The "Essence" bestselling author of "Listening for God" reveals the timeless connection between today's women and their biblical sisters—and how to live a better life because of it.

    African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring all the themes inherent in Hagar's story -- poverty and slavery, ethnicity and sexual exploitation, exile and encounters with God -- Sisters in the Wilderness traces parallels in the history of African-American women from slavery to the present. A particular theology -- a womanist theology -- emerges from this shared experience; specifically, from the interplay of oppressions on account of race, sex, and class. In Part I, Williams shows how reading Hagar's story exemplifies the issues and problems black women face. The "forced motherhood," "single motherhood" and "surrogate motherhood" Hagar experienced have been part of black women's lives. Williams also explores the dismal reality of contemporary "racial narcissistic...consciousness" which finds its parallel in Hagar's travail as foreign servant and outcast. Finally, there is the religious resonance of Hagar's sojourns in the wilderness and her encounters with God. These themes Williams finds echoed in the cultural and literary traditions of African-American women. Part II considers the theological implications of the womanist understanding of Hagar's history. Williams explores the relationship between womanist and black liberation theology, and womanist theology and the black church. Through the combination of social history, political theology, and literary criticism, Williams demonstrates how approaching theology consciously informed by the awareness of the identity of black women results in a rich and vibrant knowledge of the sacred. Sisters in the Wilderness provides a reconstruction of "God-talk"

    Deconstructing memory, history, and myth as received wisdom, the volume critically examines racism, sexism, poverty, and stereotypes.

    Using a womanist methodological approach, Pamela R. Lightsey helps readers explore the impact of oppression against Black LBTQ women while introducing them to the emergent intellectual movement known as queer theology. The author privileges their narratives and experiences as she reviews several doctrines and dogma of the Christian church. Theological reflection on contemporary debates such as same-sex marriage and ordination rights make this book a valuable resource to clergy, students of theology, LGBTQ persons and allies. "Writing in the shadow of mass killings of unarmed black persons in the United States, Lightsey's Our Lives Matter: A Womanist Queer Theology is a timely publication. This valuable interdisciplinary resource provides a succinct overview of the doctrine of creation that is informed by a discussion on identity. Our Lives Matter challenges readers to move beyond theory and to acknowledge the full humanity of all persons and is a must-read for any who self-identifies as Christian." --Angela D. Sims, Dean of Academic Programs and Associate Professor of Ethics and Black Church Studies, Saint Paul School of Theology Pamela R. Lightsey is an associate dean and clinical assistant professor of contextual theology and practice at Boston University School of Theology. She is also a self-identified queer lesbian ordained elder in full connection in the United Methodist Church. A national leader among LGBTQ social justice activists, Dr. Lightsey's writings have appeared in Washington Post (online), Religion Dispatches and Black Theology Journal.

    It is concrete, visceral, and embodied in the everyday experience and relationships that determine who we are. In that case, argues distinguished theologian Shawn Copeland, we have much to learn from the embodied experience of black women who, for centuries, have borne in their bodies the identities and pathologies of those in power.With rare insight and conviction, Copeland demonstrates how black women's experience and oppression cast a completely different light on our theological theorems and pious platitudes and reveal them as a kind of mental colonization that still operates powerfully in our economic and political configurations today. Further, Copeland argues, race and embodiment and relations of power not only reframe theological anthropology but also our notions of discipleship, church, and Christ as well. In fact, she argues, our postmodern situation -- marked decidedly by the realities of race, conflict, the remains of colonizing myths, and the health of bodies - affords an opportunity to be human (and to be the body of Christ) with new clarity and effect.

    Douglas examines the function of sexuality in White culture and the denigration and exploitation of Black sexuality through a discussion of White cultural myths, stereotypes, laws and customs concerning Black women and men. Part Two studies how Blacks have responded to sexual myths and stereotypes by retreating into silence on the subject of sexuality. In this section, Douglas discusses the function and role of sexuality in the Black church and community, homophobia/heterosexuality and how Black sexuality is portrayed in Black fictional literature. Finally, she explores the importance of sexuality and sexual discourse to the Christian theological mandate and to Black churches.

    The first comprehensive collection to trace the development of African-American feminist thought.

    Jesus is a partner in the pain of the oppressed and the example of His life offers a solution to ending the descent into moral nihilism. Hatred does not empower—it decays. Only through self-love and love of one another can God's justice prevail.

    Using her own translations, Gafney offers a midrashic interpretation of the biblical text that is rooted in the African American preaching tradition to tell the stories of a variety of female characters, many of whom are often overlooked and nameless. Gafney employs a solid understanding of womanist and feminist approaches to biblical interpretation and the sociohistorical culture of the ancient Near East. This unique and imaginative work that is grounded in serious scholarship will expand conversations about feminist and womanist biblical interpretation.

    She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love.Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by feminist movement, by women's full participation in the workforce, and by the culture of self-help.Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.

    Continually drawing on her Cuban roots, Isasi-Diaz focuses on the life journeys and struggles of Hispanic women as she develops a theology to support and empower their daily struggles for meaning. With her own life journey always firmly connected to the grassroots experience of Hispanic women and to the struggle for liberation, Isasi-Diaz is a major spokesperson for the continuing need for liberation theology today. The first part of Mujerista Theology describes the experience of self-discovery: what it is like to live in a foreign land as the oppressed "other." The second part focuses on the methodology of doing mujerista theology and its major themes: solidarity, empowerment, anthropology, encountering God, and liturgy and rituals.

    A collection of sermons by this martyred Black American leader which explains his convictions in terms of the conditions and problems of contemporary society.

    But she increasingly felt she could no longer trust in the God she’d been implicitly taught to worship—a white male God who preferentially empowered white men despite his claim to love all people. A God who clearly did not relate to, advocate for, or affirm a Black woman like Christena. Her crisis of faith sent her on an intellectual and spiritual journey through history and across France, on a 400-mile walking pilgrimage to the ancient shrines of Black Madonnas to find healing in the Sacred Black Feminine. God Is a Black Woman is the chronicle of her liberating transformation and a critique of a society shaped by white patriarchal Christianity and culture. Christena reveals how America’s collective idea of God as a white man has perpetuated hurt, hopelessness, and racial and gender oppression. Integrating her powerful personal story, womanist ideology, as well as theological, historical, and social science research, she invites us to take seriously the truth that God is not white nor male and gives us a new and hopeful path for connecting with the divine and honoring the sacredness of all Black people.

    When Chickenheads Come Home to Roost is a decidedly intimate look into the life of the modern black woman: a complex world where feminists often have not-so-clandestine affairs with the most sexist of men; where women who treasure their independence often prefer men who pick up the tab; where the deluge of babymothers and babyfathers reminds black women, who long for marriage, that traditional nuclear families are a reality for less than 40 percent of the African-American population; and where black women are forced to make sense of a world where "truth is no longer black and white but subtle, intriguing shades of gray." Morgan ushers in a voice that, like hiphop - the cultural movement that defines her generation - samples and layers many voices, and injects its sensibilities into the old and flips it into something new, provocative, and powerful.

    She demonstrates how reconciliation’s roots in the evangelical, male-centered Promise Keepers’ movement has resulted in a patriarchal and largely symbolic effort, focused upon improving relationships between men from various racial-ethnic groups.Walker-Barnes argues that highlighting the voices of women of color is critical to developing any genuine efforts toward reconciliation. Drawing upon intersectionality theory and critical race studies, she demonstrates how living at the intersection of racism and sexism exposes women of color to unique experiences of gendered racism that are not about relationships, but rather are about systems of power and inequity.Refuting the idea that race and racism are “one-size-fits-all,” I Bring the Voices of My People highlights the particular work that White Americans must do to repent of racism and to work toward racial justice and offers a constructive view of reconciliation that prioritizes eliminating racial injustice and healing the damage that it has done to African Americans and other people of color.