100+ line drawings.

    Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.

    This movement stems not only from the realization that sprawl is ecologically and economically unsustainable but also from a growing awareness of sprawl's many victims: children, utterly dependent on parental transportation if they wish to escape the cul-de-sac; the elderly, warehoused in institutions once they lose their driver's licenses; the middle class, stuck in traffic for two or more hours each day.Founders of the Congress for the New Urbanism, Andres Duany and Elizabeth Plater-Zyberk are at the forefront of this movement, and in Suburban Nation they assess sprawl's costs to society, be they ecological, economic, aesthetic, or social. It is a lively, thorough, critical lament, and an entertaining lesson on the distinctions between postwar suburbia-characterized by housing clusters, strip shopping centers, office parks, and parking lots-and the traditional neighborhoods that were built as a matter of course until mid-century. It is an indictment of the entire development community, including governments, for the fact that America no longer builds towns. Most important, though, it is that rare book that also offers solutions.

    Book by Sato, Hideo, Nakahara, Yasua

    These questions take him back to the basic process of design from which all structures begin, from the realization of a need for the structure to the struggles of the engineers and designers to map out and create the final construction.As only he can, David Macaulay engages readers’ imaginations and gets them thinking about structures they see and use every day — bridges, tunnels, skyscrapers, domes, and dams. In Building Big he focuses on the connections between the planning and design problems and the solutions that are finally reached. Whether a structure is imposing or inspiring, he shows us that common sense and logic play just as important a part in architecture as imagination and technology do. As always, Macaulay inspires readers of all ages to look at their world in a new way.

    Smiles of recognition turn into grins of enthusiasm as more people discover them and dream about making their own private retreats or family play spaces. And it's nice to remind ourselves that treehouses are built into the oldest and most forgiving, living things on earth. Also, history records treehouses as being built as deliberate follies, as challenges for arboreal designers, for merrymaking, and for keeping the spirit of fairy tales alive. But treehouses can also be social places. We will visit many that were built to entertain, to hang out with friends, or as guest houses. Trees welcome all types. Master treehouse builders Peter and Judy Nelson, with David Larkin, have embarked on yet another treehouse-discovery expedition across America, this time adding the investigation of backyard playhouses to their agenda. Now, in The Treehouse Book, they reveal their findings, illustrated and described in the most complete volume yet. From casual treeshacks made from discarded lumber to multitiered feats of fancy, they found shelters representing myriad builders-interesting characters ranging from childhood fanatics grown up, to weekend carpenters, to those who want their grandkids to have the best clubhouse on the block. Detailed how-to information, including plans and drawings, is woven with behind-the-scenes tales of each structure's occupants and stunning interior and exterior photographic explorations.

    From decorative elements of buildings to calligraphy and the embellishment of everyday objects, ornamentation that is most characteristic of Islamic art form is displayed in all its richness.

    That groundbreaking book proposed a new blueprint for the American home: a house that values quality over quantity, with an emphasis on comfort and beauty, a high level of detail, and a floor plan designed for today's informal lifestyle. Creating the Not So Big House is the blueprint in action. Focusing on key design strategies such as visual weight, layering, and framed openings, Sarah Susanka takes an up-close look at 25 houses designed according to Not So Big principles. The houses are from all over North America in a rich variety of styles -- from a tiny New York apartment to a southwestern adobe, a traditional Minnesota farmhouse, and a cottage community in the Pacific Northwest. Whether new or remodeled, these one-of-a-kind homes provide all the inspiration you need to create your own Not So Big House.

    Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.Trilingually presented in English, French, and German

    Ever since his apprenticeship with Louis Kahn, Correa has adapted the language of modern architecture to create pleasing, habitable buildings for people in cities and countries around the developing world. Correa is regarded internationally as an expert on housing in developing countries. Documenting over forty years of his work in a vital but often neglected area, this book brings together his most significant projects in detail. With over 450 newly commissioned plans and duotone photographs, this timely publication addresses the perennial issue of habitation, one of architecture's most pressing concerns. As the seemingly irreversible pull of world metropolises swells inner-city life almost to breaking point, Correa offers concrete solutions. Eschewing style in favor of content, rejecting ornamentation in favor of livable space, Charles Correa has forged an architecture that offers lessons to both students and practicing architects.

    This groundbreaking book is the first thorough examination of the complex relationship between architecture and language as intricate social practices.Six rigorously argued chapters and a vocabulary of key terms investigate the language of modernism; language and drawing; “masculine and feminine” architecture; language metaphors; science in architecture; and the social properties of architecture.

    His distinctive brand of architecture, usually moulded around local building traditions (especially those of Kerela, his adopted home state in south India), is instantly identifiable and has, unsurprisingly, revolutionized traditional concepts of architecture in India. Baker's architecture is responsive, uses local materials and lays stress on low-cost design.This biograpy of Laurie Baker, like his work, is direct, simple and comprehensive; further embellished with sketches, plans, photographs and some of Baker's own writings, the book offers the professional architect view of the life, methods and thoughts of an unorthodox genius.

    Containing more than 150 old photographs of great historical value, maps and anecdotes about the buildings captured in these images, the book takes us on a nostalgic journey back to the 19th century.The book, the result of eight years of research, shows us glimpses of people, the state of technological development, the thriving economic life, the social setting, and then landscape and aura of the place now known as Jakarta. This book features a great many archival images that have never been published before.The appendices contain articles and illustrations on the photographers of 19th-century Batavia, mainly Woodbury and Page, J. A. Meessen and the Netherlands Topographical Bureau, as well as notes on the text and a bibliography. Large format, richly illustrated in colour.

    As a school that strove to combine applied art with both the fine arts and technology, the Bauhaus movement has outlasted all other trends in architecture and design. This volume provides insight into the historical, cultural, philosophical, political and pedagogical background of the 1930s, when the Bauhaus was founded. It also portrays the famous Bauhaus directors and teachers and describes their signature pedagogical methods. Finally, the authors take readers inside Individual workshops, where they can discover for themselves the unique wealth of forms and ideas that remain the hallmark of Bauhaus products. Through its contributions to current discourse on the Bauhaus as a "fixed star of the avant-garde," its wealth of pictorial material (some of which has never before been published), as well as the rich variety of topics it addresses, this book offers a comprehensive look at one of the most significant institutions in the history of modern art and culture.

    The text covers the full range of his oeuvre, describing early assignments in the 1870s as a draftsman for leading architects in Barcelona, the innovative buildings he created for the Güell Palace and Estate, daring new structural solutions at Bellesguard, architecture inspired by nature at the Casa Calvet and in the Park Güell, and the construction of his unfinished masterpiece, the Church of the Sagrada Familia, which occupied him until his death. The author traces all the influences that led to his definitive style, from his fascination with the Orient and neogothicism to his affinity for naturalism and specific geometric forms.Brilliantly illustrated, this incisive overview of Gaudí's visionary work is ideal for those who delight in his architecture as well as those who look forward to traveling to Spain to see his monumental legacy.

    Holl reveals his working methods in this book, part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen of his projects. Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "criss-crossing" at the Kiasma Museum of Contemporary Art in Helsinki, "duration" in the Palazzo del Cinema in Venice, "correlational programming" in the Makuhari housing in Japan. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects. Parallax is designed by Michael Rock of the award-winning design firm 2x4.

    If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms. The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 250 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement.

    It covers both purpose-designed centres and many other related types of buildings.

    He reveals the inspiration behind his design philosophy with its mastery of color, light and scale. Showing how lessons from the classical world can be implemented in contemporary design, he talks through the design principles that guide him and explains how he applies these principles to settings as well as suggesting solutions for your own home. Chapter by chapter he moves from discussing essential considerations such as light and color to the more ambitious skills of mastering scale, illusion and exaggeration.

    This is the ultimate guidebook to preserving the beauty and integrity of the past while adapting it to the utilitarian values of the present.

    Line art illustrations help to explain projects that demonstrate how these principles keep structures solid. Perfect for kids who wonder why, and love to figure things out! All projects are easily done with materials found around-the-house.

    The projects are preceded by an interview with the architect and an introduction by William J.R. Curtis entitled Notes on Invention' which looks back at Siza's extensive oeuvre stretching over four decades.

    This book provides a forum for Monroy to speak directly with his peers and followers about how he crafts his creations, and about why he makes the artistic and technique decisions that help develop his work.

    Clark and Charles Menefee III, inspired by the "thin shacks and sheds of insubstantial beauty" of the Southern vernacular building tradition, are known for structures that are at once modest, rigorous, and economical in detail. They blend the ease and informality of the architecture of the historic South with the elegance of end-of-the-century modernism. This balance between continuity and change is evident throughout their work. This monograph of 13 projects-eight built, five unbuilt-reveals the architects ideas and intentions while reflecting the spirit they bring to each design. Projects such as Middleton Inn, Croffead House, Lucy Daniels Foundation, Charleston Bus Stops, and 8 Bedon's Alley are presented through duotone photographs and drawings, which exemplify the simplicity and rigor of the architects' work. The author's critical analysis of each project highlights associations to vernacular buildings and the local historic context.

    His life continues to demand re-examination as development of architectural philosophy continues to inspire dramatic stylistic changes and new perspectives on the way we live today.This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.

    Previous titles include Staircases, Soft Canopies, Glass Canopies, Columns, Cable Nets and Wind Towers, and a publication on Balconies is currently in preparation. Each is clearly analysed, both historically and in terms of recent examples by key practices around the world. The combination of building context, design aesthetics and technical solution, as revealed in the case studies, is highly informative as well as unique in a field where specific technical quality of design detailing is often insufficiently exposed by the superficial presentation of designs. Service Cores, the seventh title in the series, deals with the internal vertical cores of buildings: the parts that contain the elevators, elevator-shafts, lobbies, staircases, mechanical, electrical and IT riser ducts, toilets and other components necessary both for environmental servicing and to provide access to the building's useable spaces. Initially associated mainly with skyscrapers and science buildings, service cores are becoming equally essential in the design of other highly-serviced building types, from laboratories and high-tech buildings to hotels, shopping malls and stadiums. The author discusses the historical treatment and development of service cores, and provides an outline guide to the considerations required in their design. This is supported by a series of case studies, featuring mainly skyscraper buildings from all over the world by a range of architects of international renown.

    In front of Shibuya station, down Ginza street lined with large buildings – Tokyo with no people. This book cut out an air pocket in the overcrowded city where you never imagine it is empty for a moment.

    Thuis book chronicles the evolution of the estate, with its pools and collection of fine art and antiques. It also includes stories of the famous parties hosted by Hearst.

    Together with the great cathedrals, these remarkable medieval buildings embody the profound mastery of architecture that blossomed in 12th- and 13th-century France. Architecture of Silence is the first book in English devoted solely to these exquisite structures, which draw tens of thousands of visitors of all nationalities each year.The power and beauty of these sacred buildings and ruins, renowned among architects and designers for their austere, almost minimal design and construction, come alive in David Heald's luminous tritone photographs. The text by Terryl N. Kinder, the world's leading scholar on the subject, offers a clear introduction to the history and architecture of the early Cistercian monks, who built the abbeys nearly 900 years ago.

    Book by Spaces, Project for Public

    It outlines the essential criteria architects and designers must meet when planning for a wide variety of hotel types, and presents the most up-to-date technical information as well as detailed illustrations, photographs, and original plans.Highlighting the key concepts behind emerging trends and how each designer's vision fits into the development of the industry as a whole, the authors equip today's developer, architect, designer, and hotel executive with a comprehensive and practical guide to the world of hospitality design.

    James Wines puts up the various - and often irreconcilable - concepts of environmentally-friendly architecture for discussion, making a case for an architecture that not only focuses on technological solutions, but also tries to reconcile man and nature in its formal idiom. Among the examples of contemporary ecological architecture presented are works by Emilio Ambasz, Gustav Peichl, Arthur Quarmby, Jean Nouvel, Sim Van der Ryn, Jourda and Perraudin, Log ID, James Cutler, Stanley Saitowitz, Fran ois Roche, Nigel Coates and Michael Sorkin.

    Christian Norberg-Schulz explains the basic tenets of the new architecture that came into being around the turn of the last century, a timely explanation in view of the many misconceptions currently in circulation.All the basic principles are investigated and the volume concludes with a summing-up of the endeavors of Modern Architecture.

    This new first edition of the Facade Construction Manual provides a systematic survey of contemporary expertise in the application of new materials and energy-efficient technologies in facade design, and represents an invaluable addition to our series of Construction Manuals. It surveys the facade design requirements made by various types of buildings, as well as the most important materials, from natural stone through to synthetics, and documents a diversity of construction forms for a wide range of building types. Over 100 international case-studies in large-scale, detailed drawings are presented in the comprehensive project section.

    The impressive photographs of works from all visual arts movements are at the center of these richly illustrated volumes. The books successfully provide an overview of the artistic diversity of the individual periods, and they couldn't have been written and illustrated any more clearly. The informative and interesting texts have been written by renowned authors from the fields of history, architecture and art history, providing a multifaceted view of each period. These books are a real pleasure for anyone with an interest in art.

    It presents some of the behavioral aspects of construction management along with some difficulties a project manager may encounter.

    Book annotation not available for this title...Title: .New York Vertical..Author: .Hamann, Horst..Publisher: .Te Neues Pub Group..Publication Date: .2000/10/01..Number of Pages: ...Binding Type: .HARDCOVER..Library of Congress: .

    Added are his latest buildings such as the Daylight Museum in Shiga and the Eychaner/Lee House in Chicago, and a recent interview with and an essay by William J.R. Curtis.

    In this book of thirteen chapter-essays, Davis uses historical, contemporary and cross-cultural examples to describe the structure of such cultures and how they are reflected in the form of buildings and cities. His aim is to show that special insights about the improvement of the contemporary built world come from looking at the building culture as a whole, not merely the individual acts of architects and city planners. The book is illustrated with over 260 historic and contemporary photographs, drawings and prints.

    It has preserved impressive cycles of mosaic fresco for which it is justifiably famous.

    This first definitive study of the architect traces his journey from his native Syracuse to a Chicago apprenticeship with Louis Sullivan and Frank Lloyd Wright to the development of his career as an early modernist and his singular role in the genesis of the modern movement.Architectural historian Thomas S. Hines places Gill's work within an international context: as his identification with the modern movement developed, his work evolved from the influence of the East Coast Shingle Style and Wright's Midwest Prairie Style to become closer in spirit to the work of the Austrian Adolf Loos. Hines also explores the social dimensions of Gill's work, notably his interest in the contemporary Progressive Movement and its ethos of social, gender, and economic equality. The buildings shown (illustrated with archival photographs as well as color plates) include the Lewis Courts, Sierra Madre; the Dodge House, Hollywood; and Horatio West Court, Santa Monica.

    Volume Two, an exercise in comparative morphology, offers a comprehensive framework of ritual-architectural priorities by looking at architecture as orientation, as commemoration, and as ritual context.

    It looks at all types oftimber and timber materials, also presenting detailed information on the current norms and standards. Chapters cover the basic principles of working with timber, providing detailed information on subjects such as heat, noise insulation, fire protection treatment. The significance of timber with particular reference to ecology is also investigated. Timber as a load-bearing material is considered, and topics such as new methods of joining, transport and montage are documented. The second part of the volume presents a large number of built examples which feature some "classic" structures but focus chiefly on more recent buildings. The spectrum presented ranges from heavy-load bridges to multi-storey residential buildings. The second part of the examples looks specifically at topics such as facades, building skins etc.

    Here and there -- in rural townships, small towns and the older parts of cities -- many of its original houses are still standing, a surprising number lovingly restored and maintained with historical authenticity in mind. Old Ontario Houses: Traditions in Local Architecture, a collaborative tribute to the past by writer Tom Cruickshank and renowned photographer John de Visser, offers a glimpse into a selection of these homes dating from the late 18th, 19th and early 20th centuries, more than 150 in all. Filled with de Visser's exceptional full color photographs, the book features well-known landmarks as well as vintage houses. Their stories, told in Cruickshank's lively, appreciative voice, remind us of a bygone era and speak volumes about the values and aspirations of the province that built them.

    Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant palace (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities.Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a persecuting society in the central Middle Ages.

    Among the 15 projects featured in this issue are designs for theFukuoka Island City Central Park Grin Grin, the Meiso no Mori' Municipal Funeral Hall, Tama ArtUniversity Library, the White O project, the New Deichman Main Library, Oslo and the Market StreetTower, Singapore. Introduced by an interview between the architect and Sou Fujimoto and followedby and exploratory essay from Mohsen Mostafavi, all works are accompanied by full-page colourphotographs and images, along with plans, elevations, Ito's delicate models and explanatorysketches.264 p, ills colour & bw, 25 x 34 cm, pb, Spanish/English

    Already known to designers for his austere yet luxurious interiors, he has attained immense public acclaim for his high-profile retail projects such as the Calvin Klein flagship store in New York, his celebrity clients like Martha Stewart and his book Minimum (Phaidon, 1996). This book traces the varied course of the relationships between an architect and his clients, between an architect and the design briefs set for him, and between the architect and his own intellectual approach to design and its impact on his work. The incisive text with - specially commissioned pictures - explores Pawson's design process, working methods and philosophical approach, and illuminates the emotional and artistic content of his work. Through a close examination of ten diverse projects, Deyan Sudjic considers the way in which design is influenced by the processes of construction and making, and explores the nature and significance of the finished scheme. This book, a record of Pawson's developing approach to design and his unique position at the intersection of art and design, offers insights into culture, society and architecture.

    From the Gothic stone arches and gossamer steel webbing of the Brooklyn Bridge (perhaps the greatest engineering achievement of the 19th century), to the Verrazano-Narrows — the world's longest suspension bridge when completed in 1964 — more than 75 bridges span the city's waterways. This book is a stirring text-and-picture tribute to these awe-inspiring structures.Beginning with Dutch New Amsterdam and continuing to the modern era and the achievements of legendary bridge builder Robert Moses, The Bridges of New York covers nearly 300 years of New York history and a century of accomplishments in modern engineering. At the time of construction, many of the bridges were considered breakthroughs in bridge-building technology.Grouped according to geography and economics — two prime considerations facing bridge engineers — the spans are described in a highly readable text that explains the design principles of cantilever, swing, bascule, and many other bridge types. Over 150 archival engravings and contemporary photographs document the splendor of such remarkable bridges as the Brooklyn, George Washington, Bronx-Whitestone, Manhattan, Queensboro, Triborough, and dozens of smaller spans.A section on bridge maintenance, a glossary, and charts noting each bridge's location, length, height, and other features complete this pictorial treasury — sure to delight engineering and architecture enthusiasts as well as anyone who has ever been astonished by the extraordinary scale and grandeur of New York's bridges.

    

    Nussbaum aims to provide a complete overview of German Gothic church architecture between the early 13th and early 16th centuries, looking at Germany, Bohemia, Austria, northern Switzerland, Alsace and Silesia.

    From his treatise: The Architecture of the City (1966) and his seminal Cemetery of San Cataldo (1971) to his popular Hotel II Palazzo in Fukuoka (1987) and his recent housing project in Berlin (1992-98), his paper explorations and renderings were an integral part of his creative process and a key to understanding the meaning behind his architecture.

    Australia's great architect Glenn Murcutt talks about his life and work, giving the first complete account of his ideas about nature and architecture.

    The first half of the twentieth century was a culturally rich era for Cuba, a time in which the architects of the Modern Movement sought to define an identity for this Caribbean nation. However, within a few years after the revolution of 1959, design ideology became allied with the mass-production aesthetic promoted by the Soviets, and many Cuban architects fled to seek creative and political freedom abroad. The Havana Guide is the first to recognize the enormous importance of Cuba's modern architecture. It features over 200 structures, including hotels, churches, theaters, social clubs, and private residences. Street maps for all neighborhoods as well as archival and contemporary photographs supplement the texts. Also included is a history of modern architecture in Cuba. This is an essential source book of modern architecture for travelers and architects alike

    Overlays depict the sculptures and other adornments thought to have embellished the buildings in their day.

    The contemporary reawakening of interest in the historic folk buildings of North America has made us see old barns with new eyes, even as many of these simple, dignified structures vanish from the landscape With spectacular full-color photographs, The Ultimate Book of Historic Barns is a fascinating pictorial essay into the history, geography, symbolism, ethnic roots, design and technology, and lore and legend of these vernacular buildings - - the focal point of the family farm when agriculture was a way of life for most people.

    The only building designed by Wittgenstein, it crystallized his philosophy of architecture—notable for its clarity, precision, and austerity—and served as a foil for his written work.This detailed investigation of the house is based on 30 years of extensive research. It examines the formal properties of the structure, including Wittgenstein's attention to proportion, detail, and color. It is also the story of one man's relationship to this extraordinary building: in 1971, author Bernhard Leitner was instrumental in saving the Wittgenstein House from destruction and having it declared a national landmark. In the years since, he has continuously refined his ideas about the house and its architect. The beautifully printed photographs in this volume allow a true appreciation of this icon of modern design. Also included are archival images showing the house as it was originally built, before numerous alterations.

    Luckily, the Architectural Representation Handbook helps you make sense of it all. Not only does it give you a solid overview of these tools, but, just as importantly, it guides you toward the tools that will work best for any phase of your project. In this groundbreaking book, architect, designer, and prominent educator Paul Laseau covers the entire scope of architectural representation--traditional, new media, hybrid, and emerging--and their roles in design. The Architectural Representation Handbook brings showcase examples of representation into specific design contexts, giving architects, designers, and others a real sense of their variety, subtlety, and usefulness as tools for navigating the full spectrum of architecture. In one complete volume, you'll find a representation of the dimensions of architecture through a rich array of conventions and techniques from the conceptual to the perceptual, the concrete to the abstract, the personal to the public, the subjective to the objective. You'll also discover an extensive set of illustrations, organized in relation to the design activities of seeing, thinking, and communication--a "vocabulary" of architectural drawing. To maximize the potential of representation tools and techniques for your next design job, go with your best option of all: the Architectural Representation Handbook. ENDORSEMENTS FROM LEADING-EDGE FIRMS "I am enthusiastic aboutthe book. It is innovative to tie representation so intimately and so rigorously to design thinking. It has instant credibility because Paul wrote it." Tim White, FAMU "The strength of this book is that it approaches drawing from the viewpoint of its role in the design process--and also address the reader's natural inclination to look for useful and specific techniques." Frank Ching, author of Design Drawing and Architecture: Form, Space, and Order

    Praised for its splendor and riches, its thriving commercial spirit, and its strategic location at one of the Gulf Coasts most accessible ports, the booming island city owed much of its glory, majesty, and confidence to architect Nicholas J. Clayton.In Clayton's Galveston, Barrie Scardino and Drexel Turner chronicle Galveston's transformation from a faceless coastal village the blank canvas Clayton and his contemporaries used to create their masterpieces into the unique Galveston of today.Clayton and other architects such as Nathaniel Tobey, Jr., Edward J. Duhamel, and Alfred Muller had ample opportunity to leave their mark on a city growing at a fevered pace. Waves of growth and destruction caused by immigration and the fires of 1877 and 1885 made innovation essential as well as inevitable. Clayton himself designed more than 150 of the buildings constructed from 1870 to 1900, including civic buildings, commercial projects for the Strand district, and special contracts for Galveston's elite, especially the palatial homes he built along East Broadway. The works closest to his heart, those awarded him by the Catholic Church, showcase his selfassured free eclecticism and his interpretation of contemporary French and British styles.With the most complete and descriptive listing of Clayton's projects known to date, complemented by more than 250 photos and drawings, Clayton's Galveston provides an authoritative analysis of this era of Galveston architecture. The authors compare Clayton's work to that of his rivals and examine the theories, styles, and influences of the period. Peter Brink's foreword and Stephen Fox's afterword also contribute informed views of Clayton's life and work.By presenting the history of Galveston's most admired edifices, assessing its remarkable architectural character, and recalling an era of invigorated thought and design, Clayton's Galveston pays homage to the architects who gave the Queen of the Gulf her crown jewels.

    Known primarily for her highly original furniture and interior design, Gray realized nine buildings in her lifetime and recorded more than 45 architectural projects in her archive, although several of her built projects were attributed, until very recently, solely to her collaborator, Romanian architect Jean Badovici.After briefly studying art in London and Paris, Gray settled in Paris in 1907 and began designing sumptuous lacquer furniture, wool carpets, and draperies that reflected the sensual luxury of traditional French decorative arts. Beginning in the mid-1920s, and influenced by the modern movement, she turned to architecture. Her most renowned project, the villa E.1027 on the coast of southern France, interprets Corbusian spatial principles and forms to become a fundamental example of Modernist architecture.This monograph embodies the first ever in-depth study of Gray's entire career, providing a generously illustrated analysis of her early designs as well as her work as an architect beginning in 1926. It draws on a diverse wealth of archival material, plans, drawings and photographs - including many of Gray's own - to place this fascinating individual in the context of contemporary movements in design and architecture as well as twentieth-century social and cultural history in general.

    A comprehensive overview of Foster's revolutionary design for the lower house of the German parliament, constructed within the shell of the Reichstag building.

    Sir Norman won the subsequent competition to use the shell of the building and completely re-think it as a symbol of a new age in the nation's history. Opened exactly on time this May to coincide with Berlin's new status as capital and once again as a great city, his design incorporates a glass dome, built above the assembly chamber, from which visitors can view the vibrant city below.Nearly demolished by the Nazis after its bombing in 1933, and heavily bombed during World War II, a patched-up Reichstag was used as a museum between 1958-72. Few buildings are so expressive of Germany's history. This major work, written by Foster with essays by others eminent in the field, reveals how this re-design reflects Germany's turbulent past as well as the hopes that accompany the destruction of the Wall between East and West and the re-unification of the nation. Archival material, many new photographs, and Foster's own sketches and drawings all serve to round out this timely work on the transformation of an iconic structure.

    Turnbull buildings' create a dialog with the landscape that resonates in the structural character of his works and reflects the integral nature of his design approach. In contrast to the hegemony of materials and style of Modernism's international style, Turnbull flourished with an altogether different emphasis of site specificity. Donlyn Lyndon writes that Turnbull's "buildings are conceived in their site. As they grew in his mind and emerged from his hand they were stroked and disciplined by the acts of construction, tutored in the accommodation of human action, and set against insistent measures of excellence." Featured essays by Mitchell Schwarzer, Associate Professor of Architecture, UC Berkeley; Mary Griffin, principal of Turnbull Griffin Haesloop; and William Stout. Dimension: 10 x 13 inches, Over 300 Duotone Images and Illustrations.

    CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world.In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the Functional City. He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.

    It examines our nation's architecture from its earliest days to the present, ranging from cliff dwellings in Mesa Verde to Frank Lloyd Wright's Robie House in Chicago to James Ingo Freed's Holocaust Museum in Washington. Indispensable in any library, it also serves as a general introduction to American architecture or as a splendid guide for tourists.

    Leading architects from across the United States share their firsthand knowledge in order to guide you through all aspects of healthcare facility design, with an emphasis on what you need to do to get started quickly.This edition is revised with multiple new healthcare project examples completed this century, more information on engineering requirements, and background on evolving sustainability and technology issues. It begins with an assessment of the healthcare industry's current and future needs, focusing on how those needs affect architecture. Next you get critical information and guidelines that enable you to create successful designs for inpatient, outpatient, and long-term care facilities. Coverage includes clinics, emergency departments, ambulatory care units, specialty centers, as well as facilities designed for adaptive reuse or the assimilation of future technologies.This quick reference:Addresses twenty key questions that arise when launching a healthcare facility design project Offers insight from leaders in the industry based on their own design experience Provides hundreds of project photographs, diagrams, floor plans, sections, and details Not only does this book offer current, authoritative information, its comprehensive coverage and logical organization also save you countless hours of research.Building Type Basics books provide architects with the essentials needed to jump-start specialized facilities design. Each volume features leading experts in the field who address the issues that shape the early phases of a project in a convenient, easy-to-use format.

    No matter the age or civilisation, all these elements are eternally present in the building activities of mankind.Evolving from research carried out in the sixties, this book not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the precepts and ideas that over the centuries have characterised the architecture of different cultures, not so much in order to highlight a manifest naturalistic inspiration but rather to comprehend the unity to which the human mind and the secret order of natural forms both belong.While acknowledging the central role of ecology, this book refers to the extraordinary achievements of science, especially the one that goes by the name of "new paradigm," to show architecture the way in which continuity and innovation can finally unite. An architecture which, fuelled by the spirit of a new alliance, becomes again the art of inhabiting the earth, putting aside its role as instrument and emblem of that thirst for dominion and violence enunciated by Bacon. A feminine architecture, far from the arrogance of the Babelic twilight years of the 20th century.

    Suitable for pastors, leaders, and building committees, this title offers insight on building a church, growing a church, and keeping costs low.

    Beginning with the way we perceive, manage, and design the landscape, it moves on to explore the forces that influence land design. An overview of landscape management, planning, and design includes a discussion of the roles and integration of the professions involved, modes of professional practice, and site scale design processes. The book explores the ecology of design and the integration of land design decisions into dynamic systems. This fully updated new edition:* Presents landscape design as a synergism of art and science* Addresses the interplay between buildings and sites* Provides insights into the breadth of people-environment relationships* Places special emphasis on our growing understanding of interrelationships between the landscape and human decisionsA superb introduction for students as well as a useful reference for practicing professionals, this book is an excellent guide for anyone who wants to develop a better understanding of landscape design.

    They include the pondok pavilion dwellings of the rice fields, classic village houses, royal palaces, beach houses, spectacular mountain residences, and homes with magnificently designed gardens. The book also features the courtyard shrines and the public temples that play a role in daily life for both the Balinese and the newer residents.A visitor's guide and international source list of Balinese wares completes this insider's tour of the island, making At Home in Bali the next best thing to being there.

    Added are recently completed buildings such as the Tate Gallery of Modern Art in London and Eberswalde Library.416 p ills colour & b/w 24 x 34 Spanish/English text

    Rooted in a personal design philosophy that is the imaginative extension of the organic architectural theories of Frank Lloyd Wright (he was one of Wright's first apprentices), his exuberant designs and broad spectrum of approaches epitomize the landscape of southern California-from the fifties techno-optimism of the drive-in, freeway, and Cadillac tail fin to the structural innovation of opulent hilltop houses overlooking the ocean. Despite the extraordinary technical achievements of his concrete roofs, steel cantilevers, and double curves, dynamic engineering is never the main point of his work. The push-button glass walls and retracting roofs, however innovative, always serve to create humane spaces that allow occupants to commune with nature and themselves. Lautner's career began at Wright's Taliesin in 1933 and continued after his arrival in Los Angeles in 1938. The book traces the unfolding of his protean conceptions up to his death in 1994. During the forties and fifties, he established his own architecture office and designed several small and medium-sized houses of unusual daring and freedom. His eye-popping designs for roadside coffee ships-the celebrated Googie's, with jazzy roof lines and Kaleidoscopic geometry-and California houses sporting hexagonal roofs, free-floating walls, and indoor-outdoor pools, are among these. In the sixties, the now-iconic Chemosphere, Elrod, and Silvertop houses were built. Extravagance and the refinement of his bold expressions mark the buildings of the final phase, the seventies to nineties. For these houses Lautner's athleticuse of concrete reaches its zenith. The sweep of the curves and play between site and structure create dizzingly fantastic forms that are indicative of both the core and the frontiers of the twentieth-century American psyche. This volume, with its authorative text by Alan Hess and full-color and black-and-white photography by Alan Weintraub, splendidly captures the breathtaking interior spaces and extraordinary vistas that characterize the work of an architect who is increasingly seen as one of the great American masters of the twentieth century.

    An excellent reference for home restorers, preservationists, and students of American architectural history. A delight for Americana fans and nostalgia lovers.

    His architecture represents a strongly personal vision. Inspired by the vernacular style of his native country, his passion for Moorish architecture and desire for spiritual beauty and harmony with nature, he set about creating serenity and enchantment in his buildings and gardens.Photographer René Burri visited Barragán and photographed his work on several trips to Mexico in the 1960s and 70s. Here Burri pays tribute to his friend, reflecting the spirit of the man, capturing the essence of his architecture, and creating the sense of peace and contemplation that is at the heart of his work.

    His eloquent photos interpreting the structures of Richard Neutra and other early modernists helped the viewing public to understand these revolutionary buildings, and brought prominence to modernist practitioners who might otherwise have been considered eccentric. Frank Lloyd Wright once said that no better photos had ever been taken of Taliesin West than those by Shulman.Photographing Architecture and Interiors, published in 1962, is Shulman's first book, and he still considers it to be his most genuine reflection on the profession and on his own artistic philosophy. This title is an exact reprint of that now-classic publication. All of Shulman's famous photographs have here been reproduced from original prints, giving the images a crispness and luminosity not seen even in the 1962 edition. The introduction by Richard Neutra, perhaps Shulman's most important client and avid supporter, has been preserved; also included is a new foreword by Shulman himself.

    Prix and Helmut Swiczinsky when they founded the practice of Coop Himmelb(l)au in 1968 in Vienna (Himmelblau = heavenly blue). Their radical, iconoclastic and deconstructivist approach to architecture expresses the energy and tension of each site and location in spectacular fashion. Among the projects that established their international reputation are the Groningen Museum pavilion and Dresden UFA Cinema Complex. Their work has also featured in numerous exhibitions and they have represented Austria at the Architecture Biennial in Venice. This monograph is the first publication to present the theoretical and conceptual content of Coop Himmelb(l)au's oeuvre.

    

    Reveals the interiors, art, and architecture of Britain's Houses of Parliament.

    An architectural historian and practising urban designer aims to raise understanding of traditional buildings in the Arab-Islamic world, and reveals the problems faced by historic cities in the light of Western influence.

    

    Its foundation lies in believing that it is possible to make places on the earth that can give a sense of grace to life—and in believing that it matters. —Tod Williams and Billie TsienThe New York City studio of Tod Williams Billie Tsien and Associates has built a practice based on a search for certain qualities: an architecture of serenity, a balance of logic and intuition, the primacy of perception over theory, the connection of a building to its site, the strength of restraint, and the importance of the space "between." Work Life: Tod Williams Billie Tsien, the first monograph published on the architects' work, presents photographic portfolios of ten recent works, including the masterful "scientific monastery" of the Neurosciences Institute in La Jolla, California; the sculptural forms of the Phoenix Art Museum; the complex of seven buildings that make up New College at the University of Virginia; and two buildings at the Emma Willard School in Troy, New York. Two sections of the book are devoted to early and in-progress work. The final essay, "Who We Are," is a personal exploration of not only the architecture but also the architects.

    Sandy Isenstadt is assistant professor of modern architecture in the Department of the History of Art, Yale University. Kishwar Rizvi is assistant professor of Islamic architecture, also at Yale University. Other contributors are Nezar AlSayyad, Magnus Bernhardsson., Sibel Bozdogan, Waleed Khleif, Roy Kozlovsky, Brian McLaren, Alona Nitzan-Shiftan, Panayiota Pyla, Susan Slyomovics, Annabel Wharton, and Gwendolyn Wright.

    Charlotte Gere examines the origins and development of the Aesthetic Movement and its influence on the decorative arts, tracing the people with whom Wilde associated, the artists, architects and designers he admired, and the houses and interiors he was influenced by.

    This celebrates poignantly the completion of Piano's most monumental and extraordinary work, Kansai Airport in Japan, in a dynamic retrospective of his oeuvre to date.An introductory essay, 'From Pompidou to Kansai', reviews the full scope of his work. In 1995 the Building Workshop completed Kansai Airport, Piano's largest project to date. The last section of the book is dedicated exclusively to Kansai, meticulously documenting its initial design through to its construction, including a 'walk-through' that enables the reader to experience Piano's work in a direct way, from blueprint to building.A multitude of ongoing and completed projects are covered, such as the Lingotto Factory renovation in Turin, the Cité Internationale in Lyons, the Cy Twombly Pavilion in Houston, Texas, the Rome Auditoria, the Saitama Arena in Japan, and L'Ile Seguin and Le Grand Stade in Paris. These are described and illustrated with photographs and drawings that chart their development through design and construction stages to completion.Altogether, this volume highlights the magnitude of Piano's momentous career and boundless potential, as revealed not only out of each individual work, but also through the whole range of his oeuvre so far.

    It includes buildings such as Notre-Dame-de-Paris, Cluny, and Chartres.

    Rooted in Vedic philosophy, Vastu Vidya literally means

    Chicago's change and growth over the last century is captured in this photographic history. Modern color photos sit side by side with black and white archival photographs. Every important building, avenue, neighborhood, and point of interest is documented. It covers all of Chicago's landmarks from Navy Pier to the Stockyards and from the Southside all the way up the Magnificent Mile. Take in a game at Wrigley Field, then take it all in from the top of the Sear's Tower. The Water Tower and all the other architectural features that make Chicago great are also included.

    In 1956, before Szarkowski gained fame as the Director of Photography at the Museum of Modern Art, he was the author/photographer of a book on Sullivan. Published by the University of Minnesota Press. The Idea of Louis Sullivan has long been out-of-print.Bulfinch Press has decided to bring this classic book back in print. The photographs have been declared by no less an authority than Frank Lloyd Wright, a protege of Sullivan's, as the best ever taken of Sullivan's work. This edition, with a new, elegant design and duotone reproductions using today's print technology, promises to be a beautiful photography book and a much welcomed architectural book about this pivotal Chicago architect.The text is composed of excerpts from contemporary sources, mostly from Louis Sullivan's own distinguished and charming commentaries on architecture and modern society, and a foreword by Szarkowski, as well as a preface to the new edition. Terence Riley will contribute an introduction on Sullivan's significance to modern architecture from today's perspective.

    Written and edited by renowned names in textile design, this book is, indeed, a treasure for both the textile aficionado and designer.

    The first-ever pocket atlas covering all the key features of Manhattan, the"Millennium Capital of the World." A convenient, easy-to-use, richlydetailed and incredibly complete pocket atlas that is sure to be a populargift item as well as a "must-have" reference tool for anyone who needs toget around the city.Includes house numbers for every street, traffic direction, touristattractions, playgrounds, hotels, theaters, major named office and apartmentbuildings, health facilities, police stations, post offices, schools,libraries, parks, playgrounds, and more -- even the location and name ofevery public statue and monument.A special 26-page "rider-friendly" public transportation section will alloweven a first-time visitor to Manhattan get around town efficiently andconfidently, with 12 separate maps and a four-page subway station index.All subway stops and their cross-streets are noted clearly; the differentroutes, lines, and directions are color-coded for easy reference; andseparate maps are provided with information on weekday, evening/weekend, andlate-night bus and subway service.

    The computer now enables the architect to call his design into life, free from the rigid material form, and view it as a flexible and interactive creation. In this book, the concepts of flatness and surface tension are examined in the light of virtual design and built reality. A selection of projects are presented to show how the architects regard space and surfaces in modern architectural practice in a digital age.

    A pilgrimage site for architects and historians, this small townhouse is considered the first truly modern residence. Its revolutionary open-plan layout provided an alternative to confining small rooms, its strip windows broke down the barrier between inside and outside, and its primary color scheme and shifting wall planes were symbols of its rupture with tradition. This title on the building's history presents a wealth of new information, including new photographs showing details uncovered in the recent restoration, archival images from when the house was built, and floor plans of each level of the house. It also contains material from the extensive archive amassed by the client, as well as information provided by Bertus Mulder, Rietveld's assistant at the time the house was built.

    A concise but comprehensive survey of the development of architecture in England from the Neolithic chambered tombs, up to the carefully designed housing of the post-war new towns.

    A place where legend meets history, Charleston commands a special seat in the Southern experience, from its commercial influence in colonial America, to its genteel traditions in the antebellum South, to its incendiary role in the CivilWar. An American institution of its own, this peninsula city attracts millions of visitors each year with its diverse architectural treasures, its breathtaking placement between marsh and sea, and its Lowcountry citizens' reputation for elegance and grace. This unique visual history explores the Charleston of distant memory through vivid black-and-white photographs taken from the late 1800s through the 1950s--a time when the city experienced economic decline and gradual recovery. Exploring a cityscape much different than today's well-worn tourists' paths, readers will discover a "new" Charleston, acity vibrant with culture and style, even in its areas of decay. From south of Broad Street, around downtown, and up the peninsula neck, Charleston: Alone Among the Cities provides readers of all ages a rare opportunity to stroll through their favorite section of town and to survey the city through the eyes of residents of yesteryear.

    Designed by Walter Gropius in 1911, this three-story factory was the first large structure to use a steel frame, allowing the facade to be made almost entirely of glass. This revolutionary technique set new standards for industrial construction and is still used in the building of every skyscraper. Fagus traces the history of the building from 1911, when it was designed and built, through the late 1920s, the period of final collaboration between Gropius and factory management. It also emphasizes the Bauhaus idea of industrial culture, in which architecture, interior design, graphic design, and photography were interrelated with the business philosophy of the company. This title contains the results of research in the Fagus factory archives, including original correspondence, blueprints, archival images, and ephemera such as stationery and advertisements. The photo-graphs extensively document the Fagus building from the 1920s through the 1950s.

    Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in Anymore are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhas, Rosalind Krauss, Ignasi de Sol�-Morales, Mark Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time.Anymore is the ninth book in the ongoing series that began in 1991 with Anyone and was followed by Anywhere, Anyway, Anyplace, Anywise, Anybody, Anyhow, and Anytime. Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which Anymore is based took place in Paris in June 1999. Anymore will be followed by Anything.

    The volume documents all aspects of steel as a construction material, first looking at the historical development of building with steel. This is followed by several chapters which examine to a high degree of technical detail the physical properties of the material, the principles of construction using steel and the wide range of steel elements and their uses. The final chapter presents 54 examples which illustrate the many applications of steel in construction a " from simple halls to complex multistorey buildings. These examples were selected because of their innovative use of steel, demonstrating its great potential for minimising the materials and montage necessary. For ease of comparison all the plans have been drawn to the same scale. The volume concludes with a listing of the relevant norms and standards.

    Each From the Air title features 140 color aerial photos that provide a bird's-eye view of America's greatest cities.

    Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection, Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures. Curator and photography historian Rod Slemmons puts these photographs in context among Curtis's more familiar portraits and considers their anthropological and artistic importance. Reproduced in large, splendid tritones, Sites & Structures is one of the finest monographs of this American photographic master.

    This essay charts the stages of this metamorphosis from the Khulafa Mosque (1963) and the Kuwait State Mosque (one of the largest in the world) through to the vast and visionary schemes for Iraq of the late 1980s. Makijy's formally complex and nuanced architecture, the author argues, is continuous, harmonious, and celebratory of an Islamic past.

    An engrossing guided tour of some of the world's greatest buildings awaits readers of this unique tribute to excellence and innovation in architecture, from antiquity to modernism and beyond, each period written by an eminent specialist.