It assumes no prior acquaintance with the classical world, and explains the necessary linguistic, historical, religious, social, and political background needed to fully understand Roman art.

    Also presented here are 11 additional watercolors, plus 28 black-and-white illustrations, including 21 extraordinary engravings based on the watercolors. All reproduced from a rare, limited facsimile edition published by The Pierpont Morgan Library. New introductory essay. 60 illustrations.

    From decorative elements of buildings to calligraphy and the embellishment of everyday objects, ornamentation that is most characteristic of Islamic art form is displayed in all its richness.

    A thorough exploration of the changes taking place in the Chinese economy, the book explains how much of the Western consumerist culture is built on the back of cheap Chinese factory labor, and warns that the era is coming to a close. Readers will learn why the cheap labor pool is beginning to dry up, what that means for the rest of the world, and how businesses will have to adapt to stay afloat. This updated second edition includes new statistics, the latest news on the Chinese economy, and additional case studies that illustrate the ways in which China has developed--into a brand-new potential market.China's social, political, and economic evolution will affect the entire world. Rising incomes are building pressure on the global commodities market, inflation is only just beginning, and consumers are experiencing sticker shock as cheap labor is becoming harder to find. The End of Cheap China explains the factors driving these changes, the impact that can be expected, and the opportunities that constitute a major silver lining for businesses panicking about the coming paradigm shift. Readers will:Discover the eight mega-trends changing China, and how far the ripples will spread Learn how rising costs in China will dramatically affect the American way of life Examine the rise of Chinese consumption, and the friction it engenders Consider the changes businesses must make to remain profitable in a changing world The global marketplace is evolving, and it's up to businesses to keep pace with the changes. The End of Cheap China provides a roadmap for navigating these changes, helping businesses lead the charge toward a more affluent global economy.

    In the fourth century BC three conflicting points of view in Chinese philosophy received classic expression: the Taoist, the Confucianist, and the "Realist." This book underscores the interplay between these three philosophies, drawing on extracts from Chuang Tzu, Mencius, and Han Fei Tzu.

    His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings. A new preface and two new additional essays published in the 1990s bring this valuable collection up to date.

    His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture.

    Fingarette-who thinks the best way to discover Confucius's teaching is by taking him at his word-uses original text as his principal resource in an effort to try to see what it says, what it implies and what it does not say or need not imply.

    Even his contemporaries found the Dutch painter’s work difficult to decipher—and it still presents riddles to contemporary art historians. Part of the problem in analyzing his shocking and richly allegorical paintings is that virtually nothing is known of the artist himself, apart from his birthplace. There is no record of his life or training, no personal letters, diaries or notebooks, and no contemporary insights into his personality or his thoughts on the meaning of his art. Even his date of birth can only be guessed at, and that based on a drawing assumed to be a self-portrait, made shortly before his death in 1516, which supposedly shows the artist in his late sixties. Bosch remains as mysterious as the worlds he painted. Although rooted in the Old Dutch tradition, Bosch developed a highly subjective, richly suggestive formal language. With a mixture of religious humility and satanic wit, he illustrated both the joys of heaven and the cruelly imaginative tortures of hell. In his pictorial world teeming with surrealistic nightmares, the medieval imagination catches fire in a moment of final brilliance before succumbing to humanism and modern rationalism. Though the man himself remains a mystery, this book pulls together the elusive threads of Bosch’s work into a cohesive and comprehensive analysis of his work and methods.

    Universal Human Rights in Theory and Practice is just such a book.... Donnelly's interpretations are clear and argued with zest.--American Political Science ReviewThis wide-ranging book looks at all aspects of human rights, drawing upon political theory, sociology, and international relations as well as international law.... [Jack Donnelly] deals successfully with two of the principal challenges to the notion of the universality of human rights: the argument that some non-Western societies are not subject to Western norms, and the claim that economic development may require the sacrifice of some human rights.--Foreign AffairsIn a thoroughly revised edition of Universal Human Rights in Theory and Practice (more than half of the material is new), Jack Donnelly elaborates a theory of human rights, addresses arguments of cultural relativism, and explores the efficacy of bilateral and multilateral international action. Entirely new chapters address prominent post-Cold War issues including humanitarian intervention, democracy and human rights, Asian values, group rights, and discrimination against sexual minorities.

    3000 to ca. 30 BC) -- and by medium. Throughout, it blends factual information with stimulating interpretation and juxtaposes long-standing notions with the latest archaeological discoveries and hypotheses.

    in a long-sealed cave in a remote region of China. Among them, written in Chinese, were scrolls that recounted a history of Jesus' life and teachings in beautiful Taoist concepts and imagery that were unknown in the West. These writings told a story of Christianity that was by turns unique and disturbing, hopeful and uplifting. The best way to describe them is collectively, with a term they themselves use: The Jesus Sutras. The origins of Christianity seem rooted in Western civilization, but amazingly, an ancient, largely unknown branch of Christian belief evolved in the East. Eminent theologian and Chinese scholar Martin Palmer provides the first popular history and translation of the sect's long-lost scriptures--all of them more than a thousand years old and comparable in significance to the Dead Sea Scrolls. Gathered, deciphered, and interpreted by a team of expert linguists and scholars, these sacred texts present an inspiring use of Jesus' teachings and life within Eastern practices and meditations--and provide an extraordinary window into an intriguing, profoundly gentler, more spiritual Christianity than existed in Europe or Asia at the time, or, indeed, even today. Palmer has devoted more than a decade to seeking the extant writings and other evidence of this lost religion. His search was triggered by an encounter with an immense, mysterious carved (stele) stone from the 8th century that resides in a Chinese museum collection called the Forest of Stones. The Chinese text on this stonecommemorates the founding of a " religion of light" in China by a great Western teacher and features a unique cross that merges Taoist symbolism with the Christian cross. The scrolls, the stone, and a strange map of the area around a hallowed temple (where Lao Tzu wrote the Tao Te Ching before disappearing forever) gave Palmer enough information to rediscover one of the earliest Christian monasteries. At the site was an 8th century pagoda still intact, and within it, in 1998, Palmer and his team found more evidence, including statues, underground passageways, and artifacts, that helped them uncover and recreate the era and rituals of the Taoist Christians. The Taoist Christians, who wrote the Jesus Sutras recognized equality of the sexes, preached against slavery, and practiced nonviolence toward all forms of life. In particular, this tradition offered its followers a more hopeful vision of life on earth and after death than the dominant Eastern religions, teaching that Jesus had broken the wheel of karma and its consequent punishing, endless reincarnations. Vividly re-creating the turbulence of a distant age that is remarkably evocative of our own times, Palmer reveals an extraordinary evolution of spiritual thought that spans centuries. A thrilling modern quest that is also an ancient religious odyssey, The Jesus Sutras shares a revolutionary discovery with profound historical implications--imparting timeless messages and lessons for men and women of all backgrounds and faiths.

    When an old monk attempts to teach young Daozi about the ancient art of calligraphy, his brush doesn't want to cooperate. Instead of characters, Daozi's brush drips dancing peonies and flying Buddhas! Soon others are admiring his unbelievable creations on walls around the city, and one day his art comes to life! Little has been written about Daozi, but Look and So masterfully introduce the artist to children.

    Are nation-states being transformed by globalization into a single globalized economy? Do global cultural forces herald a postnational millennium? Tying ethnography to structural analysis, Flexible Citizenship explores such questions with a focus on the links between the cultural logics of human action and on economic and political processes within the Asia-Pacific, including the impact of these forces on women and family life.Explaining how intensified travel, communications, and mass media have created a transnational Chinese public, Aihwa Ong argues that previous studies have mistakenly viewed transnationality as necessarily detrimental to the nation-state and have ignored individual agency in the large-scale flow of people, images, and cultural forces across borders. She describes how political upheavals and global markets have induced Asian investors, in particular, to blend strategies of migration and of capital accumulation and how these transnational subjects have come to symbolize both the fluidity of capital and the tension between national and personal identities. Refuting claims about the end of the nation-state and about “the clash of civilizations,” Ong presents a clear account of the cultural logics of globalization and an incisive contribution to the anthropology of Asia-Pacific modernity and its links to global social change. This pioneering investigation of transnational cultural forms will appeal to those in anthropology, globalization studies, postcolonial studies, history, Asian studies, Marxist theory, and cultural studies.

    Interact with twenty-six of the world's greatest paintings in this educational, entertaining, and beautiful pairing of a classic game with timeless art.