But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana. King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma. King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.

    There is a divine restlessness in the human heart, our eternal echo of longing that lives deep within us and never lets us settle for what we have or where we are.In this exquisitely crafted and inspirational book, John O'Donohue, author of the bestseller Anam Cara, explores the most basic of human desires - the desire to belong, a desire that constantly draws us toward new possibilities of self-discovery, friendship, and creativity.

    While vast military forces converge for one of the most decisive battles of the war, a squad of U.S. Army soldiers undertake a mission to save one man: paratrooper James Ryan, the last survivor of a family of four brothers, the others having already been killed in action. Based on the screenplay by Robert Rodat and Frank Darabont.

    At thirteen, Negi yearns for her own bed, privacy, and a life with her father, who remains in Puerto Rico. Translating for Mami at the welfare office in the morning, starring as Cleopatra at New York's prestigious Performing Arts High School in the afternoons, and dancing salsa all night, she yearns to find balance between being American and being Puerto Rican. When Negi defies her mother by going on a series of hilarious dates, she finds that independence brings its own set of challenges.At once a universally poignant coming-of-age tale and a brave and heartfelt immigrant's story, Almost a Woman is Santiago's triumphant journey into womanhood.  "A universal tale familiar to thousands of immigrants to this country, but made special by Santiago's simplicity and honesty." --The Miami Herald"A courageous memoir. . . . One witnesses. . .the blessings, contradictions and restraints of Puerto Rican culture." --The Washington Post Book World

    For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death.  Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation.  It is a ritual no woman can refuse.  But Fauziya dared to try.  This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S.  prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars.  Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic.  In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf.  Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996.  Do They Hear You When You Cry is her unforgettable chronicle of triumph.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    But they reinstituted slavery for the most vulnerable members of Haitian society—the children of the poor—by using them as unpaid servants to the wealthy. These children were—and still are—restavecs, a French term whose literal meaning of "staying with" disguises the unremitting labor, abuse, and denial of education that characterizes the children’s lives. In this memoir, Jean-Robert Cadet recounts the harrowing story of his youth as a restavec, as well as his inspiring climb to middle-class American life. He vividly describes what it was like to be an unwanted illegitimate child "staying with" a well-to-do family whose physical and emotional abuse was sanctioned by Haitian society. He also details his subsequent life in the United States, where, despite American racism, he put himself through college and found success in the Army, in business, and finally in teaching.

    Witty, warm, and wonderful, this new novel from the author of Brothers and Sisters and Your Blues Ain't Like Mine takes readers into the lives of two unforgettable women: Maxine, who thinks she has it all, and her grandmother Lindy, a once-brilliant singer who's about to give Maxine a lesson in faith, commitment--and comebacks.

    She visited China for the first time in 1987 and found it just as her mother had said: "As soon as my feet touched China, I became Chinese".

    From her first exposure to the world as the fiancee of the future King of England to her death as perhaps the most revered figure of the century, she captured the imagination and the love of literally hundreds of millions of people. And, from her first portrait of Lady Diana Spencer in 1980 to her last shoot months before Diana's tragic death and finally to Diana's funeral, Jayne Fincher -- the only female royal photographer working with the explicit approval and full cooperation of Buckingham Palace -- was there. Granted unprecedented access to the Princess of Wales and the extended royal family for 18 years, Fincher amassed an enormous archive of more than 30,000 striking images of Diana.She captured on film Diana's transformation from a shy, awkward teenager to an elegant and sophisticated woman. Diana: Portrait of a Princess collects in one spectacular volume for the first time ever the best of these extraordinary photographs. Here are some of the most famous images of Diana ever published...and here also are hundreds of never-before-seen candids, outtakes, and portraits, the definitive photographic document of Diana's life -- as fiance, wife, and then ex-wife of the Prince of Wales; as mother to princes William and Harry; as philanthropist, as ambassador, as fashion muse. But more than a simple collection of images, Diana: Portrait of a Princess is a personal and deeply felt memoir with behind-the-scenes insight into the moods and complex personality of Diana. This narrative, a collaborative effort with royal writer Judy Wade, incorporates detailed impressions and experiences gathered in photographing the Princess. Featuring more than 500 pictures -- three-quarters of them never before seen -- and including dozens of revealing anecdotes, Diana: Portrait of a Princess is all exquisite tribute to a woman who carried the hearts of the world in the palm of her hand.

    In a rich weave of images and text, each chapter offers an intimate look at the artist's expression in a different medium. This volume includes beautiful photographs of Micheangelo's works but here also are never before seen details of his sculpture and architecture that invite us to linger. The black-and-white photographs printed in lush doutones that add depth, show in the marks of the chisel, the hand of Michangelo at work - the rough but deliberate strokes of a man struggling to express himself in an unyielding and unforgiving medium.

    We learn that we never can merit God's love and the good news is that we don't have to -- He loves us regardless. Through Christ's atonement, our complete commitment, and love, "then shall [our] confidence wax strong in the presence of God" (D&C 121:45) even though we don't merit it of ourselves. With this confidence, we can receive the gift of peace in our lives. This requires self-abasement, not self-esteem, to obtain because the source and focus is Him, not ourselves.

    In Understanding Isaiah, the authors break down the otherwise formidable words of Isaiah into small bites that can be absorbed, pondered, and comprehended. Unlike other works on Isaiah, this book goes beyond commentary and actually includes the verses of text comprising not only the King James Version of the Bible but also the Joseph Smith Translation and the Book of Mormon, presenting the most correct translation available today. The text is presented in the same couplet format as it was likely originally written. The authors examine each unit of thought individually, likening it to our modern-day life and presenting definitions and explanations of meaning based on thorough study of the Hebrew language. The result is a comprehensive, accessible reference work that imparts readers an unprecedented understanding of Isaiah. (6' x 9', 720 pages)

    This powerful and diverse, this unique collection spans three centuries of poetry in America as poets bare their souls, speak their minds, trace their roots, and proclaim their dreams in the thirty-six poems compiled here. The voices of Langston Hughes, Countee Cullen, W. E. B. Dubois, and Gwendolyn Brooks, among others, create an energetic blend of tone and tempo, ardor and awe. From lamentations to celebrations, these poems reveal the ironies of black America, juxtaposing themes of resistance and reconciliation, hope and despair. Each poem is further illuminated with notes, a brief biography of the poet, and stunning visual interpretations. Clinton and Alcorn have created a stirring tribute to these great poets, as well as a remarkable volume that will move any reader.

    Roxanna has left no farewell, no explanation. Her family's subsequent search for her reveals no body. no sign of a fall, no trace of an escape. The only witness to Roxanna's disappearance, Lili will spend the next thirteen years looking for her mother, wondering if she is alive, wondering why she left. This is the remarkable tale that follows Roxanna, born as a "bad-luck child" in the Jewish ghetto of Tehran, through the opulent world of Iran's aristocracy, into the whorehouses of Turkey and at last, to Los Angeles -- the city of exiles -- where she and Lili arc reunited. Gina B. Nahai tells the story of a courageous circle of women standing on the edge of the past, reshaping their lives in America, the land of chances and choices.

    Full-color illustrations.

    This volume narrates the political upheavals of the inter-war period, further enriched by Netaji's reflections on the key themes of Indian history and a finely etched assessment of Mahatma Gandhi's role in itNetaji : Collected Works, Vol 2

    T. Garrett, Michael Garrett shares with us the delightful, all-ages stories passed down from his great-grandfather and other medicine teachers. Blending his background as an Eastern Cherokee with his skills as a counselor, Michael reveals through these tales how to make sense of our experiences in life, see beauty in them, and be at peace with our choices. "Michael's blend of traditional Cherokee ways with that of science and psychology illustrates that both Native and non-Native peoples can learn to thrive together...for the betterment of all" --Native Peoples magazine

    A highly personal collection of letters, these writings span Lee's life from high school until the year of his death.

    The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince--and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization.Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.

    The obsessions of our own culture as the twentieth century came to a close resonate strikingly with those of the last fin-de-siecle: crime, pollution, sexually transmitted diseases, gender confusion, moral depravity, alcoholism, and tobacco and drug use were topics of popular discussion then as now.The Decadent Reader is a collection of novels and stories from fin-de-siecle France that celebrate decline, aestheticize decay, and take pleasure in perversity. By embracing the marginal, the unhealthy, and the deviant, the decadent writers attacked bourgeois life, which they perceived to be the chief enemy of art. Barbey d'Aurevilly, Joris-Karl Huysmans, Jean Lorrain, Guy de Maupassant, Villiers de l'Isle-Adam, Catulle Mendes, Rachilde, Jean Moreas, Octave Mirbeau, Josephin Peladan, and Remy de Gourmont looted the riches of their culture for their own purposes. In an age of medicine, they borrowed its occult mysteries rather than its positivism. From its social Darwinism, they found their monsters: sadists, murderers, transvestites, fetishists, prostitutes, nymphomaniacs, and hysterics. And they reveled in them, completely upending the conventions of romance and sentimentality. The Decadent Reader, which includes critical essays on all of the authors, many novels and stories that have never before appeared in English, and familiar works set in a new context, offers a compelling portrait of fin-de-siecle France.

    It is literally a gift - a gift of God's power. While carefully maintaining the sacred confidentiality of the temple ordinances, this book provides scriptural correlations which will open up rich new areas of understanding. Once you read this inspired information, you will be better informed about the scriptural authority and symbolism of the sacred ordinances. You will be better prepared and motivated to apply scriptural symbols in your life and strive to become more like Christ. Within these pages are more than twenty scriptural symbols which correlate with the temple service. The central focus of these symbols is found in Brigham Young's oft-quoted statement of the ceremony's ultimate purpose: to enable recipients to pass by the angelic sentinels who guard the entrance to God's kingdom as they "walk back to the presence of the Father." Endowed from on high teaches that revelation occurs during the endowment, that promises are required before blessings are granted, that covenants are the channels through which blessings flow, and that the Lord is voluntarily "bound" when we obey His commandments. This is a unique and reverential guide to growth in the most sacred of all areas of our relationship with the Savior and our heavenly Father. Reading and pondering Endowen From On High will be a choice experience for all Church members.

    She knows what thrills, angers, and motivates them, and she shares the secrets that spill out from under hair dryers with heartbreaking and often hilarious candor. At Blessings, Patricia Brown's Los Angeles salon, we listen in on the dish and the drama and get real with the four unforgettable women who work there. Pat is the owner and matriarch of the salon, and she presides over Blessings with a kind but commanding air-- preventing fiery arguments, smoothing over conflicts, and lending a sympathetic ear to those who need it. But she may never get a chance to be a mother of her own children. After discovering she is infertile, she embarks on a mission to adopt a child, but learns that the process is filled with more anguish than she expected.Zuma is Blessings' star stylist, and she knows it. This brash diva is a self-described superwoman committed to making her dream of being both a businesswoman and a mom come true. She's got so much confidence that she has vowed to get artificially inseminated if she doesn't find Mr. Right soon-- and she secretly hopes that this will eradicate the indescribable sorrow lingering from the abortion she had years ago.Faye, another stylist, can't quite forget the memory of her late husband. Lonely and overweight, she turns to food to dull the pain of raising her two children alone. Her daughter has grown up into an explosive young woman, and her little boy is learning the hard way how to survive in the world without a dad. But companionship and support will come along when she's least expecting it.Sandy, the manicurist, is still searching for her own fulfillment and can't be bothered with the needs of her two small kids. Though she makes no apologies for her highly neglectful mothering, she ultimately makes a mother's biggest sacrifice.Written with Jackson's trademark skill and sass, "Blessings" paints a deeply moving picture of female struggle and triumph. As Pat, Zuma, Faye, and Sandy laugh, weep, argue, and console each other, Jackson reveals the priceless, inextricable bond between motherhood and sisterhood, and shows why she's become a beloved chronicler of the hearts and minds of women.

    Arriving at the crowded Athene Palace on the day Paris fell in 1940, the American journalist Rosa Goldschmidt Waldeck watched, for the seven months, all the events and the international figures that made Romania Europe's last sensational hotbed of intrigue and color.

    Continuing the series begun with David Wells's No Place for Truth and God in the Wasteland, this acclaimed volume urges the church to regain its moral weight and become a missionary of truth once more to our relativistic postmodern world.

    Although at first glance and to its many devotees Inari worship may seem to be a unified phenomenon, it is in fact exceedingly multiple, noncodified, and noncentralized. No single regulating institution, dogma, scripture, or myth centers the practice. In this exceptionally insightful study, the author explores the worship of Inari in the context of homogeneity and diversity in Japan. The shape-shifting fox and the wish-fulfilling jewel, the main symbols of Inari, serve as interpretive metaphors to describe the simultaneously shared yet infinitely diverse meanings that cluster around the deity. That such diversity exists without the apparent knowledge of Inari worshippers is explained by the use of several communicative strategies that minimize the exchange of substantive information. Shared generalized meanings (tatemae) are articulated while private meanings and complexities (honne) are left unspoken. The appearance of unity is reinforced by a set of symbols representing fertility, change, and growth in ways that can be interpreted and understood by many individuals of various ages and occupations.The Fox and the Jewel describes the rich complexity of Inari worship in contemporary Japan. It explores questions of institutional and popular power in religion, demonstrates the ways people make religious figures personally meaningful, and documents the kinds of communicative styles that preserve the appearance of homogeneity in the face of astonishing factionalism.

    In Part I, “Painted Words,” Marianthe is frustrated about being unable to communicate with her peers. Her teacher encourages her to paint her words, and little by little she finds ways to share her story with her classmates.In Part II, “Spoken Memories,” Marianthe tells her class about her life in Greece, how her Papa left for a better job in America, and how she and her family eventually came to join him.Based on Aliki’s own experience as a schoolgirl in Philadelphia, this is an essential, timely, and relevant American immigration story. With appealing, accessible art and a universal message, Marianthe’s Story is sure to resonate with children and educators alike.The Bulletin of the Center for Children’s Books said, “Few picture books have captured [the immigrant experience] with such well-crafted and telling simplicity.”

    The Good Man of Nanking is a crucial document for understanding one of World War II's most horrific incidents of genocide, one which the Japanese have steadfastly refused to acknowledge.  It is also the moving and awe-inspiring record of one man's conscience, courage, and generosity in the face of appalling human brutality.Until the recent emergence of John Rabe's diaries, few people knew abouth the unassuming hero who has been called the Oskar Schindler of China.  In November 1937, as Japanese troops overran the Chinese capital of Nanking and began a campaign of torture, rape, and murder against its citizens, one man-a German who had lived in China for thirty years and who was a loyal follower of Adolph Hitler-put himself at risk and in order to save the lives of 200,000 poor Chinese, 600 of whom he sheltered in his own home.

    Written with a powerful and personal voice, Schulman’s book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of “marginal” artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent—which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent’s premiere—she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of “the homosexual” that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck’s message is sure to incite discussion and raise the level of debate about cultural politics in America today.

    Sophia has dedicated this book to her grandmother Luisa, with whom she lived in Pozzuoli, the small city near Naples, during World War II. Watching her grandmother turn their humble wartime rations into succulent dishes left a lasting impression on Sophia, and it is this spirit of improvisation that marks the recipes in her new cookbook.Along with Nonna Luisa's specialties, Sophia's recipes come from all over Italy: a wonderful bean soup from Tuscany, Neapolitan pizzas, a risotto from Venice, fish from Sicily and, vegetable preparations from the South. Many of the recipes are variations on the classics, such as Vermicelli alia Sophia (which features her own interpretation of pesto sauce) and Luisa's Minestrone (based on her grandmother's version of the essential vegetable soup). Sophia's love of pasta is well-known, and the book includes a wonderful selection of pasta recipes, as well as dishes of risotto and polenta. Simple antipasti and recipes for meat, poultry, and fish round out this collection. Among the homey desserts are a flourless apple cake and an irresistible ricotta pie.In addition to the recipes, Sophia shares poignant anecdotes about her Neapolitan childhood and her illustrious filmmaking career. She takes us behind the scenes of some of the many movies she made in Italy with such stars and dear friends as Marcello Mastroianni and Cary Grant and shares the recipes that she discovered on location for various movies. While making Two Women, in the mountains near Rome, she learned to make Spaghetti alla Carbonara from charcoal workers.

    It features stories told by Davey Arch, Robert Bushyhead, Edna Chekelelee, Marie Junaluska, Kathi Smith Littlejohn, and Freeman Owle--six Cherokee storytellers who learned their art and their stories from family and community. The tales gathered here include animal stories, creation myths, legends, and ghost stories as well as family tales and stories about such events in Cherokee history as the Trail of Tears. Taken together, they demonstrate that storytelling is a living, vital tradition. As new stories are added and old stories are changed or forgotten, Cherokee storytelling grows and evolves. In an introductory essay, Barbara Duncan writes about the Cherokee storytelling tradition and explains the oral poetics style in which the stories are presented. This format effectively conveys the rhythmic, oral quality of the living storytelling tradition, allowing the reader to hear the voice of the storyteller.

    Personal stories, mostly unedited from unlocked confidential files.

    By using the skills of Wing Chun Kung Fu, a smaller and weaker person can easily overcome a larger strong opponent. With its focus on technique rather than force, it is suitable for both men and women, young and old, and for those of all levels of physical fitness. Grandmaster Ip Chun is regarded as the world's leading authority on Wing Chun. Bruce Lee--Wing Chun's most famous student--was taught by Ip Chun's father, Grandmaster Ip Man. Michael Ise is also a highly respected Qigong and martial arts master. Together they demonstrate that first form of Wing Chun (Siu Lim Tao) and show how it can be used for self-denence. They also outline the history and the art of Wing Chun and discuss its many other benefits, which includeIncreased Energy and VitalityGreater Confidence and Inner StrengthAn Understanding of the Skills and Benefits of MeditationWith expert instruction and more than 100 step-by-step photographs, Wing Chun Kung Fu makes it easy to master the power and grace of this ancient martial art.

    Now they look back on a half- century of their personal and political struggles to maintain a healthy marriage and to create the record of distinguished accomplishment that earned each a Presidential Medal for Lifetime Achievement in the Arts.With Ossie and Ruby overflows with consummate storytelling skill developed by decades in the spotlight. From their early years as struggling actors in Harlem's black theater to Broadway and Hollywood stardom, they regale the reader with colorful, entertaining tales of the places they've been and the people they've met. But their charming humor is leavened with a more serious side, as they share their experiences of keeping a family together in a world where scandal and divorce is the rule, and of being artists and political activists in an era of intense racial ferment. Born into the struggle, their characters were shaped by the dynamic collisions of life, politics, and art; and from those experiences, they achieved some sense of their worth as married people, friends, and lovers.Warm, positive, and compelling, this is a book that will surprise and challenge readers everywhere -- black and white, male and female, young and old. Lifting the veil of public image, media hype, and mystique, Ossie and Ruby speak of the real-life dilemmas and rewards of their lifelong search for purpose and value.

    The Shaman's Apprentice tells the story of a Tirio Indian boy who dreams of one day being the tribal shaman, and how he and his people learn the importance of their own knowledge about the healing properties of the rain forest.

    The Legend of White Buffalo Woman tells the inspiring story of the first peace pipe, presented to the Lakota people to connect them to the Great Spirit, who will guide them through the hardships of life.

    Here, where everything - walls, floor, courtyard - is mud, a boy's heart can still long for freedom, independence, and safety. And here, where life is terribly fragile, the strength to endure grows out of need. But the strength to dreams comes from within.

    While Partition sounds smooth on paper, the reality was horrific. More than eight million people migrated and one million died in the process. The forced migration, violence between Hindus and Muslims, and mass widowhood were unprecedented and well-documented. What was less obvious but equally real was that millions of people had to realign their identities, uncertain about who they thought they were. The rending of the social and emotional fabric that took place in 1947 is still far from mended.While there are plenty of official accounts of Partition, there are few social histories and no feminist histories. Borders and Boundaries changes that, providing first-hand accounts and memoirs, juxtaposed alongside official government accounts. The authors make women not only visible but central. They explore what country, nation, and religious identity meant for women, and they address the question of the nation-state and the gendering of citizenship. In the largest ever peace-time mass migration of people, violence against women became the norm. Thousands of women committed suicide or were done to death by their own kinsmen. Nearly 100,000 women were "abducted" during the migration. A young woman might have been separated from her family when a convoy was ambushed, abducted by people of another religion, forced to convert, and forced into marriage or cohabitation. After bearing a child, she would be offered the opportunity to return only if she left her child behind and if she could face shame in her natal community. These stories do not paint their subjects as victims. Theirs are the stories of battles over gender, the body, sexuality, and nationalism-stories of women fighting for identity.

    It gathers a wide range of evidence from the second century B.C. to the second century A.D.--above all from such literary texts as courtroom speeches, love poetry, philosophy, epigram, and history, but also graffiti and other inscriptions as well as artistic artifacts--and uses that evidence to reconstruct the contexts within which Roman texts were created and had their meaning. The book takes as its starting point the thesis that in order to understand the Roman material, we must make the effort to set aside any preconceptions we might have regarding sexuality, masculinity, and effeminacy.Williams' book argues in detail that for the writers and readers of Roman texts, the important distinctions were drawn not between homosexual and heterosexual, but between free and slave, dominant and subordinate, masculin and effeminate as conceived in specifically Roman terms. Other important questions addressed by this book include the differences between Roman and Greek practices and ideologies; the influence exerted by distinctively Roman ideals of austerity; the ways in which deviations from the norms of masculine sexual practice were negotiated both in the arena of public discourse and in real men's lives; the relationship between the rhetoric of nature and representations of sexual practices; and the extent to which same-sex marriages were publicly accepted.

    Bergen, the questions that preoccupied Arendt were the meaning and significance of the Nazi genocide to our modern times. As Bergen describes Arendt's struggle to understand 'the banality of evil, ' he shows how Arendt redefined the meaning of our most treasured political concepts and principles_freedom, society, identity, truth, equality, and reason_in light of the horrific events of the Holocaust. Arendt concluded that the banality of evil results from the failure of human beings to fully experience our common human characteristics_thought, will, and judgment_and that the exercise and expression of these attributes is the only chance we have to prevent a recurrence of the kind of terrible evil perpetrated by the Nazi

    Thursday is the day before Mama gets paid at work each week - it's the day when money is tight and spirits are low for Andre and his older brother and sister.As report card day approaches, Andre anticipates making the honor roll, and Mama said she'd throw a royal party for just such an event. But Andre can't believe his eyes when he looks at the calendar and sees that report card day falls on the worst possible day of the week - a Thursday.Andre's predicament - and the loving solution that his family offers - will strike a chord with readers of all backgrounds. Melrose Cooper and Nneka Bennett present a warm and touching portrait of a child who experiences a celebration he'll never forget.

    When you lose a tooth, do you put it under your pillow and wait for the tooth fairy? In Botswana, children throw their teeth onto the roof. In Afghanistan they drop their teeth down mouse holes. From Egypt to Venezuela, Spain to Korea losing a tooth is an exciting milestone that’s honored with unique traditions. Discover the variety of customs from every corner of the globe in this charming picture book by Selby B. Beeler with whimsical illustrations by G. Brian Karas.

    Kids will begin to understand the important discoveries that da Vinci made through inspiring activities like determining the launch angle of a catapult, sketching birds and other animals, creating a map, learning to look at a painting, and much more. Includes a glossary, bibliography, listing of pertinent museums and Web sites, a timeline, and many interesting sidebars.

    But as she rushes out to the cookhouse, disasters happen. Her homework blows out the window and is ruined by dogs. She drops her glasses and breaks them. Grandmother comforts her broken-hearted granddaughter with the wisdom of an old healing song: "When we have problem, we must choose what we shall be". Marta chooses to fly high and laugh at her problems, like the eagle. Set in a contemporary Tohono O'odham (Papago) village, Joy Cowley's gentle story contains a valuable message for everyone. Dyanne Strongbow's vibrant paintings capture the rugged beauty of the American southwestern desert.

    

    One of the trailblazing women in the Class of 1980 presents a dramatic and some-times disturbing novel about female midshipmen.

    They were to become the symbolic founders of Britain's black communities. For the first time there were would be communities that would not, could not, blend into the background. British society faced an entirely new challenge.

    Beautifully retold, the story of how Amrita saves the village trees from the woodcutters.An Environmental Folk Tale

    From the moment Vito arrived in the United States from Italy in 1936 he did his best to live as a good man--hard-working, deeply-religious, frugal and honest. Peter, on the other hand, now forty years old, his real-estate business in shambles, has bent the rules and battled a gambling addiction for most of his adult life. With his family's help, he always just succeeded in averting disaster, until now. Revere Beach Boulevard--a novel both literary and suspenseful--tells the story of a family that rallies around an errant son, even as a dark secret that has blighted all their lives comes to the surface. For Peter it means having the courage to stand up to Eddie Crevine, a Mafia thug to whom he is in debt and who now threatens his life. For Peter's sister, Joanna, it means admitting that she shares some of her brother's anger at their parents. For Vito and his wife, Lucy, it involves dealing with the aftereffects of a youthful indiscretion, a moment of unchecked passion that changed all of their lives in ways that can never be undone. Revere Beach Boulevard is a rich and heartfelt novel that looks deeply into the secret places in men and women's hearts, places only great fiction can reveal.

    In this land, the original America, men who wore women’s clothes and did women’s work became artists, ambassadors, and religious leaders, and women sometimes became warriors, hunters and even chiefs. Same-sex marriages flourished. Berdaches—individuals who combine male and female social roles with traits unique to their status as a third gender—have been documented in more than 150 North American tribes. By looking at this aspect of non-Western culture, Roscoe challenges the basis of the dualistic way most Americans think about sexuality, and shakes the foundation of the way we understand and define gender.

    So begins the story of Hanuman the monkey who believes he has lost his magic after leaping all the way to the sun. For children ages 7 and up.

    Each neatly laid out plot, each lichen-dotted headstone, each lovingly crafted monument, is a representation of a personal history. While each cemetery has its own collection of stories to tell, Bonaventure Cemetery has more stories than most. For more than 150 years, citizens of Savannah have buried their loved ones at Bonaventure Cemetery. Among its grounds, monuments bearing the names of such famous people as Johnny Mercer lie alongside markers bearing names of those known only to their family. Bonaventure's stately beauty seems the perfect setting for a cemetery. Historic Bonaventure Cemetery illustrates the development of Bonaventure as a Victorian-style cemetery and the transformation from a private estate to a public cemetery. Historic Bonaventure Cemetery, the first book solely about Bonaventure, includes images of Bonaventure and Greenwich--the two plantations that became Bonaventure--and provides information about the people and the monuments there.

    Become a doctor or a lawyer. Marry a nice Asian. These are some of the hopes of our Asian parents. Knowing that our parents have sacrificed for us, we want to honor their wishes. But we also want to serve Jesus, and sometimes that can seem to conflict with family expectations. Discovering our Asian identity in the midst of Western culture means learning to bridge these and other conflicting values. We need wise counsel onour parents' ways of loving usvocations that show respect for our parents and allow us to serve Godthe "model minority" myth and performance pressuresmarriage, singleness, and being male and femaleracial reconciliationspirituality and church experiencesunique gifts Asians bring to Western cultureThis book, written by a team of Asian American student ministry workers who have been there, can serve as our guide on a difficult journey. The authors represent a variety of perspectives, including the immigrant experience of a Korean man, a third-generation Japanese-American's understanding of his parents' experience in the internment camps during World War II, and a Chinese American woman's struggle to communicate with her parents. Their accounts of humorous, frusrating and heartbreaking personal experiences (as well as stories from other Asian American students and adults) offer support and encouragement. And their ideas for living out the Christian faith between two cultures show us the way to wholeness.

    This thoroughly revised and updated second edition of The Visual Culture Reader brings together key writings as well as specially commissioned articles covering a wealth of visual forms including photography, painting, sculpture, fashion, advertising, television, cinema and digital culture.The Reader features an introductory section tracing the development of visual culture studies in response to globalization and digital culture, and articles grouped into thematic sections, each prefaced by an introduction by the editor and conclude with suggestions for further reading.

    Her mon wants to find her birth family who gave her up for adoption during the war, and Mai wants to help. In Vietnam, they visit orphanages and records departments, turning up nothing. Eventually, through an old photograph, they track down an old man who tells them the surprising story of what happened to her family.

    Basque women lovingly pass on their cooking techniques to daughters and granddaughters, and Basque men, who belong to traditional cooking clubs called txokos, themselves enjoy lingering over stove and table.

    Lavish, powerfully written, gloriously designed, The Seventies recaptures everything wonderful about the excess of the decade.

    Pictographs were the original writing system used by many Native American and First Nations peoples and could be symbols of physical objects or concepts. A brief summary of the Great Peace upon which Iroquois culture is founded, along with a key to Six Nations pictographs, the symbols of the Six Nations and that of their clans prelude the stories. Fourteen tales explore the Iroquois culture and teach lessons of loyalty, bravery, and kindness. Also included is a full biography of Tehanetorens and his contributions to the Haudenosaunee.

    This study raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and even psychic contexts. Kenyan writer, Ngugi wa Thiong'o, calls for the alliance of art and people power, freedom and dignity against the encroachments of modern states. Art, he argues, needs to be active, engaged, insistent on being what it has always been, the embodiment of dreams for a truly human world.

    Full-color illustrations.

    A funny and moving portrait of a Mexican town plagued by expatriate gringos, licentious locals, and corrupt officials. Their seeming disparate lives weave a vibrant, exotic and sexy tapestry of life and death, longing and love, faithlessness and truth set against a backdrop of an indifferently received murder of a young artist.

    Frankly the duchess would prefer a Mills and Boon, but her friend's wartime tragi-comedy soon gets a grip on her imagination.

    Set in Berlin and Moscow and spanning eight decades, Fear of Mirrors is the story of betrayed illusions and destroyed hopes. It is also the story of people who believed they were fighting for certain ideals, only to be crushed by their own people.Lovers want to know the truth, but they do not always want to tell it. For some East Germans, the fall of Communism was like the end of a long and painful love affair: free to tell the truth at last, they found they no longer wanted to hear it. Vlady, a former dissident who loses his job when he refuses to renounce his socialist beliefs in the new, unified Germany, wants to tell his alienated son, Karl, what his family's long and passionate involvement with Communism really meant. It is the story of Ludwik, the Polish secret agent who recruited Philby, and of Gertrude, Vlady's mother, whose desire for Ludwik is matched only by her devotion to the Communist ideal.Ali carries us along as the political upheavals of the twentieth century unfold, as Vlady describes the hopes aroused by the Bolshevik revolution and discovers the almost unbearable truth about their betrayal. Written with deep political insight and sensitivity, Fear of Mirrors tells one of the great stories of the twentieth century -- the extraordinary history of Central Europe and the fall of Communism.

    At the center of the transformation was a shift from a marital property regime based on custom to one based on contract. In the former, a widow typically inherited her husband's property; in the latter, she shared it with or simply held it for his family or offspring. Howell asks why the law changed as it did and assesses the law's effects on both social and gender meanings but she insists that the reform did not originate in general dissatisfaction with custom or a desire to disempower widows. Instead, it was born in a complex economic, social and cultural history during which Douaisiens gradually came to think about both property and gender in new ways.

    The fourteen stories in this collection are some of his favorites, previously published in The Ox of the Wonderful Horns; Beat the Story-Drum, Pum-Pum (Coretta Scott King Award for Illustration); and Lion and the Ostrich Chicks (Coretta Scott King Honor Book). Retold with rich, musical narration, and illustrated with Mr. Bryan's distinctive paintings, these tales are full of fun and magic and a few lessons to be learned. They are tales of tricksters, chieftains, and both wise and foolish creatures. You will learn why Frog and Snake never play together, or why Bush Cow and Elephant are bad friends, or of the problems that a husband has because he likes to count spoonfuls. Although the stories come from many parts of Africa, they are full of the universal human spirit, to be shared and treasured for every generation, uh-huh.