An Experiment with an Air Pump


Shelagh Stephenson - 1998
    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

Wait Until Dark


Frederick Knott - 1966
    Susy Hendrix, a blind Greenwich Village housewife, is terrorized by a trio of men looking for heroin they believe her husband has hidden in a doll.

Death


Woody Allen - 1975
    Kleinman, a logical man in a mad world, is indecisive and insecure; he doesn't want to get involved but everyone is after him to make a choice. He is even accused of being the culprit. When Kleinman confronts the maniac (who looks no different from anyone els

The Waltz Invention


Vladimir Nabokov - 1966
    Nabokov tells us in "The Waltz Invention" that our salvation today rests on a perfect understanding of the human heart. "The Waltz Invention," written when only a handful of scientists were concerned with atomic possibilities, could have been read as a puzzling, incredible fantasy in those days, but of course today a man like Waltz is at the center of our nightmares. We had better have a realistic understanding especially of a tyrant's heart in our fissionable age, MR. Nabokov says. Salvator Waltz is in possession of an infernal machine. He can operate it at will; and the machine is hidden away from all eye in the symbolical country of which Waltz is a citizen. With the same intricate levels of brilliancy as Vladimir Nabokov's other world acclaimed tales, "The Waltz Invention" write in a play form in 1938, is a classic tragedy and a comedy.

Dutchman & The Slave


Amiri Baraka - 1964
    They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

Three Tragedies: Blood Wedding, Yerma, Bernarda Alba


Federico García Lorca - 1953
    His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The result, both performable and readable, has been thoroughly revised for this edition, which is introduced by Christopher Maurer, general editor of the Complete Poetical Works of García Lorca.

The Complete Plays


Christopher Marlowe
    In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in THE JEW OF MALTA, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

Closer


Patrick Marber - 1997
    Closer is hailed as one of the best plays of the nineties, and as the London Observer noted, it "has wired itself into the cultural vocabulary in a way that few plays have ever done."

The Revisionist


Jesse Eisenberg - 2013
    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

Birds


Aristophanes
    This abridgment of Nan Dunbar's widely acclaimed edition of Birds, published in 1995, preserves all the material designed to help the less advanced student of Greek or the non-specialist to translate, understand, and enjoy the play. It also retains the notes on staging, but the metrical, textual, and ornithological problems are dealt with more summarily, and purely illustrative parallels are omitted.

Equus


Peter Shaffer - 1973
    Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

Spring's Awakening


Frank Wedekind - 1891
    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

Auntie Mame


Jerome Lawrence - 1960
    Besides being the source for one of America's most popular musicals, AUNTIE MAME set a standard for Broadway comedy that's been sought after ever since. "Auntie Mame was a handsome, sparkling, scatterbrained and warm-hearted lady who brightened the American landscape from 1928 to the immediate past by her whimsical gaiety, her slightly madcap adventures and her devotion to her young nephew, who grew up to be Patrick Dennis. Through fortunes that rose and fell and a pleasant but brief marriage to a likable Southerner, who had the bad luck to tumble down from the Matterhorn, Auntie Mame's chief concern was that nephew, whom she raised [the play's] central figure is a woman of spirit, innate kindness and undefeatable courage " NY Post.

The Riverside Shakespeare


William Shakespeare - 1974
    The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.

The Complete Plays


Joe Orton - 1967
    This volume contains every play written by Joe Orton, who emerged in the 1960s as the most talented comic playwright in recent English history and was considered the direct successor to Wilde, Shaw, and Coward.