Vale brought together the work of groundbreaking novelist William Burroughs and avant-garde painter Brion Gysin (already linked by their collaborations in the “cut-up” method of artistic creation) with the founders of industrial music, Throbbing Gristle, for this seminal document of ‘80s underground culture. Originally published in 1982, the book combined “primary source interviews,” in which subjects discuss advanced ideas involving the social control process, creativity, and the future; scarce essays; rare fiction excerpts; bibliographies; discographies; and biographies. The book quickly became a celebrated addition to RE/Search’s notorious list and to the canon of ‘80s subculture. This expanded edition contains previously unpublished interviews with Burroughs, Gysin, and Throbbing Gristle by V. Vale; a new article on Throbbing Gristle with photographs; unseen photographs of Burroughs; and much more to satisfy both the Burroughs, Gysin, and Gristle completist and anyone who wants to make sense of the kinds of cultural assaults they embodied.

    The Third Edition retains the elements that have made the book a classic while embracing new technology and responding to the needs of today's students and teachers.

    Hellfire is a wild, riveting, and beautifully written biography that received universal acclaim on its original publication and remains one of the most remarkable biographies ever written.Born in Louisiana to a family legacy of great courage and greater wildness, Jerry Lee was torn throughout his life between a demanding Pentecostal God and the Devil of alcohol, drugs, and the boogie-woogie piano. At fourteen he began performing publicly, and at twenty-two he recorded Whole Lotta Shakin' Goin' On, which propelled him to stardom. But almost immediately, news of his marriage to his thirteen-year-old cousin nearly destroyed his career. Over the next twenty years, Jerry Lee would rise again as a country star, and lose it all to his addictions to alcohol, drugs, and his own fame. Hellfire is an audacious, artful look directly into the soul of a rock 'n' roll legend.

    Completely redesigned and with many more full-color photos than the original, this new edition surveys recent models and profiles current masters, includes an expanded lesson section, and encompasses 10 years of technological change in recording and amplification.

    This collection includes the commentary of Licia Albanese, Franco Corelli, Placido Domingo, Nicolai Gedda, Marilyn Horne, Sherrill Milnes, Birgit Nilsson, Luciano Pavarotti, Rose Ponselle, Beverly Sills, Joan Sutherland and many others. "Probably the best book on the subject." Publishers Weekly

    Carr has talked with the people who knew the man and his music best; and for this edition, updated since Davis's death, he has conducted new interviews with a number of jazz greats, including Ron Carter, Max Roach, and John Scofield.From the early New York apprenticeship with Charlie Parker, through Davis's drug addiction of the early 1950s, to the years (1954-1960) during which he signed with Columbia and recorded masterpieces with John Coltrane, Bill Evans, Wynton Kelly, and Cannonball Adderly, Carr sheds new light on Davis's life and career. His reclusive period (1975-1980) is explored with firsthand accounts of his descent back into addiction as is his dramatic return to life and music.

    Outside, the dark is getting darker," and here and there around the city ninety-two men and thirteen women are getting dressed to go to work. First they bathe and put on their underwear. Then they don special black-and-white apparel. Then when the one hundred and five people are completely ready, each takes a musical instrument and travels to midtown. There, at 8:30 tonight, they will work together: playing.In these pages Karla Kuskin and Marc Simont combine their talents to give us a delightful and unusual inside view of one way an orchestra prepares.Nominee, 1983 American Book AwardNotable Children's Books of 1983 (ALA)1983 Fanfare Honor List (The Horn Book)Outstanding Children's Books of 1982 (NYT)A Reading Rainbow Selection1983 Teachers' Choices (NCTE)Children's Books of 1982 (Library of Congress)

    All songs are arranged with standard notation and tab for guitar, with chord symbols, full lyrics and chord boxes. Includes a generous selection of color photographs of the band in action and Gerald Scarfe illustrations. Songs include: Another Brick in the Wall * Comfortably Numb * Hey You * In the Flesh? * Is There Anybody Out There? * Mother * Run Like Hell * Young Lust * and more.

    Our 'understanding' of old music allows us only a glimpse of the spirit in which it is rooted. We see that music always reflects the spiritual and intellectual climate of its time. Its content can never surpass the human power of expression, and any gain on one side must be compensated by a corresponding loss on the other." In these essays, Nikolaus Harnoncourt summarizes his views arising from years devoted to the performance of early music. The problem of interpreting historical music is particularly critical in our age, when modern music has little appeal for the listening public. The vacuum left by the absence of a truly living contemporary music is therefore filled by older music. But for performers and audiences to understand music of earlier times, they must learn to comprehend the languages and messages of the past.

    This comprehensive boxed set assembles Books 1-4 of this classic method. The books feature colorful, amusing characters and illustrations, and the four accompanying CDs contain backing tracks to make learning and practicing even more fun. This unique package features a built-in storage carton!

    Friedman, a pioneer of skate, punk, and hip-hop photography, including much never-before-published work. Glen E. Friedman is best known for his work capturing and promoting rebellion in his portraits of artists such as Fugazi, Black Flag, Ice-T, Dead Kennedys, Minor Threat, The Misfits, Bad Brains, Beastie Boys, Run-D.M.C., and Public Enemy, as well as classic skateboarding originators such as Tony Alva, Jay Adams, Alan "Ollie" Gelfand, Duane Peters, and Stacy Peralta, and a very young Tony Hawk. Designed in association with celebrated street and graphic artist Shepard Fairey, this monograph captures the most important and influential underground heroes of skateboarding, punk, and hip-hop cultures. My Rules is an unprecedented window into the three most significant countercultures of the last quarter of the twentieth century, and Friedman’s photographs define those important movements that he helped shape. A remarkable chronicle and a primer about the origins of radical street cultures, My Rules is also a statement of artistic inspiration for those influenced by these countercultures.

    An absolute "must" for any serious trumpet student!

    In addition to conversations with Claudio Arrau, it features discussions with four of his renowned musical colleagues: Philip Lorenz, Daniel Barenboim, Garrick Ohlsson, and Sir Colin Davis. 21 photos.

    Victor Bockris aided in the formation of the text and selection of photographs, which also provides an intimate portrait of the unique collaboration between Debbie and Chris.

    Practical reference manual and accompanying audiotape deal with the vocal problems encountered daily in the teaching studio and choral rehearsal Accompanying audiotape contains 14 voice samples cross-referenced to text Male and female voice samples help to identify basic characteristic sounds associated with each fault

    A cross section of the music of Charlie Parker. Spiral-bound, with chord symbols, metronome markings, record information, and practice suggestions.

    Points out common errors pianists make, shows the correct way to play basic technical patterns, and gives exercises for improving coordination, strength, and flexibility.

    PUBLISHERS WEEKLY. Illustrated throughout by Cliff Roberts' stylized bebop drawings.

    Drawing on the encyclopedic wealth of material in the author's classic studies The Interpretation of Early Music and A Performer's Guide to Baroque Music, it supplies a basic grounding for students, performers and all early music enthusiasts.

    

    Each solo contains background information about the work and is printed on high-quality paper that will last for years.

    His scherzos are truly novel metamorphoses of the form — tumultuous emotional outpourings that frequently attain tragic heights. Prepared by Carl Mikuli, Chopin's student and teaching assistant, this edition of these innovative works is particularly authoritative, reflecting Mikuli's knowledge and understanding of Chopin's music. This volume includes: Waltzes Op. 18 Op. 70, Nos. 1–3 Op. 34, Nos. 1–3 E Minor, (Op. posth.) Op. 42 E Major (Op. posth.) Op. 64, Nos. 1–3 Op. 69, Nos. 1–2 Scherzos Opp. 20, 31, 39, 54.

    Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

    The studies contained herein are excellent for use in the warm-up period prior to each daily practice or performance session. The technicality of the fingerings is comparatively simple and the studies can be used to advantage by the young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.

    It shows how an analysis of modes and codes of sound communication leads to an understanding of life in Kaluli society. By studying the form and performance of weeping, poetics, and song in relation to the Kaluli natural and spiritual world, Steven Feld reveals Kaluli sound expressions as embodiments of deeply felt sentiments.For this second edition the author has updated his original work with a new, innovative chapter that includes an interpretive review by its subjects, the Kaluli people themselves. He has also written a new preface and discography and revised the references section.

    The book is not intended to be either an arranging or improvisation text, but a pedagogical reference providing the information musicians need to pursue any activity they wish.

    At the same time, Paul and his wife, Linda, a fellow band member, were raising a family at home and on the road. This book is a personal record of Wing's beginnings after the break up of the world's most celebrated rock group, the Beatles, through to the 1980s.

    All areas of music theory are covered in a concise and practical manner and each level contains 28 lessons.

    The first 478 pages are alphabetically arranged discographies of more obscure bands than any obsessed fan could ever know. Large sections of contact info for fanzines, distributors, labels, clubs. A spectacular research and reference guide.

    

    Fully explains through musical example, the concept of expressive musicianship as taught by Anton Horner, William Kincaid and Marcel Tabuteau. This book clearly illustrates how to teach students to play or sing with expression, musicianship and style and will help to make your performances "come alive".

    Though initially considered subversive, his harmonic innovations remained rooted in the tonal system, deepening and extending its scope. Today, the opera is universally hailed as the summit of French musical impressionism, a unique poetic conception in which Debussy's powers of orchestral and vocal writing are at their pinnacle.Reprinted in its entirety from the authoritative E. Fromont (1904) edition, this faithful edition reproduces the full orchestral and vocal score in clear, large, legible notation for easy reading and study. A new English translation of the original French front matter further enhances the value and completeness of the volume.

    This multi-volume method was developed to allow students to study the art of classical guitar within a new, more contemporary framework. For private, class or self-instruction. Book One features an all-new format that incorporates chord frames and symbols and introduces beginning fingerboard technique and music theory. Book Two and Three build upon the techniques learned in Book One.

    With more than 600 photographs, advertisements and record labels, the book presents the years of 1920–1950—the decades of the greatest ferment and spread of jazz. Black Beauty White Heat will be a focal point of endless discussion about the origins of jazz for years to come.

    Over 100 photos.

    The voices of women such as Abbess Hildegard of Bingen, Clara Schumann, and Marian Anderson resonate as they emerge from the wide range of materials in this volume, which includes letters, diaries, poems, novels, and reviews that reveal women's achievements not only as patrons and educators but also as composers and performers.

    

    The suddenness, spontaneity, and productiveness of this period in Wolf's life has been likened to similar songwriting outbursts by Schubert in 1814–15 and Schumann in 1840–41.Although Wolf composed in other forms, his fame rests almost entirely on his songs. Highly original, intuitive, intensely dramatic, Wolf's musical interpretations perfectly matched Mörike's complex, quasi-symbolic style. In addition to a superb awareness of verbal rhythm and vocal inflections, Wolf also brought a delicacy of psychological insight to his compositions that made the song "a reincarnation of the poem in another medium."The present volume contains all 53 of the Mörike songs, Wolf's complete treatment of the poet, reproduced from the 2nd revised Heckel edition. Stanley Appelbaum has provided new literal prose translations of the lyrics, as well as alphabetical lists of song titles and openings, and a glossary of German musical terms.Songs include: Der Genesene an die Hoffnung; Im Frühling; Lebe wohl; Der Tambour; Auf ein altes Bild; Der Jäger; Fussreise; Charwoche; Der Feuerreiter; Verborgenheit; Neue Liebe; Gesang Weyla's; Elfenlied; Frage und Antwort; Auftrag; and 38 more.Wolf's lieder rank at the very summit of the genre. As the New Grove Dictionary of Music and Musicians notes: "He intensified the expressive vocabulary of the lied to a pitch never since surpassed. By his musical sensitivity to poetic values and meanings which he embodied in each separate aspect of the song … he was able, like Schubert before him, to condense the dramatic intensity of opera into the song form."Lovers of lieder have long sought a convenient, comprehensive, inexpensive edition of all 53 Mörike songs. They will find it here, in a sturdily bound, clearly reproduced, permanent volume — a fitting tribute to Wolf's status as a supreme master of the art song.

    The image is therefore truncated at the 2/3 point.

    Since publication of the first edition of The Psychology of Music, the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology as a result of several factors. First, the opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but is now available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common, and to a large extent these two groups speak a common language and agree on basic philosophical issues.The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information and additional subject matter, and new contributions examine all of these important developments. The book is intended as a comprehensive reference source for musicians, psychologists, and students interested in and studying this exciting psychological discipline.

    By Chris Welch. The book measures about 7 3/4" X 10 3/4" X 3/4" and has 96 pages including Disography. ISBN 0 86276 015 1.

    More accurately it is the story of a sound, and of a time and place that brought a unique combination of performers, songwriters, producers, musicians and businessmen together. No one aspect outweighs another in its importance to the whole; success was simply not possible with even one weak link in the chain.While providing a comprehensive overview of all the major contributors, I've also chosen to chronicle in depth one person who best exemplified each link in the chain: The Producer; The Songwriter; The Group; The Singer; The Record Company and so on. Here we can see why and how people created what they did, and what the results and consequences of their actions were. In a larger sense, perhaps, this story also traces the transition of rock 'n' roll from what it once was, to what it has become today. It is a picture of both musical and personal triumphs and failures, which after all, is what the soul of rock 'n' roll is all about. " -- Alan Betrock --introductionFollows the history of the girl singing groups and singers of the sixties, including the Shangri-Las, the Supremes, and Lesley Gore, and explains how this particular style of music developed. --ecampus.com

    "A book destined for a long and useful life in many homes and schools."--Publishers Weekly. Piano accompaniments, guitar chords.

    The music is in easy-to-read arrangements with guitar chord symbols and full lyrics. Complete words to all the songs are also given in a separate lyric section. A complete discography of all the officially released UK records is included plus over 70 photographs.

    In its analytical profundity it can be compared to his Philosophy of Modern Music, but in the range of its topics and the clarity of its arguments it stands alone among Adorno’s writings on music. At the book’s core are illuminating studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Alexander Zemlinsky and Franz Schreker. Especially significant is Adorno’s “dialectical portrait” of Stravinsky in which he both reconsiders and refines the damning indictment he gave in Philosophy on Modern Music. In ‘Vers une musique informelle’, an influential essay, he plots a course for a music of the future ‘which takes up the challenge of an unrevised, unrestricted freedom’. More unexpectedly, there are moving accounts of earlier works, including Bizet’s Carmen and Weber’s Der Freischutz, along with an entertainingly caustic “Natural History of the Theatre.” Which explores the hierarchies of the auditorium, from upper circle to foyer.‘The positive element of kitsch’, Adorno remarks, ‘lies in the fact that it sets free for a moment the glimmering realization that you have wasted your life.’ Musical kitsch is the target of several of the shorter pieces: on Gounod’s Ave Maria or Tchaikovsky’s ‘clumsy naivety’; on the ‘Penny Serenade’ of the transformation of Mozart into chocolate-box rococo. Yet even while Adorno demolishes ‘commodity music’ he is sustained by the conviction that music is supremely human because it retains the capacity to speak of inhumanity and to resist it. It is a conviction which reverberates throughout these writings. For Adorno, music and philosophy were inextricably linked: Quasi una Fantasia will enlarge our understanding of both.

    Lyrics and phonetic transcriptions are presented together so that a song may be correctly articulated from the first reading. The 413 songs included have been carefully selected from Coffin's The Singer's Repertoire (1960) and are representative of the most frequently performed vocal repertoire, with songs and arias for all voice classifications. This second edition contains revised German transcriptions with diphthongs altered to be of better acoustical and vocal value in singing. Correlated with Coffin's Overtones of Bel Canto (1980).

    Looking in detail at the great jazz figures of the 20s and 30s as well as their classic recordings, Humph provides plenty of lively historical background, often taken from the reminiscences of the musicians involved.

    

    As a result, the pieces are quickly mastered. Included are traditional favorites such as "The Marines' Hymn" and "Down in the Valley," and orignals "A Country Song" and "The Gypsy Baron."

    

    Features melody, lyrics and chords, a full British release discography and portrait photographs. 6-5/8 inch. x 10 inch..

    Book contains recipes and weight loss diaries.

    A timeless record of the Fab Four at the height of Beatlemania, as captured by the lens of master photographer Dezo Hoffman.

    As curator of the Gesellschaft der Musikfreunde in Vienna, Dr. Geiringer was in charge of one of the world's leading Haydn collections. His scholarly investigations took him to various monasteries, to libraries in Eisenstadt, Prague, Berlin, Paris, London, and Washington, D.C., and, as guest of the Hungarian government, to the previously almost inaccessible archives of the Princes of Esterhazy in Budapest.

    

    The normative edition for all who sing, choir and congregation alike, containing all hymns and service music.

    Limping from the onslaught of bottles and boots that have been flung at him one day, he finds himself in the middle of a punk band. His voice is just what the public have been waiting for. Eric is a star overnight.

    

    

    A reliable basis for the composition of canons, and opens new avenues for constructing and organising harmonies.

    The author recounts his friendship with rock star Jim Morrison, includes some of Morrison's poetry, and presents photographs of the Doors in concert.