With uncanny insight, he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father’s “killer,” and a man awaiting his assassin in a Buenos Aires guest house.  This volume also contains the hauntingly brief vignettes about literary imagination and personal identity collected in The Maker, which Borges wrote as failing eyesight and public fame began to undermine his sense of self.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion. In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life. With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer (Book Jacket Status: Jacketed)

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    The character sketches in this collection are not only tales in the old mould, but also have the magical quality that touches upon the very essence of Life. The characters are genuinely Marathi in nature, and they have been drawn with the ease with which dawn turns into day or a bud blossoms into a flower. With innocence, Vyankatesh Madgulkar tells us about the poverty-stricken lives of the people of Mandesh and their saga of never-ending sorrows. Their tragedy is moving. The mind is filled with the thought that while men seek some happiness, their lives were never scripted to find it. This essential tragic fact is told by Madgulkar with the detachment of an artist. This renders his characters unforgettable. Our mind is disturbed every time we think of them.

    The kind of writing included in this collection clearly shows the reasons for Damon Runyon's world-wide reputation.

    In this collection of short stories the author of In Cold Blood explores worlds of fear and doubt: the menacing Deep South, the impenetrable private realms of childhood -- beautiful yet frightening.The book features a total of eight short stories: "Master Misery" "Children on Their Birthdays" "Shut a Final Door" "Jug of Silver" "Miriam" "The Headless Hawk" "My Side of the Matter" "A Tree of Night"

    

    Here are fourteen authentic folk stories, retold with humor and charm, which will delight children and those who read and tell stories to them.

    He has grown up in, and infuses into his stories, an atmosphere one can cut with a knife. He is not dependent on regionalism--not all of his work has an Isle of Man setting--but it would appear he draws strength from it; his work at its best has the flavor, raciness, "body" that one associates with the best of the output from Ireland, Wales, Brittany, and the more remote, untouched, and primitive of the states of America. He turns for his inspiration to creeks in which life runs deep, to pockets in which life accumulates deeply queer. Is the Talking Mongoose a sore subject with the Isle of Man? That interesting animal--of which the investigations of the late Harry Price never entirely disposed--might well be the denizen of a Nigel Kneale story. Has he not made frogs avengers; has he not made a deformed duck a tragedian?

    Translated with an Introduction by David MagarshackCover and typography by Edward Gorey