After more than a year of fighting, but still only twenty years old, Joe had become a hardened veteran. Yet nothing could have prepared him and his unit for the horrors behind the walls of Germany's infamous Dachau concentration camp. They were among the first 250 American troops into the camp, and it was there that they finally grasped the significance of the Allied mission. Surrounded by death and destruction, the men not only found the courage and will to fight, but they also discovered the meaning of friendship and came to understand the value and fragility of life.

    It is a city with cats sleeping under parked cars, two stone armadillos crawling up St. Patrick's Cathedral, and thousands of ants creeping on top of the Empire State Building. Attention to detail and observation of the unnoticed is the hallmark of Gay Talese's writing, and The Gay Talese Reader brings together the best of his essays and classic profiles. This collection opens with "New York Is a City of Things Unnoticed" and includes "Silent Season of a Hero" (about Joe DiMaggio), "Ali in Havana" and "Looking for Hemingway" as well as several other favorite pieces. It also features a previously unpublished article on the infamous case of Lorena and John Wayne Bobbitt, and concludes with the autobiographical pieces that are among Talese's finest writings. These works give insight into the progression of a writer at the pinnacle of his craft.Whether he is detailing the unseen and sometimes quirky world of New York City or profiling Blue Eyes in "Frank Sinatra Has a Cold" Talese captures his subjects be they famous, infamous, or merely unusual in his own inimitable, elegant fashion. The essays and profiles collected in The Gay Talese Reader are works of art, each carefully crafted to create a portrait of an unforgettable individual, place or moment.

    This is a wonderfully vibrant, unashamedly feel-good debut. BIG CHERRY HOLLER is the extraordinary sequel to BIG STONE GAP, taking us back to mountain life in Virginia and also to Italy. A deeply felt, brilliantly evoked story of two lovers who have lost their way, and their struggle to find each other again. The third in the series, MILK GLASS MOON sees Ave Maria led to places she never dreamed she would go, and to people who enter her life and rock its foundation.

    Saadat Hasan Manto's stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto's prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.

    Based on firsthand accounts from long-lost survivors who have emerged to tell about it, this stirring tale of the “Alamo of the Pacific” will reverberate for generations to come.On December 8, 1941, just five hours after the bombing of Pearl Harbor, Japanese planes attacked a remote U.S. outpost in the westernmost reaches of the Pacific. It was the beginning of an incredible sixteen-day fight for Wake Island, a tiny but strategically valuable dot in the ocean. Unprepared for the stunning assault, the small battalion was dangerously outnumbered and outgunned. But they compensated with a surplus of bravery and perseverance, waging an extraordinary battle against all odds.When it was over, a few hundred American Marines, sailors, and soldiers, along with a small army of heroic civilian laborers, had repulsed enemy forces several thousand strong––but it was still not enough. Among the Marines was twenty-year-old PFC Wiley Sloman. By Christmas Day, he lay semiconscious in the sand, struck by enemy fire. Another day would pass before he was found—stripped of his rifle and his uniform. Shocked to realize he hadn’t awakened to victory, Sloman wondered: Had he been given up for dead—and had the Marines simply given up?In this riveting account, veteran journalist Bill Sloan re-creates this history-making battle, the crushing surrender, and the stories of the uncommonly gutsy men who fought it. From the civilians who served as gunmen, medics, and even preachers, to the daily grind of life on an isolated island—literally at the ends of the earth—to the agony of POW camps, here we meet our heroes and confront the enemy face-to-face, bayonet to bayonet.

    At the heart of the book is a profound ethical investigation, “Some Questions of Moral Philosophy,” in which Arendt confronts the inadequacy of traditional moral “truths” as standards to judge what we are capable of doing and examines anew our ability to distinguish good from evil and right from wrong. We also see how Arendt comes to understand that alongside the radical evil she had addressed in earlier analyses of totalitarianism, there exists a more pernicious evil, independent of political ideology, whose execution is limitless when the perpetrator feels no remorse and can forget his acts as soon as they are committed.Responsibility and Judgment is an indispensable investigation into some of the most troubling and important issues of our time.

    In this first novel, his slacker kids ponder life's mundane questions with the seriousness of ancient philosophers: how to get by on no money, where to scam free photocopies, and the finer points of food filching. Through a haze of beer and Top Ramen, they engage in endless debates about the nature of punk rock rage. the tribe of punks and dropouts has never before been so perfectly chronicled as in this oral history made into a written saga. In his autobiographical work, Cometbus offers an eclectic series of connected stories about living on the fringe in Berkeley.

    Now readers can follow all of the adventures of the winged cats who escape the dangerous and dirty city to live in the countryside. From the original four cats, James, Roger, Thelma and Harriet, to their new friends, Jane and Alexander, the fantasy that is so wonderfully realistic is brought to life by S. D. Schindler's delicate, yet vibrant illustrations.

    THE BLACK PANTHER OF SIVANIPALLIThe author, more famous for hunting man-eating tigers, finds in a wily panther a real challenger to his hunting acumen.2. THE TIGER ROARSHailed as the best of all of Anderson's books, the celebrated author reminisces about the man-eating tigers he had tracked down, a ferocious panther fond of human blood, the aging elephant meeting a sad end, and his own adventurous hours spent in the primeval jungles of India.3. JUNGLES LONG AGOTaking a holiday from big game hunting, Anderson lovingly reminisces about his exciting days and star-lit nights spent amidst the simple folks inhabiting the fringes of dark forests.

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the 20th century.Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. In well-drawn historical portraits, Ngai peoples her study with the Filipinos, Mexicans, Japanese, and Chinese who comprised, variously, illegal aliens, alien citizens, colonial subjects, and imported contract workers.She shows that immigration restriction, particularly national-origin and numerical quotas, re-mapped the nation both by creating new categories of racial difference and by emphasizing as never before the nation's contiguous land borders and their patrol. This yielded the illegal alien, a new legal and political subject whose inclusion in the nation was a social reality but a legal impossibility--a subject without rights and excluded from citizenship. Questions of fundamental legal status created new challenges for liberal democratic society and have directly informed the politics of multiculturalism and national belonging in our time.Ngai's analysis is based on extensive archival research, including previously unstudied records of the U.S. Border Patrol and Immigration and Naturalization Service. Contributing to American history, legal history, and ethnic studies, Impossible Subjects is a major reconsideration of U.S. immigration in the 20th century.

    This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and the children's poems that he meant for adults as well. This omnium-gatherum of Hughes's poetry is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

    With him was a team of underwater explorers that included the artist Ken Marschall, the historian Don Lynch, and two actors from the movie, Bill Paxton and Lewis Abernathy (who played Brock Lovett and Lewis Bodine). Their equipment included state-of-the-art digital 3D cameras, a pair of Remotely Operated Vehicles (ROVs), and a specially built deep-water lighting platform that illuminated the fabled ship as never before. In a series of historic dives they filmed deep inside the ghostly liner, obtaining haunting, never-before-seen images.In spring 2003, this remarkable journey into the heart of the Titanic will be presented coast-to-coast in a digital 3D giant screen film, Ghosts of the Abyss. For those who will be drawn anew to the story of the Titanic, as well as for those who have never stopped being fascinated by the ship's tragic fate, James Cameron's "Ghosts of the Abyss" will be a revelation in pictures and words. Cameron compellingly describes just what keeps him returning to the Titanic, and the meticulous journals kept during the dives form a dramatic adventure narrative. But what will truly astonish are new, incredibly vivid images from within the ship's staterooms and public rooms, matched with archival images from 1912 and new paintings and diagrams-a "then-and-now gallery" that captures as never before the history, the drama, and the legend of the Titanic.

    But when the Blitz reaches Manchester, she is locked in the cellar by her feckless mother, Lizzie. As bombs rain down from a sky turned blood red with flame, Jess waits for Lizzie to return.But fortunes are fickle, and soon Jess finds herself packed off to live with her tyrant Uncle Bernie, a bullying black marketeer. Though he treats her like a servant, she seeks refuge in the Sally Army and her natural musical talent offers both an escape route and the chance for love.But Uncle Bernie never forgives his niece for refusing to join his illegal schemes and threatens to deprive Jess of her hard-won freedom once and for all. This is a sweeping saga of hope and resilience perfect for fans of Kitty Neale and Rosie Goodwin. Praise for Dancing on Deansgate ‘A heart-wrenching story’ 5* Reader review‘It drew me in straight away’ 5* Reader review‘Another gem from a great writer’ 5* Reader review‘A compelling story of separation and hardship, and heartache overcome at last’ 5* Reader review

    Not long afterward, he himself would fall prey to those powers, a victim of suicide following a failed attempt to flee the Nazis. However insistently the idea of catastrophe hangs over Benjamin's writings in the final years of his life, the "victories wrested" in this period nonetheless constitute some of the most remarkable twentieth-century analyses of the emergence of modern society. The essays on Charles Baudelaire are the distillation of a lifetime of thinking about the nature of modernity. They record the crisis of meaning experienced by a civilization sliding into the abyss, even as they testify to Benjamin's own faith in the written word.This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist--a subdued but resilient heroism. At the same time, he was setting forth a sociohistorical account of how art adapts in an age of violence and repression.Working at the height of his powers to the very end, Benjamin refined his theory of the mass media that culminated in the final version of his essay "The Work of Art in the Age of Its Technological Reproducibility." Also included in this volume is his influential piece "On the Concept of History," completed just before his death. The book is remarkable for its inquiry into the nature of "the modern" (especially as revealed in Baudelaire), for its ideas about the transmogrification of art and the radical discontinuities of history, and for its examples of humane life and thought in the midst of barbarism. The entire collection is eloquent testimony to the indomitable spirit of humanity under siege.

    Thirty years later, this thorough and sensitive revision freshly renders the remarkable range of styles, subjects, and voices in English-language poetry, from Walt Whitman and Thomas Hardy in the late nineteenth century to Carol Ann Duffy and Sherman Alexie in the twenty-first century.With 195 poets and 1,596 poems, The Norton Anthology of Modern and Contemporary Poetry richly represents the major figures—Yeats, Frost, Stevens, Williams, Hughes, Olson, Bishop, Larkin, Plath, Rich, Heaney, and Walcott, among others. It also gives full voice to postcolonial and transnational poets, ethnic American poetries, experimental traditions, and the long poem. Each volume concludes with a Poetics section that provides essential contexts for reading the poems.With substantially new introductions, headnotes, annotations, and bibliographies by the award-winning scholar and teacher Jahan Ramazani, this anthology is indispensable for all who love poetry. Two volumes, slipcased.

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    The Happy Way of Life God Intended for You As your walk is transformed, you will experience:God’s free favorIncreasing answers to prayerSuccess in witnessing to othersPeace in today’s stormsHealth and healingDiscover how you can have the desires of your heart as you come to know the joy of God’s presence in your life.

    On March 25, 1911, as workers were getting ready to leave for the day, a fire broke out in the Triangle Shirtwaist factory in New York’s Greenwich Village. Within minutes it spread to consume the building’s upper three stories. Firemen who arrived at the scene were unable to rescue those trapped inside: their ladders simply weren’t tall enough. People on the street watched in horror as desperate workers jumped to their deaths. The final toll was 146 people—123 of them women. It was the worst disaster in New York City history.

    It was like roaring surf, one of them said later. Like a runaway two-horse team smashing through a fence, said another. A third firefighter jumped up from his chair to look out a window-"Oh my God!" he shouted to the other men, "Run!"A 50-foot-tall steel tank filled with 2.3 million gallons of molasses had just collapsed on Boston's waterfront, disgorging its contents as a 15-foot-high wave of molasses that at its outset traveled at 35 miles an hour. It demolished wooden homes, even the brick fire station. The number of dead wasn't known for days. It would be years before a landmark court battle determined who was responsible for the disaster.

    Intimate Voices from the First World War fills in the gaps in the history of the world's first global confrontation with excerpts from recently uncovered letters and diaries of those on the front lines and their friends at home. In their reflections on the vastness of the enterprise of war, these combatants, victims, and eyewitnesses re-create the scope of the conflict with immediacy and tenderness. Written with the frankness and intimacy of words not intended for public eyes -- full of private passions, prejudices, humor, and vivid insights -- these communiqués speak to us directly from within the war itself and from all sides of the conflict. These marvelous historical narratives not only immerse readers in an ongoing dialogue about the meaning of human conflict but also serve as reminders of the individual perspectives and beliefs that sometimes get overlooked during times of global strife.

    Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step of the creative process along the way.Barthes's lectures move from the desire to write to the actual decision making, planning, and material act of producing a novel. He meets the difficulty of transitioning from short, concise notations (exemplified by his favorite literary form, haiku) to longer, uninterrupted flows of narrative, and he encounters a number of setbacks. Barthes takes solace in a diverse group of writers, including Dante, whose La Vita Nuova was similarly inspired by the death of a loved one, and he turns to classical philosophy, Taoism, and the works of François-René Chateaubriand, Gustave Flaubert, Franz Kafka, and Marcel Proust.This book uniquely includes eight elliptical plans for Barthes's unwritten novel, which he titled Vita Nova, and lecture notes that sketch the critic's views on photography. Following on The Neutral: Lecture Course at the Collège de France, 1977-1978 and a third forthcoming collection of Barthes lectures, this volume provides an intensely personal account of the labor and love of writing.

    American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension.American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership.Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.

    It is the most troubled region on earth. At its heart is the conflict between Palestinians and Israelis - and the legacy of six days of war in 1967.After the state of Israel emerged from war in 1948, both sides knew more battles were coming. In June 1967, years of slow-burning tension exploded. In six extraordinary days, Israel destroyed the armed forces of Egypt, Jordan, and Syria. But far from bringing peace, as many Israelis hoped, their stunning victory turned into a curse.From the initial battle order issued to the Israeli air force on Monday June 5, 1967 to the final ceasefire on the evening of Saturday the 10th, the Six-Day War was a riveting human drama. Building on his first-hand experience of the region after his five years as the BBC's Middle East Correspondent, as well as extensive original research, Jeremy Bowen presents a compelling new history of the conflict. Six Days recreates day by day, hour by hour, the bullying and brinckmanship that led four nations to war, interweaving testimonies of combatants from all sides in a seamless narrative.A rigorous and original piece of modern history is as vivid as fiction, Six Days not only sheds new light on one of the key conflicts of the twentieth century, it explains much about the Middle East and the problems the region still faces today.

    Huston has never before written about that time—an era of racism and repression, a time when this country was still relatively young, an age of quirky individualism and almost frontier-style freedom that largely has ceased to exist. Fearful he would not be believed, on one hand, but desirous of the freedom to embellish, on the other, Curtiss chronicles that time in Sins of the Seventh Sister, a book he characterizes as “a novel based on a true story of the gothic South.” It is his story and the story of the people of Elkins, West Virginia, a small town whose inhabitants included his mother, Billy-Pearl Curtiss, and her many sisters—all stunning blondes. Billy-Pearl would prove to be an irresistibly romantic figure in her son’s life. She was the seventh of eleven children, all girls to her father’s consternation. By the time of her arrival, her father felt he had been patient enough and insisted on calling her Billy; he taught her everything he had intended to impart to his firstborn son. She would grow up to be one of the most beautiful women in the county, but also one of the most opinionated and liberal. Her aim was so precise that she was barred from the local turkey shoot because none of the men had a chance against her. When a Klansman accused her of attempted homicide after she shot him through the shoulder to stop him from setting fire to the home of her black neighbors, she told the sheriff, “If I had meant to kill him, he’d be dead.” And with that defense, she was exonerated.Curtiss Farm was large and the house had many rooms, which Billy-Pearl got in the habit of gathering people to fill, especially the downtrodden who had nowhere to go. In May 1929, Billy-Pearl brought home a boy from the local orphanage. Stanley was sixteen, the age at which the orphanage kicked children out, and Billy-Pearl, knowing his sad history, could not allow him to end up on the streets. Stanley had witnessed his father beat his mother to death in a drunken rage and had taken a straight razor and slit his father’s throat while he slept. A country judge had the boy castrated to control his aggressive ways. Not a boy, but not yet a man, Stanley was tall, willowy, and frightened as a colt upon his arrival at Curtiss Farm—not at all the playmate for whom Huston had hoped. But quickly a friendship developed between the two that would last a lifetime—a friendship that would survive murder, suicide, madness, and Stanley’s eventual transformation into Stella, a singer who would live her adult life as a glamorous woman.Sins of the Seventh Sister is brilliantly conceived and masterfully written, as alive with flamboyant characters and wildly uncontained emotions as any book to come out of the South.

    Americans, Cubans, Soviets, and Africans fought over the future of Angola, where tens of thousands of Cuban soldiers were stationed, and over the decolonization of Namibia, Africa's last colony. Beyond lay the great prize: South Africa. Piero Gleijeses uses archival sources, particularly from the United States, South Africa, and the closed Cuban archives, to provide an unprecedented international history of this important theater of the late Cold War. These sources all point to one conclusion: by humiliating the United States and defying the Soviet Union, Fidel Castro changed the course of history in southern Africa. It was Cuba's victory in Angola in 1988 that forced Pretoria to set Namibia free and helped break the back of apartheid South Africa. In the words of Nelson Mandela, the Cubans destroyed the myth of the invincibility of the white oppressor . . . [and] inspired the fighting masses of South Africa.

    The girl’s murder would be the catalyst for an epic saga that to this day holds a singular place in America’s collective imagination—a saga that would climax in 1915 with the lynching of Leo Frank, the Cornell-educated Jew who was convicted of the murder. The case has been the subject of novels, plays, movies and even musicals, but only now, with the publication of And the Dead Shall Rise, do we have an account that does full justice to the mesmerizing and previously unknown details of one of the most shameful moments in the nation’s history.In a narrative reminiscent of a nineteenth-century novel, Steve Oney recounts the emerging revelations of the initial criminal investigation, reconstructs from newspaper dispatches (the original trial transcript mysteriously disappeared long ago) the day-to-day intrigue of the courtroom and illuminates how and why an all-white jury convicted Frank largely on the testimony of a black man. Oney chronicles as well the innumerable avenues that the defense pursued in quest of an appeal, the remarkable and heretofore largely ignored campaign conducted by William Randolph Hearst and New York Times publisher Adolph Ochs to exonerate Frank, the last-minute commutation of Frank’s death sentence and, most indelibly, the flawlessly executed abduction and brutal lynching of Frank two months after his death sentence was commuted.And the Dead Shall Rise brings to life a Dickensian cast of characters caught up in the Frank case—zealous police investigators intent on protecting their department’s reputation, even more zealous private detectives, cynical yet impressionable factory girls, intrepid reporters (including a young Harold Ross), lawyers blinded by their own interests and cowed by the populace’s furor. And we meet four astonishing individuals: Jim Conley, who was Frank’s confessed “accomplice” and the state’s star witness; William Smith, a determined and idealistic lawyer who brilliantly prepared Conley for the defense’s fierce cross-examination and then, a year later, underwent an extraordinary change of heart; Lucille Frank, the martyred wife of the convicted man; and the great populist leader Tom Watson, who manipulated the volatile and lethal outrage of Georgians against the forces of Northern privilege and capital that were seeking to free Frank.And the Dead Shall Rise also casts long-awaited fresh light on Frank’s lynching. No participant was ever indicted, and many went on to prominent careers in state and national politics. Here, for the first time, is the full account of the event—including the identities of the influential Georgians who conceived, carried out and covered up the crime. And here as well is the story of the lynching’s aftermath, which saw both the revival of the Ku Klux Klan and the evolution of the Anti-Defamation League.At once a work of masterful investigative journalism and insightful social history, And the Dead Shall Rise does complete justice to one of history’s most repellent and most fascinating moments.

    Like a master instructing every reader who has the dedication to read this book, the author maintains direct and unrelenting perspective, giving Fingers Pointing to the Moon its status as one of Zen Buddhism's essential classics. The depth of understanding evinced by Wei Wu Wei places him with Paul Reps, Alan Watts, and Philip Kapleau as one of the earliest and most profound interpreters of Zen.

    This was a young person's war and these people record their experiences with all the immediacy and passion of youth. They talk to us directly from within the war itself and from all sides of the conflict -- from the testimony of a Serbian teenager, one of Franz Ferdinand's assassins, to the final entry from a French soldier as he revisits a battlefield in 1919, realising he and the rest of the world have changed irrevocably. Most of these letters and diaries have never been published in English before. They were uncovered during extensive research across twenty-eight countries for the major ten-part series THE FIRST WORLD WAR, broadcast on Channel 4 in autumn 2003. The series will introduce many of the characters who appear in this book and will, like the book, recount the complex history of the war though the lives of the individuals caught up in it.

    Why Lazarus Laughed is a powerfully written book of aphorisms, meditations, and startling ruminations on the nature of time, consciousness, freedom, enlightenment, duality, and free will. Wei Wu Wei described his books as reflections of the moon in a puddle because he does not set himself apart from any other, does not profess to be a teacher, and does not claim to have the last word on spiritual truth. His modest assessment of how well he succeeds at his task would most certainly be disputed by his many enthusiastic readers: Essential understanding might have found its way into occasional pages. Indeeed, profound insight seems to leap from every sentence.Play your part in the comedy, but don't identify yourself with your role! says Wei Wu Wei, and he follows his own advice. He writes his works anonymously and uses his iconoclastic humor to drive home his points. Those who discover his books feel they have found a secret teaching that brilliantly delivers the purest truth. He has become a sort of underground spiritual favorite whose fans anxiously await each reissued book.As the subtitle states, Why Lazarus Laughed explicates the essential doctrine shared by the traditions of Zen Buddhism, Advaita, and Tantra. The author is not interested in these traditions as religions, but only in so much as they reflect the moon for us. To read this jewel of a book from the immortal Wei Wu Wei is to enter into the heart and mind of one who possessed a very clear insight into the essence of understanding.

    Within weeks, a second woman was found-her brutalized body dumped in the frozen Texas plains. Over the next seventeen months three more women would fall victim to a faceless evil, fueling the city's fears and baffling authorities whose every lead came to a dead end. For one haunted man the case would never die.A fight for justice as cunning and relentless as the killer himself...Almost fourteen years to the day of the first murder, ambitious investigator John Little reopened the cold-case files determined to deliver closure to the victims' friends and families, and bring a killer to justice. Working on his instincts, following every imaginable clue, Little embarked on an ingeniously clever and exhaustive cat-and-mouse game to trap an elusive serial killer whose sick fantasies would finally be silenced forever.

    In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders.Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk.From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust.The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.

    Includes One, Two Buckle My Shoe, Five Little Pigs, Taken at The Flood. It seems Hitler's Luftwaffe aren't the only ones responsible for the deaths of innocent people as World War II rages -- it seems plenty of murderers are willing to help them reduce Britain' war-torn population even further. And it's up to Hercule Poirot to stop them! ONE, TWO, BUCKLE MY SHOE The dentist was found with a blackened hole below his right temple. A pistol lay on the floor near his outflung right hand. Later, one of his patients was found dead from a lethal dose of anaesthetic. A clear case of murder and suicide -- but why would a dentist commit a crime in the middle of a busy day of appointments? A show buckle holds the key to the mystery. Now -- in the words of the rhyme -- can Poirot pick up the sticks and lay them straight? FIVE LITTLE PIGS Beautiful Caroline Crale was convicted of poisoning her husband, yet there were five other subjects: Philip Blake (the stockbroker) who went to market; Meredith Blake (the amateur herbalist) who stayed at home; Elsa Greer (the three-time divorcee) who had roast beef; Cecilia Williams (the devoted governess) who had none; and Angela Warren (the disfigured sister) who cried 'wee wee wee' all the way home. It is sixteen years later, but Hercule Poirot just can't get that nursery rhyme out of his head! TAKEN AT THE FLOOD A few weeks after marrying an attractive young widow, Gordon Cloade is tragically killed by a bomb blast in the London Blitz. Overnight, the former Mrs Underhay finds herself in sole possession of the Cloade family fortune. Shortly afterward, Hercule Poirot receives a visit from the dead man's sister-in-law, who claims she has been warned by 'spirits' that Mrs Underhay's first husband is still alive. Yet, what mystifies Poirot most is the woman's true motive for approaching him.

    It traces the origins of the once-tiny, clandestine revolutionary organization in the 1920s through the years of national power from 1944 to 1989 to the post-1989 metamorphoses of its members. Vladimir Tismaneanu uses documents that he discovered while working in the RCP archives in Bucharest in the mid-1990s and interviews with many of the party members from the Ceau_escu and Gheorghiu-Dej eras to tell the absorbing story of how RCP members came to power as exponents of Moscow and succeeded in turning themselves into champions of autonomy. Tismaneanu analyzes both the main events in Romanian communism and the role of significant personalities in the party’s history. Situating the rise and fall of Romanian communism within the world revolutionary movement, Stalinism for All Seasons shows that the history of communism in one country can illuminate the development of communism in the twentieth century.Tismaneanu discusses significant moments in the final six decades of world communism, including the Spanish Civil War, World War II, the Comintern, Stalin and the Bolshevization of the Eastern European communist parties, and de-Stalinization. He examines important events in international affairs during Nicolae Ceau_escu’s rule (1965-1989)—particularly Romania’s role in the Sino-Soviet conflict, the Middle East, European communism, and European security. Finally, Tismaneanu identifies the RCP’s descendants among Romania’s current political parties and personalities. Embracing a long and complex period, this book will interest readers of twentieth-century history and anyone curious about communism and postcommunism.

    In "Death of the Leaping Horseman: 24th Panzer-Division in Stalingrad," the untold story of 24th Panzer-Division's savage fighting on Stalingrad's outskirts - and in the devastated ruins of the city itself - is revealed in a detailed day-by-day account. Beginning in the heady days of the victorious march toward Stalingrad in August 1942, the book follows the Division into Stalingrad's suburbs as it is slowly and inexorably suked into the fiery crucible that was Stalingrad. Panzer losses and casualties increased daily until finally, after three months of draining combat, the Division was reduced to a battlegroup consisting of a couple of panzers and a few hundred men. Woven through official combat reports and entries from the Division's war diaries are gripping accounts from the few remaining veterans - including an Oakleaves winner and several Knight's Cross winners. Contains over 200 photos and 85 maps and aerial photos.

    Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France’s most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois’s work to appear in any language.These thirty-two essays with commentaries strike a balance between Caillois’s political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois’s consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois’s intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Lévi-Strauss.

    They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso , Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.

    From the Deep South to the simmering streets of Harlem, his characters embark on surreal and mythic quests armed only with wit, words, and wisdom. Championed by Toni Morrison, Walter Mosley, and Quincy Troupe, -Dumas’s books have long been out of print. All of his short fiction is collected here, for the first time, and includes several previously unpublished stories. Henry Dumas was born in Sweet Home, Arkansas, moved to Harlem, joined the Air Force, attended Rutgers, worked for IBM, and taught at Hiram College in Ohio and Southern Illinois University. In 1968, at the age of thirty-three, he was shot and killed by a New York Transit Authority -policeman.

    This unique collection provides a fresh look at Wharton's genius by including a generous sampling of her short stories, along with nonfiction, letters, excerpts from the novels The House of Mirth, The Reef, and The Age of Innocence, and Summer, reprinted in its entirety. Also included in this volume is an introduction by Linda Wagner-Martin, who examines the life and literary accomplishments of Edith Wharton, a chronology, notes, and bibliography.SHORT FICTION: Souls Belated (1899)The Muse's Tragedy (1899)Friends (1900)The Choice (1908)The Lady's Maid's Bell (1902)The Other Two (1904)The Hermit and the Wild Woman (1906)His Father's Son (1909)Afterward (1910)The Eyes (1910)The Letters (1910)Autres Temps... (1911)Xingu (1911)Coming Home (1915)Writing a War Story (1919)NOVELS: Summer (1917)from The House of Mirth [Chapters I & II] (1905)from The Reef [Chapers XXIII - XXVI] (1912)from The Age of Innocence [Chapters XXX & XXXI] (1920)LETTERS: 1894-1917NONFICTION:from "A Midsummer Week's Dream: August in Italy" (1902)from "Paris to Poitiers" (1908)"In Argonne" (1915)from "In Lorraine and the Vosges" (1915)

    The scripts are illustrated with 62 stills, and Debord’s own annotations help elucidate the subtleties of these astonishing works, unparalleled in cinematic history.

    This landmark law changed the course of U.S. immigration history, but we know little about its consequences for the Chinese in America or for the United States as a nation of immigrants. At America's Gates is the first book devoted entirely to both Chinese immigrants and the American immigration officials who sought to keep them out. Erika Lee explores how Chinese exclusion laws not only transformed Chinese American lives, immigration patterns, identities, and families but also recast the United States into a "gatekeeping nation." Immigrant identification, border enforcement, surveillance, and deportation policies were extended far beyond any controls that had existed in the United States before. Drawing on a rich trove of historical sources--including recently released immigration records, oral histories, interviews, and letters--Lee brings alive the forgotten journeys, secrets, hardships, and triumphs of Chinese immigrants. Her timely book exposes the legacy of Chinese exclusion in current American immigration control and race relations.

    A remarkable narrative emerges from her conversations with doctors, artists, school kids & families who have lost loved ones or watched their homes destroyed. Their stories, ranging from the humorous to the tragic, paint a profile of the Palestinians that's as honest as it's uncommon in the Western media: that of ordinary people who simply want to live ordinary lives. As Pearlman writes, "the personal stories & heartfelt reflections that I encountered did not expose a hatred of Jews or a yearning to push Israelis into the sea. Rather, they painted a portrait of a people who longed for precisely that which had inspired the first Israelis: the chance to be citizens in a country of their own."

    As the child of a Jewish mother and Gentile father, Wieck was persecuted first as a "certified Jew" by the Nazis, then as a German by the Russian occupiers, including horrific internment in the Rothenstein concentration camp. His emigration to the West in 1948 marked the end of the 408-year history of the Jewish community in Königsberg.    From the earliest delights of a childhood filled with music, family, and the smell of pines and the sea, Wieck retraces his life. He tells of his school days and their sudden end, the shock of Kristallnacht, his Aunt Fanny being sent by train to a destination unknown, the chemical factory where Jewish workers gradually disappeared, the bombs falling on Königsberg. The Russian occupation was anything but the expected delivery from the horrors of the war.             In the midst of privation, savagery, and death, there were moments of absurdity, and Wieck powerfully depicts them in this unforgettable memoir.

    Alan Clark quoted a German general's remark that the British soldiers were 'lions led by donkeys'. But he made it up.Indeed, many established 'facts' about 1914-18 turn out to be myths woven in the 1960s by young historians on the make. Gordon Corrigan's brilliant, witty history reveals how out of touch we have become with the soldiers of 1914-18. They simply would not recognize the way their generation is depicted on TV or in Pat Barker's novels.Laced with dry humour, this will overturn everything you thought you knew about Britain and the First World War. Gordon Corrigan reveals how the British embraced technology, and developed the weapons and tactics to break through the enemy trenches.

    Here, in a startling reinterpretation, Robert Allen argues that the USSR was one of the most successful developing economies of the twentieth century. He reaches this provocative conclusion by recalculating national consumption and using economic, demographic, and computer simulation models to address the what if questions central to Soviet history. Moreover, by comparing Soviet performance not only with advanced but with less developed countries, he provides a meaningful context for its evaluation.Although the Russian economy began to develop in the late nineteenth century based on wheat exports, modern economic growth proved elusive. But growth was rapid from 1928 to the 1970s--due to successful Five Year Plans. Notwithstanding the horrors of Stalinism, the building of heavy industry accelerated growth during the 1930s and raised living standards, especially for the many peasants who moved to cities. A sudden drop in fertility due to the education of women and their employment outside the home also facilitated growth.While highlighting the previously underemphasized achievements of Soviet planning, Farm to Factory also shows, through methodical analysis set in fluid prose, that Stalin's worst excesses--such as the bloody collectivization of agriculture--did little to spur growth. Economic development stagnated after 1970, as vital resources were diverted to the military and as a Soviet leadership lacking in original thought pursued wasteful investments.

    In Magic Universe, he draws on his vast experience to offer readers a lively, far-reaching look at modern science in all its glory, shedding light on the latest ideas in physics, biology, chemistry, medicine, astronomy, and many other fields. What is truly magical about Magic Universe is Calder's incredible breadth. Migrating birds, light sensors in the human eye, black holes, antimatter, buckyballs and nanotubes--with exhilarating sweep, Calder can range from the strings of a piano to the superstrings of modern physics, from Pythagoras's theory of musical pitch to the most recent ideas about atoms and gravity and a ten-dimensional universe--all in one essay. The great virtue of this wide-ranging style--besides its liveliness and versatility--is that it allows Calder to illuminate how the modern sciences intermingle and cross-fertilize one another. Indeed, whether discussing astronauts or handedness or dinosaurs, Calder manages to tease out hidden connections between disparate fields of study. What is most wondrous about the magic universe is that one can begin with stellar dust and finish with life itself. Drawing on interviews with more than 200 researchers, from graduate students to Nobel prize-winners, Magic Universe takes us on a high-spirited tour through the halls of science, one that will enthrall everyone interested in science, whether a young researcher in a high-tech lab or an amateur buff sitting in the comfort of an armchair.

    These workers confronted a system of racial capitalism that consigned African Americans to the basest jobs in the industry, perpetuated low wages for all southerners, and shored up white supremacy. Galvanized by the emergence of the CIO, African Americans took the lead in a campaign that saw a strong labor movement and the reenfranchisement of the southern poor as keys to reforming the South--and a reformed South as central to the survival and expansion of the New Deal. In the window of opportunity opened by World War II, they blurred the boundaries between home and work as they linked civil rights and labor rights in a bid for justice at work and in the public sphere. But civil rights unionism foundered in the maelstrom of the Cold War. Its defeat undermined later efforts by civil rights activists to raise issues of economic equality to the moral high ground occupied by the fight against legalized segregation and, Korstad contends, constrains the prospects for justice and democracy today.

    This double-minded approach seems to keep the poor enslaved to poverty while the rich get richer. Let's face it, despite its $400 billion price tag, welfare isn't working.The solution, asserts Star Parker, is a faith-based, "not" state-sponsored, plan. In "Uncle Sam's Plantation," she offers five simple yet profound steps that will allow the nation's poor to go from entitlement and slavery to empowerment and freedom. Parker shares her own amazing journey up from the lower rungs of the economic system and addresses the importance of extending the free market system to this neglected group of people. Emphasizing personal initiative, faith, and responsibility, she walks readers toward releasing the hold poverty has over their lives.

    Jung remains one of the most misunderstood figures in Western intellectual history. This comprehensive study of the origins of his psychology provides a new perspective on the rise of modern psychology and psychotherapy. It reconstructs the reception of Jung's work in the human sciences, and its impact on the social and intellectual history of the twentieth century. The book creates a basis for any future discussion of Jung by opening new vistas in psychology.

    Coverage is aimed squarely at the professional photographer who is making the switch from traditional to digital photography.

    An adventuress both in her private and public life, Amy Johnson has iconic status as an outstanding female adventurer whose death remains a mystery to this day.

    Although some of Brooke's verses come from an earlier, happier time, the most powerful poems convey the tragedy of warfare, including Brooke's "1914: The Soldier" and Owen's "Anthem for Doomed Youth" and "The Sentry."

    A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and reviews, Penelope Fitzgerald celebrates the life beyond life of dozens of master-spirits--their afterlife not only in the pages of their works but in the minds of their readers, critics, and biographers. Here are Fitzgerald's brilliant introductions to the classics-Jane Austen's Emma, George Eliot's Middlemarch, the works of Mrs. Oliphant-as well as considerations of recent novels by Barbara Pym, Carol Shields, Roddy Doyle, and Amy Tan. Here too are reviews of several late-twentieth-century literary biographies, including Richard Holmes's Coleridge, A. N. Wilson's C. S. Lewis, and Martin Stannard's Evelyn Waugh-reviews that together form a memorable criticism both of life and the art of life-writing. And here especially are extended explorations of minor figures, the creators of modest,

    In his distinctive argument for the apocalyptic-revolutionary potential of Romans, Taubes also takes issue with the “political theology” advanced by the conservative Catholic jurist Carl Schmitt. Taubes’s reading has been crucial for a number of interpretations of political theology and of Paul—including those of Jan Assmann and Giorgio Agamben—and it belongs to a wave of fresh considerations of Paul’s legacy (Boyarin, Lyotard, Badiou, Zîzêk). Finally, Taubes’s far-ranging lectures provide important insights into the singular experiences and views of this unconventional Jewish intellectual living in post-Holocaust Germany.

    He is the author of seven collections of stories and five novels. His first novel, The Wapshot Chronicle, won the 1958 National Book Award. In 1965 he received the Howells Medal for Fiction from the National Academy of Arts and Letters, and in 1978 The Stories of John Cheever won the National Book Critics Circle Award and the Pulitzer Prize. Shortly before his death, in 1982, he was awarded the National Medal for Literature from the Academy and Institute of Arts and Letters.Benjamin Cheever is the author of The Plagiarist, The Parisian and Famous after Death.The Enormous Radio read by Meryl StreepThe Five-Forty-Eight read by Edward HerrmannO City of Broken Dreams read by Blythe DannerChristmas is a Sad Season for the Poor read by George PlimptonThe Season of Divorce read by Edward HerrmannThe Brigadier and the Golf Widow read by Peter GallagherThe Sorrows of Gin read by Meryl StreepO Youth and Beauty! read by Peter GallagherThe Chaste Clarissa read by Blythe DannerThe Jewels of the Cabots read by George PlimptonThe Death of Justina read by John CheeverThe Swimmer read by John Cheever

    Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.

    Phoenix-like the Hungarian people survived the horrors of war, the disappointment of the first socialist republic, the disillusion of the brief but terrifying communist rule of Bela Kun, and the bitterness of seeing their beloved country dismembered by the Treaty of Trianon.

    But it is also laced with the fear and claustrophobia found in the forties film noirs, as Norma and her husband Ben Barzman are driven from Hollywood—during the postwar McCarthyite witch hunt—into an emotionally difficult 30-year exile in France. While their hair-raising and amusing adventures continue, Ben battles depression as he attempts to rehabilitate his career, while frustrating Norma's own aspirations as a writer. She seeks solace in a string of affairs, one of them ending in a pregnancy that she aborts. However, Norma's passion for life, Ben and her seven children, and her radical instincts, shine throughout this dazzling memoir. 20 black-and-white photographs are included.

    Prior to the outbreak of World War I, the personal relationships of Edward, and of his successor and son, George V, flourished with the other royal families of Europe. The closeness of the European families was violently interrupted by the outbreak of war in 1914, and the armistice of 1918 brought three empires, namely Germany, Austria-Hungary and Russia, crashing down. Some monarchies were strengthened, and others weakened beyond repair. In this well-researched study, John Van der Kiste has drawn upon previously unpublished material for the Royal Archives, Windsor, to show the realtionships between the crowned heads of Europe in the first part of the 20th century. His account sheds new light on foreign policy leading up to World War I.

    As Cold War tensions escalated, a brutal fight was contested with the rebel tribes of the wild interior as well as terrorist assassins in the back streets of Aden. Revealing the truth behind the 'Mad Mitch' legend and his clash with the high command and the successes and disasters of early SAS operation, this is one of the very few modern studies to examine Britain's clandestine war in neighboring Yemen alongside her conflict in South America.

    Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet "culture." In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and "sold" as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls "a cartography of power" -- an organization of the entire country into "a hierarchy of spheres of relative sacredness," with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.Examining representations of space in objects as diverse as postage stamps, a hikers' magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

    This edition is limited to 100 copies signed by Spillane, Collins and Myer, Jr.

    James Rosenquist has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages of airbrushed surreal euphoria, slamming colors, patterns and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work since 1972, will give long-overdue, in-depth attention to Rosenquist's singular achievement in American art. Extensive illustrations cover major works in diverse media, including work on paper that reveals the artist's process, as well as extensive new and archival photography. Essays focus on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop art contemporaries. Curator Walter Hopps provides an overview of the artist's career; Julia Blaut considers the artist's source collages in the context of twentieth-century collage; Ruth E. Fine addresses Rosenquist's prints; art collector and former aeronautics researcher Eugene E. Epstein relates the artist's work to scientific phenomena. Also included are a definitive biography, exhibition history and illustrated chronology.

    This means travelling to Auckland by train on Christmas Eve, a journey that Peter will never forget.

    This book—the first detailed treatment of Jewish escape and hiding during the Holocaust—tells the dramatic story of the hidden Jews of Warsaw.Gunnar S. Paulsson shows that after the 1942 deportations nearly a quarter of the ghetto’s remaining Jews managed to escape. Once in hiding, connected by elaborate networks of which Poles, Germans, and the Jews themselves were largely unaware, they formed what can aptly be called a secret city. Paulsson challenges many established assumptions. He shows that despite appalling difficulties and dangers, many of these Jews survived; that the much-reviled German, Polish, and Jewish policemen, as well as Jewish converts and their families, were key in helping Jews escape; that though many more Poles helped than harmed the Jews, most stayed neutral; and that escape and hiding happened spontaneously, without much help from either the Polish or the Jewish underground. He suggests that the Jewish leadership was wrong to dismiss the possibility of escape, staking everything on a hopeless uprising. Paulsson’s engrossing book offers a new perspective on Jewish honor and Holocaust history.

    Includes The Poky Little Puppy, Scuffy the Tugboat, The Saggy Baggy Elephant, The Fuzzy Duckling, I Can Fly, Seven Little Postmen, Home for a Bunny, ANimal Orchestra, The Lion's Paw, The Good Humor Man. Nicely illustrated with original artwork in nice larger format than the original books.

    It delivers across the board. Stout, who served as a Marine F/A-18 pilot in the First Gulf War, asks questions about aviation combat history and technique that any modern combat pilot would be dying to ask. He carries the ball far beyond the goal post set by all other Ploesti historians. He has gone out of his way to describe the defenses throughout the campaign, and he brings in the voices of Ploesti's defenders to complement the tales of Allied airmen who brought Ploesti to ruin. He describes the role of the bombers, that of the fighters, the ant-aircraft defenses, even the technique of obscuring the Ploesti complex with smoke. In the end, Stout's narrative describes the entire Ploesti effort for the very first time in print, and, by proxy, guides the reader through the intricacies of the entire Allied strategic bombing campaign in Europe, and all the weapons and techniques the Axis powers used to parry it. His lucid presentation of complex issues at the tactical and strategic levels is impressive.Jay Stout's previous books include Hornets Over Kuwait, his Gulf War memoir and, as co-author, The First Hellcat Ace.

    The tales of Arthur Schnitzler--especially as rendered in Margret Schaefer's clear, uncluttered translations--are many suggestive, allusive, and dreamlike things. But they are most certainly not the work of a period writer. --Chris Lehmann, Washington Post Book World

    Wonderfully written biographies and illustrations of Saints Lucy, Monica, Augustine, Benedict, Francis Xavier, Edith Stein, Juan Diego, Katharine Drexel, and many others. Each story highlights a saint or related saints in a short-story format. The stories are organized chronologically and include biographical information and the saints' feast days. Many stories also include wonderful illustrations of the profiled saints. The stories are written in lively, accessible language and each conclude with a summary thought or reflection. Perfect for intermediate readers and school or church libraries. Ages 8-12

    It was during this period that a so-called “modern woman” began occupying urban spaces associated with the development of modern art and modernism’s struggles to define subjectivities and sexualities.  Whereas most studies of modernism’s formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussions of gender, race, class, and sexual orientation, the contributors of The Modern Woman Revisited inject these perspectives into the discussion.  Between the two World Wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public artistic and intellectual life. Many of these women made lasting contributions in art and literature.  Some of the artists discussed include Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller.In this book, an internationally recognized roster of art historians, literary critics, and other scholars offers a nuanced portrait of what it meant to be a modern woman during this decisive period of modernism’s development. Individual essays explore the challenges faced by women in the early decades of the twentieth century, as well as the strategies these women deployed to create their art and to build meaningful lives and careers. The introduction underscores the importance of the contributors’ efforts to engender larger questions about modernity, sexuality, race, and class.

    It includes photographs from the Wright brothers' personal collection, along with diagrams and illustrations.

    This book chronicles the vast movement of coolies between China and the Nanyang, and their efforts to survive in colonial Singapore. Focusing in on one particular occupation, of rickshaw coolie, this study unveils the devastating poverty of the Chinese sojourner in the colonial city, the disjunctions between colonial order and the reality of life on the streets. Drawing on a broad range of sources, including Coroner's records overlooked for many years, and making use of the technique of collective biography, this book brings to life the texture of experience, the ironies and - often - the despair of the laborers of urban Singapore. In the years since its original publication in 1986, Rickshaw Coolie has become an inspiration to those seeking to come to grips with Singapore's past.

    At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep.

    Eighty-eight seconds later, five demonstrators lay dead and ten others were wounded. Four TV stations recorded their deaths by Klan gunfire. Yet, after two criminal trials, not a single gunman spent a day in prison. Despite this outrage, the survivors won an unprecedented civil-court victory in 1985 when a North Carolina jury held the Greensboro police jointly liable with the KKK for wrongful death.In passionate first-person accounts, Through Survivors' Eyes tells the story of six remarkable people who set out to change the world. The survivors came of age as the protest generation, joining the social movements of the 1960s and 1970s. They marched for civil rights, against war, for textile and healthcare workers, and for black power and women's liberation. As the mass mobilizations waned in the mid-1970s, they searched for a way to continue their activism, studied Marxism, and became communists.Nelson Johnson, who grew up on a farm in eastern North Carolina in a family proud of its African American heritage, settled in Greensboro in the 1960s and became a leader of the Black Liberation Movement and a decade later the founder of the Faith Community Church. Willena Cannon, the daughter of black sharecroppers, witnessed a KKK murder as a child and was spurred to a life of activism. Her son, Kwame Cannon, was only ten when he saw the Greensboro killings. Marty Nathan, who grew up the daughter of a Midwestern union organizer and came to the South to attend medical school, lost her husband to the Klan/Nazi gunfire. Paul Bermanzohn, the son of Jewish Holocaust survivors, was permanently injured during the shootings. Sally Bermanzohn, a child of the New York suburbs who came south to join the Civil Rights Movement, watched in horror as her friends were killed and her husband was wounded.Through Survivors' Eyes is the story of people who abandoned conventional lives to become civil rights activists and then revolutionaries. It is about blacks and whites who united against Klan/Nazi terror, and then had to overcome unbearable hardship, and persist in seeking justice. It is also a story of one divided southern community, from the protests of black college students of the late 1960s to the convening this January of a Truth and Community Reconciliation Project (on the South African model) intended to reassess the Massacre.

    The 2nd half examines functions of 2 variables, plane sets, area, metric and topological spaces, and function spaces. 1962 edition. Includes 12 figures.

    In a direct challenge to standard academic approaches to both thinkers, Karatani's transcritical readings discover the ethical roots of socialism in Kant's Critique of Pure Reason and a Kantian critique of money in Marx's Capital.Karatani reads Kant as a philosopher who sought to wrest metaphysics from the discredited realm of theoretical dogma in order to restore it to its proper place in the sphere of ethics and praxis. With this as his own critical model, he then presents a reading of Marx that attempts to liberate Marxism from longstanding Marxist and socialist presuppositions in order to locate a solid theoretical basis for a positive activism capable of gradually superseding the trinity of Capital-Nation-State.

    Gopal, is a comprehensive and first rate selection. It has been compiled mainly from his speeches and writings. The compilation indicates the evolution of his mind and personality and gives some idea of his enormous range of interests.

    . . His greatest stanzas, for all their unexpectedness, makes you feel that a part of your mind was already prepared to receive them – was anxiously awaiting them. They seem ineluctable, or predestined. Larkin, often, is more than memorable. He is instantly unforgettable.' Martin Amis

    John Ray's narrative incorporates the latest academic research while remaining very accessible. This is the clearest, most understandable account of history's greatest conflict.

    Paul Stephenson reveals that the legend of the Bulgar-slayer was actually created long after his death. His reputation was exploited by contemporary scholars and politicians to help galvanize support for the Greek wars against Bulgarians in Macedonia during the late nineteenth and early twentieth centuries.

    Patriarch Nikon has instructed an itinerant French dramatist to stage the New Testament and hasten the Second Coming. But this will be a strange form of theatre. The actors are untrained, illiterate Russian peasants, and nobody is allowed to play Christ. They are persecuted, arrested, displaced, and ultimately replaced by their own children. Yet the rehearsals continue... A stunning reflection on art, history, religion and national identity, The Rehearsals is the seminal work in the unique oeuvre of Vladimir Sharov, Russian Booker Prize winner (2014) and author of Before & During (Read Russia award for best translation, 2015).

    Can Lord Peter Wimsey prove that Harriet Vane is innocent of poisoning her lover, and can he find the real murderer before Harriet is hanged?

    A thorough reexamination of the Great War has been underway since the 1970s and this book draws on enormously rich primary and secondary sources to synthesize a complex event, rethinking the patterns of war, society, culture, and governance in the early twentieth century.

    Filled with startling material found in never-before-seen documents, including Parker's army records, psychiatric evaluations, and police reports, this investigation challenges even the most familiar aspects of the Presley saga. Parker, who handled every aspect of Elvis Presley's career and much in his personal life, is revealed as an overwhelmingly selfish man who sought to hide his own illegal alien status rather than further the art of a great musician. Astonishing and impeccably written, this entertaining book proves that the only figure in American popular culture as fascinating as Elvis Presley is Colonel Tom Parker, the man who shaped Elvis, and in turn shaped music history.

    Often at the center of the action is the much-loved donkey Eeyore, who always seems to get the short end of the Poohstick, but stoically weathers each calamity with humor and curmudgeonly charm. Perfect for the pessimist in all of us, here is a storybook made up of five complete stories from the A. A. Milne classics, with Ernest H. Shepard's illustrations reproduced in striking full color. Readers of every age will be amused by Eeyore's glum predictions and enlightened by his tried-and-true techniques for overcoming life's sudden turns for the worst.

    Very little poetry in English is rooted in its sacredness, so broad-leafed in its pleasures, and yet so intimate and conversational as his.

    Dowager Lady Arndale presides over the smooth running of the house, whilst her son Charles manages the vast estate and Nanny Stone rules the roost in the nursery. Diana Arndale, just sixteen and back from finishing-school in Paris, looks forward with giddy excitement to her coming-out in London, as the protegee of her glamorous Aunt Selina. It is a well-ordered, comfortable, predictable existence, in which master and servant each knows his place. But the storm-clouds are gathering over Europe, and with the outbreak of 'The War To End Wars', the world of the Arndales and their servants is turned upside down. Life will never be the same again, for any of them...

    It was nothing like that in the 1930s. America was white and that was that. It didn't do you no good to dream of making it to the big time. It was impossible. And then, y'know, along came Jesse and along came Joe."-- Ruth Owens, Jesse's late wifen the summer of 1935, within weeks of each other, Joe Louis and Jesse Owens emerged as the first black superstars of world sport, and their subsequent political and social impact on America was nothing short of sensational. To fans (and even critics) the world over, they seemed larger than life, and yet in their endeavors they were unfailingly human: as vulnerable as they were courageous; as troubled as they were brilliant; as unsettled in themselves as they are now fixed in history.Scrupulously researched and written in spare, eloquent prose, Heroes Without a Country vividly re-creates some of the most dramatic sporting events of the past century. In August 1936, in front of Hitler and an imposing phalanx of Nazi commanders, Jesse Owens, "the fastest man on earth," won an unprecedented four medals at the Olympic Games in Berlin. Two years later, in "the fight of the century," his great friend Joe Louis crushed Germany's Max Schmeling to signal the end of white supremacy in boxing. Like Jesse, Joe had been born to black sharecropping parents in a country demeaned by racism; together their victories became a rallying point for the disenfranchised black population of America. Idolized across the world, they were two young men at the pinnacle of their careers who overcame prejudice and fear to achieve their goals. Yet for both of them, success brought its own perils. In 1938, two years after winning his gold medals in Berlin, Owens was hounded out of amateur sports by the infamously tyrannical Olympic boss "Slavery Avery" Brundage and, facing financial ruin, he was reduced to running for money against dogs, horses, and even his friend Joe Louis. Later the two would be subjected to FBI investigations, harassed by the IRS, and beleaguered by debt and despair. Jesse watched Joe slip into drug addiction and mental illness.In Heroes Without a Country, award-winning writer Donald McRae captures the uncanny coincidences and intertwined events that bound these men together -- through both triumph and tragedy -- and provides an intimate and thought-provoking dual portrait of two of the most important athletes of the twentieth century.

    Yet Rilke produced many more poems which had little or no airing beyond the confines of his workshop. Michael Hamburger argues in his perceptive and entertaining introduction that these poems are not inferior to the poems in the collections that form the accepted corpus; rather that they merely failed to fit in with Rilke's wish to form a definitive statement. Michael Hamburger was born in Berlin in 1924 and came to Britain in 1933. Among the many authors he has translated from are Hölderlin, Goethe, Paul Celan and Peter Huchel. He is equally acclaimed as one of Britain's leading poets of the period since World War II. Anvil publishes his Collected Poems 1941-1994 and his subsequent collections.

    All aspects of Piper's work during the fories are examined, including theatre designs, architectural paintings, the Recording Britain project, his work as a war artist, neo-Romanticism, and Welsh landscape painting towards the end of the decade. In addition, the book features Piper's writings and criticism, his designs for film posters and book jackets, photographs, exhibition catalogues, sketchbooks and manuscript letters.

    When, in 1942, the family are threatened with eviction, Martha Cole and her small son, Jem, flee the house, while Martha's husband, Sam, and their eight-year-old daughter, Romy, barricade themselves inside Middlemere. When Sam brandishes a shotgun, the police are called in, and Romy sees her father shot dead. Years later, Martha Cole has remarried and she and her family are living in much-reduced circumstances. Romy, now almost nineteen, is quick, clever and single-minded. She has never forgotten - or forgiven - the violence and injustice of the Coles' eviction, and schemes to restore the family fortunes.

    Are wilderness fires now a tragic and enduring feature of the American landscape? John N. Maclean, author of the acclaimed Fire on the Mountain, offers a view from the front lines, combining action-packed storytelling with moving insights about firefighters and informed analysis of firefighting strategy past and present.Beginning with a riveting account of the worst case of arson in wildfire history, the 1953 Rattlesnake Fire in Mendocino National Forest, which claimed the lives of fifteen firefighters, Maclean explains the mysterious dynamics of fire, and the courage and techniques required to combat it. One such mystery underlines the life- threatening 1999 Sadler Fire in Nevada when a line of flames suddenly blew up, trapping six firefighters mistakenly placed in harm’s way. For the final story Maclean returns to Mann Gulch, the site of his father’s classic Young Men and Fire, to interview the last survivor of the worst disaster in the history of smoke jumping. From it we understand why fatal fires burn for generations. Offering a prescient view of the inevitable conflict between people, property, and nature, Fire and Ashes presents a riveting and emotional story, one that in many ways John Maclean was destined to tell.

    Seniors at Middlehurst College, four very different women--brainy Reva, pampered society girl Opal, insecure beauty Precious, and prim and proper Faith--seek solace in their powerful friendship as they each experience the trials and tribulations of life.

    There have been books on individual black soldiers, but this is the first to tell the full story of the black American military experience, starting with the Revolution and culminating with Desert Storm.The best histories are about more than facts and events — they capture the spirit that drives men to better their lives and to demand of themselves the highest form of sacrifice. That spirit permeates Gail Buckley’s dramatic, deeply moving, and inspiring book. You’ll meet the men who fought in the decisive engagements of the Revolution, the legendary Buffalo soldiers, and the heroic black regiments of the Civil War. You’ll meet some of America’s greatest patriots — men who fought in the First and Second World Wars when their country denied them access to equipment and training, segregated the ranks, and did all it could to keep them off the battlefield. You’ll meet the heroes of Korea, Vietnam, and Desert Storm. And you’ll meet two families, the Lews and the Pierces, who have served in every American engagement since the Revolution. FDR used to say that Americanism was a matter of the mind and heart, not of race and ancestry. With photographs throughout and dozens of original interviews with veterans, American Patriots is a tribute to the black American men and women who fought and gave their lives in the service of that ideal.From the Hardcover edition.

    Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.

    Trask demonstrates how sexual science's concept of erotic perversion mediated the writing of both literary figures and social theorists when it came to the innovative and unsettling social arrangements of the early twentieth century. Trask focuses on the James brothers in a critique of pragmatism and anti-immigrant sentiment, shows the influence of behavioral psychology on Gertrude Stein's work, uncovers a sustained reflection on casual labor in Hart Crane's lyric poetry, and traces the identification of working-class Catholics with deviant passions in Willa Cather's fiction. Finally, Trask examines how literary leftists borrowed the antiprostitution rhetoric of Progressive-era reformers to protest the ascendance of consumerism in the 1920s.Viewing class as a restless and unstable category, Trask contends, American modernist writers appropriated sexology's concept of evasive, unmoored desire to account for the seismic shift in social relations during the Progressive era and beyond. Looking closely at the fraught ideological space between real and perceived class differences, Cruising Modernism discloses there a pervasive representation of sexuality as well.

    The CEO of Kenneth Cole Productions discusses the inspiration behind his groundbreaking advertising campaign, citing the people and events that enabled him to grow his company into an international billion-dollar empire.

    The eagerly awaited volume II of Jean Moorcroft Wilson's masterful biography of Siegfried Sassoon now launched in paperback; Where most veterans of the Great War returned home traumatised by the carnage in the trenches, Siegfried Sassoon had received recognition for his superbly vivid poetry and the bravery both on the battlefield and.