And it’s still short, profusely illustrated…and best of all–fun to read.If you’ve read it before, you’ll rediscover what made Don’t Make Me Think so essential to Web designers and developers around the world. If you’ve never read it, you’ll see why so many people have said it should be required reading for anyone working on Web sites.

    Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.

    And no matter what software you use, your success in creating realistic-looking illumination, shadows and textures depends on your professional lighting and rendering techniques. In this lavishly illustrated new edition, Pixar's Jeremy Birn shows you how to:Master Hollywood lighting techniques to produce professional results in any 3D application Convincingly composite 3D models into real-world environments Apply advanced rendering techniques using subsurface scattering, global illumination, caustics, occlusion, and high dynamic range images Design realistic materials and paint detailed texture maps Mimic real-life camera properties such as f-stops, exposure times, depth-of-field, and natural color temperatures for photorealistic renderings Render in multiple passes for greater efficiency and creative control Understand production pipelines at visual effects and animation studios Develop your lighting reel to get a job in the industry

    Designed by Oliver himself, and written by Rick Poynor, this book illustrates the his intensely visual and emotive work in detail for the first time -- most notably his sumptuous sleeve imagery for London's 4AD label.

    As long as letters, words, and sentences are used to transmit information, these same principles will remain valid - even in electronic media. Part one of this publication discusses the typographic elements; the microaesthetic qualities of letters, numbers, and punctuation marks, lines, and geometric elements and their diverse applications. Part two analyses the design aspects of space, structure, sequence, contrast, form and counterform, and illustrates their function with examples from teaching and praxis. Part three demonstrates how typographic elements contribute to design on the microaesthetic level. Part four, based on a series of architectural posters, analyzes the interrelationship between purpose, macrostructure, and microaesthetics. This publication provides artistic and technical instruction for typographic designers, architects, and professionals in allied creative fields. It facilitates a more critical appreciation not only of the mediated foreground, but also of the unscripted background and of the various relationships between them.

    Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.Trilingually presented in English, French, and German

    As the successor to Emil Ruder at the world-famous Schule fur Gestultung in Basel, he enhanced the rigor of Swiss Typography with experimental verve and creativity; he also put his innovative ideas to work for Typografische Monatsblutter. Countless designers in North America and Europe have been inspired by his teachings and lectures. In Typography, Weingart sums up an impressive lifework in 500 pages that describe his own development and the foundations of his teachings. This is a long-awaited book of epochal significance.

    Ever since his apprenticeship with Louis Kahn, Correa has adapted the language of modern architecture to create pleasing, habitable buildings for people in cities and countries around the developing world. Correa is regarded internationally as an expert on housing in developing countries. Documenting over forty years of his work in a vital but often neglected area, this book brings together his most significant projects in detail. With over 450 newly commissioned plans and duotone photographs, this timely publication addresses the perennial issue of habitation, one of architecture's most pressing concerns. As the seemingly irreversible pull of world metropolises swells inner-city life almost to breaking point, Correa offers concrete solutions. Eschewing style in favor of content, rejecting ornamentation in favor of livable space, Charles Correa has forged an architecture that offers lessons to both students and practicing architects.

    Being ambidextrous with Eastern and Western cultures, he can see things most of us overlook. The result is a humor and expression that brings out the best in computers and art."--Nicholas Negroponte John Maeda is one of the world's leading experimental graphic designers and is quickly becoming a digital culture icon. His early preoccupation with the intersection of computer programming and digital art has resulted in a fascinating, interactive, and stunningly beautiful collection of work. Maeda has pioneered many of the key expressive elements that are prevalent on the web today. Among his most well-known works are "The Reactive Square," which features a simple black square on a computer screen that changes shape if one yells at it, and "Time Paint," in which paint flies across the screen. He has created innovative, interactive calendars, digital services, and advertisements for companies such as Sony, Shiseido, and Absolut Vodka. This is the first publication to present a complete overview of Maeda's work and philosophy. A glorious visual exploration of ideas and graphic form, "Maeda @ Media" takes you through Maeda's beginnings in early computerized printouts, to his reactive graphics on CD-ROM, to his dynamic experiments on the web, to his pedagogical approach to digital visual art, and finally to his overarching quest to understand the very nature of the relationship between technology and creativity. Six thematic chapters provide an overview of his entire career and research. But this is not just a catalog of older work: interspersedbetween each chapter is a new visual essay that has been created exclusively for this publication to underline each of the major themes. Coming together in a massive 480 pages, printed in a dazzling array of color combinations on three different kinds of paper, the result is a manifesto, a finely crafted manual and inspiration sourcebook all in one. With over 1000 illustrations.

    As a school that strove to combine applied art with both the fine arts and technology, the Bauhaus movement has outlasted all other trends in architecture and design. This volume provides insight into the historical, cultural, philosophical, political and pedagogical background of the 1930s, when the Bauhaus was founded. It also portrays the famous Bauhaus directors and teachers and describes their signature pedagogical methods. Finally, the authors take readers inside Individual workshops, where they can discover for themselves the unique wealth of forms and ideas that remain the hallmark of Bauhaus products. Through its contributions to current discourse on the Bauhaus as a "fixed star of the avant-garde," its wealth of pictorial material (some of which has never before been published), as well as the rich variety of topics it addresses, this book offers a comprehensive look at one of the most significant institutions in the history of modern art and culture.

    A spring scrapbook of gardening methods, recipes, and tabletop designs.Hands-on workbook format with pockets for clippings and graph paper for plans.Tips on Easter and Mother's Day festivities and decorating ideas with pages for notes.Full-color instructions to create magnificent spring bouquets.How to make over the vegetable garden into potager.

    They may or may not hold special meaning to us, but their importance as objects of cultural identity is unmistakable.Produced, under the direction of Olivieri Toscani, by the agency Colors (the same agency that produces Benetton's campaigns), Extra/Ordinary's subject matter may be already familiar to those who have seen recent features in the agency's magazine, Colors. Colors' motto, "diversity is good", translates perfectly into a book that celebrates the differences in our everyday objects. Continuing the theme introduced in Colors, this new book shows us the extraordinary in the ordinary. Jaunting off on a tour around the globe, you'll see that what is ordinary halfway across the world (or perhaps for your neighbors across the street) may be totally foreign to you.Discover the wonderful absurdity of a priest's portable mass-in-a-briefcase kit, or the stunning difference between fly-swatters from Zimbabwe and South Korea. Ogle at the juxtaposition of neoprene surfing shoes and bullfighting slippers; have a gander at a package of emu cutlets and a can of blowfish soup. In case you see something that you absolutely must have, check out the yellow pages section at the end of the book; here you can find out where to get it and even how much it costs, as well as lots of little tidbits of interesting information to make your journey complete.Maybe you've already come across some of these objects, or will seek them out on future voyages. Next time you pick up your toothbrush or comb your hair, youmay think twice about the things that you use every day- perhaps they're not so ordinary after all.

    Now, authors Bill Capodagli and Lynn Jackson are back to deliver a comprehensive, step-by-step implementation plan based on Walt Disney's principles outlined in the best-selling The Disney Way.The Disney Way Fieldbook provides action plans for instilling Disney's vision into any company, complete with diagnostic exercises, practice sessions, proven advice, and insightful questionnaires. Packed with universally applicable tools and techniques, the book also features inspiring quotes from Walt Disney himself and little known facts about his extraordinary empire.

    That groundbreaking book proposed a new blueprint for the American home: a house that values quality over quantity, with an emphasis on comfort and beauty, a high level of detail, and a floor plan designed for today's informal lifestyle. Creating the Not So Big House is the blueprint in action. Focusing on key design strategies such as visual weight, layering, and framed openings, Sarah Susanka takes an up-close look at 25 houses designed according to Not So Big principles. The houses are from all over North America in a rich variety of styles -- from a tiny New York apartment to a southwestern adobe, a traditional Minnesota farmhouse, and a cottage community in the Pacific Northwest. Whether new or remodeled, these one-of-a-kind homes provide all the inspiration you need to create your own Not So Big House.

    He reveals the inspiration behind his design philosophy with its mastery of color, light and scale. Showing how lessons from the classical world can be implemented in contemporary design, he talks through the design principles that guide him and explains how he applies these principles to settings as well as suggesting solutions for your own home. Chapter by chapter he moves from discussing essential considerations such as light and color to the more ambitious skills of mastering scale, illusion and exaggeration.

    Every lesson is demonstrated by example, enabling designers of all specialties and levels of experience to make the best color choices for every type of design.

    A fascinating anecdotal text tells the story of the firm's founder, John Fowler, and shows his style evolving through his association with Sibyl Colefax and Nancy Lancaster and later through his work in restoring National Trust houses. In addition, it describes the expert craftmanship and technical skills behind the firm's internationally acclaimed artistry. Colefax & Fowler is a spectacular source for anyone interested in interior design.-- Colefax & Fowler fabrics are frequently featured in Architectural Digest and other high-end interior design magazines.-- Comfortable and understated elegance is more fashionable than ever.

    More than a step-by-step review of the features in After Effects, you will learn how the program thinks so that you can realize your own visions more quickly and efficiently. This full-color book is jammed full of tips, gotchas, and sage advice that will help you survive whatever your next project throws at you. Creating Motion Graphics 4th Edition has been heavily revised, reuniting the previous two volumes plus adding detailed coverage of new features introduced in After Effects 7 and CS3 Professional to form one massive, essential reference. The enclosed DVD-ROM contains source footage and project files for the numerous exercises which help reinforce each concept. The DVD also includes over 180 pages of additional information, including lengthy Bonus Chapters on Expressions and Effects.Authored in CS3, also included is access to a free web chapter written for CS4. * Free CS4 web chapter included with the book* Mastering animation through the use of keyframes, motion paths, and the Graph Editor* Blending imagery using alpha channels, masks, mattes, modes, and stencils* Building groups and hierarchies through parenting and nested comps* Extended coverage of type animation, paint tools and 3D space* Advanced subjects such as keying, motion tracking, expressions, and video issues* Includes over 180 PDF pages of bonus content on the DVD* Extensive coverage of the new CS3 features including the Shape and Puppet tools, Brainstorm, per-character 3D text, color management, and more!

    This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

    Their logos and identity programs for high-profile corporations such as Mobil, Time Warner, Viacom, and Xerox, and for preeminent institutions such as the New York Public Library, Alvin Ailey Dance, the Smithsonian Institution, and the Museum of Modern Art, are instantly recognizable hallmarks of design. TM collects over 200 trademarks created over the 40-year history of the firm, which is led by Ivan Chermayeff, Tom Geismar, and Steff Geissbuhler. The variety and vitality of their work is reflected in this visually rich book, which serves an inspiration for designers as well as a reference to the best in trademark design.

    Now highly collectable, this art has found new acclaim in the world of fashion, fine art and photography.

    Published in conjunction with the White House Historical Association.Ever since the White House was built over 200 years ago, its decor has been of great interest to visitors, historians, and anyone interested in our nation's history and how it was manifested in our country's most famous residence. Influenced not only by styles of the moment, the White House interiors are even more affected by the sensibilities of its occupants, our presidents and their first families.This updated edition features new photos and information from recent renovations of the Green Room, the Queens' Bedroom, Family Dining Room, Lincoln Bedroom and Lincoln Bed, Lincoln Sitting Room, and the Oval Office. Also highlighted will be china from the Clinton and Bush administrations and a fire screen acquired during the Obama administration.Author Betty Monkman shares historical facts and anecdotes revealing how the furnishings and artwork showcased in this book came to the White House, sometimes under controversial circumstances. She describes how Mary Todd Lincoln earned public criticism for indulging in excessive shopping expeditions and expenditures during the early days of the Civil War. Readers also learn how Jacqueline Kennedy took a vastly different approach to changes in the president's residence, by working to transform the White House into a place where visitors could learn about the history of the country.

    Futura's first publication is a unique sketchbook, photo-album and confessional revisiting a remarkable career, from igniting the 1980s New York graffiti and hip-hop movements to redefining 1990s London sleeve art.

    Finally available in paperback, this invaluable compendium offers more than 900 examples of graphic design projects of all kinds -- promotional materials, letterheads, editorial layouts, exhibits, packaging, posters, annual reports, T-shirts and more -- culled from the work of leading professionals in every area of the graphic design field.

    He leads readers through the development of his ideas, reacquaints them with central design principles, and shows how technology can provide opportunities.

    In it, he explores the many facets of good design, including the relationship of aesthetics with function.

    It outlines the essential criteria architects and designers must meet when planning for a wide variety of hotel types, and presents the most up-to-date technical information as well as detailed illustrations, photographs, and original plans.Highlighting the key concepts behind emerging trends and how each designer's vision fits into the development of the industry as a whole, the authors equip today's developer, architect, designer, and hotel executive with a comprehensive and practical guide to the world of hospitality design.

    Designed by Oliver himself, and written by Rick Poynor, this book illustrates the his intensely visual and emotive work in detail for the first time -- most notably his sumptuous sleeve imagery for London's 4AD label.

    For seventy-five years The New Yorker has been entertaining and enlightening its loyal readers (two-thirds of whom live outside the city). Its peerless covers—created by a large stable of extraordinarily talented artists and cartoonists—have mirrored the magazine's feisty spirit from the beginning, becoming even more pungently topical in recent years. No noteworthy subject or scandal has escaped their scrutiny, from Broadway flappers and the eternal Eustace Tilley to dishonest pols and the gigahertz speed of contemporary life. Inexhaustibly varied in mood and style, the covers are united by their visual sophistication, their imaginative wit, and their high pleasure-giving quotient.This stylish compendium presents not only the best of The New Yorker's covers—selected by art editor Francoise Mouly and organized into such classic themes as The Big City, Arts and Music, and The Buzz—but also a behind-the-scenes peek at the sketches that lead up to them, as well as a look at the controversy that sometimes follows in their wake. A "Conversation" between Ms. Mouly and Lawrence Weschler—a noted New Yorker writer and are critic—illuminates the history of the magazine's covers and how they have changed over the past decade. In addition, several "Sketchbooks" highlight the work of especially evocative cover artists, including Semp, Spiegelman, and Steinber, these portfolios are complemented by six detachable full-size covers, suitable for framing, bound into the back of the book.About the Authors: Francoise Mouly is art editor of The New Yorker. Lawrence Weschler is a frequent contributor to the magazine.

    In many industries, changes in products and technologies have brought with them new kinds of firms and forms of organization. We are discovering news ways of structuring work, of bringing buyers and sellers together, and of creating and using market information. Although our fast-moving economy often seems to be outside of our influence or control, human beings create the things that create the market forces. Devices, software programs, production processes, contracts, firms, and markets are all the fruit of purposeful action: they are designed. Using the computer industry as an example, Carliss Y. Baldwin and Kim B. Clark develop a powerful theory of design and industrial evolution. They argue that the industry has experienced previously unimaginable levels of innovation and growth because it embraced the concept of modularity, building complex products from smaller subsystems that can be designed independently yet function together as a whole. Modularity freed designers to experiment with different approaches, as long as they obeyed the established design rules. Drawing upon the literatures of industrial organization, real options, and computer architecture, the authors provide insight into the forces of change that drive today's economy.

    Readers are encouraged to take risks that will help them to abandon usual methods and embrace fresh ways of painting with watercolour, gouache, casein, acrylic, using collage, brushless methods, and many other techniques.

    Ware's updated review of empirical research and interface design examples will do much to accelerate innovation and adoption of information visualization." —Ben Shneiderman, University of Maryland"Colin Ware is the perfect person to write this book, with a long history of prominent contributions to the visual interaction with machines and to information visualization directly. It goes a long way towards joining science to the practical design of information visualization systems." —from the foreword by Stuart Card, PARCMost designers know that yellow text presented against a blue background reads clearly and easily, but how many can explain why, and what really are the best ways to help others and ourselves clearly see key patterns in a bunch of data? When we use software, access a web site, or view graphics, our understanding is greatly enhanced or impeded by the way information is presented. By explaining in detail how we think visually, this book provides guidance on how to construct effective interactive information displays.This book combines a strictly scientific approach to human perception with a practical concern for the rules governing the effective visual presentation of information. Surveying the research of leading psychologists and neurophysiologists, author Colin Ware isolates key principles at work in vision and perception, and from them derives specific and effective visualization techniques suitable for a wide range of scenarios. Information Visualization offers practical guidelines that can be applied by anyone, and covers all facets of visual perception: color, organization, space perception, motion, and texture.* Major revision of this classic work, with a new chapter on visual thinking, new sections on face perception and flow visualization, an appendix on how to evaluate visualizations,and a greatly expanded chapter on color and color sequences. *New to this edition is the full-color treatment throughout, to better display over 400 illustrations.*From a leading researcher in the field of human perception who has brought together, in a single resource, all current scientific insight into the question of data visualization.

    This is a comprehensive study, and practical reference, of Arabic letterforms and styles beginning with a concise historical overview of the development of Arabic typography through to modern designs and technological advancements.

    Originated by Tomato, this work is closely related to the message and imagery of techno band Underworld's music, creating a typographic map of a journey through the streets of New York.

    In this groundbreaking book, Adrian Bejan considers the design and optimization of engineered systems and discovers a relationship to the generation of geometric form in natural systems. The idea that shape and structure spring from the struggle for better performance in both engineering and nature is the basis of his new constructal theory: the objective and constraints principle in engineering is the same mechanism underlying the geometry in natural flow systems. From heat exchangers to river channels, Bejan draws many parallels between the engineered and natural worlds. Numerous illustrations, examples, and homework problems make this an ideal text for engineering design courses. Its provocative ideas will also appeal to a broad range of readers in engineering, natural sciences, economics, and business.

    

    It explores the ways in which experimental typography and image-making are collapsing the boundaries between art and design.

    Groundbreaking research into designing casinos to increase player counts, win, and profitability

    Already known to designers for his austere yet luxurious interiors, he has attained immense public acclaim for his high-profile retail projects such as the Calvin Klein flagship store in New York, his celebrity clients like Martha Stewart and his book Minimum (Phaidon, 1996). This book traces the varied course of the relationships between an architect and his clients, between an architect and the design briefs set for him, and between the architect and his own intellectual approach to design and its impact on his work. The incisive text with - specially commissioned pictures - explores Pawson's design process, working methods and philosophical approach, and illuminates the emotional and artistic content of his work. Through a close examination of ten diverse projects, Deyan Sudjic considers the way in which design is influenced by the processes of construction and making, and explores the nature and significance of the finished scheme. This book, a record of Pawson's developing approach to design and his unique position at the intersection of art and design, offers insights into culture, society and architecture.

    

    Published in conjunction with the exhibition "Supersonic swingers," October 20 - November 20, 2000, Toon-in Gallery/Outre Gallery, Melbourne, Australia

    IT ALSO OFFERS TIPS FOR PUTTING THE KNOWLEDGE INTO PRACTICE IN A VARIETY OF MEDIA, FROM PAINTING AND OTHER FINE ARTS TO INTERIOR DESIGN, ARCHITECTURE, FASHION DESIGN, CERAMICS, TEXTILE DESIGN, AND NEEDLEWORK.FOUR DIMENSIONS OF COLOR-HUE, VALUE, INTENSITY, AND TEMPERATURE-ARE DISCUSSED IN DETAIL.

    It illustrates, with elegance and flair, just how vital and everlasting a part fashion has played in reflecting and influencing twentieth-century attitudes: from the sexual revolution and rise of popular culture in the 1960s to the consumerism of the 1980s and 90s.Fashion Today places current fashion not only in the contexts of youth, sexuality, fetishism, exoticism and historicism, but also in the contexts of previous fashion movements. It demonstrates dynamically that fashion reflects not only its surroundings and its subjects but ultimately itself.Aesthetically and intellectually stimulating, this volume is a must-have for anyone who has even the vaguest interest in any aspect of the fashion world today. Its breadth of scope and depth of insight are unprecedented.

    CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world.In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the Functional City. He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.

    An editor should not present as a fool one who has persisted in his folly to become wise if the wisdom cannot really be shown in the space available: better to omit than risk making him look silly. On the evidence of just a couple of works George Walker does look clumsy in a field where finesse is prized, perhaps to excess. But give him his head, as here, and you see an artist of sustained and wacky integrity half way between Posada and Krazy Kat. ...Is the work any good? Yes, of course it is. Of course, too, if you go for rough trade in wood engraving, you end where you began: some of this does look like beginner's work. But Walker does things with engraving I've not seen anyone else do: look at "Raguwl, Angel of Vengeance." His images of people in cars are startlingly expressive: he can draw -- look at "The Printer"'s hand and the break of light around him; has Walker bodged the ear here to prove he "can't" draw (so "there"!)? But he can and does. His small images have power and sometimes even humour and tenderness, even though he presents himself as an obsessive, the Mad Hatter of wood engraving.'

    Twenty years ago, Swiss graphic designer Jean Robert discovered a face in a padlock. Since then, he and his brother Francois have been photographing the smirks, smiles, and pouts in everyday objects, finding uncanny resemblances to human and animal faces in everything from buildings to mops to shoes. In the lively spirit of Play with Your Food comes Faces, their collection of over 150 whimsical photographs that communicate a world of expression—all in one satisfyingly chunky book. Each beautifully designed page features a different object with its own quirky personality—and a hidden face guaranteed to make anyone smile.

    It marks the moment of recognition that the world was becoming increasingly dependent on a modern and commercialized system of communication in which the designer was to play a major role. An unprecedented scale of attention was devoted to printed matter, whether as designs for graphic ornament, typefaces and logos in books and advertisements, or magazines, posters, signage, and exhibitions. Jeremy Aynsley has written the first account in English of the emergence of German graphic design between 1890 and 1945. Based on many years of research and original material, this handsome book is lavishly illustrated with examples from across a stylistically varied field. There were many good reasons for Germany to lead in the field of print culture. Historically it was a country that had been associated since the Middle Ages with the arts of the book and printing, and many of the new design developments in the twentieth century grew from that base. The spectacular industrial and commercial boom following the Franco-Prussian War, when the Germans became world competitors, stimulated interest in the field of advertising, whether in newspapers, journals, or on sidewalk kiosks. Perhaps borrowing in the beginning from the Arts and Crafts movement in Britain, Art Nouveau in France, and the advanced advertising designers in the U.S., the German artists soon developed a style of their own that was aggressive, aesthetically adventurous, and well constructed to attract customers. While some of the individual designers such as Peter Behrens, Lucian Bernhard, Jan Tschichold, Herbert Bayer, and John Heartfield are well known, many others have not received such attention. Aynsley provides an amazingly well-rounded picture of this burst of innovation that changed the face of modern life, as well as of the politically and socially turbulent era that spawned it.

    Known primarily for her highly original furniture and interior design, Gray realized nine buildings in her lifetime and recorded more than 45 architectural projects in her archive, although several of her built projects were attributed, until very recently, solely to her collaborator, Romanian architect Jean Badovici.After briefly studying art in London and Paris, Gray settled in Paris in 1907 and began designing sumptuous lacquer furniture, wool carpets, and draperies that reflected the sensual luxury of traditional French decorative arts. Beginning in the mid-1920s, and influenced by the modern movement, she turned to architecture. Her most renowned project, the villa E.1027 on the coast of southern France, interprets Corbusian spatial principles and forms to become a fundamental example of Modernist architecture.This monograph embodies the first ever in-depth study of Gray's entire career, providing a generously illustrated analysis of her early designs as well as her work as an architect beginning in 1926. It draws on a diverse wealth of archival material, plans, drawings and photographs - including many of Gray's own - to place this fascinating individual in the context of contemporary movements in design and architecture as well as twentieth-century social and cultural history in general.

    They include the pondok pavilion dwellings of the rice fields, classic village houses, royal palaces, beach houses, spectacular mountain residences, and homes with magnificently designed gardens. The book also features the courtyard shrines and the public temples that play a role in daily life for both the Balinese and the newer residents.A visitor's guide and international source list of Balinese wares completes this insider's tour of the island, making At Home in Bali the next best thing to being there.

    Her art is vast and varied: large abstract canvases, intimate landscapes relating to her lyrics, sketches from the 1960s and 1970s, and portraits in oils. Produced with the collaboration of Joni Mitchell, this superbly produced hardcover limited edition contains original writings and more than 50 color illustrations of her work.

    The book examines the American rave scene and chronicles the progression of styles and forms.

    Beginning with the way we perceive, manage, and design the landscape, it moves on to explore the forces that influence land design. An overview of landscape management, planning, and design includes a discussion of the roles and integration of the professions involved, modes of professional practice, and site scale design processes. The book explores the ecology of design and the integration of land design decisions into dynamic systems. This fully updated new edition:* Presents landscape design as a synergism of art and science* Addresses the interplay between buildings and sites* Provides insights into the breadth of people-environment relationships* Places special emphasis on our growing understanding of interrelationships between the landscape and human decisionsA superb introduction for students as well as a useful reference for practicing professionals, this book is an excellent guide for anyone who wants to develop a better understanding of landscape design.

    Spark your creativity with the world's most popular animation software and the detailed instruction in this power-packed book from an industry expert. If you're new to 3ds Max, jump right in with a Quick Start program that will have you modeling and rendering a complete image your first day. Experienced users, discover exciting new Max 8 features such as a new module for hair and fur, a new cloth system, and much more. This comprehensive book covers every feature, and it's loaded with professional techniques and full color examples to inspire you.Inside, you'll find complete coverage of 3ds Max 8Model a detailed creature right away with the Quick Start tutorialAdd realistic and dynamic hair, fur, and cloth to your modelsCreate complex characters with Max's new biped featuresUse the expanded Edit Poly options to work more efficiently with Edge Ring and Edge Loop selectionsExplore Max's new Asset Tracking system including the Autodesk(r) Vault clientMake texture creation a snap with the new Pelt mapping method and the Render UVW Template featureSave, load, and retarget animation files using the supported XML Animation File (XAF) formatEasily render a series of stills from several angles with the new Batch Render toolBonus DVD IncludedFeatures a wide selection of 3D models and textures just right for your own projects, plus the Max files and examples to more than 150 tutorials. The DVD also includes a full-color electronic version of the book

    A clear and concise design guide for practising and student architects, it describes and illustrates the differences there are between universal design and 'for the disabled' design Universal Design presents detailed design guidance for architects in an easily referenced form. Covering both public buildings and private housing, it includes informative anthropometric data, along with illustrative examples of the planning of circulation spaces, sanitary facilities, car parking spaces and seating spaces for wheelchair users in cinemas and theatres. It is a valuable manual in enhancing understanding of the basic principles of 'universal design'.The aim - to encourage architects to extend the parameters of normal provision, by looking to go beyond the prescribed minimum design standards of the Part M building regulation, Access and facilities for disabled people.

    This volume expands its coverage to the rest of the world. As stylistic innovations within the dance music scene spawn new strands of beats, and specialized genres splinter off to create new sub-sects, flyer design has mutated and blossomed into an infinitely variable feast. Nocturnal not only seeks out flyers from all corners but also documents the aesthetic endeavors of a diverse spread of burgeoning scenes. All in all, this book presents a comprehensive taste parade of dance beats. First time in paperback. Hardback sold out within 4 months Contains flyers from across the UK, Europe and beyond.

    Despite a lack of gravitas, the recipes contained within the book are serious.

    Also included are chapters on using scanned images for web design.

    Inside you'll find no-nonsense explanations from Mike Burrows on everything from aerodynamics to suspension forks.

    Letterletter opens up whole new perspectives on not just the world of letterforms but on the world and the written word, in general. Occasionally cranky, always well-written and insightful, Letterletter is an invaluable design tool and, more importantly, a pure pleasure to read. As Noordzij notes, "Its lack of dignity, authority and tolerance could not prevent Letterletter from becoming a collectors item."

    The virtually inexhaustible supply of dynamic, black-and-white graphic devices includes elegantly rendered miniature flowers and leaves, everyday objects, holiday and abstract motifs, classical designs, and other decorative elements.

    There is information on how to harvest and store timber, how to cut it into workable sizes and how to make best use of the grain. O’Donnell also gives advice regarding tools and materials and offers a selection of projects for you to try yourself.

    How do we gain a foothold in this new cultural landscape? Culture demands that we reroute. Survival demands that we reroot.

    The car's 1950s design, obvious environmental incorrectness and all-plastic body became a symbol of the technological limitations of East German communism. But as Raymond G. Stokes points out in this text, eastern Germany in 1945 was one of the most highly developed, technologically sophisticated industrial areas in the world. Despite the evident failings of its technology by the late 1980s, the German Democratic Republic maintained advanced technological capability in selected areas. If the system itself was fundamentally flawed, what explains successes under the very same system? Why could the successes not be repeated in other areas? And if examples of success are so isolated, how did East Germany last as long as it did?

    It takes a process-oriented approach, with each exercise designed around a particular technique. In this way, the book teaches readers Photoshop principles, techniques, and tips in a format that enables them to apply the lessons to real-world situations. This latest release of Photoshop, the leading image-editing application, comes bundled with ImageReady 2, Adobe's program for preparing images for the Web. It provides the first integrated solution for both print and the Web, enabling professionals to design interactive Web graphics or prepare sophisticated images for print with the same ease.

    This source of reference documents dialogues between over 100 organizations, marketeers, designers and artists around the world - from the creators of Japanese fog parks to the creatives behind Nike Town - exploring the possibilities of a radically progressive approach to marketing.

    While much has been written about architectural modernism, Worpole concentrates less on buildings and more on the planning of the spaces in-between – the parks, public squares, open-air museums, promenades, public pools and other public leisure facilities. Life in the open was of particular concern to early urban planners and reformers, with their dreams of release from the confines of overcrowded, unsanitary slums. Picturing youthful working-class bodies made healthy by exercise and tanned by the sun, they imagined an escape route from cities. Worpole demonstrates how open-air public spaces became sought-after commissions for many early modernist architects in the early 1900s, resulting in the transformation of the European cityscape."...a fascinating account of the political idealism that informed urban planning for the first two-thirds of the twentieth-century...full of insights into how public space influences a sense of belonging and ownership."—The Guardian"This is one of those books you stroke lovingly. Open it, and there is page after page of beautiful photographs...this book combines history, society, politics, environment and place in a well-written and emotive text. The strength of the book is the way it crosses these traditional boundaries and disciplines."—Town and Country Planning"Drawing on architectural theories, philosophy, literature and even film-making, Worpole's book is wide-ranging and erudite and should be of interest to the layperson as well as to the urban planner. It is also elegantly written and complemented by a mixture of black and white and colour photographs to provide a visual emphasis to the points he raises."—N16 Magazine

    Combining his personal archive of sketches and plans with specially commissioned computer-rendered images, the book offers insight into the mind of this designer. The introduction traces the development of Newson's visual language, inspired by such influences as the architecture of Richard Neutra, Aston Martin sports cars and the films of Stanley Kubrick.

    This 13th edition has been revised to include coverage of material detailing knowledge and practice relating to safety systems, vehicle integrity, braking systems and more. The established layout of the book is retained, with topics relating to the engine, transmission and carriage unit dealt with in turn. Each chapter features diagrams, sections, schematics and photographs, all of which seek to contribute a clear and concise exposition of the material under discussion.

    The exercises in this workbook expand upon graphic design applications and each exercise presents a creative problem intended to stimulate visual thinking, encourage sketching and ideas, and, most importantly, prompt you to try new approaches.

    Altitude showcases this current generation of flourishing contemporary designers, who combine traditional high-quality Swiss Style with advanced media and novel design approaches to give rise to a progressive style of visual expression. The collected work provides insight into the impact, essence and diversity of Swiss graphic design in recent years and evaluates its significant evolution.

    It's for readers who want easy access to information and who are turned off by art-world jargon.With cutting-edge tone and text, these innovative, richly illustrated, compact books (6" x 6" gift size) are targeted at busy people who've heard of these much-discussed artists -- and who know that many people, for some reason, think these artists are important -- but honestly don't get what the big fuss is all about.

    More than 4o beach houses, wooden cottages, villas with breathtaking sea views and converted fisherman's huts invite readers to indulge in the dream of living beside the sea. This is coastal living at its best!