Part autobiographical, part fictional, this allegorical tale sparkles with symbolic and historical references central to African-American culture. The spectacular artwork resonates with color and texture. Children will delight in the universal dream of mastering one's world by flying over it.

    These men of vision lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater. Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that changed the world. Their lives and their works inspire us to this day and serve as a guide to how we approach the challenges of tomorrow.

    Using the art-deco style of the period, Rachel Isadora not only captures the poignancy and yearning of a youthful talent, but in page after page of striking art seems to convey the very sound of music.

    She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother. Newbery Honor–winning author Jacqueline Woodson and Coretta Scott King Award–winning illustrator James Ransome use the rope to frame a thoughtful and moving story as readers follow the little girl’s journey. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. With grace and poignancy, Woodson’s lilting storytelling and Ransome’s masterful oil paintings of country and city life tell a rich story of a family adapting to change as they hold on to the past and embrace the future.

    Misty encourages this young girl's faith in herself and shows her exactly how, through hard work and dedication, she too can become Firebird.Lyrical and affecting text paired with bold, striking illustrations that are some of Caldecott Honoree Christopher Myers's best work, makes Firebird perfect for aspriring ballerinas everywhere.

    The overly ambitious little girl from Oh No! is back for more. But this time, she doesn't have a humongous problem, she has an EPIC crisis on her hands: a mere A on her history test! There's only one solution: travel back in time to 33,000 B.C. to make her wrong answer right! Mac Barnett and Dan Santat's laugh-out-loud sequel to the critically acclaimed Oh No! will be sure to tickle a prehistoric funny bone for fans new and neanderthal alike.

    E. McMorrow and Coretta Scott King Award-winning illustrator James Ransome. An author’s note at the end provides additional information about the history of the Harlem Renaissance, and about the author’s inspiration for this musical retelling.

    If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?

    Shared as a lullaby to her daughter, a soulful song recounts Simone's career, the trials she faced as an African American woman, and the stand she took during the Civil Rights Movement. This poignant picture book offers a melodic tale that is both a historic account of an iconic figure and an extraordinary look at how far we've come and how far we still need to go for social justice and equality. A timeless and timely message aptly appropriate for today's social and political climates. ♦ "A good introduction to Simone's life, from her early love of music to her rise to the status of legend" --Kirkus Reviews, starred review♦ "Strikingly illustrated" --Booklist, starred review♦ "Hauntingly beautiful illustrations" --Foreword Reviews, starred review"Stirring and powerful. . . " --BookPage

    This is the story of a boy who breaks all the rules, and finds his own personal heaven along the way.

    As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan—picket those white stores! March to protest those unfair laws! Fill the jails!—she stepped right up and said, I’ll do it! She was going to j-a-a-il!Audrey Faye Hendricks was confident and bold and brave as can be, and hers is the remarkable and inspiring story of one child’s role in the Civil Rights Movement.

    Most importantly, he wished to portray the world as a child might see it--vast and beautiful.

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

    She had a coat-pocket poodle, a beagle, Chihuahuas, a Great Dane, and more, but her favorite was a boxer named Mister. Mister was always there to bolster her courage through good times and bad, even before her legendary appearance at New York’s Carnegie Hall. Newton’s stylish illustrations keep the simply told story focused on the loving bond between Billie Holiday and her treasured boxer. An author’s note deals more directly with the singer’s troubled life, and includes a little-known photo of Mister and Lady Day!

    While this momentous event showcased the uniqueness of her voice, the strength of her character, and the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, and Selznick's pictures as exquisitely detailed and elaborately designed as a stage set. What emerges most profoundly from their shared vision is a role model of courage.