This popular classic work by Robert Silverberg is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Robert Silverberg then we highly recommend this publication for your book collection.

    Based on the author's decade of research and her own personal experiences with amniocentesis, Testing Women, Testing the Fetus explores the geneticization of family life in all its complexity and diversity.

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    P. Lovecraft’s motifs, conceptions, and imagery have affected an entire century of weird writing. Beginning with a delightful parody of Lovecraft written by Edith Miniter in 1921, this anthology features “The Red Brain,” a story of incalculable cosmic horror by Donald Wandrei; “The Beast of Averoigne,” in which Clark Ashton Smith plays a riff on “The Dunwich Horror”; and C. Hall Thompson’s “The Will of Claude Ashur,” an ingenious adaptation of “The Thing on the Doorstep.” Ramsey Campbell, one of the leading weird writers of today, has always maintained his Lovecraftian roots, and in “The Pattern” he utilizes Lovecraft’s theme of “conflict with time” to cataclysmic effect. The pioneering Thomas Ligotti (“The Sect of the Idiot”) draws inspiration from Lovecraft’s early tales, while Brian McNaughton (“Meryphillia”) teases out the latent sexuality in Lovecraft’s use of ghouls. Caitlín R. Kiernan’s “The Peddler’s Tale” is one of the few successful elaborations of Lovecraft’s dreamland stories, while Jonathan Thomas uses Lovecraft’s native town of Providence for a tale of alien races. This volume contains previously unpublished stories by W. H. Pugmire, Mark Samuels, and Ray Garton, all of which demonstrate their authors’ skill at fusing Lovecraftian motifs with their own dark vision. All in all, The Red Brain is a rich banquet of strangeness that no Lovecraft devotee will want to be without.

    This story depicts a young and idealistic waiter named Paco who has left his home village to become a romantic and glamorous matador in Madrid.

    In a new analytic commentary, Stiegman examines Bernard's language, logic, and theology, demonstrating the vital importance of reading medieval authors on their own terms, without superimposing categories developed by later generations.

    In his diary he says he wrote it 'in harmony with the elements...perhaps all political sentiment is so unclean that a single drop of it poisons and renders worthless all the rest; but perhaps, again, it does not destroy the meaning of the poem; and, who knows, perhaps it will in the end prove a ferment, resurrecting The Twelve for another time than ours.' The poem is a unique work, even for Blok himself. The three shorter poems included here will give at least a faint idea (I hope) of the quiet, Symbolist-Romantic flavor of most of Blok's other work." - Anselm Hollo

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact. In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.

    Supported by a glossary of Islamic terms, a time line, and maps, this book traces the architecture, calligraphy, book illumination, painting, ceramics, textiles, and metalwork of a vastly accomplished and influential civilization.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

    They were good sisterly friends, betwixt whom it would take more than a day for the seeds of jealousy to sprout and bear fruit; but the young girls felt that the seeds had been sown on the day that Mr. Lloyd came into the house. Each made up her mind that, if she should be slighted, she would bear her grief in silence, and that no-one should be any the wiser; for if they had a great deal of love, they had also a great deal of pride.

    "Unusual Occupations," the second chapter, describes the obsessions and predilections of the narrator's family, including the lodging of a tiger-just one tiger- "for the sole purpose of seeing the mechanism at work in all its complexity." Finally, the "Cronopios and Famas" section delightfully characterizes, in the words of Carlos Fuentes, "those enemies of pomposity, academic rigor mortis and cardboard celebrity-a band of literary Marx Brothers."

    O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.

    Literature - Singer's second collection of stories, eleven in all, including the title story, "A Tale of Two Liars", and "The Destruction of Kreshev."