped by this city: John Greenwell, an Alabama runaway who found himself and his avocation performing as the exquisite Rachel Wells; and Bill Smith, who took to the streets and city hall to change antigay laws. Against this optimism for visibility and rights, gay people lived with daily police harassment and drug dealing and murder in their discos and drag clubs. Conducting interviews with many of the major figures and reading through deteriorating gay archives, Padgett expertly re-creates Atlanta from a time when a vibrant, new queer culture of drag and pride came into being.

    A delight to read." -Philip YanceyOur bodies are designed to heal. We fall off our bikes and skin our knees--and without effort on our part, the skin looks like new in a few days. But while our skinned knees easily heal, it can sometimes feel like our emotional and relational wounds are left gaping open, broken beyond repair. If our bodies instinctively know how to heal physical injuries, could they also help us understand how to restore painful emotional and relational ruptures?In their groundbreaking debut book, physician Jennie McLaurin and scientist Cymbeline T. Culiat write Designed to Heal: a fascinating look at how the restorative processes of the body can model patterns we may adapt to heal the acute and chronic wounds of our social bodies. Through engaging patient stories, imaginative travels through the body's microcellular landscapes, accessible references to current research, and reflections on the image of God, Designed to Heal offers a new perspective for healing our social divisions. By learning how the body is created with mechanisms that optimize a flourishing recovery from life's inevitable wounds, we are given a model for hopeful, faithful, and enduring healing in all other aspects of our lives. Our wounds don't have to have the last word.

    . . . This book is such a beautiful tribute to the different stories and experiences we go through as brujas. . . . Amplify the voice of Witches of Color by reading their stories." —Juliet Diaz, author of Witchery and Plant WitcheryThere is a new kind of witch emerging in our cultural consciousness: the bruja.Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. Brujas chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism.They are destigmatizing the “witch” of their ancestries and bringing persecuted traditions to the open to challenge cultural appropriation and spiritual consumerism. Part memoir, part ritual guide, Brujas empowers readers to decolonize their spiritual practices and connect with their own ancestors.Brujas reminds us that witchcraft is more than a trend—it’s a movement.

    Did you know that when a pig is happy, it will uncoil its curly tail and wag it just like a dog? Or that feral hogs can detect odors from seven miles away? Pigology delves into the history of pigs, pig breeds around the world, famous pigs, pigs in culture, and so much more, with engaging scenes from illustrator Camilla Pintonato. This lively visual encyclopedia, a follow-up to Chickenology, offers something to discover for everyone young and old: nature- and animal-loving young readers, pig enthusiasts, pig farmers, and pet pig owners alike!

    "Teacher of writing and literature at CUNY Marcos Gonsalez's PEDRO'S THEORY, a literary exploration of race, immigration, politics, sexuality, family, and masculinity through the lens of a first-generation gay man of color who is the son of an undocumented Mexican father and a Puerto Rican mother."

    The illustrations excellently depict Alicia's dedication as well as the difficulties with her eyesight and will inspire readers to chase their dreams amid challenges and struggles.--School Library Journal starred reviewAs a young girl in Cuba, Alicia Alonso practiced ballet in tennis shoes. Within a few years, she was in New York City, with a promising ballet career. But her eyesight began to fail. When Alicia needed surgeries to save her vision, dancing was impossible, but she wouldn't give up her dream. She found the strength and determination to return to the stage and become a prima ballerina. This is the true story of a woman who overcame her challenges, mastered her art, and inspired others to dance and dream.

    In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.

    In the future, robots are more than machines. Autonomous “cyber-persons” with A.I. brains are part of society, interacting with humans while developing their own culture. In fact, they may be surpassing humans, as biological homo sapiens have begun to die out and give way to robo sapiens. But are humans truly disappearing, or are robots the newest form of humanity?This millennia-spanning, speculative science fiction manga of interconnected stories, both human and robotic, was awarded the Division Grand Prize at the 2020 Japan Media Arts Festival.

    Ancient Greeks flicked discs, and beginning in the 1920s, college kids at Yale University were tossing pie tins. Fred lived in California and had no idea about ancient Greeks or East Coast college kids. His invention quest began in 1932 after tossing a tin popcorn lid around the backyard. For more than twenty years, Fred and his wife, Lu, tried and failed to perfect a flying-disc concept. Eventually they created what we know today as the Frisbee.

    As the students began writing, their poems gave voice to their reflections on leaving family, friends, and countries of origin to make new homes and connections in their new home, Canada.Paired with expressive portraits by award-winning artist Rogé, each young writer reflects on the experience of leaving one home for another. The collection of poems express feelings of anxiety, sorrow, anticipation, gratitude, and hope for the future. With thoughtful verse and evocative illustrations, Carry On is a tribute to human resilience, the voices of newcomers, and creating empathy for all those who wonder about their place in the world.

    From the bedroom to the dance floor, from the natural world to The Frick, from the Midwest to Florida to Mexico City, the poems range across interior and exterior landscapes. They look to movies, fine art, childhood memory, history, and mental health with melancholy, anger, and playfulness.Even amidst sorrow and pain, Tenderness uplifts communal spaces as sites of resistance and healing, wonders at the restorative powers of art and erotic love, and celebrates the capaciousness of friendship.

    In this chronicle of a family's history divided by geography and language, Stephanie Sy-Quia explores the reverberations that the actions of one generation can have on the next, through acts of bravery and resistance, great and small.Simultaneously mapping and undoing ideas of the self, everything here is contested. Undefinable in form, combining aspects of fiction, epic poetry and the lyric essay, and merging classical thought and contemporary life to show the joy in living and art, Amnion's broad intellect and undulating emotional landscape is a testament to the families we are given and those that we choose.

    Instead, Vanessa Machado de Oliveira presents us with a challenge: to grow up, step up, and show up for ourselves, our communities, and the living Earth, and to interrupt the modern behavior patterns that are killing the planet we’re part of. Driven by expansion, colonialism, and resource extraction and propelled by neoliberalism and rabid consumption, our world is profoundly out of balance. We take more than we give; we inoculate ourselves in positive self-regard while continuing to make harmful choices; we wreak irreparable havoc on the ecosystems, habitats, and beings with whom we share our planet. But instead of drowning in hopelessness, how can we learn to face our reality with humility and accountability?Machado de Oliveira breaks down archetypes of cognitive dissonance–the do-gooder who does “good enough,” then retreats to business as usual; the incognito capitalist who, at first glance, may seem like a radical change-maker–and asks us to dig deeper and exist differently. She explains how our habits, behaviors, and belief systems hold us back…and why it’s time now to gradually disinvest. Including exercises used with teachers, NGO practitioners, and global changemakers, she offers us thought experiments that ask us to: • Reimagine how we learn, unlearn, and respond to crisis • Better assess our surroundings and interact with difference, uncertainty, complexity, and failure • Expand our capacity to hold personal and collective space for difficult and painful things • Understand the “5 modern-colonial e’s”: Entitlements, Exceptionalism, Exaltation, Emancipation, and Enmeshment in low-intensity struggle activism • Interrupt our satisfaction with modern-colonial desires that cause harm • Create space for change driven neither by desperate hope nor a fear of desolate hopelessnessFor fans of adrienne maree brown, Sherri Mitchell, and Charles Eisenstein, Hospicing Modernity challenges our assumptions and dares to ask more of us, for the sake of us all.

    There are also circumstances where life imposes the only choice of acceptance. Rubies in the Rubble is the story of one woman's courage and commitment to accept her lot in life and bloom where she was planted.For most of her existence, Jill Speering led a life of reacting to the trauma of abuse, shame, helplessness, and betrayal. As a small child, she and her family endured mental and physical violence from her father, a WWII veteran with issues of PTSD, a disorder in which a person has difficulty recovering after experiencing or witnessing a terrifying event. At home, Speering was a fighter and defender of her mother who endured constant verbal and physical attacks from her dad.As a young student, Jill was imprinted with the belief that she was stupid and unable to learn. As a result, she felt inadequate and struggled to succeed. Failures continued to mount as her perseverance for achievement escalated.As a young adult, Jill yearned for a life of balance in order to teach disenfranchised students and raise her own children productively in love. Although she struggled to gain employment in a saturated field of educators, she took a different path, secured advanced degrees, and became an exemplary educator for deprived students. However, she found herself limited by administrators in ways she never imagined. As a highly trained instructor of children and teachers, she often found herself at the whimsy of supervisors who had the ability to make choices which impacted her teaching, yet failed to serve children's full potential for learning. Throughout, she found herself striving for change in order to experience a more positive life for herself, her family, and her students.Upon retirement, the author began to reflect on her efforts and conflicts, as she attempted to extrapolate meaning and insight from the history of her life to make decisions about her future. Her excavation of the unexplored miracles in her life magically led her on a journey, which transmuted her hatred into understanding and compassion.Speering's Rubies in the Rubble is more than a memoir; it's a call to action for anyone who has ever felt helpless at the hands and will of a bully. It is a story of triumph over difficult circumstances and refusal to succumb to the aggression of a manipulative egomaniac more than willing to make personal attacks and create chaos where reason should clearly be the reigning motivationThis is a story of how we can look beyond the behavior of others in order to overcome trauma and adversity - to stand in conviction against a world of naysayers and condemnation - a story both vastly entertaining and poignant. It is a heart-racing story that you will be unable to put down. Rubies in the Rubble shows us how to stand firm in our convictions and how to either endure our path in life or to choose our own fork in the road of possibilities.

      It’s 1960, and Flo, Mary, and Diana are three friends with big ambitions. They want to be superstars! But 1960s America was not the easiest place for young black girls from the projects to make it big. They audition for the new Motown Records label, but the manager says NO. Not to be put off, the girls try again, and this time, they succeed. They become...The Supremes!   They travel the world, singing hit after hit. Of course they have falling outs, like all friends do, but with a shared dream to keep their friendship strong, they became the USA’s most successful vocal group ever.Friends Change the World is a series of picture books that celebrates the power of friendship. From musical greats to sports champions, scientists and explorers to artists and activists, these are the true stories of real friends who achieved amazing things. Whether best friends since school or thrown together by a chance encounter, they supported and inspired each other to make their shared dreams come true. This charming series shows 4- to 7-year-olds how togetherness, respect, and friendship can make the world a better place.

    Marilyn Yalom experienced World War II from afar, safely protected in her home in Washington, DC. But over the course of her life, she came to be close friends with many less lucky, who grew up under bombardment across Europe-in France, Germany, Hungary, Czechoslovakia, England, Finland, Sweden, Norway, and Holland. With Innocent Witnesses, Yalom collects the stories from these accomplished luminaries and brings us voices of a vanishing generation, the last to remember World War II.Memory is notoriously fickle: it forgets most of the past, holds on to bits and pieces, and colors the truth according to unconscious wishes. But in the circle of safety Marilyn Yalom created for her friends, childhood memories return in all their startling vividness. This powerful collage of testimonies offers us a greater understanding of what it is to be human, not just then but also today. With this book, her final and most personal work of cultural history, Yalom considers the lasting impact of such young experiences-and asks whether we will now force a new generation of children to spend their lives reconciling with such memories.

    Its walls are made of stone. And there may be strange or even scary pictures inside. How can a small person make sense of these intimidating places? Two-time Caldecott medalist Chris Raschka shares his mother’s wonderful way of visiting a church: what they would call saint spotting. Each visit to a church becomes an adventure, a trip through the stories that have shaped centuries of faith.Playful and poignant, this beautifully illustrated book introduces readers to saints and symbols through the warm bond between a mother and son. From bookish Paul to faithful Mary Magdalene, from musical Cecilia to animal-loving Francis, there’s a fascinating saint to discover in every corner.

    Martin Luther King, Jr. gave his "I Have a Dream" speech at the March on Washington, he did not stand alone. He was joined by Rabbi Joachim Prinz, a refugee from Nazi Germany, who also addressed the crowd. Though Rabbi Prinz and Dr. King came from very different backgrounds, they were united by a shared belief in justice. And they knew that remaining silent in the face of injustice was wrong. Together, they spoke up and fought for a better future.

    But he was most drawn to the curious, the unknown, and the unsung—the deaths that normally wouldn’t make much of a splash, if any mention at all, in the news columns of a daily paper.  Digging deeper, he uncovered the extraordinary among the ordinary, memorializing the lives of a sword designer, a radio villain, a pioneering female detective, a homeless woman who spoke fluent French, a beloved classroom tarantula, and many more. Their stories are alternately amusing, sad, surprising, and profound. Together they speak to a shared human experience and inspire us to see the people around us with new eyes, valuing the lives while they are still being lived.

    Help your little one dream big with a Little Golden Book biography all about the first female Vice President Kamala Harris! The perfect introduction to nonfiction for preschoolers!This Little Golden Book about Kamala Harris--the first woman, first African American woman, and first Indian American woman to be elected Vice President of the United States--is an inspiring read-aloud for young girls and boys.Read all the Little Golden Book biographies: My Little Golden Book About Kamala Harris, My Little Golden Book About Frida Kahlo, My Little Golden Book About Ruth Bader Ginsburg, My Little Golden Book About Betty White, My Little Golden Book About Jackie Robinson, My Little Golden Book About Martin Luther King Jr., My Little Golden Book About George Washington, My Little Golden Book About Abraham Lincoln, My Little Golden Book About Balto, and My Little Golden Book About Johnny Appleseed.

    

    One line to the right. One line to the left, then a circle. That was all—just three lines in a circle.This bold picture book tells the story of the peace symbol—designed in 1958 by a London activist protesting nuclear weapons—and how it inspired people all over the world. Depicting the symbol's travels from peace marches and liberation movements to the end of apartheid and the fall of the Berlin Wall, Three Lines in a Circle offers a message of inspiration to today's children and adults who are working to create social change. An author’s note provides historical background and a time line of late twentieth-century peace movements.One line straight down. One line to the right. One line to the left, then a circle. That was all—just three lines in a circle.This bold picture book tells the story of the peace symbol—designed in 1958 by a London activist protesting nuclear weapons—and how it inspired people all over the world. Depicting the symbol's travels from peace marches and liberation movements to the end of apartheid and the fall of the Berlin Wall, Three Lines in a Circle offers a message of inspiration to today's children and adults who are working to create social change. An author’s note provides historical background and a time line of late twentieth-century peace movements.

    Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind--all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s--including video marketing, branded merchandise, drugs and alcohol, and even gun violence--and shows how objects considered peripheral to film and television culture are in fact central to its past and future.

    We’ll discover the Bangkok way of doing things through my observations and conversations with some Thai locals. You'll get an honest account of my experience living in a city with ten and a half million people.In this book, I don’t advocate for people to pack their bags and leave everything behind. The grass isn’t always greener. We must endure hardships different from the ones back home. Consider that the chapters aren't research-based or a how-to manual to get by. I don't know the nuts and bolts about Thai culture or the Bangkok lifestyle either.If you’re open-minded and want to swim in a book that’s not the usual stuff in Amazon’s library, then this read might do the job. You’ll at least learn some interesting things about Bangkok and Thai culture that you won’t get in textbooks. Who doesn’t like to stimulate their mind and broaden their horizons?

    Spanning the whole of his career, this collection includes classic theoretical essays such as “The Whites of Their Eyes” (1981) and “Race, the Floating Signifier” (1997). It also features public lectures, political articles, and popular pieces that circulated in periodicals and newspapers, which demonstrate the breadth and depth of Hall's contribution to public discourses of race. Foregrounding how and why the analysis of race and difference should be concrete and not merely descriptive, this collection gives organizers and students of social theory ways to approach the interconnections of race with culture and consciousness, state and society, policing and freedom.

    Decades of unchecked data collection have given Big Tech more targeted control over Americans’ daily lives than any company or government in the world. In this book, Senator Josh Hawley of Missouri argues that these mega-corporations—controlled by the robber barons of the modern era—are the gravest threat to American liberty in decades. To reverse course, Hawley argues that we must correct progressives’ mistakes of the past. That means recovering the link between liberty and democratic participation, building an economy that makes the working class strong, independent, and beholden to no one, and curbing the influence of corporate and political elites. Big Tech and its allies do not deal gently with those who cross them, and Senator Hawley proudly bears his own battle scars. But hubris is dangerous. The time is ripe to overcome the tyranny of Big Tech by reshaping the business and legal landscape of the digital world.

    Christians are already vanishing. We are past the tipping point, now tilted toward the end of Christianity in its historical homeland. Christians have fled the lands where their prophets wandered, where Jesus Christ preached, where the great Doctors and hierarchs of the early church established the doctrinal norms that would last millennia. From Syria to Egypt, the cities of northern Iraq to the Gaza Strip, ancient communities, the birthplaces of prophets and saints, are losing any living connection to the religion that once was such a characteristic feature of their social and cultural lives. In The Vanishing, Janine di Giovanni has combined astonishing journalistic work to discover the last traces of small, hardy communities that have become wisely fearful of outsiders and where ancient rituals are quietly preserved amid 360 degree threats. Di Giovanni's riveting personal stories and her conception of faith and hope are intertwined throughout the chapters. The book is a unique act of pre-archeology: the last chance to visit the living religion before all that will be left are the stones of the past.

    They are notoriously difficult to define, and yet we know one when we see one. No wonder: they were among the global cultural phenomena that ushered in the 21st century. They have become a bulwark of mainstream culture, cultural commodity, status, butt of all jokes and ready-made meme.But frightening as it is to imagine, for more than a century hipsters have been lurking among us. Defined by their appearances and the cloud of meaning attached to them—the cool vanguard of gentrification, the personification of capitalism with a conscience—hipsters are all looks, and these looks are a visual timeline to America’s past and present.Underlining this timeline is the pattern of American popular culture’s love/hate/theft relationship with Black culture. Yet the pattern of recycling has reached a chilling point: the 21st century hipster made all possible past fads into new trends, including and especially the old uncool. In Decolonize Hipsters, Grégory Pierrot gives us a field guide to the phenomenon, a symptom and vanguard of the wave of aggressive white supremacist sentiment now oozing from around the globe.“Ever since Norman Mailer styled himself as a "White Negro" and Anatole Broyard passed as a white jazz fan, the hipster has been a subject of fascination in cultural criticism, a symbol of the love and theft at the heart of American popular culture. Grégory Pierrot's fiercely illuminating short book dissects the political complacency and racial delusions of hipsterism, but it does so with a verve, swagger and irreverence. Pierrot provides us not only an anatomy of hipsterism's past, but a vision of its possible future. ” —Adam Shatz, editor of Prophets Outcast

    He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin.Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage--in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.

    Beautifully observed, brilliantly argued and deeply felt, these essays show that our emotions, our art, our relationships with the generations around us – all the delicate networks that make us who we are – have already been transformed. In Signs and Wonders, Falconer explores how it feels to live as a reader, a writer, a lover of nature and a mother of small children in an era of profound ecological change. Building on Falconer’s two acclaimed essays, ‘Signs and Wonders’ and the Walkley Award-winning ‘The Opposite of Glamour’, Signs and Wonders is a pioneering examination of how we are changing our culture, language and imaginations along with our climate. Is a mammoth emerging from the permafrost beautiful or terrifying? How is our imagination affected when something that used to be ordinary – like a car windscreen smeared with insects – becomes unimaginable? What can the disappearance of the paragraph from much contemporary writing tell us about what’s happening in the modern mind? Scientists write about a 'great acceleration' in human impact on the natural world. Signs and Wonders shows that we are also in a period of profound cultural acceleration, which is just as dynamic, strange, extreme and, sometimes, beautiful. Ranging from an ‘unnatural’ history of coal to the effect of a large fur seal turning up in the park below her apartment, this book is a searching and poetic examination of the ways we are thinking about how, and why, to live now. ‘Only the finest of writers can hope to convey the mercurial nature of the times we are living though: the sense of slippage; of terror and beauty. Falconer is such a writer. Signs and Wonders is an essential collection.’ Sophie Cunningham, author of City of Trees ‘Delia Falconer is one of the best writers working today, and in Signs and Wonders she demonstrates everything that makes her writing so necessary. Brave, beautiful, and breathtaking in its elegance and intelligence, it is, quite simply, a marvel.’ James Bradley ‘Scintillating. Delia Falconer is at the peak of her powers as a critic, and as an observer of the natural world. Signs and Wonders looks outward from Sydney, and from literature, to trace the contours of our environmental moment.’ Rebecca Giggs, author of Fathoms ‘Exquisite … From reflections on feeding birds, analyses of literary trends, to Falconer’s Covid and fire diaries, the essays are complex, ambitious, rewarding … Delia Falconer’s mesmerising Signs and Wonders helps us to process the disorienting complexity of living in this time of great beauty and loss.’ Jonica Newby, Australian Book Review

    Alfred L. Martin, Jr., argues that the Black community is considered to be antigay due to misrepresentation by shows that aired during the family viewing hour and that were written for the imagined, "traditional" Black family. Martin considers audience reception, industrial production practices, and authorship to unpack the claim that Black gay characters are written into Black-cast sitcoms such as Moesha, Good News, and Let's Stay Together in order to closet Black gayness.By exploring how systems of power produce ideologies about Black gayness, The Generic Closet deconstructs the concept of a monolithic Black audience and investigates whether this generic closet still exists.

    It puts all previous single-volume works of the conflict in the shade' Saul David, The TimesA bold new approach to the Second World War from one of Britain's foremost military historiansRichard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. He argues that this was the 'great imperial war', a violent end to almost a century of global imperial expansion which reached its peak in the ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and costliest war in human history and the end, after 1945, of all territorial empires.How war on a huge scale was fought, supplied, paid for, supported by mass mobilization and morally justified forms the heart of this new account. Above all, Overy explains the bitter cost for those involved in fighting, and the exceptional level of crime and atrocity that marked these imperial projects, the war and its aftermath. This war was as deadly for civilians as it was for the military, a war to the death over the future of the global order.Blood and Ruins is a masterpiece from of one of the most renowned historians of the Second World War, which will compel us to view the war in novel and unfamiliar ways. Thought-provoking, original and challenging, Blood and Ruins sets out to understand the war anew.

    Ranging widely across premodern European thought and culture, Leah DeVun reveals how and why efforts to define “the human” so often hinged on ideas about nonbinary sex.The Shape of Sex examines a host of thinkers—theologians, cartographers, natural philosophers, lawyers, poets, surgeons, and alchemists—who used ideas about nonbinary sex as conceptual tools to order their political, cultural, and natural worlds. DeVun reconstructs the cultural landscape navigated by individuals whose sex or gender did not fit the binary alongside debates about animality, sexuality, race, religion, and human nature. The Shape of Sex charts an embrace of nonbinary sex in early Christianity, its brutal erasure at the turn of the thirteenth century, and a new enthusiasm for nonbinary transformations at the dawn of the Renaissance. Along the way, DeVun explores beliefs that Adam and Jesus were nonbinary-sexed; images of “monstrous races” in encyclopedias, maps, and illuminated manuscripts; justifications for violence against purportedly nonbinary outsiders such as Jews and Muslims; and the surgical “correction” of bodies that seemed to flout binary divisions.In a moment when questions about sex, gender, and identity have become incredibly urgent, The Shape of Sex casts new light on a complex and often contradictory past. It shows how premodern thinkers created a system of sex and embodiment that both anticipates and challenges modern beliefs about what it means to be male, female—and human.

    But we often fear that to those on the outside, it comes across as irrelevant or even repellent. Sometimes the Christian worldview feels so out of step with everything else going on that we don't know how to share our faith.However, author Daniel Strange wants to show you that the connections are there--in fact, the longings that our culture cannot help but express are the very ones that Jesus fulfils.Building on the work of theologian J.H. Bavinck, Dan reveals five recurring themes that our culture can't stop talking about, or, as he puts it, the "five permanent 'itches' that in our work, rest, and play, we have to vigorously scratch." From TV to books to social media, these are the questions we can't stop asking and the tensions we can't stop wrestling with--and Jesus speaks powerfully into each one.This book will help you to spot these connections in our culture, excite you about how Jesus makes sense of humankind's deepest questions and longings, apply them to your own life first and then equip you to speak of him to others in a way that is truly magnetic.Dan Strange has written another terrific, down-to-earth book to help believers engage in fruitful conversations with friends about faith. Dr. Timothy Keller, who has also written the foreword to this book.

    Edited by Silvia Killingsworth and renowned chef and author Gabrielle Hamilton. “A year that stopped our food world in its tracks,” writes Gabrielle Hamilton in her introduction, reflecting on 2020. The stories in this edition of Best American Food Writing create a stunning portrait of a year that shook the food industry, reminding us of how important restaurants, grocery stores, shelters, and those who work in them are in our lives. From the Sikhs who fed thousands during the pandemic, to the writer who was quarantined with her Michelin-starred chef boyfriend, to the restaurants that served $200-per-person tasting menus to the wealthy as the death toll soared, this superb collection captures the underexposed ills of the industry and the unending power of food to unite us, especially when we need it most. THE BEST AMERICAN FOOD WRITING 2021 INCLUDES • BILL BUFORD • RUBY TANDOH • PRIYA KRISHNA • LIZA MONROY • NAVNEET ALANG • KELSEY MILLER HELEN ROSNER • LIGAYA MISHAN and others

    

    Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about queerness. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal.By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire After Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.

    In Ambivalent Childhoods, Jacob Breslow examines contemporary U.S. social justice movements (including Black Lives Matter, transfeminism, queer youth activism, and antideportation movements) to discover and reveal how childhood operates within and against them.Ambivalent Childhoods brings together critical race, trans, feminist, queer, critical migration, and psychoanalytic theories to explore the role of childhood in shaping and challenging the disposability of young black life, the steadfastness of the gender binary, the queer life of children’s desires, and the precarious status of migrants. Through an engagement with“the psychic life of the child” that combines theoretical discussions of childhood, blackness, transfeminism, and deportability with critical readings of films, narrative, images, and social justice movements, Breslow demonstrates how childhood requires sustained attention as a complex and ambivalent site for contesting the workings of power, not only for the young. Ambivalent Childhoods is a forward-thinking and intersectional analysis of how childhood affects activism, national belonging, and the violence directed against queer, trans, and racialized people.

    Because that is precisely—or, perhaps, broadly—what Annie Sprinkle and Beth Stephens have spent many years bringing to light in their live art, exhibitions, and films. In 2008, Sprinkle and Stephens married the Earth, which set them on the path to explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Ever since, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor.Assuming the Ecosexual Position tells of childhood moments that pointed to a future of ecosexuality—for Annie, in her family swimming pool in Los Angeles; for Beth, savoring forbidden tomatoes from the vine on her grandparents’ Appalachian farm. The book describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory, which involved influential performance artists Linda M. Montano, Guillermo Gómez-Peña, and feminist pornographer Madison Young. Stephens and Sprinkle share the process of making interactive performance art, including the Chemo Fashion Show, Cuddle, Sidewalk Sex Clinics, and Ecosex Walking Tours. Over the years, they celebrated many more weddings to various nature entities, from the Appalachian Mountains to the Adriatic Sea. To create these weddings, they collaborated with hundreds of people and invited thousands of guests as they vowed to love, honor, and cherish the many elements of the Earth.As entertaining as it is deeply serious, and arriving at a perilous time of sharp differences and constricting categories, the story of this artistic collaboration between Sprinkle, Stephens, their diverse communities, and the Earth opens gender and sexuality, art and environmentalism, to the infinite possibilities and promise of love.

    Calculations of risk permeate our institutions, influencing how we understand and manage crime, education, medicine, finance, and other social issues. Caley Horan’s remarkable book charts the social and economic power of private insurers since 1945, arguing that these institutions’ actuarial practices played a crucial and unexplored role in insinuating the social, political, and economic frameworks of neoliberalism into everyday life. Analyzing insurance marketing, consumption, investment, and regulation, Horan asserts that postwar America’s obsession with safety and security fueled the exponential expansion of the insurance industry and the growing importance of risk management in other fields. Horan shows that the rise and dissemination of neoliberal values did not happen on its own: they were the result of a project to unsocialize risk, shrinking the state’s commitment to providing support, and heaping burdens upon the people often least capable of bearing them. Insurance Era is a sharply researched and fiercely written account of how and why private insurance and its actuarial market logic came to be so deeply lodged in American visions of social welfare.