Many entries are followed by examples drawn from modern English poems that use the form and by references to well-known poems written in it. Each entry ends with complete cross-references so that readers can discover relationships and similarities among many of the forms. What makes The New Book of Forms more than just an encyclopedia of verse structure, though, is the opening section called "a handbook of poetics." This surveys the two modes of writing - prose and verse - and discusses various prosodic and metrical systems. Although the accent is on the forms of poetry, this book in fact contains all the information essential to a study of poetics from the Middle Ages to the present.

    Lipton in the Books of Venery that were the constant study of anyone who aspired to the title of gentleman in the fifteenth century. When Mr. Lipton's painstaking research revealed that five hundred years ago the terms of venery had already been turned into the Game of Venery, he embarked on an odyssey that has given us a "slouch of models," a "shrivel of critics," an "unction of undertakers," a "blur of Impressionists," a "score of bachelors," and a "pocket of quarterbacks." This ultimate edition of An Exaltation of Larks is Mr. Lipton's brilliant answer to the assault on language and literacy in the last decades of the twentieth century. In it you will find more than 1,100 resurrected or newly minted contributions to that most endangered of all species, our language, in a setting of 250 witty, beautiful, and remarkably apt engravings.

    Murray's A WRITER TEACHES WRITING has had a profound influence on composition theory and practice.

    This book has hardback covers.Ex-library,With usual stamps and markings,In poor condition, suitable as a reading copy.Dust Jacket in fair condition.

    Identifying those trends which she finds most destructive in modern fiction (reportage, the substitution of violence for emotion, and the growing cults of ugliness, toughness, and caricature), Nin offers, instead, an argument for and synthesis of the poetic novel.Drawing upon such related arts as filmmaking, painting, and dance, Nin discusses her own efforts in this genre as well as the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self, the genesis of fiction, and the relationship between the diary and fiction, she addresses the materials, techniques, and nourishment of the arts, and the functions of art itself.

    

    From Voltaire to Wagner reviews the period of the European Enlightenment in the eighteenth and nineteenth centuries when anti-Semitism gradually stopped being an official state policy in most countries. Highlighting the emancipation of Jews as it spread across Europe, Poliakov shows how philosophers, statesmen, and some theologians became concerned with civil rights, yet the anti-Semitic beliefs of many highly regarded and influential persons remained a major roadblock to true equality and justice. The volume ends with the development of racial anti-Semitic theories bound up in the emerging modern sciences.

    Now Turco has expanded and updated “the poet’s bible” once again, this time incorporating a collection of “odd and invented forms,” which adds many interesting ancient and modern prosodies and forms with new examples written by contemporary poets old and young. Turco presents “The Rules of Scansion,” discusses the “levels” of poetry—the typographical, the sonic, the sensory, and the ideational—and proffers the ever-useful “Form-Finder Index.”