Summarizing the various apologetic arguments for the inclusion of queer people in Christianity, Tonstad moves beyond inclusion to argue for a queer theology that builds on the interconnection of theology with sex and money. Thoroughly grounded in queer theory as well as in Christian theology, Queer Theology grapples with the fundamental challenges of the body, sex, and death, as these are where queerness and Christianity find (and, maybe, lose) each other. "This pacey, accessible introduction steers a course adroitly through queer theology's choppy waters without flattening out its complexities. Tonstad orients readers to theological and cultural markers they will recognize, and lucidly outlines some emerging developments in the field." --Susannah Cornwall, Lecturer, University of Exeter, United Kingdom "Because we cannot all enroll in Linn Marie Tonstad's Queer Theology seminar, we owe it to ourselves, and to the vitality of queer theology itself, to read--and re-read--this book so we can learn from the one of its best practitioners the radical art of queer theological truth-telling." --Kent Brintnall, Associate Professor, University of North Carolina at Charlotte "Linn Tonstad is the best queer theologian of her generation, and she has written a superb introduction to the field. Tonstad lucidly explicates, and she judges, pointing to the limitations of queer theological projects that are insufficiently intersectional in their analysis as well as the possibilities being unleashed by a younger generation of queer theologians who adamantly refuse heteropatriarchy, racism, colonialism, and capitalism--all the while taking Christian traditions seriously." --Vincent Lloyd, Associate Professor, Villanova University "In this brilliant burst of theological becoming, Linn Tonstad leads us beyond liberal apologetics for sexual difference. Queer Theology reveals something indispensable and yet irreducible to theology itself: arching between desire and death, theology here faces its deformations and unleashes its transformations. Vibrantly engaging her students as well as her theorists, the text queers the deep questions of Christianity." --Catherine Keller, Professor, Drew University, The Theological School "At last, a truly helpful introduction to a hotly contested notion: 'queer theology.' Tonstad clarifies in graceful prose the limitations, stakes, and pleasures of what could be queer in Christian theology. Timely and long overdue, this book will help students, queer theologians, and other theological adventurers recognize the far deeper challenges and possibilities that queer theologies beyond apology may offer to Christian understanding and justice-making efforts." --Laurel C. Schneider, Professor, Vanderbilt University Linn Marie Tonstad is Associate Professor of Systematic Theology at Yale Divinity School. She is the author of God and Difference (2016).

    “For years,” says the Journal of the Buddhist Society, “the newcomer to Buddhism has lacked a simple and reliable introduction to the complexities of the subject. Dr. Rahula’s What the Buddha Taught fills the need as only could be done by one having a firm grasp of the vast material to be sifted. It is a model of what a book should be that is addressed first of all to ‘the educated and intelligent reader.’ Authoritative and clear, logical and sober, this study is as comprehensive as it is masterly.”This edition contains a selection of illustrative texts from the Suttas and the Dhammapada (specially translated by the author), sixteen illustrations, and a bibliography, glossary and index.

    Indeed, from childhood most of us develop some mental image of a witch--usually an old woman, mysterious and malignant. But why do witches still feature so heavily in our cultures and consciousness? From Halloween superstitions to literary references such as Faust and, of course, Harry Potter, witches seem ever-present in our lives. In this Very Short Introduction, Malcolm Gaskill takes a long historical perspective, from the ancient world to contemporary paganism. This is a book about the strangeness of the past, and about contrasts and change; but it's also about affinity and continuity. He reveals that witchcraft is multi-faceted, that it has always meant different things to different people, and that in every age it has raised questions about the distinction between fantasy and reality, faith and proof. Delving into court records, telling anecdotes, and challenging myths, Gaskill re-examines received wisdom, especially concerning the European witch-hunts of the sixteenth and seventeenth centuries. He also explores the modern memory and reinvention of witchcraft--as history, religion, fiction, and metaphor.

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled Why Do They Hate Us it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend. A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

    Bringing together writers of tremendously various family backgrounds and religious orientations, this book offers frank, thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forche, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, with twelve others, all wrestling with difficult questions of human existence and the sources of art."

    Scenes of Subjection examines the forms of domination that usually go undetected; in particular, the encroachments of power that take place through notions of humanity, enjoyment, protection, rights, and consent. By looking at slave narratives, plantation diaries, popular theater, slave performance, freedmen's primers, and legal cases, Hartman investigates a wide variety of "scenes" ranging from the auction block and minstrel show to the staging of the self-possessed and rights-bearing individual of freedom.While attentive to the performance of power--the terrible spectacles of slaveholders' dominion and the innocent amusements designed to abase and pacify the enslaved--and the entanglements of pleasure and terror in these displays of mastery, Hartman also examines the possibilities for resistance, redress and transformation embodied in black performance and everyday practice.This important study contends that despite the legal abolition of slavery, emergent notions of individual will and responsibility revealed the tragic continuities between slavery and freedom. Bold and persuasively argued, Scenes of Subjection will engage readers in a broad range of historical, literary, and cultural studies.

    In the introduction portion of this two-part book, Geisler examines the realities of the Christian faith, including the existence of God, the reality of truth, the nature of revelation, and guidelines for interpretation. Part two presents the origin of Scripture, its inspiration, inerrancy, and much more. (July)

    Friedman is a fascinating, intellectual, yet highly readable analysis and investigation into the authorship of the Old Testament. The author of Commentary on the Torah, Friedman delves deeply into the history of the Bible in a scholarly work that is as exciting and surprising as a good detective novel. Who Wrote the Bible? is enlightening, riveting, an important contribution to religious literature, and as the Los Angeles Times aptly observed in its rave review, “There is no other book like this one.”

    Yet the truth is, while the Son of God was loving and tender, his words could be equally sharp and biting. The same man who said, “Love your enemies” (Matthew 5:44) also said, “You snakes, how will you escape being condemned to hell?” (Matthew 23:33).  With compelling storytelling and enlightening examinations of Scripture, Tim Harlow journeys through the gospels and looks at what, and who, ignited Jesus’ anger. He guides us through instances of Jesus’ anger in response to the barriers people put up:in the temple, where money changers literally denied access to the Father, especially for the non-Jews and the poor;during his teaching, when little children were denied access;on the Sabbath, when religious leaders put rules above relationship and suffering above healing; and many more.What if, Harlow asks, by coming to understand God’s holy anger, we come to know a savior we never knew before? How can we respond like Jesus when good intentions, prejudices and judgments, traditions and rules, and selfish and joyless people conspire to keep others from God’s presence?

    It is a collection of essays, observations and rituals, and outlines LaVey's Satanic ideology. It contains the core principles of the Church of Satan and is considered the foundation of the philosophy and dogma that constitute LaVeyan Satanism.

    Fuse has elements of memoir, but does not follow a traditional linear narrative. Rather, the book is a series of 13 meditations that probe different parts of Hollay’s fractured biracial experience, including eating and anxiety disorders, self-mutilation, sex, motherhood, and the simultaneous allure and rejection of aesthetic beauty. In Fuse, Hollay speaks to the struggle to construct a fluid identity in a world that wants to peg you down: what you are, and are not. While Hollay’s experiences are personal, the issues surrounding the bi-racial identity are wide-spread; the number of interracial marriages is increasing every year. A dialogue on the tensions surrounding the female bi-racial mind and body is long overdue.

    By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is--just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed.Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote a sequel to Illness as Metaphor, extending the argument of the earlier book to the AIDS pandemic.These two essays now published together, Illness as Metaphor and AIDS and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professionals and, above all, on the lives of many thousands of patients and caregivers.

    In this collection of personal and revealing essays, he explores the nature of his anthropological work in relation to a broader public, serving as the foremost spokesperson of his generation of scholars, those who came of age after World War II. His reflections are written in a style that both entertains and disconcerts, as they engage us in topics ranging from moral relativism to the relationship between cultural and psychological differences, from the diversity and tension among activist faiths to ethnic conflict in today's politics.Geertz, who once considered a career in philosophy, begins by explaining how he got swept into the revolutionary movement of symbolic anthropology. At that point, his work began to encompass not only the ethnography of groups in Southeast Asia and North Africa, but also the study of how meaning is made in all cultures--or, to use his phrase, to explore the frames of meaning in which people everywhere live out their lives. His philosophical orientation helped him to establish the role of anthropology within broader intellectual circles and led him to address the work of such leading thinkers as Charles Taylor, Thomas Kuhn, William James, and Jerome Bruner. In this volume, Geertz comments on their work as he explores questions in political philosophy, psychology, and religion that have intrigued him throughout his career but that now hold particular relevance in light of postmodernist thinking and multiculturalism. Available Light offers insightful discussions of concepts such as nation, identity, country, and self, with a reminder that like symbols in general, their meanings are not categorically fixed but grow and change through time and place.This book treats the reader to an analysis of the American intellectual climate by someone who did much to shape it. One can read Available Light both for its revelation of public culture in its dynamic, evolving forms and for the story it tells about the remarkable adventures of an innovator during the golden years of American academia.

    In The Barbie Chronicles, twenty-three writers join together to scrutinize Barbie's forty years of hateful, lovely disastrous, glorious influence on us all. No other tiny shoulders have ever, had to carry the weight of such affection and derision and no other book has ever paid this notorious little place of plastic her due. Whether you adore her or abhor her, The Barbie Chronicles will have you looking at her in ways you never imagined.