Pope Paul VI saw clearly the problems inherent in the rising culture of death.

    At the age of thirty-one, Nerzhin has survived the war years on the German front and the postwar years in a succession of Russian prisons and labor camps. His story is interwoven with the stories of a dozen fellow prisoners - each an unforgettable human being - from the prison janitor to the tormented Marxist intellectual who designed the Dnieper dam; of the reigning elite and their conflicted subordinates; and of the women, wretched or privileged, bound to these men. A landmark of Soviet literature, 'The First Circle' is as powerful today as it was when it was first published, nearly thirty years ago.

    . . A man reading a mystery finds out too late that he is the murderer's victim . . . In the fifteen stories collected here—including "Blow-Up," which was the basis for Michelangelo Antonioni's film of the same name—Julio Cortazar explores the boundary where the everyday meets the mysterious, perhaps even the terrible.Axolotl House taken over Distances Idol of the Cyclades Letter to a young lady in Paris Yellow flower Continuity of parks Night face up Bestiary Gates of heaven Blow-up End of the game At your service Pursuer Secret weapons.

    On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state—or refuse and accept transfer to the Siberian Gulag camps . . . and almost certain death.First written between 1955 and 1958, In the First Circle is Solzhenitsyn's fiction masterpiece. In order to pass through Soviet censors, many essential scenes—including nine full chapters—were cut or altered before it was published in a hastily translated English edition in 1968. Now with the help of the author's most trusted translator, Harry T. Willetts, here for the first time is the complete, definitive English edition of Solzhenitsyn's powerful and magnificent classic.

    But they could never forgive the truths he told about them.From this compelling story of a doctor at war with the world he has been taught to heal, Taylor Caldwell has fashioned a novel of an unforgettable, angry idealist -- a novel in which the drama of new medical frontiers becomes part of a sweeping chronicle of love, death, desire, and redemption.

    Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses.In this third volume of A Dance to the Music of Time, we again meet Widmerpool, doggedly rising in rank; Jenkins, shifted from one dismal army post to another; Stringham, heroically emerging from alcoholism; Templer, still on his eternal sexual quest. Here, too, we are introduced to Pamela Flitton, one of the most beautiful and dangerous women in modern fiction. Wickedly barbed in its wit, uncanny in its seismographic recording of human emotions and social currents, this saga stands as an unsurpassed rendering of England's finest yet most costly hour.Includes these novels:The Valley of BonesThe Soldier's ArtThe Military Philosophers"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."—Chicago Tribune"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."—Elizabeth Janeway, New York Times"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."—Naomi Bliven, New Yorker

    Extracting the Stone of Madness: Poems 1962–1972 comprises all of her middle to late work, as well as a selection of posthumously published verse. Obsessed with themes of solitude, childhood, madness and death, Pizarnik explored the shifting valences of the self and the border between speech and silence. In her own words, she was drawn to "the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysterious and fleeting presence of Lautréamont,” as well as to the “unparalleled intensity” of Artaud’s “physical and moral suffering.”

    Now new generations of readers will rediscover not only the early, though no less accomplished and passionate, work of one of our most beloved writers, but poetry that resonates loudly with relevance today.

    In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.

    Though the townsfolk give way to a mindless idolization, the Gospel Singer is tormented by the extent of his deception and is forced to admit his corrupt activities.

    As the only authorized biographer, Davies had full access to the Fab Four as well as their help and encouragement. He spent eighteen months with them when they were at the peak of their musical genius and at the pinnacle of their popularity, and he remained friends with each of the members as they went their separate ways. This updated edition addresses recent changes in the lives of the Beatles: Paul's marriage, George's death, and their new books and records.

    She has rings in her ears and she sometimes comes to school in a little wagon."Kizzy Lovell is a gypsy girl. She has her gran and her horse, Joe, and she doesn't need anything else. Then Gran dies, her wagon burns, and Kizzy is left all alone - in a community that hates her.

    Never before has the story been told with more vitality and immediacy. Fehrenbach re-creates the Texas saga from prehistory to the Spanish and French invasions to the heyday of the cotton and cattle empires. He dramatically describes the emergence of Texas as a republic, the vote for secession before the Civil War, and the state's readmission to the Union after the War. In the twentieth century oil would emerge as an important economic resource and social change would come. But Texas would remain unmistakably Texas, because Texans "have been made different by the crucible of history; they think and act in different ways, according to the history that shaped their hearts and minds."

    The poems are written in clear, straightforward free verse. Here is an example of his style from "The Chinese Checker Players": "When I was six years old/I played Chinese checkers/with a woman/who was ninety-three years old."Recurrent themes in the book include love, sex, loss & loneliness. Incorporated throughout are an intriguing mix of pop & 'high' culture references: Jefferson Airplane, Ophelia, the New York Yankees, John Donne etc. The book often has an earthy flavor. He writes about such topics as his own penis or the smell of a fart. Some particularly memorable poems include the following:"All Watched Over by Machines of Loving Grace," a sci-fi vision of a "cybernetic meadow"; the open-ended "Karma Repair Kit: Items 1-4"; "Discovery," a joyful poem about sexual intimacy; the surreal "The Pumpkin Tide"; the funny, haiku-like "November 3"; & "A Good-Talking Candle," which invites readers into altered states of perception. Altho most of the poems are very short, there is one longer poem: the 9-part, 9-page "the Galilee Hitch-hiker," which chronicles the surreal adventures of Baudelaire — among other experiences, he opens an unconventional hamburger stand in San Francisco. If you only know Brautigan from his weird & wonderful novels, read this collection.-Michael Mazza (edited)

    This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    An essential book for a full understanding of one of our major poets.Color woodcut, Night Scene, by Neil Welliver. Courtesy of the artist.

    Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world.

    "A very readable book which portrays the human being behind the music, increasing our love of both." Yehudi Menuhin, from inside cover.

    But in that year, Quentin Crisp made the courageous decision to "come out" as a homosexual. This exhibitionist with the henna-dyed hair was harassed, ridiculed and beaten. Nevertheless, he claimed his right to be himself—whatever the consequences. The Naked Civil Servant is both a comic masterpiece and a unique testament to the resilience of the human spirit.

    The hero of this novel is the young and idealistic Nobuo Nagano, who finds himself forced to make a heart-rending decision, when he must choose between his childhood sweetheart, Fujiko, and his newly found Christian faith. Set in Hokkaido at the turn of the nineteenth century, when for the first time Western culture and ideas were beginning to challenge Japan's long-held traditions, Shiokari Pass takes an intriguing look at Japanese life and thought of a hundred years ago. Filled with drama and featuring a spectacular climax amidst the snows of Hokkaido, the book was a bestseller in Japanese and a successful motion picture as well. Based on the life of a high-ranking railway employee who was revered for his humanitarian deeds, Shiokari Pass offers a revealing glimpse of the long, hard road traveled by Japanese Christians.

    Between Pacific Tides is a book for all who find the shore a place of excitement, wonder, and beauty, and an unsurpassed introductory text for both students and professionals.This book describes the habits and habitats of the animals that live in one of the most prolific life zones of the world--the rocky shores and tide pools of the Pacific Coast of the United States. The intricate and fascinating life processes of these creatures are described with affectionate care. The animals are grouped according to their most characteristic habitat, whether rocky shore, sandy beach, mud flat, or wharf piling, and the authors discuss their life history, physiology, and community relations, and the influence of wave shock and shifting tide level.Though the basic purpose and structure--and much of the text--of the book remain the same, content has been increased by about 20 percent; a multitude of changes and additios has been made in the text; the Annotated Systematic Index and General Bibliography have been updated and greatly expanded (now almost 2,300 entries); more than 200 new photographs and drawings have been incorporated; and an entirely new chapter has been added--a topical presentation of the several factors influencing distribution of organisms along the shore. This edition also includes John Steinbeck's Foreword to the 1948 edition.

    His stories give expression to the bewildered experience of the ordinary Soviet citizen struggling to survive in the 1920's and `30s, beset by an acute housing shortage, ubiquitous theft and corruption, and the impenetrable new ideological language of the Soviet state. Written in the semi-educated talk of the man or woman on the street, these stories enshrine one of the greatest achievements of the people of the Soviet Union—their gallows humor. Housing block tenants who reject electricity because it illuminates their squalor too harshly, a young couple who live in a bathroom, a railway-line manager making a speech against bribery who accidentally mentions his own affinity for kickbacks—in all of Zoschenko's characters, petty materialism is balanced with a poignant faith in the revolutionary project. Zoschenko, the self-described "temporary substitute for the proletarian writer," combines wicked satire and an earthy empathy with a brilliance that places him squarely in the classic Russian comic tradition. Jeremy Hick's translation of The Galosh brings together sixty five of Zoschenko's finest short stories—bringing the choice writings of perhaps Soviet Russia's most humorous and moving writer to American readers for the first time.

    Chipp's Theories of Modern Art: A Source Book By Artists and Critics is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics—some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Greenberg, just to name a few—and some less so: Trotsky and Hitler, in the section on Art and Politics. The book is a wonderful resource and insight into the way artists think and work.

    

    Official circles perceived "Sobor" sharply negatively, because the novel, rejecting the dogmatism of class ideas, affirmed universal, humanistic values.The Council is a philosophical novel that examines important social and national issues in terms of the eternal humanistic truths that human civilization must be guided by in order to avoid destruction and annihilation.

    How Pops and his two daughters cope with their misfortunes without losing heart is a very entertaining story.

    Lise, a children's book writer and married mother of three, is becoming increasingly haunted by disembodied faces and taunting voices. Convinced that her housekeeper and husband are plotting against her, she descends into a terrifying world of sickness, pills and institutionalisation. But is sanity in fact a kind of sickness? And might mental illness itself lead to enlightenment?Brief, intense and haunting, Ditlevsen's novel recreates the experience of madness from the inside, with all the vividness of lived experience.

    The full range of his poetry—from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor—offers a challenge no translator has accepted until now.Here, for the first time in English translation, is the complete poetry of a legendary twentieth-century French writer. Cendrars, born Frederick Louis Sauser in 1887, invented his life as well as his art. His adventures took him to Russia during the revolution of 1905 (where he traveled on the Trans-Siberian Railway), to New York in 1911, to the trenches of World War I (where he lost his right arm), to Brazil in the 1920s, to Hollywood in the 1930s, and back and forth across Europe.With Guillaume Apollinaire and Max Jacob he was a pioneer of modernist literature, working alongside artist friends such as Chagall, Delaunay, Modigliani, and Léger, composers Eric Satie and Darius Milhaud, and filmmaker Abel Gance. The range of Cendrars's poetry—from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor—offers a challenge no translator has accepted until now.

    A mirror is held to the back of the head and one's hand has to move the opposite way from what was intended."In these closing lines from Impossible Object, one has embodied both Nicholas Mosley's subject of love and imagination, as well as his unmatched lyric style. In eight carefully connected stories that are joined by introspective interludes on related subjects, the author pursues the notion, through the lives of a couple seen by different narrators, that "those who like unhappy ends can have them, and those who don't will have to look for them."The impossible object of the title, "the triangle that can exist in two dimensions but not in three," is a controlling symbol for the impossibility of realizing the good life unless one recognizes the impossibility of attaining it: only then can it be possible to realize it, through a kind of renunciation, especially in "a sophisticated, corrupt, chaotic world." Such a provocative theme, comic or tragic by turns, was met by critics in 1968 as brilliant, insightful, intense, and moving, but especially original.

    Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Michael Bird, an experienced art history editor and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    Many of the most highly regarded citizens leaped from windows or jumped into the Rhone, screaming that their heads were made of copper, their bodies wrapped in snakes, their limbs swollen to gigantic size or shrunken to tiny appendages. Others ran through the streets, claiming to be chased by "bandits with donkey ears", by tigers, lions & other terrifying apparitions. Animals went berserk. Dogs ripped bark from trees until their teeth fell out. Cats dragged themselves along the floor in grotesque contortions. Ducks strutted like penguins. Villagers & animals died right & left. Bit by bit, the story behind the tragedy in Pont-St-Esprit--a tiny Provencial village of twisted streets that looks much today as it did in the Middle Ages--unfolded to doctors & toxcologists. That story, one of the most bizarre in modern medical history, is movingly recounted in The Day of St. Anthony's Fire. Throughout the Middle Ages & during other times in history, similar hallucinatory outbreaks occurred. They were called St. Anthony's Fire because it was believed that only prayers to the saint could hold the disease in check. Even modern medicine could find no way to check the disease. Drugs failed to bring even temporary relief. Hundreds in the village suffered for weeks, with total agonizing insomnia, never knowing when they might once more suddenly go berserk. The cause of St. Anthony's Fire was known since early history to be ergot, a mold found on rye grain that at rare times inexplicably became posionous enough to create monstrous hallucinations & death. In '51 little significance was attached to the fact that the base of ergot was lysergic acid, also the base for LSD, a drug just coming to the attention of scientists at the time--a drug so powerful that one eye-dropperful could cause as many as 5000 people to hallucinate for hours. At this point, the story becomes a vividly absorbing medical detective story demonstrating the possibility that a strange, spontaneous form of LSD might have caused the human tragedy that came to the hapless villagers of Pont-St-Esprit.

    Paris, Milan, London—Shannon has been everywhere, but somewhere along the way, she realizes she’s really…nowhere.Having graduated from high school and about to board yet another flight for yet another destination, Shannon is offered an alternative: stay in Portland, Oregon, with her parents’ close friend and help his law firm investigate a group of strangers living near the local university. A will with a substantial inheritance is being contested, and Shannon’s task is to gather information on the unlikely recipients of the money.Using an assumed name and working as a waitress in a diner, Shannon finds herself entirely on her own for the first time in her life; and as the long summer days go by, she tries to sort out who she really is and what her future holds.Originally published in 1968 and newly released as part of Nancy Pearl’s Book Crush Rediscoveries, Greensleeves is a smart and timeless tale of how far people must go to find themselves.

    Schuller explores the music of the great jazz soloists of the twenties--Jelly Roll Morton, BixBeiderbecke, Bessie Smith, Louis Armstrong, and others--and the big bands and arrangers--Fletcher Henderson, Bennie Moten, and especially Duke Ellington--placing their music in the context of the other musical cultures of the twentieth century and offering analyses of many great jazz recordings. Early Jazz provides a musical tour of the early American jazz world. A classic study, it is both a splendid introduction for students and an insightful guide for scholars, musicians, and jazz aficionados.

    

    She lived through the war in Germany, as a German citizen, under the horrors of Nazi rule and Allied bombings. Closely associated with resistance circles, her husband was arrested after the failure of the plot against Hitler's life on 20th July 1944, and she herself was interrogated by the Gestapo. Not only do we meet her friends whose tragic bravery shines from the book, but dozens of everyday Germans, from the simple-minded Nazi official who was also her odd-job gardener, to the good-hearted Black Forest villagers who sheltered her till the liberation. They are presented with humour and sympathy, allowing the reader a remarkable insight into their character. All the more haunting, then, is her night-time encounter with an SS man from Riga who searches desperately for death on the battlefield. The human dimension of her writing brings about an unforgettable portrait of an evil time.

    In this third edition, Allen has revised the section on stress in classical Greek, the chapter on quantity has been recast, and the author has added an appendix on the names and letters of the Greek alphabet, to provide a parallel and historical background to the similar appendix in the second edition of his Vox Latina. The total amount of revision since the first edition has made it necessary to reset the whole book, so in addition to the new material, the supplementary notes of the second edition are now incorporated into the main text making this book much more convenient to use.

    Identifying those trends which she finds most destructive in modern fiction (reportage, the substitution of violence for emotion, and the growing cults of ugliness, toughness, and caricature), Nin offers, instead, an argument for and synthesis of the poetic novel.Drawing upon such related arts as filmmaking, painting, and dance, Nin discusses her own efforts in this genre as well as the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self, the genesis of fiction, and the relationship between the diary and fiction, she addresses the materials, techniques, and nourishment of the arts, and the functions of art itself.

    Includes "The Headless Horseman, " "The Kindly Ghost, " and "The Leg of Gold."

    All the rest is misery," wrote Cesare Pavese, whose short, intense life spanned the ordeals of fascism and World War II to witness the beginnings of Italy's postwar prosperity. Searchingly alert to nuances of speech, feeling, and atmosphere, and remarkably varied, his novels offer a panoramic vision, at once sensual and finely considered, of a time of tumultuous change. This volume presents readers with Pavese's major works. The Beach is a wry summertime comedy of sexual and romantic misunderstandings, while The House on the Hill is an extraordinary novel of war in which a teacher flees through a countryside that is both beautiful and convulsed with terror. Among Women Only tells of a fashion designer who enters the affluent world she has always dreamed of, only to find herself caught up in an eerie dance of destruction, and The Devil in the Hills is an engaging road novel about three young men roaming the hills in high summer who stumble on mysteries of love and death.

    B7 As parents, Fitaerari Meshasha and his wife Waizero Teru Aynet are determined to uphold the societal conventions of status and thus keep their daughter, Sablawengel, cloistered away from her 'less-socially prominent' peers. B7 Fitawerari Assagae, a middle-aged commander, offers to marry Sablawengel (past marriageable age) as a "divorced woman." B7 Despite extensive negotiations, Fitawerari Meshasha and Fitawerari Assagai duel over a perceived slight to the nobleman's honor. B7 Bazabah, a scholar and poet, is contracted to tutor Sablawengel in ecclesiastical Ethiopian literature. B7 An unsuspecting romance blooms between Bazabah and Sablawengel. B7 In lieu of the consequences of her parent's disapproval, Bazabah and Sablawengel plot an escape with the help of Gudu Kassa (a relative of Meshasha known for his contraire views and comic relief, a character akin to the fool in Shakespe

    Looking for him among the manuscripts of his rivals does not solve the mystery, so a detective is hired to find the runaway character.

    A fourteen-year-old girl tries to reconcile her dreams and hopes for the future with the harsh and often unpleasant realities of life in the African American section of town.

    In a brilliant translation by Rose-Myriam Réjouis and Val Vinokur, Love, Anger, Madness is a scathing response to the struggles of race, class, and sex that have ruled Haiti. Suppressed upon its initial publication in 1968, this major work became an underground classic and was finally released in an authorized edition in France in 2005.In Love, Anger, Madness, Marie Vieux-Chauvet offers three slices of life under an oppressive regime. Gradually building in emotional intensity, the novellas paint a shocking portrait of families and artists struggling to survive under Haiti’s terrifying government restrictions that have turned its society upside down, transforming neighbors into victims, spies, and enemies.In “Love,” Claire is the eldest of three sisters who occupy a single house. Her dark skin and unmarried status make her a virtual servant to the rest of the family. Consumed by an intense passion for her brother-in-law, she finds redemption in a criminal act of rebellion.In “Anger,” a middle-class family is ripped apart when twenty-year-old Rose is forced to sleep with a repulsive soldier in order to prevent a government takeover of her father’s land.And in “Madness,” René, a young poet, finds himself trapped in a house for days without food, obsessed with the souls of the dead, dreading the invasion of local military thugs, and steeling himself for one final stand against authority. Sympathetic, savage and truly compelling with an insightful introduction by Edwidge Danticat, Love, Anger, Madness is an extraordinary, brave and graphic evocation of a country in turmoil.

    It's a very generous kind of genius he has, one I can't imagine Haitian literature ever existing without."—Edwidge DanticatShould he scream? Call for help? His mouth was full of saliva. His tongue heavy…The breath and spit of his pursuers were burning his head. The awful stench of their breath, a stinging vapor, was scorching his ears, drying his skin. Smell of sulphur. The acid of their bite. Their forked claws were already lacerating his back.If only I had the time to make it to St. Joseph's Gate where I might find some people. Some help. O agile foot of my rebellious youth! Haven't I always given you the choice morsel of whatever I've eaten? Haven't I given you the longest sip of whatever I've drunk? Run faster nimble foot of the songs of yesteryear! If ill should come to me, I will blame you… My mother will suffer… If I die… And what about my Solange, my sweetheart? Will I never see her again? A portrait of "the extreme bitterness of doom in the face of the blind machinery of power." In vivid, fluid prose, Ripe to Burst follows the lives of two young men and their individual attempts to make sense of the deeply troubled society surrounding them. A biting critique of the "brain drain" prompted by the François Duvalier dictatorship, Frankétienne mirrors the spirit and failings of the 1960s generation.Widely recognized as Haiti's most important literary figure, Frankétienne has written more than thirty plays, poetry collections, and works of fiction, including Dezafi, the first modern novel written entirely in Haitian Creole.

    The German invasion of Norway in 1940 brings tragedy to the life of teen-aged Ingeborg and at the same time reveals the carefully guarded secret of her heritage.

    Very early one morning, half-hidden by the swirling mists, he sets out alone to discover the secret of the lake - and unleashes a series of violent reactions - and violent deaths ...

    

    All of the long poems written over the past forty years are included: The Homestead Called Damascus (1920-25), A Prolegomenon to a Theodicy (1925-27), The Phoenix and the Tortoise (1940-44), The Dragon and the Unicorn (1944-50) and The Heart's Garden, The Garden's Heart (1967-68).As we read the long poems together and in sequence we can see thatRexroth is a philosophical poet of consequence who offers us acomprehensive system of values based on the realization of the ethicalmysticism of universal responsibility. He is concerned, above all, withprocess: the movement from the Dual to the Other. "I have tried,"Rexroth writes," to embody in verse the belief that the only validconservation of value lies in the assumption of unlimited liability, thesupernatural identification of the self with the tragic unity ofcreative process. I hope I have made it clear that the self does not dothis by an act of will, by sheer assertion. He who would save his lifemust lose it."

    At various points in his life he considered himself a liberal, a socialist, and a pacifist, but he also admitted that he had never been any of these in any profound sense. He was born in Monmouthshire into one of the most prominent aristocratic families in Britain. In the early 20th century, Russell led the British "revolt against idealism". He is considered one of the founders of analytic philosophy along with his predecessor Gottlob Frege, colleague G. E. Moore, and his protégé Ludwig Wittgenstein. He is widely held to be one of the 20th century's premier logicians. With A. N. Whitehead he wrote Principia Mathematica, an attempt to create a logical basis for mathematics. His philosophical essay "On Denoting" has been considered a "paradigm of philosophy". His work has had a considerable influence on logic, mathematics, set theory, linguistics, artificial intelligence, cognitive science, computer science (see type theory and type system), and philosophy...........PLUS----there are L-O-A-D-S of PHOTOS!!...............This is the hardcover stated S&S FIRST EDITION FROM 1969. Other than a clipped frontcardholder flyleaf (ex lib), both the mylar-covered dj and the book are in excellent reading condition. There are no rips, tears, etc.---and the pages and binding are tight (see photo). **Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe. So bid now for this magnificent, impossible-to-find AUTOBIOGRAPHY COLLECTIBLE..

    .highly comical'SUNDAY TIMES'Broad in every sense of the word'ENCOUNTER'A fine job of research that left no barrack-room un-bugged, no lavatory wall un-scanned'DAILY MIRROR

    Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

    A deeper look at the bigger than life person of Alabama Governor George Wallace.

    Behind the façade of enemy and Swedish propaganda the central character is discovered: more dependent on others, more complex and with wider interests than usually assumed – a man who regarded someone without mathematics as 'lacking one sense', who cared for social justice as well as for architecture and deserved in some measure the label of 'philosopher' bestowed on him by one of Louis XIV's diplomats.Riddles no doubt remain, but answers have been attempted to the questions which contemporaries and posterity alike have asked: did Charles' just war of defence have aggressive aspects? Why did he pay homage to Mars but not to Venus? How was the offensive of 1718 mounted and what were its objectives? Was he, as many historians still hold, murdered by someone on his own side or was the shot that ended his life that of an 'honest enemy bullet'?

    When a peaceful animal community is suddenly faced with defending its freedom against a horde of gangsters, the least likely citizen becomes the town's great hero.

    

    Roxanne leaves the farm she grew up on to spend a summer following in her mother's footsteps working for a circus, although as a seamstress not a performer.

    Harrison has moved to longer forms, and particularly to the suite form. In Locations, which represents his work since the publication of Plain Song three years ago, Mr. Harrison employs the suite to attain a diversionary, circling effect, by which he drives many wedges into the total metaphor of the poem. The result is a clustral, rather than geometric or linear, development of the poem—a succession of variations on a single theme which stalk rather than present the poem.Most of the poems in Locations concern themselves with the natural world, although not in the usual manner of the "nature poet." The central figure is human; the poems are immersed in a sense of man violently coexisting with nature and with the physical world he has built for himself. Though many of the poems are personal, they reflect a feeling of a nearly exhausted planet."My direction," writes Mr. Harrison of this second volume of poems, "seems toward a more open form while attempting to keep the tension of the construct. My sympathies, which are reasonably humble, run hot and cold to the great impurists Whitman, Rilke, Neruda, among others."

    She wrote copiously and very frankly, so that bits had to be cut out before her diaries could be published. Nevertheless, what remains is 'one of the most complete and vivid evocations of an era - and of experiences of one human being - ever known."

    Drawing on a lifetime of extraordinary accomplishment as a teacher, administrator, and scholar, Barzun here describes the immense demands placed on the university by its competing constituencies—students, faculty, administrators, alumni, trustees, and the political world around it all. "American higher education is fortunate to have had a scholar and intellectual of Jacques Barzun's stature give so many years of service to the daily bread-and-butter details of running a great university and then share his reflections with us in a literate, humane, and engaging book."—Charles Donovan, America

    Born is one of the founders of quantum mechanics, a major intellectual accomplishment of the twentieth century, comparable to such other feats in scientific thought as the Newtonian philosophy and the Darwinian revolution. For his contributions to quantum mechanics, Born was awarded the 1954 Nobel Prize in Physics. One learns that Born did not become involved in nuclear fusion and its applications to the atomic bomb. This enables him to consider the ethical and political questions connected with the bomb from an objective viewpoint. It is to these questions that most of the essays in the volume are addressed. Born is concerned with two major questions: Can human affairs be regulated without the use of force? Can the current decline of ethics and morality be reversed? More simply stated, Is there hope for man's future? His position ranges from darkest pessimism and despair to optimism and hope. In the moving final essay he exhorts: "But we must hope!" He speaks of hope as "a moving force", for he is convinced: Only if we hope do we act in order to bring fulfillment of the hope nearer." It is Born's dedication as a teacher and his deep insight into the material universe enlightened by philosophical understanding that makes this collection of writings so profound. And it is his social conscience that makes the essays so relevant and so significant

    Six stories about Alice, a five-year-old living in the twenty-first century, and her adventures with interplanetary visitors and strange animals.

    

    In them she encompasses within a few pages both the gaiety and charm of youth and love, and an awareness of all that threatens them.Writing in The New York Times, A. Alvarez has called these stories "extraordinary." The early stories have added value in that they illuminate Jean Rhys's development as a writer. Those written later, when her art was mature, are on the level of her novels and demonstrate that she is one of the most distinguished writers of our time, "the best living English novelist," again to quote Alvarez.The title of this collection comes from the opinion which many of Jean Rhys's characters share, that respectable people are as alarming as tigers, but "tigers are better-looking, aren't they?" It also reflects the astringent humor in her work; an explanation that however sad or even sordid her subject, she is never depressing.--From the book jacket

    Despite their privileged background, the children are not always happy - their parents are stern and Tom is sent to boarding school. When the holidays come though, their adventures begin.

    Contains: The Giant and the Cobbler / How Big-Mouth Wrestled the Giant / The Brave Little Tailor.

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    The work of these writers is discussed in the context of nineteenth-century opinion about the uses and dangers of opium, and of Romantic ideas on the creative imagination, on dreams and hypnagogic visions, and on imagery, so that the idiosyncrasies of opium-influenced writing can be isolated from their general literary background. The examination reveals a strange and miserable region of the mind in which some of the greatest poetic imaginations of the nineteenth century were imprisoned.