Highly recommended." --Library JournalLost Twin Cities is an architectural and social history of the downtowns of St. Paul and Minneapolis. The richly illustrated text emphasizes the growth and development of the two downtowns in the nineteenth century and their subsequent alteration by urban renewal and other forces of change in the twentieth century.

    Essays, image-text projects, photographic dossiers, and philosophical and scientific articles examine the multiple emergences over the last 100 years of new models of life based on technological and biological developments, whose roots go back to the eighteenth and nineteenth centuries, but whose full expression is only beginning to emerge.These new transformations and modalities are discussed and figured in relation to an older set of models that long ago began to dissolve - the classical notions of unity, interiority, and organism. In its heterogeneous approach, Zone 6: Incorporations provides a rich cartographic description of the particular capacities and trajectories of the contemporary body drawing on the work of neurologists, anthropologists, filmmakers, architects, philosophers, historians, biologists, dancers, novelists, and artists.Contributors include: Paul Rabinow, Eve Sedgwick, Francois Dagognet, Peter Eisenman, J. G. Ballard, Donna Haraway, Gilles Deleuze, Klaus Theweleit, Elaine Scarry, Francisco Varela, Liz Diller, Ric Scofidio, John O'Neill, Manuel DeLanda, and Ana Barado.

    His drawings are propositions of new ways of living, rather than merely new ways of building. His architecture is instructive: ‘…these projects propose new social structures, implemented by new urban forms and architecture, intended to be realised within existing cities,,’ but it is never prescriptive, always urging possibilities for social, cultural and political transformation.This Monograph illustrates the range of Lebbeus Woods’ ideas. The projects featured here are from the past decade, but have been developed over a whole career, and include the recent Zagreb Free Zone and Berlin Free Zone designs as well as the earlier projects such as Four Cities and Centricity. Together with texts by the architect, they show an architecture informed by science and politics; the free zones and freespaces Woods designs become a ‘second nature’, a terra nova. Peter Noever, in his introduction to the architect’s work writes: ‘Lebbeus Woods’ criticism is shattering. He creates autonomous fields of force with his projects, murderously visionary images: real, frightening, and at the same time liberating.’ As we can see in the work presented in this volume, the force behind the images, models and installations is immense, illustrating an architecture instrumental to the processes of experimentation, change and freedom.Contents:6 AT THE OUTERMOST BOUNDARY by Peter Noever8 ANARCHITECTURE: Architecture is a Political ActPROJECTS20 Four Cities24 Centricity34 Timesquare40 Turbulence46 Heterarchies50 Underground Berlin64 Aerial Paris76 D.M.Z.84 Stations88 Solohouse96 Berlin Free Zone110 Zagreb Free Zone128 Antigravity Houses134 Double Landscape, Vienna142 Glossary144 Biography

    This book is the middle volume of a three-part work devoted to the evolution of New York's architecture and urbanism in the Metropolitan Era, the three-quarters of a century from the Civil War's conclusion through the depression of the 1930s.

    Presents a dazzling orgy of Victoriana inside and out with more than 400 color photographs of Painted Ladies across the country.

    He is equally at ease with Newtonian physics, quantum mechanics, and science fiction, man’s spiritual life and humanity’s pursuit of artificial perfection. The New City blends elements of each.Starting with simple geometric forms, Lebbeus Woods combines chaos and order--the mundane and the sublime--and allows a new form of urban existence to grow. The New City is an organic conception, creating many new questions as it answers old ones.The images of The New City reflect Woods’s investigations into science and art and his desire to create challenges for the next generation of urban planners. Woods’s designs represent interior discoveries, exposed for all to see. Many of the shapes and structures defy standard concepts of what living and working spaces should be. They seem lived in and well used, but how and by whom is unclear. Strange and futuristic, the structures do not travel the well-worn architectural path of from dictated by function. Rather, they are new forms, with specific functions unclear--left to the citizens of The New City to decide for themselves. What is clear is that these structures soar and inspire, leaving the future unwritten while stimulating the field of urban planning to investigate new paths, new ideas.Powered by an as-yet undeveloped form of electromagnetic energy, The New City ultimately reaches out, beyond earthly ties--a visionary metaphor for humanity’s destiny.

    Pancras station: London boasts an array of impressive buildings from several different periods. And, every one worth seeing is right here in these pages, with over 950 illustrated entries, 16 street-finder maps showing the exact location of every referenced structure, and more than 1000 photographs, drawings, and time charts. A general introduction outlines the history of London's architecture from Roman times, and there's background for each individual area, as well. All entries appear in chronological order within their geographical sections, and special features include a series of plans showing the development of the London squares. A unique sourcebook, written by two architects.

    to the late twentieth century.

    before being allowed to purchase a drafting pencil. Mac and Charles have managed to consolidate most everything they know about residential design with wit, Clarity, and excellent sketches" -- David Wright, Noted Solar Designer and Environmental Architect * Designing Your Natural House Charles G. Woods and Malcolm Wells As concerns about our mistreatment of the environment keep growing, the trend toward housing that blends with rather than works against natural surroundings continues to accelerate. This important guide explores and illustrates all aspects of how to integrate dwellings with their natural settings. The authors are leading names in the natural design field whose work has been inspired by the contour-friendly, organic style of Frank Lloyd Wright. Charles G. Woods and Mclcolm Wells offer a wide range of invaluable design tips for both constructing new houses and remodeling existing ones. Every design they cover is in accordance with today's ecological and environmental concerns. Beautifully illustrated and hand lettered throughout, this guide explains how to choose the best site design, lay out floor plans, landscape, and incorporate energy-efficient features wherever possible. You're shown how to solve many design, ecological, and environmental problems, as well as how to keep design costs as low as possible. Numerous before-and-after graphics clarify every stage in the design process, and do and don't examples help you avoid common mistakes encountered when designing natural dwellings. Included are 150 money- and energy-saving tips more than 200 tricks of the trade that help assure exemplary results, and sample house plans (which you can order) that promote further understanding of how to integrate designs with the natural site. Designing Your Natural House is timely, comprehensive, and visually appealing, making it an ideal source for architects, contractors, interior designers, landscape architects, do -it-yourselfers, and remodelers.

    In his final work, Interpreting the Renaissance, published here in English for the first time (the Italian edition, Ricerca del Rinascimento, appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years.  What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period’s new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment?Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de’ Medici, Raphael, Baldassare Castiglione, and Giulio Romano.A magnum opus by one of Europe’s finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy.

    This book includes: New Culture Theory, Late Modernism as Post-Modernism, Literature, Art, Architecture, Film, Sociology, Politics, Geography, Feminism, Science and Religion.

    It provides a concise history of each, with measurements, dates, and citations of significant ancient and modern sources.

    

    Perez-Gomez retells the love story of the famous Renaissance novel/treatise Hypnerotomachia Poliphiliin late 20th-century terms. The original work, long a cult book among architects, takes place in a forest. In the retelling, the forest has been replaced by the high-tech environment of appliances and airports. Both versions exist somewhere in the borderland between fiction, theory and pornography.

    

    Full-color photos throughout. 264 pages (8 in color), 290 b/w illus., 8 x 10.

    Labor and materials were plentiful and cheap, and new trends in home design made the prospect of homebuilding an exciting venture. This fascinating book, a reprint of a rare catalog of prefabricated houses from 1923, reveals in detail the types of design offered to those in the market for a new home in the early 1920s.Of the 117 designs included, most are substantial middle-class homes. But the popularity of cottages and bungalows is also apparent in the wide selection of practical and appealing designs depicted. And there are large, formal homes as well, many of which embody America's unflagging interest in colonial styling. Some have affluent touches such as a sleeping porch or a sun room. Many reflect a strong interest in exterior detailing, in the form of cypress siding, broad eaves, heavy timber brackets, stucco pillars, and flower boxes, among other features.Each house is shown in a large frontal illustration. Floor plans for the first and second floors are included, and interior and exterior detailing are extensively described. The specifics of plumbing, heating, and lighting are included in a special section at the back of the book.Architects, architectural and social historians — anyone interested in American home design — will enjoy the rich variety of designs presented. Republished in association with the Athenaeum of Philadelphia, this authentic catalog provides not only an indispensable repository of information about the homes themselves but a source of insight into American life at a time when owning a home became a widely realizable dream for a rapidly growing middle class.

    For those familiar with it from only a few images, this book is a revelation. Alvar Aalto used his knowledge of vernacular building, Classicism and Modernism to create a building that is at once humane, rich and lyrical. The result is a work that remains technically innovative and timelessly alluring.Launched in 1991, the Architecture in Detail series attracted immediate acclaim and now comprises more than 60 titles. These books are highly collectable documents, each focusing in depth on a celebrated building. The series covers all sides of the vast spectrum of architecture from the past, present and future; the individual buildings are selected for their exceptional character, innovative design or technical virtuosity.Each volume contains a definitive text by a respected author; a sequence of colour and black-and-white photographs; a series of technical drawings; and a set of essential working details. These titles are vital to every architectural library, appealing to the professional and student alike, or indeed anyone with an appreciation of buildings.

    Hejduk's masque projects reinterpret the tradition of the court masque, in which members of the audience participated. The "Lancaster/Hanover Masque", which has been purchased for the collection of the Centre Canadien d'Architecture, contains 68 objects/subjects within a twelve-hour cycle.

    Revised to address sustainability and to reflect the International Building Code(R), Architectural Detailing continues to deliver reliable, insightful information on how to design details that will be water- and airtight, control the flows of heat and water vapor, adjust to all kinds of movement, age gracefully, be easy to construct, and still look good. Conveniently organized by the three major concerns of the detailer--function, constructibility, and aesthetics--this edition features:Richly illustrated examples of detail design, case studies, and practical exercises. New and revised patterns showing form, constructibility, and aesthetics. Everything you need, whether a student or professional, to design details that work. Order your copy today.

    Explores the trend towards, and away from, full pedestrian malls, and analyzes newer project types, such as festival marketplaces and mixed-use urban spaces. Describes mall development processes such as feasibility analysis, planning and design. Also covers street furnishings ranging from paving, fountains and sculpture to lighting, canopies and seating. Offers updated coverage of new projects in New York, Tampa, Memphis, Louisville and Minneapolis. Also features over 250 photographs as well as detailed site plans of the projects covered.

    Boat lovers suffer universally from this benign affliction. In its mildest form, boat noodling is nothing more than wondering why that sloop in the next slip is faster than yours. In a more significant manifestation it could mean serious daydreaming--drifting off for extended periods, sketching design ideas on the back of an envelope. Chances are, if you've picked up this book just to see what's in it, you're beyond help. Naval architect Dave Gerr offers the perfect antidote, a browser's reference to understanding how boats tick: all you've ever wanted to know about boats--power and sail, racer and cruiser; dinghy and motoryacht.In the clear, friendly, nontechnical style that has made his column for Offshore magazine so enduring and popular, Gerr explains everything from how thick a hull should be to why one sailboat tips less than another, from choosing an engine to designing a rig for your trawler yacht, from building a dinghy to simple rules of thumb for dozens of design quandaries.Gerr writes for the boat noodler in all of us--those seriously interested in learning and dreaming about all types of watercraft. There is no better way to become a better sailor, equipped to handle any contingency. And there's no better place to start than right here.

    The combined influences of the antique and the exotic, together with the technological innovations of the day, produced a sophisticated style that was eclectic but also quintessentially British. By examining the constituent parts of the Regency house in England and America - its architecture, doors and windows, plasterwork and ironwork, colours and coverings, services, furniture and gardens - this comprehensive and stimulating book will inspire not only the owners of period houses but also anyone with an interest in this uniquely attractive style.

    The text and illustrations celebrate the richness of the classical architectural vocabulary, grammar, and language, and demonstrate the enormous range of themes and motifs found in the subject.All those who wish to look at buildings old and new with an informed eye will find in this book a rich fund of material, and the basis for an understanding of a fecund source of architectural design that has been at the heart of western culture for over two and a half millennia.

    Public buildings of all kinds-whether fountain or state capitol, skyscraper or bus terminal-bear witness to its decades of popularity. Sumptuously illustrated, this unrivaled study provides a comprehensive guide to the best loved of all 20th-century architectural styles.

    

    John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view.The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of a distinctive African American culture in the South.Vlach has chosen more than 200 photographs and drawings from the Historic American Buildings Survey--an archive that has been mined many times for its images of the planters' residences but rarely for those of slave dwellings. In a dramatic photographic tour, Vlach leads readers through kitchens, smokehouses, dairies, barns and stables, and overseers' houses, finally reaching the slave quarters. To evoke a firsthand sense of what it was like to live and work in these spaces, he includes excerpts from the moving testimonies of former slaves drawn from the Federal Writers' Project collections.

    In step with the growing interest in place attachment, this volume examines the phenomena from the perspective of several disciplines-including anthropology, folklore, and psychology-and points towards promising directions of future research.

    A text/reference for architects and architectural engineering students taking a course on energy methods, this work places emphasis on the impact of heating, cooling and lighting on site of building design and features a variety of case studies as illustration.

    Why did Kentucky farmers turn to rock as fence-building material when most had earlier used hardwood rails? Who were the masons responsible for Kentucky's lovely rock fences and what are the different rock forms used in this region?In this generously illustrated book, Carolyn Murray-Wooley and Karl Raitz address those questions and explore the background of Kentucky's rock fences, the talent and skill of the fence masons, and the Irish and Scottish models they followed in their work. They also correct inaccurate popular perceptions about the fences and use census data and archival documents to identify the fence masons and where they worked.As the book reveals, the earliest settlers in Kentucky built dry-laid fences around eighteenth-century farmsteads, cemeteries, and mills. Fence building increased dramatically during the nineteenth century so that by the 1880s rock fences lined most roads, bounded pastures and farmyards throughout the Bluegrass. Farmers also built or commissioned rock fences in New England, the Nashville Basin, and the Texas hill country, but the Bluegrass may have had the most extensive collection of quarried rock fences in North America.This is the first book-length study on any American fence type. Filled with detailed fence descriptions, an extensive list of masons' names, drawings, photographs, and a helpful glossary, it will appeal to folklorists, historians, geographers, architects, landscape architects, and masons, as well as general readers intrigued by Kentucky's rock fences.

    David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship", in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowing for the formulation of an almost infinite series of ensembles.After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system – the suffused eroticism of the sleek, "feminine" and intensely private "white interiors". A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

    Featuring nearly 700 photographs and drawings, this guide offers step-by-step instructions covering every detail of repair and restoration of nearly every style of house--from Colonials and Victorians to foursquares and farmhouses.

    An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco.This incisive overview—the first to feature color reproductions of Maybeck's exquisite interiors and exteriors—analyzes every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings.Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

    Based on more than thirty years of intensive archaeological investigations in the greater Philadelphia area, this study contains the first record of many nationally important sites linking archaeological evidence to historical documentation, including Interdependence and Valley Forge National Historical Parks. It provides an archaeological tour through the houses and life-ways of both the great figures and the common people. It reveals how people dined, what vessels and dishes they used, and what their trinkets (and secret sins) were.

    It provides a compendious account, firmly grounded in contemporary documentary evidence of architecture and music practice until the mid-sixteenth century. It examines the organization and economics of thebuilding trade, its raw materials and their sources, the tools and techniques of the many and diverse workers involved, and the decoration of the finished structures. Original documents, including building and craftsmen's contracts, are reprinted in the Appendices, making this an invaluable sourcefor anyone interested in medieval architecture.

    Thoughtful, informative, readable reflections on a host of New York City sites and structures: Metropolitan Museum of Art, Washington Mews in Greenwich Village, Coliseum, Russian Tea Room, FDR Drive, Park Avenue, many more. 110 black-and-white illustrations. Introduction.

    The role of imitation, tectonics, ornament, and originality in architecture is discussed and complemented with excerpts from the major classical texts on architecture.This perceptive book, now available for the first time in paperback at a price accessible to students, celebrates the richness and relevance of traditional building forms and techniques, arguing for an historical, informed, innovative architecture.

    In the early years of the '80s Texas cities sprouted new skylines that showed off the stylistic explorations of some of the country's leading designers. By the end of the decade scores of new projects stood vacant. They were see-through buildings, towering symbols of the collapsing economy of a state that had for a time seemed to embody the nation's vitality. Once a promising architectural laboratory, the landscape had become a study in blighted expectations. Joel Barna incisively reveals the links between architecture, economics, and contemporary American beliefs. Interweaving his analysis with more than 120 black-and-white photographs and 50 drawings, he scrutinizes the RepublicBank Center in Houston, the Allied Bank Tower in Dallas, the Kimbell Art Museum in Fort Worth, and many other structures. Texas's architecture and urban growth not only form a physical record of the boom and bust of the decade; they point beyond the borders of the state to trends and developments that will affect the country into the next century. This is a book not just about Texas, but about our future.

    For architects, designers, builders, and remodelers.

    This guide to design with plants is a manual on design with nature. It is highly illustrated and will prove invaluable to architects and landscape designers.

    Masterly analysis of evolution of contemporary architecture, achievements of Bauhaus, much more. Over 300 photographs and plans of buildings and projects enhance the text. Also, appreciations of Gropius by Mies van der Rohe and Le Corbusier, complete list of Gropius works, extensive bibliography, other material. Bibliography.

    Jones is especially noted for his organic architecture, which reveals the influence of Frank Lloyd Wright. The full range of his work is covered here and shown through the eyes of today's top architectural photographers. award-winning text and photography; exquisite graphic design; only book to cover Jones, one of the most influential architects of the second half of the 20th century; Architectural Record imprint and ad support

    A new Kind of urbanism--manipulative, dispersed, and hostile to traditional public space--is emerging both at the heart and at the edge of town in megamalls, corporate enclaves, gentrified zones, and psuedo-historic marketplaces. If anything can be described as a paradigm for these places, it's the theme park, an apparently benign environment in which all is structured to achieve maximum control and in which the idea of authentic interaction among citizens has been thoroughly purged. In this bold collection, eight of our leading urbanists and architectural critics explore the emblematic sites of this new cityscape--from Silicon Valley to Epcot Center, South Street Seaport to downtown Los Angeles--and reveal their disturbing implications for American public life.