This volume contains every play written by Joe Orton, who emerged in the 1960s as the most talented comic playwright in recent English history and was considered the direct successor to Wilde, Shaw, and Coward.

    

    Creating new attitudes to theatre, he is credited with being one of the first to write about ordinary people in prose, abandoning traditional theatrical effects in favour of a new style of performance. This is a biography of the founding genius of modern European theatre.

    Shakespeare was but the brightest star in this extraordinary galaxy of playwrights. The stage boasted a rich and varied repertoire from courtly and romantic comedy to domestic and high tragedy, melodrama, farce, and histories. The Gassner-Green anthology revives the whole range of this universal stage, offering us the unbounded theatrical inventiveness of the age. Elizabethan Drama is designed to provide the modern reader with complete access to the plays, as well as the beguiling Elizabethan world which was their backdrop. John Gassner's classic introduction is supplemented by his and William Green's superb prefaces to the individual plays. Marginal glosses and footnotes throughout keep the immediacy of the Elizabethan stage within easy reach.

    This introductory text details Arthur Lessac's proven procedures for understanding, training, and improving the voice and speech of the performer by exploring the varied qualities of the physical energies associated with producing sounds.