Shortly after she entered the ninth month of what had been an easy pregnancy, her husband, Jeff, followed a sudden and inexplicable urge to bring her flowers in the middle of a busy workday. Within hours of his visit, their lives would change forever.The rapid onset of a pregnancy-related disorder nearly claimed the lives of both Lauren and her baby. After more than a month in intensive care, and with years of recovery work ahead of her, Lauren was left with the question: What now? Amidst the wreckage of her near-fatal illness, an opportunity emerged—the chance to rebuild a different life, one that was more personally meaningful and fulfilling. With absolute clarity about their limited time on earth, Lauren and Jeff changed their priorities, their careers, their lifestyle, and even where they lived.As her physical strength grew, so too did Lauren’s understanding of just how many people — nurses, doctors, friends, family, and anonymous blood donors — had contributed to giving her a second chance in life. An overwhelming sense of gratitude emerged and found expression through her fundraising campaigns and national speaking tour. And along the way, Lauren became a shamelessly proud mother, who sought to live as joyfully as possible no matter the circumstances.At times heartbreaking, at times laugh-out-loud funny, Zuzu’s Petals is a story about human resilience, living authentically, and the power of turning gratitude into action.

    A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips’s poems limn the troubadour’s journey in an increasingly surreal modern world (“I plugged my poem into a manhole cover / That flamed into the first guitar”). The origin of mankind, the origin of the self, the self’s development in the sensuous world, and––in both a literal and a figurative sense––the end of all things sing through Phillips’s supple and idiosyncratic poems. The poet’s subtle formal sophistication—toggling between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one via remixes, underground sessions, Spenserian stanzas, myths, and revamped translations. These are poems of fiery intelligence, inescapable music, and metaphysical splendor that concern themselves with both lived life and the life of the imagination—equally vivid and true––as they lay the framework for Phillips’s meditations on our connection to and estrangement from the natural world.

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.

    In these memoirs she tells of her aristocratic upbringing with an increasingly eccentric father, a Conservative MP with strong liberal leanings, and a mother who died young from cancer. She tells of her marriages, her children, and the tragedies she has faced in her life.

    Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life. Wandering through her house that day, Hill's eyes were opened to how much of that life was stored in her home, neglected for years. 'Howards End is on the Landing' charts the journey of one of the nation's most accomplished authors as she revisits the conversations, libraries and bookshelves of the past that have informed a lifetime of reading and writing.

    But ever since his student days, the BBC security correspondent has done some epicly hard travelling in a remarkable number of countries. Drawing on the diaries, sketches and photos he kept during his travels, his immaculately observed accounts of these often strange, sometimes daring, adventures in many of the world's most out of the way places form the backbone of his new book.In June 2004, while reporting on what should have been a routine assignment in Riyadh, his life - never mind his ability to travel the world - was nearly brought to a violent end by Islamist gunmen. Incredibly, Frank not only survived being shot six times at point blank range but also, against all the odds and through force of will, has found himself looking towards those far horizons once more. He's not only been slalom skiing in the Alps, scuba diving in the Red Sea and explored the jungle in northern Thailand. And he is also reporting once more from far-flung destinations like Afghanistan and Colombia - and this is a man who no longer has the use of his legs...This is Frank Gardner's compelling, personal yet unsentimental account of the myriad adventures that made him the man he was on that fateful day five years ago - and of the journeys he's made since, and how they've helped him to become the remarkable and inspiring individual he is today.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    New and Selected Poems includes the best of his seven full-length collections, plus over 23 new poems previously unpublished in book form. From the charged, short-lined poems of Soto's early writing to an unflinching look at poverty and hard labor in California's Central Valley to the off-beat humor in his longer, more recent work, New and Selected Poems is a timely tribute to a brilliant writer whose work confirms the power of the human spirit to survive and soar.

    Now he shares his recollections of those encounters, providing a fascinating glimpse behind the scenes.Far from starry-eyed where Tony Blair Co are concerned, he looks back also to the Britain of his youth and castigates those responsible for its decline to "a Third World country … misruled by a typical Third World government, corrupt, incompetent and undemocratic".Controversial, witty and revealing – or "curmudgeonly", "reactionary", "undiluted spleen", according to the critics – The Light's on at Signpost has struck a chord with a great section of the public. Perhaps, as one reader suggests, it should be "hidden beneath the floorboards, before the Politically-Correct Thought Police come hammering at the door, demanding to confiscate any copies".

    

    Two loving parents, a beautiful home, and grandparents that doted on her. Life was a dream until the day that changed everything. Sparrow's perfect life was ripped away at age three in one tragic moment that would forever change her. Follow her on her journey as she tells the story of her traumatic childhood and how she fought hard to stay strong despite her circumstances. In Riding Standing Up, Spaulding’s compelling storytelling will have you on the edge of your seat. Get ready to laugh out loud and cry more tears than you’d like as you follow her on her journey to empowerment, never knowing what’s around the corner. Brutally honest, truth-teller Sparrow Spaulding has been an unsung antiheroine…until now. She shows us we don’t have to be perfect to be worthy and that there’s power in being real.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    Throughout a century of conflict he remained convinced that wars simply don’t work. In his writings, Stafford showed it is possible—and crucial—to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away.This book gathers the evidence of a lifetime’s commitment to nonviolence, including an account of Stafford’s near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford’s pacifist poems and interviews from elusive sources.Stafford provides an alternative approach to a nation’s military habit, our current administration’s aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.