Directions: apply to your soul gently, whilst sitting under the stars.

    “We are in the presence here of a major American poet whose voice at mid-century in her own life is increasingly marked by moral passion.”—New York Times Book Review

    When Britt Conway was eighteen, she left Blue Harbor without a glance back, telling herself that she was closing the door to her painful past for good. But when her father takes a fall and needs her help to oversee the family business until he is back on his feet, Britt can’t refuse, especially when her current unemployment status gives no room for excuses.Britt knows that returning to her hometown won’t be easy, but does it really need to be so difficult? Her widowed father is smitten with his pushy caregiver, her youngest sister doesn’t seem to be speaking to her at the moment, and everyone conveniently failed to mention that her first (okay, only) love is back in town and working at her family’s orchard. With the business struggling, Britt and Robbie come together to give it a better chance for the future—and find their own second chance along the way. For years, Britt was determined to harden her heart, but the more time she spends in Blue Harbor, the more she realizes that some traditions—and people—are not meant to be forgotten.

    In other words, it’s just another day working for Prince Malcolm.ALICE:Give me a problem and I’ll fix it. That’s what I do. The trick is remaining calm and preparing oneself for any eventuality. But even I failed to anticipate my former boss, Malcolm, crossing an ocean to bribe me for my help. He insists I’m the only one who can fix his problem, but I had an excellent reason for leaving that job in the first place and putting an ocean between us. It’s hard to keep the big picture in mind when you’re secretly in love with your boss. And even harder when he’s about to be crowned a king.MALCOLM:Being a prince certainly has its perks: money, cars, women, and a license to do just about anything I please. But since my assistant, Alice, resigned out of the blue, I’ve been unable to find my footing and have admittedly been a bit cranky. When a problem arises calling for the utmost discretion, it’s clear Alice is the only woman for the job. But she’s less than thrilled at being coerced into returning, and she’s doing her best to make me pay for it. With the clock ticking down to my coronation, I’m putting all my trust in her to see me through. But the stakes are getting higher because Alice is beginning to look more like my future than even the throne I was born to take.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    / The elms made tents of solace over grimy / streets and alley cats purred me to sleep.” She writes in graphic, unflinching language about the poor, banished now by politicians because they are no longer “real people like corporations.” There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers “exactly how I loved each.” She continues to celebrate Jewish holidays in compellingly original ways and sings praises of her marriage and the small pleasures of daily life.This is a stunning collection that will please those who already know Marge Piercy’s work and offer a splendid introduction to it for those who don’t.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    Poetry for those wishing to know someone special while seeking the greater challenge to know themselves.

    All the poems are in William Stafford's familiar, reflective voice, and some had been freshly typed at the time of Stafford's death in August of 1993. The book is hospitable to a full range of experiences, moods, stunts with language, tones, expressive landmarks, and intimacies with the universe. Long considered a major voice in twentieth century American poetry, William Stafford is also one of our nation's most popular poets.

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.

    Those around me want to see me burn—make me explode underneath their accusing glares—but I won't. There's only one person that gets me hot, and we've never spoken to each other. He's clueless to my fascination, but knows too much about secrets I've never whispered. He's different from the rest. The black sheep... Adam. I want him in my future, but my past threatens everything I've longed for. I won't run, I'll fight. I don't know what destiny has planned. I only know love can be cruel, and fate is truly wicked **16+ Some strong language and sexual situations**

    Scrounging and cutting corners to work cheap, Collier isn’t a stranger to lean times and make-do repairs; in fact his onboard computer hasn’t had outside maintenance in years and its beginning to show its personal quirks.When Collier finds an asteroid that shows promise, he thinks he’s bought himself some time. But his claim is stolen out from under him by his vindictive ex-lover and her shiny new corporate ship. Powerless against the omnipotent mining corporations, Collier has always been too stubborn to give-up without a fight. Broke and desperate, Collier has one last chance to land a strike. If he doesn’t come back with ore, he’ll end up destitute and trading his own biologicals for his next meal.What he discovers in the farthest reaches of the belt has the power to change his life and the fate of the entire system forever. That is, if Collier and his onboard computer can keep his discovery out of corporate hands. About the Author: Sean O’Brien is an educator and writer from Southern California. He is married and has two children along with an ever-growing number of animals. He was named Educator of the Year by the California League of High Schools and has been a head varsity football coach, television broadcaster, and Gilbert and Sullivan singer (though not a good one). He’s the author of A Muse of Fire, Wondrous Strange, and Vale of Stars.

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's