Abounding in philosophical, psychological and theological inquiries - yet laced with humour that is as infectious as it is wilful - The Discovery of Heaven convinces us that it just might be possible to bring order into the chaos of the world through a story.

    Bezmen tells the story of two star-crossed lovers fleeing the wave of devastation wreaked by the Bolshevik Revolution-- and does so with great sensitivity: one half of this couple who sought refuge in the capital of the dying Ottoman Empire was her grandfather.Translated into 12 languages, Kurt Seyt & Shura inspired a sumptuous T.V. series that continues to enchant millions of viewers across the world.With the publication of this novel in the United States, English-speaking fans will now be able to read the true story of this great love affair, which triumphed over so much adversity yet failed to overcome human fallibility.Kurt Seyt: The son of a wealthy Crimean nobleman, is a dashing first lieutenant in the Imperial Life Guard. Injured on the Carpathian front and later sought by the Bolsheviks, he makes a daring escape across the Black Sea. Too proud to accept payment for the boatful of arms he hands over to the Nationalists, he faces years of struggle to make a new life in the Turkish Republic rising from the embers of the dying Ottoman Empire. All he has is his dignity and love.Shura: An innocent sixteen-year-old beauty enchanted by Tchaikovsky's music and Moscow's glittering lights, falls in love with Seyt. A potential victim of the Bolsheviks due to her family's wealth and social standing, she is determined to follow her heart and accompanies Seyt on his perilous flight over the Black Sea. Their love is the only solace to their crushing homesickness for a land and family they will never see again, two lovers among hundreds of thousands of White Russian émigrés trying to eke out a living in occupied Istanbul.

    This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Catherine De Medici; Or, The Queen Mother (part II, Marguerite De Valois). Alexandre Dumas Century, 1909

    Ben’s one-time best friend, Peter Aaron, begins to retrospectively investigate the transformation that led Ben from his enviable stable life, to one of a recluse. Both were once intelligent, yet struggling novelists until Ben’s near-death experience falling from a fire escape triggers a tumble in which he becomes withdrawn and disturbed, living alone and building bombs in a far-off cabin. That is, until he mysteriously disappears, leaving behind only a manuscript titled Leviathan, pages rustling in the wind.

    But it was the Romans who built the greatest empire the world has ever seen. Already a bestseller in Japan, China and Korea, acclaimed Japanese historian Nanami SHIONO’s fifteen-volume series-now available for the first time in English-takes readers on a thousand-year odyssey beginning with the city’s mythical founding by a humble shepherd raised by a she-wolf.*CONTENTS*A Note to Readers of the English EditionPrefaceIntroductionChapter One: The Birth of RomeChapter Two: Republican RomeChronologyReferencesAbout the Series and Author

    AD 46 -120) used an encyclopedic knowledge of the Roman Empire to produce a compelling and individual voice. In this superb selection from his writings, he offers personal insights into moral subjects that include the virtue of listening, the danger of flattery and the avoidance of anger, alongside more speculative essays on themes as diverse as God's slowness to punish man, the use of reason by supposedly 'irrational' animals and the death of his own daughter. Brilliantly informed, these essays offer a treasure-trove of ancient wisdom, myth and philosophy, and a powerful insight into a deeply intelligent man.

    Well aware of the rumors behind her back, Blaine Avery is focused on managing her late husband's finances and raising her adolescent stepdaughter...until her serene woodland property yields a gruesome discovery.For the second time in six months, Sheriff Logan Quint has been called out to the Avery place, where another corpse has been found. This time, it belongs to a teenage girl who had everything to live for. But if Rosie Van Zandt didn't kill herself...who did?As the once sleepy town reels from the rash of so-called suicides, Blaine regrets the day she ever came home. Only Logan is willing to accept her innocence-or her suspicions. For Blaine is desperate to clear her name, and dead certain somebody intends to destroy it. Somebody who calls her in the dead of night, taunting her with the childhood rhyme: Ring around the rosy, a pocket full of posey, ashes, ashes, we...All Fall Down

    Archie's compelling narrative recaptures his boyhood years under the tutelage of his medicine-man grandfather on a South Dakota farm. We follow him from Catholic school runaway to Army misfit, from bartender to boozer, from Hollywood stuntman to chief rattlesnake catcher of the state of South Dakota. And we exult with him when he comes home to the world of spirit.

    In a first-person monologue that bends and mutates language and historical fact, Johan Padan and the Discovery of the Americas is a brilliant, vividly imagined retelling of Christopher Columbus's voyage to America. Told by a last-minute conscript assigned to clean the shipboard pig stalls, who goes on to be adopted by a tribe of Indians and help them fight conquistadors, it posits a riotous alternate history in which the dynamics between native and white, male and female, history and comedy are never what they seem.

    Focusing on the ruling elites of the middle and later Republic, for whom Hellenic literature, religion, and visual arts were at once intimidating and appealing, Erich S. Gruen offers a compelling account of the assimilation and adaptation of Greek culture by the Romans.Gruen examines such key cultural developments in the history of Republican Rome as the adaptation of the legend of Troy to create a special place for Rome within Hellenic traditions and Cato's campaign to distinguish Roman cultural achievements by defining them in contrast to those of the Greeks. He describes the diverse purposes--civic, religious, and political--for which the Romans used Greek art, as well as the reshaping of Hellenic models to express a distinctively Roman character in historical reliefs, portraiture, and comic drama. The book treats a variety of means whereby the Greek legacy was molded to suit the living Roman tradition. Gruen shows that this complex process of cultural transformation served to sharpen the Romans' sense of their own values their national character, and their international image.Demonstrating that the Roman response to Hellenism was far more subtle and dynamic than has generally been acknowledged, Culture and National Identity in Republican Rome will be welcomed as an outstanding contribution by readers interested in ancient history, classical literature, and the history of art.

    This book tackles the problems of transition from Roman Britain to England through all the relevant academic disciplines, with a greater emphasis given to landscape evidence than has been done before and offers an alternative view based on acculturation, by which Anglo-Saxon England was largely peopled by communities whose ethnic origins were Celtic but who adopted the culture and language of the warrior aristocracy who had evicted the British landowners.

    He reveals the extent to which Greek, Persian, and Jewish historians influenced the Western historiographic tradition, and then goes on to examine the first Roman historians and the emergence of national history. In the course of his exposition, he traces the development of antiquarian studies as distinctive branch of historical research from antiquity to the modern period, discusses the place of Tacitus in historical thought, and explores the way in which ecclesiastical historiography has developed a tradition of its own. All these lectures illustrate Momigliano's unrivaled ability to combine the study of classical texts and the history of classical scholarship. First delivered in 1962, the lectures were revised during the next fifteen years and then held for annotation that was never completed. They are now published from the author's manuscripts, collated and checked by Momigliano's literary executor, Anne Marie Meyer, of the Warburg Institute, with a foreword by Riccardo Di Donato, of the University of Pisa. The text is printed as the author left it. Sather Classical Lectures, 54

    It considers bath building as one of the most significant architectural types of antiquity and bathing as a richly revealing social custom.

    Carlin Barton makes us uncomfortably familiar with a society struggling at or beyond the limits of human endurance. To probe the tensions of the Roman world in the period from the first century b.c.e. through the first two centuries c.e., Barton picks two images: the gladiator and the "monster."

    Students of speech and rhetoric to this day study the works of Cicero for guidance. We find Roman Law setting the model for legal systems from the twelfth century to the present. And Latin itself, far from being a dead language, lives on not only in the Romance languages, but also in English vocabulary and grammar. Rhetoric, language, law--these are just a small part of the great Roman influence that has lasted throughout the centuries. The Legacy of Rome has long been considered the standard introduction to the achievements of the Roman world. Now in a completely new edition, this classic work brings together the latest scholarship in the field from some of the world's leading classical scholars. Unlike the previous version, which focused on such narrow topics as commerce and administration, the new edition broadens the spectrum of influence, showing the impact, for example, of Roman literature, art, politics, law, and language on western civilization. Jasper Griffin, for instance, looks to the works of Shakespeare, Milton, Keats, and Wordsworth, among others, to trace the lasting influence of the great Roman poet Virgil on the development of poetic forms such as the pastoral, epitomized by Virgil's Eclogues, and the epic poem, exemplified by the Aeneid. A.T. Grafton shows how Renaissance intellectuals such as Machiavelli and Guicciardini looked to Rome's past for political enlightenment, and found models of military strategy in the works of Tacitus and Livy. Editor Richard Jenkyns dispels the misconception of the Romans as purely imitative of the Greeks; he points out such uniquely Roman concepts as jurisprudence and citizenship, and architecture based on the round arch and the vault, as evidence of Roman innovativeness. Other contributors--George A. Kennedy, Robert Feenstra, and Nicholas Purcell--discuss the importance of the study of Roman rhetoric in preparing speakers for public life, the lasting influence of the Justinian code on Western legal development, and the impact on future civilizations of the romanticized notion of an imperial Rome and its magical ruins. Ranging from the pastoral tradition, to the development of the comedy, to the lasting influence of the Latin language, The Legacy of Rome provides a much-needed new appraisal of the richness of the great civilization which gave rise to a large part of Western heritage.