Kathleen Drover has come back to her house in London to pick up a a few things that were left behind when she and her husband fled the bombing of London by the Germans in 1940-1941. What ensues is not what she expected from this mundane trip.

    Burroughs, written between 1959 and 1974. A truly remarkable compendium, it offers an eye-opening and insightful look into the artistic process and complex personal life of the legendary literary outlaw in the post-Beat era—providing a new understanding and appreciation of an author who stood alongside Paul Bowles and Charles Bukowski as one of the most creative and rebellious American artists of the 20th century.

    This spectacular collection of essays and other writings does justice to those efforts, offering unique appraisals of Aphra Behn, Mary Wollstonecraft, the Duchess of Newcastle, Dorothy Richardson, Charlotte Bronte, and Katherine Mansfield, amongst many others. Gathered too, and using previously unpublished (sometimes even unsigned) journal extracts, are what will now become timeless commentaries on 'Women and Fiction', 'Professions for Women' and 'The Intellectual Status of Women'. More than half a century after the publication of A Room Of One's Own, distinguished scholar Michele Barrett cohesively brings together work which, throughout the years, has been scattered throughout many texts and many volumes. . . affording these very valuable writings the collective distinction they deserve at last.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    According to Coleridge's Preface to Kubla Khan, the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer palace of the Mongol ruler and Emperor of China Kublai Khan. He left it unpublished and kept it for private readings for his friends until 1816 when, at the prompting of Lord Byron, it was published.

    Practical reference manual and accompanying audiotape deal with the vocal problems encountered daily in the teaching studio and choral rehearsal Accompanying audiotape contains 14 voice samples cross-referenced to text Male and female voice samples help to identify basic characteristic sounds associated with each fault

    "Not a means to an end, but an ongoing participation." A widely acclaimed poet and finalist for the National Book Award, Addonizio meditates on her own process as she encourages writers to explore both their personal and political worlds, to seek inspiration from poets new and old, and to discover the rich poetic resources of the Internet. Lively, accessible, and informative, Ordinary Genius?provides wisdom gleaned through personal experience and offers a heady variety of writing exercises. Chapters on gender, addiction, race and class, metaphor and line invite each individual writer to find and to hone his or her unique voice. This is the perfect book for both experienced writers and beginners eager to glimpse the angel of poetry.

    Classic Hans Christian Andersen tale about human nature. Full-color illustrations.

    There are only three characters: a man named Deeley, his wife Kate, and Anna, a friend of Kate's whom they have not seen for twenty years. Beneath the surface of their taut, witty conversation lurks suggestions of darkness, until the present is overwhelmed with intimations of some frightening past. �

    

    Introduction by Barry N. Malzberg. Dustjacket art by Bob Eggleton.

    It's considered a classic poem and was written in a mix of English and Scots. The poem concerns a Scotsman who, on his way home late one night, comes across a hellish supernatural scene.This ISBN (9780907526506) refers to the Alloway Publishing printed edition of the poem.

    

    The face of his latest victim stares out from every newspaper and billboard, haunting the women who walk the streets. But life and work go on. Brenda, with three children, can't afford to give up while Audrey, now in her forties, desperately goes on 'working the cars'.And then, when another woman is savagely murdered, Jean, her lover, takes desperate measures...

    It provides a comprehensive, accessible, and jargon-free guide to the forms and structures of Spanish as it is currently spoken and written in Spain and Latin America. Extensive examples are used to illustrate grammatical points, many from contemporary sources in both Spain and the Americas that highlight, where appropriate, differences in regional usage. Levels of usage (formal, colloquial, familiar, and popular) are specified, so that the importance of context in the use of language is recognized. This new edition has been updated throughout; it is the first grammar in English that incorporates the findings of the exhaustive new descriptive grammar of the Royal Spanish Academy (Gramatica descriptive de la lengua espanola, 5300pp). The 4th edition is also more accessible to students; complex explanations have been simplified and clarified, and a glossary of grammatical terms has been added to aid students.