Election interference. Armed invasions. International treaties thrown into chaos. Secret military buildups. Hackers and viruses. Weapons deployed in space. China and Russia (and Iran and North Korea) spark news stories here by carrying out bold acts of aggression and violating international laws and norms. Isn’t this just bad actors acting badly?That kind of thinking is outdated and dangerous. Emboldened by their successes, these countries are, in fact, waging a brazen, global war on the US and the West. This is a new Cold War, which will not be won by those who fail to realize they are fighting it. The enemies of the West understand that while they are unlikely to win a shooting war, they have another path to victory. And what we see as our greatest strengths—open societies, military innovation, dominance of technology on Earth and in space, longstanding leadership in global institutions—these countries are undermining or turning into weaknesses.In The Shadow War, CNN anchor and chief national security correspondent Jim Sciutto provides us with a revealing and at times disturbing guide to this new international conflict. This Shadow War is already the greatest threat to America’s national security, even though most Americans know little or nothing about it. With on-the-ground reporting from Ukraine to the South China Sea, from a sub under the Arctic to unprecedented access to America’s Space Command, Sciutto draws on his deep knowledge, high-level contacts, and personal experience as a journalist and diplomat to paint the most comprehensive and vivid picture of a nation targeted by a new and disturbing brand of warfare.Thankfully, America is adapting and fighting back. In The Shadow War, Sciutto introduces readers to the dizzying array of soldiers, sailors, submariners and their commanders, space engineers, computer scientists, civilians, and senior intelligence officials who are on the front lines of this new kind of forever war. Intensive and disturbing, this invaluable and important work opens our eyes and makes clear that the war of the future is already here.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    With even more of the unparalleled art and thoughtful pedagogy found in the First Edition, coverage of the latest discoveries and theories, and expanded treatment of several key topics, Our Origins, Second Edition, provides students with the tools they need to visualize and remember key concepts and to answer the Big Questions in physical anthropology."

    In its origin, race was not a product of science but a folk ideology reflecting a new form of social stratification and a rationalization for inequality among the peoples of North America.This third edition incorporates recently published new source materials on the history of race ideology. Because “race” now has global manifestations, it also introduces the work of scholars who are examining the spread of race ideology cross-culturally.The new edition of Race in North America also looks more closely at the positions and arguments of contemporary race scientists. Although objective scientists have shown that any two humans are 99.9% alike genetically, race scientists maintain that the remaining difference of one-tenth of one percent is highly significant, accounting for many biological and behavioral differences that they assume to be hereditary. Race scientists contend, for example, that there are race differences in diseases and responses to medications, along with differences in intellect and in talent and ability in such fields as sports. Thus, they claim, race is a valid biological concept.Smedley argues that no amount of research into biological or genetic differences can help us understand the phenomenon of race in American society. Race can only be understood as a component of the sociocultural domain, not the domain of biology.

    They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months the trio are producing their best ever work, but soon a firestorm of fierce love and jealousy begins to burn out of control, threatening their bonds, their careers, and, ultimately, their lives...

    Obsessed with Sam’s fate, Janey has tracked down Irene Lindquist, the owner of a local island-hopping airline, whom she believes might actually be the legendary Irene Foster, Mallory’s onetime student and flying partner. Foster’s disappearance during a round-the-world flight in 1937 remains one of the world’s greatest unsolved mysteries. At first, the flinty Mrs. Lindquist denies any connection to Foster. But Janey informs her that the wreck of Sam Mallory’s airplane has recently been discovered in a Spanish desert, and piece by piece, the details of Foster’s extraordinary life emerge: from the beginnings of her flying career in Southern California, to her complicated, passionate relationship with Mallory, to the collapse of her marriage to her aggressive career manager, the publishing scion George Morrow.As Irene spins her tale to its searing conclusion, Janey’s past gathers its own power. The duel between the two women takes a heartstopping turn. To whom does Mallory rightfully belong? Can we ever come to terms with the loss of those we love, and the lives we might have lived?

    Its wealth was dazzling. Its horrors shocked the world. As William Blake put it, London was 'a Human awful wonder of God'. It was a century of genius - of Blake, Thackeray and Mayhew, of Nash, Faraday, Disraeli and Dickens. Jerry White's dazzling book is the first in a hundred years to explore London's history over the nineteenth century as a whole. We see the destruction of old London and the city's unparalleled suburban expansion. We see how London absorbed people from all over Britain, from Europe and the Empire. We see how Londoners worked and played. Most of all, we see how they tried to make sense of their city and make it a better place in which to live. Emerging clearly from this eloquent and richly-detailed overview is the London we see about us today.

    This invasion of the world by what Marc Auge calls ‘non-space’ results in a profound alteration of awareness: something we perceive, but only in a partial and incoherent manner. Auge uses the concept of ‘supermodernity’ to describe the logic of these late-capitalist phenomena—a logic of excessive information and excessive space. In this fascinating and lucid essay he seeks to establish and intellectual armature for an anthropology of supermodernity. Starting with an attempt to disentangle anthropology from history, Auge goes on to map the distinction between place, encrusted with historical monuments and creative social life, and non-place, to which individuals are connected in a uniform manner and where no organic social life is possible.Unlike Baudelairean modernity, where old and new are interwoven, supermodernity is self-contained: from the motorway or aircraft, local or exotic particularities are presented two-dimensionally as a sort of theme-park spectacle. Auge does not suggest that supermodernity is all-encompassing: place still exist outside non-place and tend to reconstitute themselves inside it. But he argues powerfully that we are in transit through non-place for more and more of our time, as if between immense parentheses, and concludes that this new form of solitude should become the subject of an anthropology of its own.

    But the wonderful development, however, in a few months, of a large, heterogeneous collection of men into a solid, keen, self-sacrificing unit, was but another instance of the way in which war improves the character and temperament of man. It was entirely new for men who were formerly in a regiment, full of traditions, to find themselves in the[...].

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    Harmon Gettys is the perfect man: tall, dark, handsome, and brilliant. He’d seemingly be a catch for any woman—especially those who desire an apparently charmed offspring. But Gettys uses his seed for murder, to create a legacy of violence.For Fire Marshal Greymon Gift, gruesome burn-related murders are nothing new. But a sudden spike in his jurisdiction has Gift on high alert. When an FBI investigation links multiple arson scenes to the deceased Dr. Gettys, Gift is pulled even deeper into a case that’s hot enough to start a conflagration. He knows that even if Gettys were alive, such an assortment of violent crimes could never be committed by just one man. So who is spreading these horrors from coast to coast?Gift and FBI Agent Rose Cleary partner up to stop the growing number of savagely murdered victims, but can they uncover the truth before they wind up on the list of the dead? Extended Family offers a thrilling look into the heart of darkness. Horrifying and suspenseful, the novel explores the idea that evil can be passed like a torch from one generation to the next. As Gettys proved—and Gift is about to find out—sometimes all it takes is a spark to set the family tree ablaze.

    From patents that should still be pending to hairdos that attract vermin, these horrors will leave you thankful you didn't have to struggle to live through them. Brace yourself as the truth hits you like an ice-cold Victorian-era shower with enough pressure to knock you unconscious. Get ready to shudder with laughter (or horror) at these funny moments in history that are not to be forgotten.

    Being a wallflower, dedicated to philanthropy, was her choice and she was happy with it.When her father sells her hand to settle his debts, Eleanor is shocked. Mainly because she has met her betrothed before. All alone, in secret, in the dark.Captain Nathan Reynolds, Earl of Brixton, was a soldier, who didn't need a bride. Upon his return to England, he is thrust, by his mother, into an arranged engagement to a heavenly creature who has never seen before. What confuses him more is that his intended seems to know him already.Despite their attraction and his sinister thoughts for Eleanor, Nathan cannot go through with the marriage until he discovers why his future was orchestrated behind his back. What begins as harmless research, quickly turns to a dangerous path.For a man with the same face as Nathan may destroy their lives before they ever walk down the aisle…Torn between light and dark, she must choose the side she belongs to…

    In keeping with his reputation for writing about big ideas in an illuminating and graceful way, he shows how sports respond to deep human needs; describes the ways in which baseball, football and basketball became national institutions and how they reached their present forms; and covers the evolution of rules, the rise and fall of the most successful teams, and the historical significance of the most famous and influential figures such as Babe Ruth, Vince Lombardi, and Michael Jordan. Whether he is writing about baseball as the agrarian game, football as similar to warfare, basketball as the embodiment of post-industrial society, or the moral havoc created by baseball's designated hitter rule, Mandelbaum applies the full force of his learning and wit to subjects about which so many Americans care passionately: the games they played in their youth and continue to follow as adults. By offering a fresh and unconventional perspective on these games, The Meaning of Sports makes for fascinating and rewarding reading both for fans and newcomers.

    Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative and beautifully written, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.