. . by far Shaw's best work . . . it's all fascinating". Don't forget to stock up on this six-million-copy bestseller.

    It embraces a wide range of social milieux, from the miseries of the tenements to the cultivated, bourgeois Bradshaws. It introduces a memorable cast of characters: the main protagonist, Fitz, a model of the hard-working, loyal and abused trade unionist; the isolated, well-meaning and ineffectual Fr O'Connor; the wretched and destitute Rashers Tierney. In the background hovers the enormous shadow of Jim Larkin, Plunkett's real-life hero.Strumpet City's popularity derives from its realism and its naturalistic presentation of traumatic historical events. There are clear heroes and villians. The book is informed by a sense of moral outrage at the treatment of the locked-out trade unionists, the indifference and evasion of the city's clergy and middle class and the squalor and degradation of the tenement slums.

    Now there was to be no more retreat for Britain and her Allies. At last the war was to be carried into enemy territory. And, from captured bases and makeshift harbours in North Africa, The Royal Navy's Special Force was to be the probe and the spearhead of the advance. To this unorthodox war came the corvette H. M. S. Thistle and her commanding officer, John Crispin. Both were veterans, she from the Atlantic, he from the trauma of seeing his last command and her company brutally destroyed. Soon they would be fighting amongst remote Adriatic islands, helping the partisans and guerrillas with whom they had little in common, except an overwhelming common hatred of the enemy who had attacked and destroyed their countries. Ship and crew had to be welded into a single fighting unit. And it had to be done, not in training, but on active duty.

    Meanwhile—after a heated first encounter that nearly comes to a duel—Aubrey and a brilliant but down-on-his-luck physician, Stephen Maturin, strike up an unlikely rapport. On a whim, Aubrey invites Maturin to join his crew as the Sophie’s surgeon. And so begins the legendary friendship that anchors this beloved saga set against the thrilling backdrop of the Napoleonic Wars.Through every ensuing adventure on which Aubrey and Maturin embark, from the witty parley of their lovers and enemies to the roar of broadsides as great ships close in battle around them, O’Brian “provides endlessly varying shocks and surprises—comic, grim, farcical and tragic.… [A] whole, solidly living world for the imagination to inhabit” (A. S. Byatt).

    Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.Can a man be all bad? When Harry Flashman’s adventures as the reluctant secret agent in Afghanistan lead him to join the exclusive company of Lord Cardigan’s Hussars and play a part in the disastrous Retreat from Kabul, it culminates in the rascal’s finest – and most dishonest – turn.

    This new English translation reveals it as one of Thailand's most entertaining and enduring modern novels, and one of the few portrayals of the immigrant Chinese experience in urban Thailand.Letters from Thailand is the story of Tan Suang U, a young man who leaves China to make his fortune in Thailand at the close of World War II, and ends up marrying, raising a family, and operating a successful business. The novel unfolds through his letters to his beloved mother in China.In Tan Suang U's lively account of his daily life in Bangkok's bustling Chinatown, larger and deeper themes emerge: his determination to succeed at business in this strange new culture; his hopes for his family; his resentment at how easily his children embrace urban Thai culture at the expense of the Chinese heritage which he holds dear; his inability to understand or adopt Thai ways; and his growing alienation from a society that is changing too fast for him.

    She has been ruthlesslytorn from her beloved and sent to France, thrust into the most immoral courtin sixteenth century Europe. Catherine is a reluctant bride to Henry ofOrleans, the second son of the King of France. She was passionately in lovewith her husband, but was unwanted by him; humiliated and jealous, Catherinebegan to plan her revenge while spying on her husband's lovemaking with hislover, the infamous Diane dePoitiers. Henry soon rose to the kingship uponthe death of his brother; for thirty years, Catherine dreamed of a murdershe dare not carry through. "Madame Serpent" was born of years of sinisterplanning and jealousy. And like a serpent, she could work swiftly andlethally in the dark.

    But he was not always a hero - as he was not always a king. He grew towards both under the shadow of a still greater hero - William Wallace - in that terrible forcing-ground of heroism and treachery alike, the Wars of Independence which, from 1296 to 1314, hammered Scotland into the very dust until only the enduring idea of freedom remained in her.Edward Longshanks, King of England, was the Hammer of the Scots, a great man gone wrong, a magnificent soldier flawed by consuming hatred and lust for power.These two fought out their desperate, appalling duel, with Scotland as prize - should any of Scotland survive.Not only these. To John Comyn, Lord of Badenoch, head of the most powerful house in Scotland and nephew of the deposed and discredited King John Baliol, Bruce was as spark to tinder. Their friction blazed to flame that shocking day when blood soaked the high altar at Dumfries, and a new Bruce was born.But this tremendous story is not all blood and fire. Elizabeth de Burgh saw to that. Humour and laughter are here too, colour and beauty, faith and love.This enormous and ambitious theme of Bruce the hero king is no light challenge for a writer. Nigel Tranter has waited through nearly thirty years of novel-writing to tackle it. In this, the first of a trilogy, he ends that long apprenticeship and takes up the challenge.

    When Annabella was seven, she thought the world a delightful place to live in, and only occasionally wondered why her parents never took her beyond the gates of their magnificent country estate. When she was ten she decided that the seclusion didn't really matter because when she grew up she would marry her handsome cousin Stephen and never be lonely again.But when she was eighteen, Annabella learned the circumstances of her birth—and her entire world crashed around her...

    His father murdered, his estate seized, he himself mutilated by a rival landowner.

    In Alexander's childhood, his defiant character was molded into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion, on whom he depended for he rest of his life, taught him trust, whilst Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. He killed his first man in battle at the age of twelve and became the commander of Macedon's cavalry at eighteen - by the time his father was murdered and he acceded to the throne, Alexander's skills had grown to match his fiery ambition.

    The life of a thirteen-year-old girl living in ancient Britain changes considerably when she is selected to be "the mortal embodiment of the mermaid goddess" worshipped by her tribe.

    Possibly the most dramatic summer in history. Byron leaves England for ever with his physician Polidori, and settles on the shores of Lake Leman. He meets the Shelleys. Shelley is crazed with laudanum. Mary Shelley begins to write Frankenstein. Her half-sister, Clare, is pregnant by Byron, and pursuing him.Using only biographical fact, Derek Marlowe brilliantly evokes six months that radically change five people, Polidori most of all. Poor 'Polly' had his moments of glory, but by September he was writing, 'We have parted ... our tempers did not agree ... there was no immediate cause, but a continued series of slight quarrels.' An understatement. Between writing six major poems, Bryon had completely destroyed his doctor.

    They are the veterans of the North African desert campaign, home for three weeks' leave after three long years at war - time to find the brothels, the black markets, the racketeers and the dollar-happy Yank servicemen. When a faceless madman in the War Office throws them into the shell-torn beaches, mountain trails and steaming jungles of New Guinea, they become creatures of the mud; walking skeletons racked with malaria. There are thousands of them. In the throes of battle, black clouds billow about the destroyers in the distance, piercing the darkness with savage explosions. In a merciless system of mutual slaughter, they must draw on every last ounce of their strength for a chance of survival against the raging fires of war, the endless jungle and the brutal enemy that lies within it.

    It was in sixteenth-century Japan, as Shakespeare was writing his masterworks half a world away, that the spirit of Kabuki theater was born out of a single woman's passions and dedication to her art. In Kabuki Dancer, the popular Japanese novelist Sawako Ariyoshi (The Doctor's Wife, The River Ki, The Twilight Years) retells the story of Okuni, the legendary temple dancer who first performed among jugglers and freak shows on a stage along the riverbank in the heart of the imperial city of Kyoto. Blending the rhythms and movements of religious festivals with the words of popular love songs, she and her troupe became sensations. Their affairs and rivalries, infatuations and jealousies, were transformed into the very fabric of their performance, as it began its evolution into the classic drama of today. Against a backdrop of civil war, dynastic conflict, and social turmoil, Okuni and her companions and lovers, together with their audience of artisans, merchants, and aristocrats, struggled to survive the birth pangs of a glorious--yet sometimes deadly--new age. Based on fact, transmuted into powerful and moving artistic expression, Kabuki Dancer is at once a turbulent love story, a recreation of an exotic and colorful historical period, and an almost mythic representation of the miraculous moment in which an immortal art form appears.

    Jim Hilton, its hero, is a subaltern of nineteen when he goes out to Flanders for the first time in April 1916, and a veteran of twenty-one, twice wounded, married, gazetted Major, by the time his story ends. It is a story of courage and the waste of human life in the bloody carnage of the Ypres Salient and the Battle of the Somme that could have been written only by someone who was there and saw it, who was a participant in the struggle in which millions of men fought and died for narrow stretches of shattered ground and useless villages in an unending sea of mud.It is also the story of the women who waited for those men - the mothers, wives and sweethearts - snatching desperately at moments of pleasure in the frenetic gaiety of wartime leaves in London, returning home to dread every ring of the front-door bell. Stuart Cloete shows relentlessly the pressures of war upon individuals and society as his young hero, like thousands of others, seeks to fulfill himself in love as well as in battle and to thread his way between the two ultimate expressions of virility - the talking and making of life

    Alternate title "The Rake and the Rebel"A coming of age story in 19th century Russia.