Brown. “I can suit myself and wear my smart hat all day long.” Try as he might, however, Mr. Brown is lonely. But when a woodpecker decides Mr. Brown needs some company, his life is transformed.

    Tiny and brave--these are the two most striking characteristics of Issun Boshi. His mother had longed to have a child for so many years that she finally added "even if it is a very small one" to her wish. When the elderly couple did in fact bear a son, he turned out to be only one inch high. He was thus called Issun Boshi, Japanese for one-inch boy. Although his parents raised him very lovingly, Issun Boshi realized one day that he would not grow any taller. He then left his home to set off on a journey to find his place in the world. Because he saw himself as a swordfighter, a samurai, he made sure to take along the right equipment: a needle was his sword, a soup bowl was his boat, and a chopstick was its rudder. As in any proper fairy tale, Issun Boshi is tested in several adventures. He handles himself so bravely that, in the end, he is rewarded with just the right princess.

    Miyuki, who we first met in Time for Bed, Miyuki, anxiously awaits the opening of one sleepy flower. When, on the first day of spring, the flower still hasn't bloomed, Miyuki begins a frantic search for water to wake it up. Her grandfather gently encourages her to sit and watch with him, as she learns the important lesson that good things come to those who wait.

    Lavishly illustrated with more than seventy-five boxes andcollages, as well as images of the fascinating source material that the artistcollected to create his exquisitely crafted worlds, it communicates to thereader the sense of surprise and delight that one experiences on viewingthe actual boxes with their toys, stuffed birds, maps, clay pipes, marbles,shells, and other paraphernalia of daily life.The book’s essays bring together the expertise of Lynda Roscoe Hartigan,former director of the Joseph Cornell Study Center; the compelling commentaryof Walter Hopps, art dealer, museum curator and director, and theartist’s personal friend; the wide-ranging scholarship of Richard Vine; andthe sensitivity of Robert Lehrman, a leading Cornell collector whose firsthandexperience lends this publication its distinctive intimacy. Among thetopics explored are the role of dualities in the artistic process, the dominantthemes of Cornell’s oeuvre, and the importance of his Christian Science faith.

    On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.

    Scott began photographing these dogs in 2005 as a volunteer at animal shelters. Her first book, Shelter Dogs, was a runaway success, and in this follow-up, Scott introduces a new collection of canine subjects, each with indomitable character and spirit: Morrissey, a pit bull, who suffered from anxietyrelated behaviors brought on by shelter life until adopted by a family with four children; Chloe, a young chocolate Lab mix, surrendered to a shelter by a family with allergies; Gabriel and Cody, retired racing greyhounds; and Bingley, a dog who lost his hearing during a drug bust but was brought home by a loving family that has risen to the challenge of living with a deaf dog. Through extended features we become better acquainted with the personalities and life stories of selected dogs and watch as they experience the sometimes rocky and always emotional transition to new homes. The portraits in Finding Home form an eloquent plea for the urgent need for more adoptive families, as well as a tribute to dogs everywhere.

    The literary equivalent of a collage, found poems take existing text, reorder and refashion it, and present it as a poem. Youthful, urban, and ironic, this energetic and surprising poetic form demonstrates the beauty of everyday words and will inspire young poets to find their own poetry.

    Day and night she painted hundreds of dots onto large canvases. The dots soon came off her pictures and ended up on her dresses, tables, and walls. But she wasn't sorry! An inspiring story about one of the most popular contemporary artists in the world. -- Amazon.com

    Now it's time for Gyo's story to be told -- a story of artistic talent that refused to be constrained by rules or expectations.Growing up quiet and lonely at the beginning of the twentieth century, Gyo learned from her relatives the ways in which both women and Japanese people lacked opportunity. Her teachers and family believed in her and sent her to art school and later Japan, where her talent flourished. But while Gyo's career grew and led her to work for Walt Disney Studios, World War II began, and with it, her family's internment. But Gyo never stopped fighting -- for herself, her vision, her family and her readers -- and later wrote and illustrated the first children's book to feature children of different races interacting together.This luminous new book beautifully and openly touches on Gyo's difficult experiences and growth. Through Julie Morstad's exquisite illustrations, alternating between striking black-and-white linework and lush colour, and Kyo Maclear's artful and accessible writing, the story of this cherished figure is told at last.

    This counting book introduces the youngest readers to the beauty and hidden secrets of a Japanese garden. It also introduces haiku, with ten poems that are simple and straightforward. The rhythmic haiku appear in a context that will make perfect sense to young readers. Each page contains additional information about the scene shown, and with lush illustrations, the loveliness of the garden can't be ignored. This is a picture book that works on many levels.

    With a text of few words, frequent repetitions, and delicate illustrations with which children will quickly identify, the book follows a young child's discovery of other creatures. This discovery comes with the recognition that while other creatures can suddenly appear they can also go away and disappear just as quickly. But the delightful appearance of a dad and his playful swoop of his toddler up onto his shoulders will remind little ones that the people who love them will always be there and will never, ever not come back.Hatsue Nakawaki is a prolific author of children's books.Komako Sakai was born in Hyogo, Japan, in 1966. After graduating from Tokyo National University of Fine Arts and Music, Sakai worked at a kimono textile design company. She is currently one of the most popular authors and illustrators in Japan. Her books Emily's Balloon and The Snow Day have been published in the United States and were received with starred reviews and much acclaim.

    When she arrives at a strange house in the wintry woods, a peek in the window reveals that the footprints Kikko had been following did not belong to her father at all, but to a bear in a long coat and hat! Alice in Wonderland meets Little Red Riding Hood in this charmed tale.

    Hiroshima. JapanA little girl and her parentsare eating breakfast,and then it happened.HIROSHIMA NO PIKA.This book is dedicated to the fervent hope the Flashwill never happen again,anywhere.

    Playful categories including "bowties," "surprise!," and "happy cats" showcase all the charm and delightful quirks of the wide world of cats. This is a gift that will have feline fans smiling in recognition, surprise, and appreciation.--chroniclebooks.com

    Pictures and text of moving and harmonious simplicity". - Saturday Review.