military to marriage and adoption, the gay civil rights movement has exploded on the national stage. Eric Marcus takes us back in time to the earliest days of that struggle in a newly revised and thoroughly updated edition of Making History, originally published in 1992. Using the heartfelt stories of more than sixty people, he carries us through the compelling five-decade battle that has changed the fabric of American society.The rich tapestry that emerges from Making Gay History includes the inspiring voices of teenagers and grandparents, journalists and housewives, from the little-known Dr. Evelyn Hooker and Morty Manford to former vice president Al Gore, Ellen DeGeneres, and Abigail Van Buren. Together, these many stories bear witness to a time of astonishing change, as gay and lesbian people have struggled against prejudice and fought for equal rights under the law.“Rich and often moving . . . at times shocking, but often enlightening and inspiring: oral history at its most potent and rewarding.”—Kirkus Reviews

    For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

    Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

    Instead she found herself drawn deeply into the pained and powerful group of transgirls she discovered. In Transparent she intro­duces four of them—Christina, Domineque, Foxxjazell, and Ariel—and shows us their world, a dizzying mix of familiar teenage cliques and crushes with far less familiar challenges like how to morph your body on a few dollars a day. Funny, heartbreaking, defiant, and sometimes defeated, the girls form a singular community. But they struggle valiantly to resolve the gap between the way they feel inside and the way the world sees them—a struggle we can all identify with. Beam’s careful reporting, sensitive writing, and intimate relationship with her characters place Transparent in the ranks of the best narrative nonfiction.

    Here is a dramatic story of these people, revealing the history of the anti-gay policy pursued by the U.S. military authorities in World War II. Two 8-page photo inserts.

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    We’re called fence-sitters, greedy, promiscuous, incapable of decisions or monogamy, or simply dismissed as non-existent like a stubborn urban legend. Bisexuals suffer both the abuse incurred for existence and the erasure that claims nonexistence: a half-life, a state of being and not being, simultaneously too gay and not gay enough.Because of this and many other factors, the statistics for bisexual wellbeing are bleak – we are more likely to suffer from mental health issues, more likely to be closeted, at higher risk of domestic abuse and assault from partners, and even at higher risk of conditions like heart disease and addiction. It is time to dig into these issues and step out of the liminal space – into a full life where our voices and stories can be heard, and our identities declared valid.So was born The Bi-ble, a collection of original essays and personal narratives giving platform to the thoughts and experiences relevant to bisexuals today. This book is not just for bisexuals, though we hope it will unite and inspire those of us who identify as such. It is also an invitation to sharing and understanding, an open book, so to speak, extending a discussion to other communities in the hope of learning more about each other and the beautiful, multifaceted, endlessly complex and individual world of sexuality.

    In American culture at large, anger--particularly among people of color--is delegitimized, demonized, or "supposed to be" suppressed. Social activist and Kagyu lama Rod Owens offers a different understanding. For Owens, the coauthor of Radical Dharma, anger is one of the most important aspects of his personal identity as a Buddhist, social activist, African American, and gay man. Anger serves as a bodyguard for our personal pain and suffering. When recognized and handled with attention, love, and compassion, it can be a powerful mobilizing factor in our solidarity and commitment to enacting social change. However, too many activist communities have an ill-informed, immature, and romanticized relationship to it. What is needed, says Owens, is a relationship to the heartbreak of anger that is embodied, nondestructive, and deeply healing for all. Here he offers personal insights, stories from others, as well as Buddhist teachings and meditations for tapping into anger's liberating potential.

    A rich and sweeping photographic history of the queer liberation movement from the creators of the massively popular Instagram account @lgbt_history, released in time for the 50th anniversary of the Stonewall Riots. Through the lens of protest, power, and pride, We Are Everywhere is an essential introduction–told through stunning photographs and thoroughly researched narrative–to the history of the modern queer liberation movement. Tracing queer activism from its late nineteenth century European roots to the homophiles who made Stonewall possible and the gender warriors who continue the struggle today, this beautifully packaged book contains hundreds of photos and pieces of ephemera that allow the reader to see history as they read. With photography from some of the best-known queer photographers alongside the work of unknown activists, the vintage and contemporary images cover every aspect of queer life and liberation, including marches, protests, family life, personal snapshots, celebrations, reactions to important legal decisions, and Pride.

    In a world that tells women we're either not enough or too much, it's time we stop directing our anger and insecurities onto ourselves, and start fighting back to re-shape the toxic structures of our patriarchal society.Florence's book will help you to tackle and challenge the limiting narrative you have been bombarded with your whole life, and determine feminism on your own terms. After all, you are the love of your own life.

    This is an anthem of survival and a look at what might come after. A view of what floats and what, ultimately, sustains.Build Yourself a Boat, an innovative debut by award-winning poet Camonghne Felix, interrogates generational trauma, the possibility of healing, and the messiness of survival.Build Yourself a Boat redefines the language of collective and individual trauma through lyric and memory.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Michel Foucault's The History of Sexuality also includes Preciado's diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

    With all the revolutionary zeal, laugh-out-loud humour and intelligence of Laura Bates, Caitlin Moran and Bell Hooks, Emer O'Toole explores what it really means to 'act like a girl'.Being a woman is, largely, about performance - how we dress and modify our bodies, what we say, the roles we play, and how we conform to expectations. Gender stereotypes are still deeply embedded in our society, but Emer O'Toole is on a mission to re-write the old script and bend the rules of gender - and she shows how and why we should all be joining in.With game-changing ideas and laugh-out-loud humour, this book will open your mind and revolutionise the way that you think about gender.