He was the revolutionary leader who envisioned backward, feudal Russia as the world’s first socialist country.He bent Karl Marx’s theories into a weapon for conquering state power, and built the Bolshevik Party into an efficient political machine capable of leading the workers and seizing power. He held the Russian Revolution together through a bloody civil war, and yet he lived to see the betrayal of his ideals by the rise of Stalin.As much as any leader, his ideas and personality shaped the 20th century.

    Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists' demands that art should move from depicting to transforming the world. The revolutionaries of October 1917 promised to create a society that was not only more just and more economically stable but also more beautiful, and they intended that the entire life of the nation be completely subordinate to Communist party leaders commissioned to regulate, harmonize, and create a single "artistic" whole out of even the most minute details. What were the origins of this idea? And what were its artistic and literary ramifications? In addressing these issues, Groys questions the view that socialist realism was an "art for the masses." Groys argues instead that the "total art" proposed by Stalin and his followers was formulated by well-educated elites who had assimilated the experience of the avant-garde and been brought to socialist realism by the future-oriented logic of avant-garde thinking. After explaining the internal evolution of Stalinist art, Groys shows how socialist realism gradually disintegrated after Stalin's death. In an undecided and insecure Soviet culture, artists focused on restoring historical continuity or practicing "sots art," a term derived from the combined names of socialist realism (sotsrealizm) and pop art. Increasingly popular in the West, sots-artists incorporate the Stalin myth into world mythology and demonstrate its similarity to supposedly opposing myths.

    In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism, socialism and exterminism might actually entail.Could the current rise of real-life robocops usher in a world that resembles Ender’s Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there’s no guarantee that social hierarchies, governed by an economy of “likes,” wouldn’t rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail.

    Beria has long symbolized all the evils of Stalinism, haunting the public imagination both in the West and in the former Soviet Union. Yet because his political opponents expunged his name from public memory after his dramatic arrest and execution in 1953, little has been previously published about his long and tumultuous career.

    We have to see that the economy is itself the crisis. It's not that there's not enough work, it's that there is too much of it. The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord—and with comparable elegance—it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as “the name given to a collective voice bent on denouncing contemporary cynicism and reality.” The Coming Insurrection is a strategic prescription for an emergent war-machine capable of “spreading anarchy and live communism.” Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the “war on terror.” Hot-wired to the movement of '77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized life forms. It is a philosophical statement that addresses the growing number of those—in France, in the United States, and elsewhere—who refuse the idea that theory, politics, and life are separate realms.

    To contain secrets, American and Soviet leaders created plutopias--communities of nuclear families living in highly-subsidized, limited-access atomic cities. Fully employed and medically monitored, the residents of Richland and Ozersk enjoyed all the pleasures of consumer society, while nearby, migrants, prisoners, and soldiers were banned from plutopia--they lived in temporary "staging grounds" and often performed the most dangerous work at the plant. Brown shows that the plants' segregation of permanent and temporary workers and of nuclear and non-nuclear zones created a bubble of immunity, where dumps and accidents were glossed over and plant managers freely embezzled and polluted. In four decades, the Hanford plant near Richland and the Maiak plant near Ozersk each issued at least 200 million curies of radioactive isotopes into the surrounding environment--equaling four Chernobyls--laying waste to hundreds of square miles and contaminating rivers, fields, forests, and food supplies. Because of the decades of secrecy, downwind and downriver neighbors of the plutonium plants had difficulty proving what they suspected, that the rash of illnesses, cancers, and birth defects in their communities were caused by the plants' radioactive emissions. Plutopia was successful because in its zoned-off isolation it appeared to deliver the promises of the American dream and Soviet communism; in reality, it concealed disasters that remain highly unstable and threatening today.An untold and profoundly important piece of Cold War history, Plutopia invites readers to consider the nuclear footprint left by the arms race and the enormous price of paying for it.

    Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From 'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

    This legendary attack on the philosophies of Plato, Hegel and Marx prophesied the collapse of communism in Eastern Europe and exposed the fatal flaws of socially engineered political systems. It remains highly readable, erudite and lucid and as essential reading today as on publication in 1945. It is available here in a special centenary single-volume edition.

    Covering politics, music, literature and art, he explores the myths Russians have created from their history.Marking the twentieth anniversary of the dissolution of the Soviet Union, Russia is essential reading for anyone who wants to understand the complex political landscape of Russia and its unique place in the modern world.

    In this widely acclaimed work, Benedict Anderson examines the creation and global spread of the 'imagined communities' of nationality.Anderson explores the processes that created these communities: the territorialization of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time. He shows how an originary nationalism born in the Americas was modularly adopted by popular movements in Europe, by the imperialist powers, and by the anti-imperialist resistances in Asia and Africa.This revised edition includes two new chapters, one of which discusses the complex role of the colonialist state's mindset in the develpment of Third World nationalism, while the other analyses the processes by which, all over the world, nations came to imagine themselves as old.

    Whether he is writing a scholarly book or an article for Newsweek, whether he is speaking of Emerson, Gramsci, or Marvin Gaye, his work radiates a passion that reflects the rich traditions he draws on and weaves together: Baptist preaching, American transcendentalism, jazz, radical politics. This anthology reveals the dazzling range of West's work, from his explorations of ”Prophetic Pragmatism” to his philosophizing on hip-hop.The Cornel West Reader traces the development of West's extraordinary career as academic, public intellectual, and activist. In his essays, articles, books, and interviews, West emerges as America's social conscience, urging attention to complicated issues of racial and economic justice, sexuality and gender, history and politics. This collection represents the best work of an always compelling, often controversial, and absolutely essential philosopher of the modern American experience.

    Far too many people, however, separate Marx the man from the evils wrought by the oppressive ideology and theory that bears his name. That is a grave mistake. Not only did the horrific results of Marxism follow directly from Marx’s twisted ideas, but the man himself penned some downright devilish things. Well before Karl Marx was writing about the hell of communism, he was writing about hell.   “Thus Heaven I’ve forfeited, I know it full well,” he wrote in a poem in 1837, a decade before his Manifesto. “My soul, once true to God, is chosen for Hell.” That certainly seemed to be the perverse destiny for Marx’s ideology, which consigned to death over 100 million souls in the twentieth century alone.   No other theory in all of history has led to the deaths of so many innocents. How could the Father of Lies not be involved?   At long last, here, in this book by Professor Paul Kengor, is a close, careful look at the diabolical side of Karl Marx, a side of a man whose fascination with the devil and his domain would echo into the twentieth century and continue to wreak havoc today. It is a tragic portrait of a man and an ideology, a chilling retrospective on an evil that should have never been let out of its pit.

    Alone Of All Her Sex: The Myth And The Cult Of The Virgin Mary, by Warner, Marina

    At the height of their influence, Communists controlled more than a third of the earth's surface. But perhaps more astonishing than its rapid rise and extraordinary reach was Communism's sudden, devastating collapse in November of 1989. In The Red Flag, Oxford professor David Priestland tells the epic story of a movement that has taken root in dozens of countries across two hundred years, from its birth after the French Revolution to its ideological maturity in nineteenth-century Germany to its rise to dominance (and subsequent fall) in the twentieth century. Beginning with the first modern Communists in the age of Robespierre, Priestland examines the motives of thinkers and leaders including Marx, Engels, Lenin, Stalin, Castro, Che Guevara, Mao, Ho Chi Minh, Gorbachev, and many others. He also explores the experience of what it meant to live under Communism for its millions of subjects. At a time when global capitalism is in crisis and powerful new political forces have arisen to confront Western democracy, The Red Flag is essential reading if we are to apply the lessons of the past to navigating the future.

    Born to a prosperous Prussian mercantile family, he spent his life working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable upper-middle-class existence of a Victorian gentleman.Yet Engels was also, with Karl Marx, the founder of international communism, which in the twentieth century came to govern one-third of the human race. He was the coauthor of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so that Marx could write Das Kapital. His searing account of the Industrial Revolution, The Condition of the Working Class in England, remains one of the most haunting and brutal indictments of the human costs of capitalism. Far more than Marx’s indispensable aide, Engels was a profound thinker in his own right—on warfare, feminism, urbanism, Darwinism, technology, and colonialism. With fierce clarity, he predicted the social effects of today’s free-market fundamentalism and unstoppable globalization.Drawing on a wealth of letters and archives, acclaimed historian Tristram Hunt plumbs Engels’s intellectual legacy and shows us how one of the great bon viveurs of Victorian Britain reconciled his exuberant personal life with his radical political philosophy. Set against the backdrop of revolutionary Europe and industrializing England—of Manchester mills, Paris barricades, and East End strikes—Marx’s General tells a story of devoted friendship, class compromise, ideological struggle, and family betrayal. And it tackles head-on the question of Engels’s influence: was Engels, after Marx’s death, responsible for some of the most devastating turns of twentieth-century history, or was the idealism of his thought distorted by those who claimed to be his followers?An epic history and riveting biography, Marx’s General at last brings Engels out from the shadow of his famous friend and collaborator.