Unique in his belief that the destiny of African Americans could not be separated from that of oppressed people the world over, Carmichael's Black Power principles insisted that blacks resist white brainwashing and redefine themselves. He was concerned not only with racism and exploitation, but with cultural integrity and the colonization of Africans in America. In these essays on racism, Black Power, the pitfalls of conventional liberalism, and solidarity with the oppressed masses and freedom fighters of all races and creeds, Carmichael addresses questions that still confront the black world and points to a need for an ideology of black and African liberation, unification, and transformation.

    "The stories I have tried to tell here are true, " says Glasser in his foreword. "Those that happened in Japan I was part of; the rest are from the boys I met. I would have liked to disbelieve some of them, and at first I did, but I was there long enough to hear the same stories again and again, and then to see part of it myself." Assigned to Zama, an Army hospital in Japan in September 1968, Glasser arrived as a pediatrician in the U.S. Army Medical Corps to care for the children of officers and high-ranking government officials. The hospital's main mission, however, was to support the war and care for the wounded. At Zama, an average of six to eight thousand patients were attended to per month, and the death and suffering were staggering. The soldiers counted their days by the length of their tour--one year, or 365 days--and they knew, down to the day, how much time they had left. Glasser tells their stories--of lives shockingly interrupted by the tragedies of war--with moving, humane eloquence.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    A key work in establishing political ideology as a major concern of modern American historians, it remains the only full-scale evaluation of the ideas of the early Republican party. Now with a new introduction, Eric Foner puts his argument into the context of contemporary scholarship, reassessing the concept of free labor in the light of the last twenty-five years of writing on such issues as work, gender, economic change, and political thought. A significant reevaluation of the causes of the Civil War, Foner's study looks beyond the North's opposition to slavery and its emphasis upon preserving the Union to determine the broader grounds of its willingness to undertake a war against the South in 1861. Its search is for those social concepts the North accepted as vital to its way of life, finding these concepts most clearly expressed in the ideology of the growing Republican party in the decade before the war's start. Through a careful analysis of the attitudes of leading factions in the party's formation (northern Whigs, former Democrats, and political abolitionists) Foner is able to show what each contributed to Republican ideology. He also shows how northern ideas of human rights--in particular a man's right to work where and how he wanted, and to accumulate property in his own name--and the goals of American society were implicit in that ideology. This was the ideology that permeated the North in the period directly before the Civil War, led to the election of Abraham Lincoln, and led, almost immediately, to the Civil War itself. At the heart of the controversy over the extension of slavery, he argues, is the issue of whether the northern or southern form of society would take root in the West, whose development would determine the nation's destiny. In his new introductory essay, Foner presents a greatly altered view of the subject. Only entrepreneurs and farmers were actually "free men" in the sense used in the ideology of the period. Actually, by the time the Civil War was initiated, half the workers in the North were wage-earners, not independent workers. And this did not account for women and blacks, who had little freedom in choosing what work they did. He goes onto show that even after the Civil War these guarantees for "free soil, free labor, free men" did not really apply for most Americans, and especially not for blacks. Demonstrating the profoundly successful fusion of value and interest within Republican ideology prior to the Civil War, Free Soil, Free Labor, Free Men remains a classic of modern American historical writing. Eloquent and influential, it shows how this ideology provided the moral consensus which allowed the North, for the first time in history, to mobilize an entire society in modern warfare.

    The most celebrated black American of his day, Robeson was blacklisted, silenced and had his US passport withheld because of his criticism of McCarthyism, his fascination with the Soviet Union and his strong support of African independence. He wrote Here I Stand as a bold answer to his accusers and it remains today a passionate and defiant challenge to the prevailing fear and racism that continues to characterize American society.'(Robeson's) nobility, his language, his encouragement and his praise put me forever in his debt because it inspired me fully to be like him, and to use my life as he had used his, to put into it the commitment of the liberation of his people and all people.' Harry Belafonte in Restoring Hope'Robeson's book is a perennial, first published in 1958, and now a voice from a different time. It anticipates for black persons the moral support of the American majority with an intensity that now seems evangelical. It's full of probably tragic hope. It should be read.' The Boston Globe'This amazing man, this great intellect, this magnificient genius with his overwhelming love of humanity is a devastating challenge to a society built on hypocrisy, greed and profit-seeking at the expense of common humanity.' The New York Times

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    Covers the Scottsboro case since its inception as a 1931 freight car incident, accentuating national and international ramifications.

    Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

    This overview of our national history from Fort Sumter through Appomattox and the death of Abraham Lincoln takes a rightful place among the classics accounts of the war that tore America apart.The present volume, complete in itself, opens with a survey of the condition of the nation midway through the warÐa balance-sheet of the strengths of the opposing armiesÐbut soon we stand outside Vicksburg as, after several false starts, Grant closes in around that city and prepares to seize control of the Mississippi River and cut the Confederacy in two. Coincident with these mighty operations, we are shown the fumbling and uncertainty that followed the Union defeat at Chancellorsville and the eventual conflict at Gettysburg, the high tide of the Confederacy in one sense and its doom in another. Allan Nevins won the National Book Award for The Organized War: 1863-1864 and The Organized War to Victory: 1864-1865, the succeeding volume in The War for the Union.All four volumes of the War for the Union are currently available from Konecky & Konecky.

    

    This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe. This book serves as a warning for the future and creates living history from the documentary record. "The basic document with which all future studies of the [House Un-American Activities] Committee will have to begin." —Dalton Trumbo "...what he has done is give us HUAC as spectacle, and the perspective is shattering."—Victor Navasky, The New York Times

    Caught between the indifference of her father, the excitement of her social-climbing mother, and her prodigal boyfriend's militancy, Yoruba persuades her sister debutantes to challenge the aging doyennes in one of the most sidesplitting scenes in American literature.Nominated for a Pulitzer in 1972, Killens's uproarious satire captures the conflicts within black society in the 1960s. The Cotillion is the fourth title in Coffee House Press's acclaimed Black Arts Movement series.John Oliver Killens was born in Macon, Georgia in 1916. Co-founder of the Harlem Writers Guild, he taught at Howard and Columbia Universities. His other novels include And Then We Heard the Thunder, and The Great Black Russian.

    Looking back 30 years later, we still share Chomsky’s concern: Will this new war lead us to an ever-expanding battle against the people of the world and increasing repression at home?Drawing in part on his visits to Asia and in part on his extensive reading in the field, Chomsky discusses the historical, political and economic reasons behind our involvement in a Southeast Asian land war. Chomsky examines the impact of our involvement on United States military strategy and what its eventual effect will be in America and abroad. While the people of the world are clearly the victims of U.S. foreign policy, the citizens of the United States have not been able to escape harm. In an eerie prediction of current events, Chomsky states:It is unlikely that we can continue indefinitely on this mad course without severe domestic depression and regimentation. For those who hope to rule the world, to win what some scholars like to call ‘the game of world domination,’ American policies in Southeast Asia may appear rational. To the citizens of the empire, at home and abroad, they bring only pain and sorrow. In this respect we are reliving the history of earlier imperial systems. We have had many opportunities to escape this trap and still do today. Failure to take advantages of these opportunities, continued submission to indoctrination, and indifference to the fate of others, will surely spell disaster for much of the human race.At War With Asia is an indispensable guide to understanding both the past and current logic of imperial force.Introduction by Christian Parrenti.

    "It is primarily about the countryside, not the wilderness; countrysides are common and within reach of almost everyone." In fact, Borland's countrysides are still just beyond your own doorstep, where meadow, woods, riverbank and roadside wait, each of them filled with everyday wonders. And although the author acknowledges that many of his readers will only follow his eloquent lead vicariously, his book is an invitation to "getting up and out," exploring nature in person and discovering the interdependence of animals and plants. Originally published in 1962, Beyond Your Doorstep is now more timely than ever as a source of inspiration for anyone with a desire to know more about the living things we so often look at but never actually see or understand.

    Details aare given of how teir food was gathers, hunted and preserved. Home life is also described.

    Thorough in its coverage of basic theory, from the lever and inclined plane to internal combustion engines and power trains, it requires nothing more than an understanding of the most elementary mathematics. Beginning with the simplest of machines — the lever — the text proceeds to discussions of the block and tackle (pulleys and hoists), wheel and axle, the inclined plane and the wedge, the screw, and different types of gears (simple, spur, bevel, herringbone, spiral, worm, etc.). A chapter on the concept of work discusses the measurement of work, friction, and efficiency; this is followed by investigations of power, force, and pressure, with explanations of the uses of scales, balances, gauges, and barometers. The fundamentals of hydrostatic and hydraulic machines (such as the hydraulic braking system and the hydraulic press) are discussed in detail. The remaining chapters cover machine elements (bearings and springs), basic mechanisms (gear differential, couplings, cams, clutches), the internal combustion engine and power trains (including explanations of various transmission systems — synchromesh, auxiliary, etc.). Every concept is clearly defined, and discussions always build easily from elementary theory to specific applications familiar to anyone with the slightest interest in mechanics. Important concepts, machine components, and techniques are clearly illustrated in more than 200 diagrams, drawings, and cross-sections that reveal inner workings — all of these help to clarify even further an already clear and well-organized presentation. Although it was originally designed for use in U.S. Naval Training Schools, this book can be used to great advantage as a basic text in mechanical engineering in standard technical schools, and it will be immensely valuable even to lay readers who desire a basic knowledge of mechanics.

    Seminal works of cultural history that changed the way we think about ourselves.