Best of
Drama

1967

The Power of the Dog


Thomas Savage - 1967
    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

The Complete Plays


Joe Orton - 1967
    This volume contains every play written by Joe Orton, who emerged in the 1960s as the most talented comic playwright in recent English history and was considered the direct successor to Wilde, Shaw, and Coward.

Rosemary’s Baby


Roman Polański - 1967
    Things become frightening as Rosemary begins to suspect her unborn baby isn't safe around their strange neighbors.

Mystery of the Witches' Bridge


Barbee Oliver Carleton - 1967
    Can he escape the terror that hangs over Witches' Bridge? That night, Dan sees a weird light, flickering out on the marsh. "D-A-N,"the light spells out in code. "DAN PRIDE..."

Grave of the Fireflies


Akiyuki Nosaka - 1967
    It is based on his experiences before, during, and after the firebombing of Kobe in 1945."

Star Trek: The Classic Episodes


James Blish - 1967
    This anthology collects 45 classic episodes that aired in the series’ first three seasons. Adapted by James Blish and J. A. Lawrence from scripts by Robert Bloch, Harlan Ellison, Richard Matheson, and other leading science fiction writers, they include: “Amok Time,” “The Doomsday Machine,” “The Trouble with Tribbles,” and Hugo Award-winners “The City on the Edge of Forever” and “The Menagerie.”

Brown Lord of the Mountain


Walter Macken - 1967
    But Donn longs for a wider kingdom. He deserts his bride, roams the world, fights in wars, is footloose - yet finds that he is homesick. Sixteen years later he returns to take up the threads of his old life, to learn to love his afflicted daughter, and to bring progress to the neglected green valley. Light comes, water flows, the land prospers. Then, on a night of innocent festivity, a monstrous crime is perpetrated. His kingdom violated, Donn dedicates himself to a terrible revenge that can only destroy the avenger as well as the hunted

কুবেরের বিষয় আশয়


Shyamal Gangopadhyay - 1967
    Published in 1967 it tells the story of a young man turned ‘dream merchant’ selling real estate in a rural neighborhood while reshaping its future. He transforms himself into a paddy- lord on an uncharted island- but a savage storm wrecks his crop and sends his dream crashing. His body is already showing signs of a sin long ago, when he commits another by muderering his friend's run away wife, bearing his unwelcome seed. He then returns to a near empty house to face what remains of his family, or sanity. The end comes in snakebite. It was the snake he had met on the day he began as a man of possessions.

Fools of Time: Studies in Shakespearean Tragedy (Alexander Lectures)


Northrop Frye - 1967
    Frye describes the basis of the tragic vision as "being in time," in which death as "the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future."In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of "being in time" shapes the action. In the first type, of which Julius caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is "the impact of heroic energy on the human situation" with the result that the "heroic is normally destroyed ... and the human situation goes on surviving."Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature.

The Later Plays


Eugene O'Neill - 1967
    Edited by Travis Bogard