Jonathan Fleming, Sundhe Moses, Jabbar Washington, and John Bunn were among dozens of innocent New Yorkers who spent decades in prison —guilty until proven innocent. This documentary follows their relentless fight to unveil an insidious pattern of police and prosecutorial corruption in Brooklyn at the height of the war on drugs and a historic peak in violent crime in the 1980s and '90s.

    But what if the problem is not that we are all synchronized to the same motions or moments, but rather dispersed into countless different emotional micro-experiences? What if the effect of so-called social media is to calibrate the interactive spectacle so that we never fully feel the same way as other potential allies at the same time? While one person is fuming about economic injustice or climate change denial, another is giggling at a cute cat video. And, two hours late, vice versa. The nebulous indignation which constitutes the very fuel of true social change can be redirected safely around the network, avoiding any dangerous surges of radical activity. In this short and provocative book, Dominic Pettman examines the deliberate deployment of what he calls 'hypermodulation,' as a key strategy encoded into the contemporary media environment. His account challenges the various narratives that portray social media as a sinister space of synchronized attention, in which we are busily “clicking ourselves to death.” This critical reflection on the unprecedented power of the Internet requires us to rethink the potential for infinite distraction that our latest technologies now allow.

    Bourdieu shows how the ratings game has transformed journalism -- and hence politics -- and even such seemingly removed fields as law, science, art, and philosophy. Bourdieu had long been concerned with the role of television in cultural and political life when he bypassed the political and commercial control of the television networks and addressed his country's viewers from the television station of the College de France. "On Television," which expands on that lecture, not only describes the limiting and distorting effect of television on journalism and the world of ideas, but offers the blueprint for a counterattack.

    In this compelling study of true crime, Liverpool's most popular author Tom Slemen recounts some of the most intriguing and baffling murders of Merseyside such as:• The baffling case of the Victorian canned corpse• The magistrate's beautiful granddaughter who was killed by a crazed admirer• The condemned man who was hanged twice• Frederick Deeming - the Rainhill psychopath who wiped out his own family and danced on their grave with his next victim• The bizarre link between a South Seas cult and the housewife who was stabbed fourteen times in her Knotty Ash home by a killer who struck under the cover of a fog• The unsolved case of the superintendent and his son who died of gunshot wounds under mysterious circumstances - in a police station• The enigmatic murder of Julia Wallace - and a very credible solution• The only assassination of a British prime minister - by a Liverpool businessman Plus many more fascinating murder cases.This fascinating book is a must for all readers of true crime in general and Liverpudlians and Merseysiders in particular.

    Sitting outside the hospital after visiting one day, Natasha wondered how she would cope when her mother was gone. There started a panic and self-scrutiny. Had she been a good enough daughter? Would she have enough time to do all the things she wanted to do with her mother before she died? Natasha knew that she couldn't be the only one feeling this way. She began her research and quickly learned that other daughters had similar fears and had never spoken about them before. Love for their mothers, regret for opportunities missed, resentments and emotional complexities all bubbled to the surface. Through these conversations, a friendship blossomed with Róisín Ingle, popular columnist at the Irish Times. After a call out in Róisín's column, hundreds of responses poured in and there The Daughterhood was formed. The Daughterhood is the funny, poignant, and occasionally heart-breaking story of nine daughters coming together to talk about their mothers and the joy and despair that this relationship brings. Over a period of months they commit to completing various tasks all in the hope of improving their relationship with the most important woman in their lives - before she dies.

    Lessig reveals the solutions to this impasse offered by a collaborative yet profitable “hybrid economy”.Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war—a war waged against our kids and others who create and consume art. America’s copyright laws have ceased to perform their original, beneficial role: protecting artists’ creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions. For many, new technologies have made it irresistible to flout these unreasonable and ultimately untenable laws. Some of today’s most talented artists are felons, and so are our kids, who see no reason why they shouldn’t do what their computers and the Web let them do, from burning a copyrighted CD for a friend to “biting” riffs from films, videos, songs, etc and making new art from them.Criminalizing our children and others is exactly what our society should not do, and Lessig shows how we can and must end this conflict—a war as ill conceived and unwinnable as the war on drugs. By embracing “read-write culture,” which allows its users to create art as readily as they consume it, we can ensure that creators get the support—artistic, commercial, and ethical—that they deserve and need. Indeed, we can already see glimmers of a new hybrid economy that combines the profit motives of traditional business with the “sharing economy” evident in such Web sites as Wikipedia and YouTube. The hybrid economy will become ever more prominent in every creative realm—from news to music—and Lessig shows how we can and should use it to benefit those who make and consume culture.Remix is an urgent, eloquent plea to end a war that harms our children and other intrepid creative users of new technologies. It also offers an inspiring vision of the post-war world where enormous opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.

    Contained within these pages, is his story. It is a story that will horrify the non criminal mind and lay bare, how Massey unwittingly became the architect of his own demise. Massey was not the only casualty of a toxic feud that had ignited between two Salford gangs following the most trivial of disputes. John Kinsella, a close friend of Massey's, was gunned down in front of his pregnant partner. A seven-year-old boy and his mother were shot, a hand grenade was hurled through the front window of a family home, an attempt was made to behead a man with a machete and an orgy of beatings, stabbings, kidnappings and shootings were carried out in the name of respect. In today's underworld, the old school criminal code has been confined to the bin. Being known as a hard man, once demanded respect, but no more. Guns, and having the mindset to use one, often for little or no reason, has become the norm. Drugs are the currency and death often the penalty for a discrepancy or misdemeanour. It is an unforgiving world that Paul Massey helped to create and a world, that ultimately resulted in his death.

    Over night thousands of armchair detectives went on the offensive demanding Avery receive a new trial in the belief that both he and Dassey had been framed by planted evidence placed by the Manitowoc County Sheriff's Department. EDITORS NOTE: JAN 27th - Due to an error on behalf of the company formatting this book, a draft manuscript has originally been used which contained several spelling errors. This has been corrected in the current upload of this file. Those that were involved in the arrest and trial of Steven Avery immediately responded to the accuracy of the documentary Making a Murderer and complained that the film was highly biased and left out important evidence that was used to convict both Dassey and Avery. In this ground breaking new book by Tony Castella, he examines the missing evidence and presents the facts as were presented by the prosecution during both the Avery and Dassey trials. You will go behind the scenes to examine critical evidence you likely were not aware of and was not included in the Netflix documentary. It's a unique opportunity to see what the jurors saw when they handed down a guilty verdict. Includes rare photographs of evidence and links to important court documents.

    

    She suffered horrific wounds to her lungs, liver, stomach and uterus, whilst the knife missed her baby by a margin of two millimeters, before the arteries in her wrists were methodically severed by the hooded attacker she finally realised was her partner and the father of her unborn child. After heroic intervention by passers-by and police, the attack was brought to an end, but her ordeal was not over. An air ambulance rescue was launched, and against all medical odds, Natalie and her baby survived - but not without life-changing physical and emotional damage.Still Standing is the story of one life-shattering event - what came before that fateful day, what happened on it, and how one woman and her baby survived to rebuild and heal together after it. At once a shocking story of evil, manipulation and violence, and a truly moving reminder that a life can be pieced back together, no matter how bad the damage, this book will empower and inspire anyone who has ever faced true adversity to rise up and stand tall.

    For this riveting book, he returns to the South Bronx with a sociological eye and provides an unprecedented insider’s look at the workings of a group of Dominican drug robbers. Known on the streets as “Stickup Kids,” these men raided and brutally tortured drug dealers storing large amounts of heroin, cocaine, marijuana, and cash.As a participant observer, Randol Contreras offers both a personal and theoretical account for the rise of the Stickup Kids and their violence. He mainly focuses on the lives of neighborhood friends, who went from being crack dealers to drug robbers once their lucrative crack market opportunities disappeared. The result is a stunning, vivid, on-the-ground ethnographic description of a drug robbery’s violence, the drug market high life, the criminal life course, and the eventual pain and suffering experienced by the casualties of the Crack Era. Provocative and eye-opening, The Stickup Kids urges us to explore the ravages of the drug trade through weaving history, biography, social structure, and drug market forces. It offers a revelatory explanation for drug market violence by masterfully uncovering the hidden social forces that produce violent and self-destructive individuals. Part memoir, part penetrating analysis, this book is engaging, personal, deeply informed, and entirely absorbing.

    In 1984, after becoming part of an antimafia group seeking to prosecute the Sicilian mafia, the Cosa Nostra, durante toda su carrera.

    But you don't know the truth. A religious zealot put a $250,000 bounty on my head, urging that I be tortured before I'm killed. I was condemned by the President of the United States, the majority leaders of the House and Senate, the governor of Florida, the Pope, Jesse Jackson, and the right-wing media. My two babies were threatened with death to teach me a lesson. On the night my wife died, snipers had to be posted on the roof of the hospice because of death threats." Michael Schiavo's memoir may not change your mind about the Terri Schiavo issue, but it will help you realize at what stakes it was waged.

    A community rich with diverse cultures, humour and warmth; but behind closed doors, mopping up her Mother’s blood became a gruesome task all too familiar in a world of domestic violence, oppression and neglect. A story of alcohol fuelled domestic abuse, of secret lives beyond the windows veiled by the pristine white net curtains; which proudly proclaimed a women’s worth as much as a black eye marked her not as a victim, but as a man’s property. Though amidst the stark reality of a bygone era, there is also an affectionate account of love and family bonds on a street that often echoed with the sounds of children’s laughter.

    This new edition of Hesmondhalgh′s clearly written, thoroughly argued overview of political-economic, organizational, technological, and cultural change represents yet another important intervention in research on cultural production.