Best of
Drama

1953

Arogyaniketan


Tarashankar Bandyopadhyay - 1953
    On one level the theme is a clash between the old and the new, between traditional medicine and the Western system of allopathy. The traditional system of Ayurveda, Iiterally the Veda concerning life, is based on the Hindu concept of rebirth and the dignity of death, with the belief that death is only a part of the continuous process of renewal which goes on in life. But no modern doctor would be willing to accept death as a means of the graceful exit. He would consider it morally wrong to let a patient meet his end without a fight.But it is not just a clash of values that the novel is concerned with. On a deeper level the theme is man's confrontation with death and his attempt to come to grips with it. The author looks at the human weakness with tenderness and sympathy. Also, there is an effort to overcome the fear of death, and all this makes this novel a great work of art. In a novelist of the range and depth of Tarashankar Bandyopadhyay, the local gradually merges into the universal. What stands out is the essential human experience which moves the reader anywhere.

To the Actor


Michael Chekhov - 1953
    Chekhov's simple and practical method - successfully used by professional actors all over the world - trains the actor's imagination and body to fulfil its potential. This handbook for actors (and directors) has been revised and expanded by Mala Powers. It includes: a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow

Three Tragedies: Blood Wedding, Yerma, Bernarda Alba


Federico García Lorca - 1953
    His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The result, both performable and readable, has been thoroughly revised for this edition, which is introduced by Christopher Maurer, general editor of the Complete Poetical Works of García Lorca.

Witness for the Prosecution: A Play in Three Acts


Agatha Christie - 1953
    A young married man spends many evenings with a rich old woman. When she is found murdered, the naive young man is the chief suspect. The testimony of his wife is expected to result in an acquittal, but she is a shrew who damages his case and all but hangs him before a vindictive mystery woman appears with evidence that will change everything."A walloping success."-Herald Tribune"Packs plenty of surprise in its cargo of suspense."-Daily MirrorWinner of the New York Critics Circle Award

Three Shall Be One


Francena H. Arnold - 1953
    Until Tony's controlling mother arrives. A compelling drama of the unexpected seems to seal off any return to their early married happiness, yet an astounding chain of events sets them on the path to restoration.

Talk to Me Like the Rain and Let Me Listen


Tennessee Williams - 1953
    He is a drunk, and she is purposefully wasting away - but between them there is an intimacy of desperation.

The Calico Year


Dorothy Gilman Butters - 1953
    An unusual situation gives Tracy legal guardianship of her younger sister, Tina, who is equally anxious to escape from their Aunt Martha, who sends her from one boarding school to another on an irresponsible merry-go-round of loneliness. Both girls agree that they have had the wrong kind of luxury, and being without money is their price for freedom and the chance for a wholesome, normal life.

Prince of Players: Edwin Booth


Eleanor Ruggles - 1953
    

Serpent's Delight


Ruth Park - 1953
    The once peaceful, closely knit family is suddenly full of mistrust and tensions.Serpent's Delight, a story of five women, each determined to get her own way, is a tender and perceptive study that highlights the irony of the human condition.