There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? What’s more, do great books in general—the classics and the bestsellers—share this trait?In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Duke William of Normandy may have just won the most recent battle in the area but he has mislaid something precious; something so precious no one must even know it is missing. He carefully assembles a team for a secret mission of recovery, (the assembly is careful, not the team), and he sends them forth to the north. But his secret is already out and another band has the treasure in their sights. In a race across a savage land, against the clock and against one another, two forces hurtle towards a finale of cataclysmic proportions; all in 29 concise and entertaining chapters. Find out what the treasure is. Find out who gets it first. Find out what happens to everyone afterwards. Find out some other stuff. Containing several facts and a brief appearance by a monk; it could have happened, it might have happened... but probably didn't. Out of the Scriptorium comes an extraordinary history. A book so epic it has a map. The author of the world's best selling medieval crime comedy series has done something amazing: he has written another book. International best selling, prize winning author, Howard of Warwick, has taken the Battle of Hastings and added meticulous fabrication to weave an explosive, controversial and hilarious tale which will have historians up and down the country throwing their slide rules at the radio.

    With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and go to Hell. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world, or to search for salvation across the forthcoming centuries – living each one of their remaining days ninety-nine years after the last.   John and William choose the future and find themselves in 1447, ignorant of almost everything going on around them. The year 1546 brings no more comfort, and 1645 challenges them still further. It is not just that technology is changing: things they have taken for granted all their lives prove to be short-lived.   As they find themselves in stranger and stranger times, the reader travels with them, seeing the world through their eyes as it shifts through disease, progress, enlightenment and war. But their time is running out – can they do something to redeem themselves before the six days are up?

    His true status and achievements have been overshadowed by the events of 1066 and the bias imposed by the Norman victory. This text aims to correct the common view of Harold, presenting an argument for being one of England's greatest rulers.

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

    The book is a reassessment of one of the most interesting writers of the 20th century, exploring his childhood, education and literary achievements.

    Digital-age pundits warn that as our appetite for books dwindles, so too do the virtues in which printed, bound objects once trained us: the willpower to focus on a sustained argument, the curiosity to look beyond the day's news, the willingness to be alone. The shelves of the world's great libraries, though, tell a more complicated story. Examining the wear and tear on the books that they contain, English professor Leah Price finds scant evidence that a golden age of reading ever existed. From the dawn of mass literacy to the invention of the paperback, most readers already skimmed and multitasked. Print-era doctors even forbade the very same silent absorption now recommended as a cure for electronic addictions. The evidence that books are dying proves even scarcer. In encounters with librarians, booksellers and activists who are reinventing old ways of reading, Price offers fresh hope to bibliophiles and literature lovers alike.

    A saint in her own right, she married Ferdinand of Aragon, and they forged modern Spain, cast out the Moslems, discovered the New World by backing Columbus, and established a powerful central government in Spain. This story is so thrilling it reads like a novel. Makes history really come alive. Highly readable and truly great in every respect! 576 pgs, PB

    But Raedwald is urged to kill his guest by Aethelfrith, Edwin's usurper. As Edwin walks by the shore, alone and at bay, he is confronted by a mysterious figure--the missionary Paulinus-- who prophesies that he will become High King of Britain. It is a turning point.Through battles and astute political alliances Edwin rises to power, in the process marrying the Kentish princess Aethelburh. As part of the marriage contract the princess is allowed to retain her Christian faith. But, in these times, to be a king is not a recipe for a long life.This turbulent and tormented period in British history sees the conversion of the Anglo-Saxon settlers who have forced their way on to British shores over previous centuries, arriving first to pillage, then to farm and trade--and to come to terms with the faith of the Celtic tribes they have driven out.The dramatic story of Northumbria's Christian kings helped give birth to England as a nation, English as a language, and the adoption of Christianity as the faith of the English.

    A weak king, Ethelred II, rules the Anglo-Saxons. He tries to pay off each Viking attack with a steep tax called the “Danegald,” but again and again the pagans return. A masked vigilante called the Golden Cross tries to aid the people of Engla-lond and rally them to warfare, but this rebel is constantly way-laid by the king’s most trusted advisor, Eadric Streona. Eadric Streona, Ealdorman of Mercia, is a charming master of the king’s court who always manages to get what he wants; but what he wants remains a mystery to all. Ten short stories explore this setting through the eyes of ten different characters, from a blushing maid and bold mother to a daring soldier, an unready king, and many others. Some characters are fictional, but most are real figures of history. Altogether, the Lost Tales introduce the people who will fight, love, and betray each other until the rightful king claims the throne of Engla-lond in the complementary novel, "Eadric the Grasper." While interconnected by the novel and each other, each story stands independently as a snapshot into this ancient world. This is a collection of all ten tales, previously released as individual ebooks.

    His face tells a tale of epic battles hard-won, stitched together by the jagged scars of combat.England is divided and Christendom struggles to retain its grip on the Holy Land... The code of chivalry chimes in hideous dissonance with massacre and cruelty as Reynauld is determined to raise the stakes of war to their limits. Based on real historical figures and events, Churchmen, barons, knights, courtiers, their wives and mistresses, are seen in sharp outline against a hard, dry, dangerous landscape commanded by huge castles and roamed by mounted soldiers. The Knights of Dark Renown is first in an epic historical series, The Crusader Knights Cycle, perfect for fans of Conn Iggulden, Anthony Riches and Bernard Cornwell. ‘An impressively confident first novel, most readable and refreshingly free from any pseudo-medieval mysticism’ Sunday Telegraph‘The chivalry and the cruelty are finely balanced’ Daily Mirror‘Highly enjoyable. Here we have a wide canvas of characters, almost all based on historical figures... The story is exciting as well as psychologically convincing and thought-provoking’ Financial Times

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. All of the minutiae of Leopold Bloom’s day, including its unspeakable details, unfold with careful precision in its pages. The New York Society for the Suppression of Vice immediately banned the novel as "obscene, lewd, and lascivious.” Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to its landmark federal obscenity trial in 1933.   Literary historian Kevin Birmingham follows Joyce’s years as a young writer, his feverish work on his literary masterpiece, and his ardent love affair with Nora Barnacle, the model for Molly Bloom. Joyce and Nora socialized with literary greats like Ezra Pound, Ernest Hemingway, T. S. Eliot and Sylvia Beach. Their support helped Joyce fight an array of anti-vice crusaders while his book was disguised and smuggled, pirated and burned in the United States and Britain. The long struggle for publication added to the growing pressures of Joyce’s deteriorating eyesight, finances and home life.   Salvation finally came from the partnership of Bennett Cerf, the cofounder of Random House, and Morris Ernst, a dogged civil liberties lawyer and founder of the ACLU. With their stewardship, the case ultimately rested on the literary merit of Joyce’s master work. The sixty-year-old judicial practices governing obscenity in the United States were overturned because a federal judge could get inside Molly Bloom’s head.   Birmingham’s archival work brings to light new information about both Joyce and the story surrounding Ulysses. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say yes to Ulysses.