Exploring topics ranging from language and gender to the politics of work and family, Gender and the Politics of History is a crucial interrogation of the uses of gender as a tool for cultural and historical analysis.The revised edition--in addition to providing a new generation of readers with access to a classic text in feminist theory and history--reassesses the book's fundamental topic: the category of gender. In provocatively arguing that gender no longer serves to destabilize our understanding of sexual difference, the new preface and new chapter open a critical dialogue with the original book.

    Speaking in English and extemporaneously, Derrida takes up with unusual clarity and great eloquence such topics as the task of philosophy, the Greeks, justice, responsibility, the gift, the community, the distinction between the messianic and the concrete messianisms, and his interpretation of James Joyce. Derrida convincingly refutes the charges of relativism and nihilism that are often leveled at deconstruction by its critics and sets forth the profoundly affirmative and ethico-political thrust of his work. The "Roundtable" is marked by the unusual clarity of Derrida's presentation and by the deep respect for the great works of the philosophical and literary tradition with which he characterizes his philosophical work.The Roundtable is annotated by John D. Caputo, the David R. Cook Professor of Philosophy at Villanova University, who has supplied cross references to Derrida's writings where the reader may find further discussion on these topics. Professor Caputo has also supplied a commentary which elaborates the principal issues raised in the Roundtable.In all, this volume represents one of the most lucid, compact and reliable introductions to Derrida and deconstruction available in any language. An ideal volume for students approaching Derrida for the first time, Deconstruction in a Nutshell will prove instructive and illuminating as well for those already familiar with Derrida's work.

    In the end, he suggests, the only meaning that history can have is the kind that a narrative imagination gives to it. The secret of the process by which consciousness invests history with meaning resides in "the content of the form, " in the way our narrative capacities transforms the present into a fulfillment of a past from which we would wish to have desceneded.

    If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his name is now associated—a research protocol that follows the different types of connectors that provide specific truth conditions. These are the connectors that prompt a climate scientist challenged by a captain of industry to appeal to the institution of science, with its army of researchers and mountains of data, rather than to “capital-S Science” as a higher authority. Such modes of extension—or modes of existence, Latour argues here—account for the many differences between law, science, politics, and other domains of knowledge.Though scientific knowledge corresponds to only one of the many possible modes of existence Latour describes, an unrealistic vision of science has become the arbiter of reality and truth, seducing us into judging all values by a single standard. Latour implores us to recover other modes of existence in order to do justice to the plurality of truth conditions that Moderns have discovered throughout their history. This systematic effort of building a new philosophical anthropology presents a completely different view of what Moderns have been, and provides a new basis for opening diplomatic encounters with other societies at a time when all societies are coping with ecological crisis.

    Meanwhile, Deputies Andi Pelton and Boyd Ordrew clash as they investigate Jared Hansen, a boy caught with rifles and a paranoid plan to kill his schoolmates. Their problem? Jared, a great kid, a school leader, has no previous problems. Ordrew’s convinced Jared’s a mass shooter-in-waiting, but Andi’s not. Ed joins their search for whatever caused his radical transformation from great kid to psychotic killer. It’s a race against time: Magnus grows more irrational and homicidal, Jared's insanity may not be controlled before it’s too late, and Ed’s risky plan to save the boy may destroy his relationship with Andi. Nobody’s Safe Here, a psychological thriller, tells the story of a community of ordinary, decent people facing terrifying mysteries.

    Emerging in early modern Europe to defuse violent religious conflict and reduce persecution, tolerance today is hailed as a key to decreasing conflict across a wide range of other dividing lines-- cultural, racial, ethnic, and sexual. But, as political theorist Wendy Brown argues in Regulating Aversion, tolerance also has dark and troubling undercurrents.Dislike, disapproval, and regulation lurk at the heart of tolerance. To tolerate is not to affirm but to conditionally allow what is unwanted or deviant. And, although presented as an alternative to violence, tolerance can play a part in justifying violence--dramatically so in the war in Iraq and the War on Terror. Wielded, especially since 9/11, as a way of distinguishing a civilized West from a barbaric Islam, tolerance is paradoxically underwriting Western imperialism.Brown's analysis of the history and contemporary life of tolerance reveals it in a startlingly unfamiliar guise. Heavy with norms and consolidating the dominance of the powerful, tolerance sustains the abjection of the tolerated and equates the intolerant with the barbaric. Examining the operation of tolerance in contexts as different as the War on Terror, campaigns for gay rights, and the Los Angeles Museum of Tolerance, Brown traces the operation of tolerance in contemporary struggles over identity, citizenship, and civilization.

    It divided the nation in the 1920s, and it has continued to arouse deep emotions, giving rise to an enormous literature. Few writers, however, have consulted anarchist sources for the wealth of information available there about the movement of which the defendants were a part. Now Paul Avrich, the preeminent American scholar of anarchism, looks at the case from this new and valuable perspective. This book treats a dramatic and hitherto neglected aspect of the cause c�l�bre that raised, according to Edmund Wilson, "almost every fundamental question of our political and social system."

    For Crick, politics is messy and complex, and his book defends it against those who would identify it with (and reduce it to) ideology, democracy, nationalism, or technology. This Fourth edition has been updated to include an assessment of the revolutions in 1989 in Eastern Europe. It also examines current situations in Northern Ireland, Israel and Palestine, and South Africa. “A short book written with verve and brilliance. . . . He has written an exceedingly clever and disturbing book on important issues, all that he writes is alive and much of what he says, even when it seems perversely provocative, turns out to be penetrating and serious.” —Isaiah Berlin, 20th Century“One of the most thoughtful products of the political dialogues of the London School of Economics since the great days of Tawney, Dalton, Wallas and Hobhouse. Its sobriety, liberal spirit and toughness of mind are rare qualities in any political work.” —Edward Shils, Guardian

    In these essays the minimalist approach to linguistic theory is formulated and progressively developed. Building on the theory of principles and parameters and, in particular, on principles of economy of derivation and representation, the minimalist framework takes Universal Grammar as providing a unique computational system, with derivations driven by morphological properties, to which the syntactic variation of languages is also restricted. Within this theoretical framework, linguistic expressions are generated by optimally efficient derivations that must satisfy the conditions that hold on interface levels, the only levels of linguistic representation. The interface levels provide instructions to two types of performance systems, articulatory-perceptual and conceptual-intentional. All syntactic conditions, then, express properties of these interface levels, reflecting the interpretive requirements of language and keeping to very restricted conceptual resources.The EssaysPrinciples and Parameters TheorySome Notes on Economy of Derivation and RepresentationA Minimalist Program for Linguistic TheoryCategories and Transformations in a Minimalist Framework

    But globalization has fundamentally altered our ways of knowing, and it is no longer possible to study nations in isolation or to understand world history as emanating from the West. This book reveals why the discipline of global history has emerged as the most dynamic and innovative field in history--one that takes the connectedness of the world as its point of departure, and that poses a fundamental challenge to the premises and methods of history as we know it.What Is Global History? provides a comprehensive overview of this exciting new approach to history. The book addresses some of the biggest questions the discipline will face in the twenty-first century: How does global history differ from other interpretations of world history? How do we write a global history that is not Eurocentric yet does not fall into the trap of creating new centrisms? How can historians compare different societies and establish compatibility across space? What are the politics of global history? This in-depth and accessible book also explores the limits of the new paradigm and even its dangers, the question of whom global history should be written for, and much more.Written by a leading expert in the field, What Is Global History? shows how, by understanding the world's past as an integrated whole, historians can remap the terrain of their discipline for our globalized present.

    

    The story of the rituals and lives of these remarkable old people is, as Bel Kaufman said, "one of those rare books that leave the reader somehow changed." Here Dr. Myerhoff records the stories of a culture that seems to give people the strength to face enormous daily problems -- poverty, neglect, loneliness, poor health, inadequate housing and physical danger. The tale is a poignant one, funny and often wise, with implications for all of us about the importance of ritual, the agonies of aging, and the indomitable human spirit.

    She often haunted Weimar Berlin’s hotel lobbies, nightclubs and casinos, radiantly naked except for an elegant sable wrap, a pet monkey hanging from her neck, and a silver brooch packed with cocaine. Multi-talented Anita saw no boundaries between her personal life and her taboo-shattering performances. As such, she was Europe’s first postmodern woman.Among those Anita Berber claimed as members of her vast sexual harem were Marlene Dietrich, Magnus Hirschfeld (the founder of modern sexology and gay liberation), Klaus Mann, Conrad Veidt, Lawrence Durrell, and the King of Yugoslavia. Berber acted in Fritz Lang’s Dr. Mabuse: The Gambler and starred in the silent epic, Lucifer. Even Leni Riefenstahl credits Berber for inspiring her controversial career. After sated Berliners finally tired of Anita Berber’s libidinous antics, she became a “carrion soul that even the hyenas ignored,” dying in 1928 at the age of 29.The Seven Addictions and Five Professions of Anita Berber chronicles a remarkable career, including over 150 photographs and drawings that recreate Anita’s enduring “Repertoire of the Damned.”

    The first section presents disability in a historical context, from the first “deaf and dumb” person granted the right to have sex to the surgeon who first cauterized war wounds. The middle section explores the physician as lover, and the final section depicts the rise and fall of a relationship. Characterized by a flesh-and-blood character, Holman, who also represents the larger tensions that arise between the abled and disabled.

    This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration.