WRITING FICTION FOR ALL YOUR WORTH contains the best of James Scott Bell's articles and blog posts on writing, easily searchable under these headings: The Writing World, The Writing Life, and The Writing Craft. You'll learn about the 6 critical success factors for bestselling fiction, how to write un-put-downable action scenes, and how to capture the interest of an agent. The keys to a dynamic opening page are revealed, and just as important, what NOT to do in the opening. There's plenty of inside information on what agents and editors say they're looking for and detailed instructions on how to write a stress free query. You'll learn what to put on your LAST page, when to use italics, how to write with courage. And a whole lot more.And you'll get never before published material, including an first-ever look into Jim's secret writing notebook, the manual he put together over the years for his own use in writing numerous bestsellers. For the first time he's sharing a glimpse into the notes he compiled on his way to publishing success.Plus, a special module on getting into e-publishing, which you must read if you want to have a career selling e-books successfully. ADDED BONUS: Interviews with some of the top writers working today: Jeffery Deaver, Tess Gerritsen, Brad Thor, David Baldacci, Carla Neggers, David Morrell, Alex Kava, Michael Palmer, Eric Van Lustbader, Steve Martinia, plus debut authors Sarah Pekkanen and Boyd Morrison. You will be inspired and instructed by these consummate pros as they share their writing secrets with you. What they're saying about James Scott Bell:"I needed advice before I tried to write a novel. The usual axiom — write what you know — wasn't helpful. So I turned to James Scott Bell. He taught me how to structure a great entrance — the equivalent of gliding down a spiral staircase in a wedding gown — and how to keep the next 400 pages from becoming as hopelessly tangled as the crumpled papers and wads of gum in my old desk. My novel sold." – Sarah Pekkanan, author of The Opposite of Me"I read PLOT & STRUCTURE in a single sitting, gasping and trying not to scream, while trapped in a flooded hospital all alone with a serial killer. Okay, not really, but after reading James Scott Bell's book, I can't help thinking that a good blurb should grab the reader with an interesting character and a compelling situation. I am inspired by Bell's enthusiastic approach, and am impressed with his numerous, helpful insights into the craft of storytelling. I recommend his book highly — especially the ending, where it turns out I WAS the serial killer." - Bill Marsilii, screenwriter, Déjà vu"If Jim Bell is teaching and I'm within a hundred miles, you can bet I'll be there! His commitment to the craft of writing is surpassed only by his enthusiasm for passionate storytelling." – Angela E. Hunt, bestselling novelist

    As a child, he had to take a remedial reading and writing class because he could barely write a full sentence. One editor told him his book would never be published.And yet Bryan is now a bestselling author whose books have been read by over 100,000 people and the book the editor said would never be published has been praised publicly by the foremost experts in the field.All writers doubt their ability. But Bryan's story shows doubt doesn't have to define your writing future.

    This extraordinary book is the account of how he pulled it off. By turns thrilling and slapstick, sublime and outrageous, A Viking Voyage is an unforgettable adventure story that will take you to the heart of some of the most magnificent, unspoiled territory on earth, and even deeper, to the heart of a journey like no other. A celebration of the people and places Carter visits and a treasure-trove of fascinating Viking lore, here is an unforgettable story of friendship and teamwork–and the thrill of accomplishing a goal that once seemed impossible.

    But for all the good in her life, she can’t seem to get her relationship status in order. Finding the right man is impossible in her world. With late night parties, people to see, and a penchant for men with money, how is Charmaine ever going to find the man of her dreams? Jayla loves her friend, but she knows Charmaine’s partying ways aren’t doing her any favors. When she tries to convince her to think about settling down and getting herself right for a relationship, Charmaine runs into a whole new set of problems! Find out what happens in part one of His Dirty Secrets: Charmaine’s story!

    After her parents kicked her out, Semaj promised to love, support, and send her to college. Semaj was holding up his end of the deal, until he moved up a rank in the streets and started receiving more attention than he was used to. That attention led to Semaj having an affair with a woman who was willing to do anything to get a spot in Semaj’s life, including trying to plot a murder. Scorpion: small, quiet but deadly; injecting you with its deadly venom when you least expect it. That’s what the streets were saying about Phalec Grant, also known as Scorpion. Scorpion was a certified personal trainer during the day, and a ruthless street king by night. Scorpion crosses paths with Zolar, and Scorpion, being the charming ladies’ man that he was, is instantly attracted to Zolar, but nothing or no one could make her break her vows to Semaj; that is… until she catches him in a compromising position. Scorpion, never hearing the word ‘no,’ makes him prey on Zolar even harder. After finding out a piece of information that Scorpion has happened to leave out about his life, Zolar cuts him and his venomous claws off, but that doesn’t stop him from trying to get what he believes belongs to him. Loyalty is tested. Lines are crossed. Backs are against the wall. People will win. People will die. In this novel, you will find out how far people will go for love.

    Sometimes a writer needs something with a little more expressive power; a word or phrase that helps the reader visualize the tonal quality or mood of the character doing the talking.For many years, writers have been eagerly awaiting the publication of a resource to help them with this dilemma. Thankfully, that wait is finally over. Now there's a way for any writer, regardless of their experience, to craft dialogue tags that add emotion and vibrancy to their storytelling; all while avoiding tired and worn out cliches.Dahlia Evans has compiled a dialogue thesaurus unlike anything ever published. This unique sourcebook is filled to the brim with words and phrases gathered from hundreds of bestselling novels. Finally, you will be able to open up vistas of endless inspiration and bring your dialogue to life.Inside You'll Discover:# Over 500 dialogue and action tags you can use instead of 'said'.# More than 2900 adverbs that can be used to describe speech.# Thousands of emotion and feeling words in adjective and noun form.# A thousand phrases to describe body language and movement.# Tons of example sentences to help solidify your understanding.# And best of all, words are sorted in alphabetical order, as well as by category.'The Dialogue Thesaurus' is the first book of its kind; a thesaurus geared towards writers who want to frame their dialogue with compelling and expressive words and phrases.

    The Yearbook is packed with advice, inspiration and practical guidance on who to contact and how to get published.New articles in the 2019 edition include:- Writing about sport - Writing successful dialogue - World-building - Managing your portfolio writing career - Self-publishing your audio book - Writing and producing podcasts - The changing world of news journalism - Creating the perfect pitchAll articles are reviewed and updated every year. Key articles on Copyright Law, Tax, Publishing Agreements, E-publishing, Publishing news and trends are fully updated.Plus over 4,000 listings entries on who to contact and how across the media and publishing worldsIn short it is Full of useful stuff - J.K. Rowling

    The prequel to G-Spot, the #1 bestseller that established the Urban Erotic genre. Meet the Man and the Myth...the Kingpin and the Killer...The Lover and the Legend...The Gangsta who put the G in the G-Spot...The TRUE King of Harlem! "I didn't come to Harlem ridin' shotgun. I came packin' one!"--GRANITE MCKAY. WARNING! This here ain't no romance, it's an urban erotic tale These gutter plots I drop will have you biting off your nails! A menace has arrived, a terror Harlem’s never seen He started from the bottom and turned a dollar into a dream! Before the ballin and the stuntin and the sexin and the flexin, Brutal vision and ambition is how this gangsta manifested! So let’s stand up and salute the ruthless boss who paved the way Let’s go back B4 the G-Spot to: The Legend of GRANITE McKAY!

    Reece sees the world through a small frame, a daily cycle with no eye for charm.When summer camp goes wrong, the two insignificant lives will come together as one significant story.

    Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form. All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.

    Buechner is the author of many works of fiction and nonfiction, including Godric (nominated for a Pulitzer Prize) and Telling Secrets.

    

    In Alive in the Writing—an intriguing hybrid of writing guide, biography, and literary analysis—anthropologist and novelist Kirin Narayan introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process, his life as a writer through accounts by his friends, family, and lovers, and his venture into nonfiction through his book Sakhalin Island. By closely attending to the people who lived under the appalling conditions of the Russian penal colony on Sakhalin, Chekhov showed how empirical details combined with a literary flair can bring readers face to face with distant, different lives, enlarging a sense of human responsibility. Highlighting this balance of the empirical and the literary, Narayan calls on Chekhov to bring new energy to the writing of ethnography and creative nonfiction alike. Weaving together selections from writing by and about him with examples from other talented ethnographers and memoirists, she offers practical exercises and advice on topics such as story, theory, place, person, voice, and self. A new and lively exploration of ethnography, Alive in the Writing shows how the genre’s attentive, sustained connection with the lives of others can become a powerful tool for any writer.

    From Inquiry to Academic Writing: A Text and Reader demystifies cross-curricular thinking and writing by breaking it down into a series of comprehensible habits and skills that students can learn in order to join in. The extensive thematic reader opens up thought-provoking conversations being held throughout the academy and in the culture at large. Read the preface.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.Issue 47 brings with it a gale of bracing fiction from writers new and old—two never-before-seen stories from “Lottery” author Shirley Jackson, a portrait of a celebrity interview gone terribly wrong from Thomas McGuane, dark reflections from Lynn Coady and Mona Simpson, an excerpt from Bill Cotter’s latest novel, new work from Bob Odenkirk, and much, much more. From father-daughter surfing duels to sinister substitute teachers to a parlor drama called “Hitler Dinner Party” (thank you, Mr. Odenkirk), this one may well have it all. And its packaging, in ten separate booklets bedecked with one panoramic mega-illustration, ensures that you’ll always be able to carry at least part of it around.