Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

    Her father, a pawnbroker, is the most hated man in the district, and Katherine an outcast. Her only friend is tiny Ceppi Healy, underfed, irrepressible and, the youngest in a neglected family of eight, as much an emotional orphan as eighteen-year-old Katherine. Then, one night, the unthinkable happens. Katherine's father is murdered, a victim of local revenge for an act of cruelty even she couldn't have anticipated. Fearing for her life, Katherine flees, taking with her the desperate young Ceppi. Liverpool is her longed-for haven and, with the last of her father's money, she rents a lodging house in a street decimated by the sinking of the Titanic. But, far from finding a refuge for herself and little girl she promised to protect, she realises she has put them into the path of terrible danger...

    Red Coat is non-fiction Sharpe, filled with anecdote and humour as well as historical analysis.‘Redcoat is a wonderful book. It is not just a work of history – but one of enthusiasm and unparalleled knowledge.' BERNARD CORNWELLRedcoat is the story of the British soldier from c.1760 until c.1860 – surely one of the most enduring and magnetic subjects of the British past. Solidly based on the letters and diaries of the men who served and the women who followed them, the book is rich in the history of the period. It charts Wolfe's victory and death at Quebec, the American War of Independence, the Duke of York's campaign in Flanders, Wellington's Peninsular War, Waterloo,the retreat from Kabul, the Sikh wars in 1845-9, the Crimean war and the Indian Mutiny.The focus of Redcoat, however, is the individual recollection and experience of the ordinary soldiers serving in the wars fought by Georgian and early Victorian England.Through their stories and anecdotes – of uniforms, equipment,'taking the King's shilling', flogging, wounds, food, barrack life, courage, comradeship, death, love and loss – Richard Holmes provides a comprehensive portrait of a fallible but extraordinarily successful fighting force.'Such a scene of mortal strife from the fire of fifty men was never witnessed…' writes Harry Smith of the 95th Rifles, recounting the death of a brother officer in Spain in 1813. 'I wept over his remains with a bursting heart as, with his company who adored him, I consigned to the grave the last external appearance of Daniel Cadoux. His fame can never die.' Smith's account is typical of the emotions and experiences of the men who appear on every page of this book, sporting their red uniforms to fight for King and country.

    St. Theophan, a beloved Orthodox bishop from nineteenth-century Russia, speaks not only from a deep knowledge of the Church Fathers, but also from a lifetime of experience in turning his heart to God-and guiding others on this glorious Way that leads to our salvation. His writings are unique in that he combines centuries of Church wisdom with keen psychological insights for us today. Repentance is not a popular term here in the West, yet it is the cornerstone of the Lord's gospel, and the entrance into God's kingdom. Turning the Heart to God is a manual of true spiritual transformation in a world of often cheap grace . . . a classic book that has the power to change our lives, if we let it.

    As civilizations collide around two men, a battle begins: for survival, for love, and for a destiny written in a desert's shifting sands.The year is 1870. Paris is under siege, and two boys, best friends and cousins, are swept from their life of privilege. A brutal killing forces Michel deVries — called Moussa — to flee to his mother's homeland in North Africa. A family disgrace forces Paul deVries to seek redemption in the French military. Ten years will pass before they come face-to-face again. Now Moussa has become a desert warrior and a beautiful woman's forbidden lover, while Paul leads an ill-fated French force into the Sahara. Against a breathtaking landscape of blazing sands and ancient mysteries, these two men face a struggle that will shatter lives across two continents — and force them to choose between separate dreams and shared blood....

    This selection of critical writings reveals a different side of the great writer--the deep and serious reader of literature and philosophy, and the eloquent and original thinker about society and art. This illuminating collection includes "The Portrait of Mr. W. H.," "In Defense of Dorian Gray," reviews, and the writings from Intentions (1891), including "The Decay of Lying," "Pen, Pencil, Poison," and "The Critic as Artist."For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It contains stories from The Adventures of Sherlock Holmes, The Memoirs of Sherlock Holmes, and The Hound of the Baskervilles.The Adventures of Sherlock Holmes:Comprising the series of short stories that made the fortunes of the Strand, the magazine in which they were first published, this volume won even more popularity for Sherlock Holmes and Dr. Watson. Holmes is at the height of his powers in many of his most famous cases, including "The Red-Headed League," "The Speckled Band," and "The Blue Carbuncle."The Memoirs of Sherlock Holmes:Eleven of the best and most popular tales of the immortal sleuth include "Silver Blaze," concerning the "curious incident of the dog in the night-time"; "The Greek Interpreter," starring Holmes' even more formidable brother, Mycroft; and "The Final Problem," the detective's notorious confrontation with arch-criminal Moriarty at the Reichenbach Falls.The Hound of the Baskervilles:Holmes and Watson are faced with their most terrifying case yet. The legend of the devil-beast that haunts the moors around the Baskerville families home warns the descendants of that ancient clan never to venture out in those dark hours when the power of evil is exalted. Now, the most recent Baskerville, Sir Charles, is dead and the footprints of a giant hound have been found near his body. Will the new heir meet the same fate?

    Ranging in scope from the short novels Hadj Murad and The Kreutzer Sonata to folktales only a few pages long, they bring us intimately into the world of the great Russian novelist.

    Swanson and Daniel R. Weinberg, follows the shocking events from the tragic scene at Ford's Theatre to the trial and execution of Booth's co-conspirators. For twelve days after the president was shot, the nation waited breathlessly as manhunters tracked down John Wilkes Booth—the story that was brilliantly told in Swanson's New York Times bestseller, Manhunt. Then, during the spring and summer of 1865, a military commission tried eight people as conspirators in Booth's plot to murder Lincoln and other high officials, including the secretary of state and vice president. Few remember them today, but once the names Mary Surratt, Lewis Powell, David Herold, George Atzerodt, Edman Spangler, Samuel Arnold, Michael O'Laughlin, and Dr. Samuel Mudd were the most reviled and notorious in America.In Lincoln's Assassins, Swanson and Weinberg resurrect these events by presenting an unprecedented visual record of almost 300 contemporary photographs, letters, documents, prints, woodcuts, newspapers, pamphlets, books, and artifacts, many hitherto unpublished. These rare materials, which took the authors decades to collect, evoke the popular culture of the time, record the origins of the Lincoln myth, take the reader into the courtroom and the cells of the accused, document the beginning of American photojournalism, and memorialize the fates of the eight conspirators.Lincoln's Assassins is a unique work that will appeal to anyone interested in American history, Abraham Lincoln, the Civil War, law, crime, assassination, nineteenth-century photographic portraiture, and the history of American photojournalism.

    Oh, how she wishes things could be different. One day Lucy's older brother, Albert, comes home with something that can make a difference - a sack of quilts. The quilts are part of a secret code, and each different pattern gives important information to slaves planning to escape on the Underground Railroad. When Albert is caught one night helping the runaways, he too must flee, leaving Lucy behind. As he disappears into the darkness, Lucy fears she will never see her brother again.Set during the years before the Civil War, The Secret to Freedom is a testament to the enduring bond of family and a celebration of the human spirit. It is a story of triumph over adversity during a difficult chapter in our country's past. An Author's Note further explains the Underground Railroad quilt code.

    Steven chronicles Claude Monet's rise to fame and contributions to Impressionism in this colorful report, featuring Steven's funny cartoons alongside reproductions of classic paintings like Waterlilies.

    Born in splendor difficult to imagine today, she endured a lifetime of relentless tragedy with courage and exceptional powers of adjustment.The Last Grand Duchess is a valuable account of the final decades of the house of Romanov as seen through the eyes of its last surviving member. Through Olga, we meet Queen Victoria, George V of England, Rasputin, Mrs. Anderson - on whose story the movie Anastasia was made - and other impostors who plagued the exiled duchess with false hope.In this official memoir, Ian Vorres captures the loneliness and violence of Olga's years in Russia, her loveless first marriage to Prince Peter of Oldenburg, her years of exile in England and Denmark, and her final settlement with her second husband and family in Canada.Long out of print, and now reissued in a handsomely illustrated edition, The Last Grand Duchess is the thorough and engaging official biography of an extraordinary woman.

    This complete collection of verse shows the bush balladeer at his very best with favorites such as "A Bush Christening," "The Man from Ironbark," "Clancy of the Overflow," and the immortal "The Man from Snowy River."A.B. Banjo Paterson was born in Australia in 1864 and wrote poetry and fiction from 1900 until his death in 1941.

    His defeat of Napoleon at Waterloo in 1815 crowned a reputation first won in India at Assaye and then confirmed during the Peninsular War, where he followed up his defense of Portugal by driving the French from Spain. Gordon Corrigan, himself an ex-soldier, examines Wellington’s claims to greatness. Wellington was in many ways the first modern general, combining a mastery of logistics with an ability to communicate with and inspire men of all ranks. He had to contend not only with enemy armies but also with his political masters and an often skeptical public at home. 'Wellington: A Military Life' is a brilliant examination of one of Britain's most important historical figures. ‘Political, fluent, well-researched and extremely argumentative’ – Andrew Roberts. Major Gordon Corrigan is a retired Gurkha officer, a member of the British Commission for Military History and Fellow of the Royal Asiatic Society. Fluent in the Nepali language, he is now a freelance military historian and battlefield lecturer. He is a well known figure on the History channel. He is also the author of ‘Sepoys in the Trenches’. Endeavour Press is the UK's leading independent publisher of digital books.

    There Roy Moxham buys the memoir of a nineteenth-century British colonial administrative officer, who makes a passing reference to a giant hedge planted by the British across the Indian subcontinent. That hedge—which for fifty years had been manned and cared for by 12,000 men and had run a length of 2,500 miles—becomes what Moxham calls his "ridiculous obsession." Recounting a journey that takes him to exotic isolated villages deep in the interior of India, Moxham chronicles his efforts to confirm the existence of the extraordinary, impenetrable green wall that had virtually disappeared from two nations' memories. Not only does he discover the shameful role the hedge played in the exploitative Raj and the famines of the late nineteenth century, but he also uncovers what remains of this British grand folly and restores to history what must be counted one of the world's wonders—and a monument to one of the great injustices of Victorian imperialism. "Grandly entertaining ... close to being a perfect story of a fanciful quest."—Boston Globe

    In Clausewitz on Strategy, the Boston Consulting Group's Strategy Institute has excerpted those passages most relevant to business strategy from Clausewitz's classic text On War, the most general, applicable, and enduring work of strategy in the modern West and a source of insight into the nature of conflict, whether on the battlefield or in the boardroom. This book offers Clausewitz's framework for self-education--a way to train the reader's thinking. Clausewitz speaks the mind of the executive, revealing logic that those interested in strategic thinking and practice will find invaluable. He presents unique ideas, such as the idea that friction--unexpected interference--is an intrinsic part of strategy. The Boston Consulting Group is one of the world's leading management consulting firms whose clients include many of the world's industry leaders. Tiha von Ghyczy (Charlottesville, VA) has been a faculty member and Director of Business Projects at the Darden School of Business since 1996. While with The Boston Consulting Group, he assumed responsibility for the practice groups in manufacturing/time-based competition and high technology. He has published numerous articles and books on vision and strategy. Bolko von Oetinger (Munich, Germany) is a Senior Vice President of BCG. Christopher Bassford (Washington, DC) is presently a Professor of Strategy at the National War College in Washington, DC, and the author of several books, including Clausewitz in English: The Reception of Clausewitz in Britain and America, 1815-1945.

    These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.

    Referring to the unobtainable 1866 edition of this work, C. H. Spurgeon wrote: 'A first-class exposition of Jonah. No one who has it will need any other. It is not a small treatise, as most of the Jonah books are; but it contains 460 pages, all rich with good matter. It is out of print, and ought to be republished. What are publishers at to let such a book slip out of the market?' Hugh Martin (1822-85) was one of the most outstanding men in that 'galaxy of gifted and devoted ministers of the Gospels' in Scotland during the second half of last century. After a distinguished university career, in which he obtained the highest mathematical honours, he entered the ministry and held pastorates at Panbride and Edinburgh before he was forced to retire in 1865 because of ill-health. 'All his writings', in the opinion of John Murray, 'exhibit an unexcelled warmth and fervour. No one could scale higher heights of sanctified eloquence.' His other principal works were The Shadow of Calvary, Christ's Presence in the Gospel History, The Atonement, and Simon Peter.

    Using prison memoirs, newspaper articles, and extensive archival records, Zinoman presents a wealth of significant new information to document how colonial prisons, rather than quelling political dissent and maintaining order, instead became institutions that promoted nationalism and revolutionary education.

    Over the last few decades Gogh and Gauguin have received a prodigious amount of scholarly attention. Recent contributions to this literature have expanded our knowledge significantly. But while references to their problematic interaction abound, sustained analysis of their mutual influence has yet to be the subject of a major study. This book, published on the occasion of a landmark exhibition organized by the Art Institute of Chicago and the Van Gogh Museum, systematically explores the relationship in the context of the larger cultural and political background implied in their ideas for a 'Studio of the South'. It charts the connections between the two men through their stay together in Provence and beyond to Vincent's death in 1890. A final section considers the remainder of Gauguin's career, both in Tahiti and the Marquesas (where he died in 1903), as an attempt to realize the ideals of the 'Studio of the South' developed with Van Gogh and shaped by his posthumous reputation.510 illustrations, 300 in color.

    The influence of this short piece has been far-reaching. The apocalyptic final sections are the source for central notions in Heidegger's Being and Time. Later readers have seized on the essay as a prophetic analysis of our own time. Its concepts have been drawn into current debates on identity, addiction, and social conformity.

    As a fellow resident of Amherst, Massachusetts, Liebling was naturally drawn to the Homestead, the house in which Dickinson lived and worked. But more remarkably, Liebling had the opportunity to document the opening of the Homestead's dark sister, the Evergreens -- an Italianate villa built for Emily's brother, Austin, which until recently was still inhabited but which had been preserved almost as a time capsule of the era of Emily and Austin. Though Dickinson lived as a recluse in the Homestead, she did not live in the utter isolation that has been popularly imagined. Her life was intimately bound up with the affairs of her friends and family, and the domestic situation at the Evergreens inevitably contributed to the environment in which she wrote her poems. Austin Dickinson's troubled marriage and his affair with Mabel Loomis Todd eventually gave rise to the bitter disputes over the disposition of property and the guardianship of Emily's poetic legacy that erupted after his death. In Liebling's evocative photographs, the stark austerity of the Homestead and the decaying opulence of the Evergreens offer new insights into the home life that shaped a poet. Three of the foremost scholars of Dickinson's life and work have contributed essays that explore the history and legacy of these two dwellings. Polly Longsworth, who wrote the definitive account of Austin's affair with Mabel Loomis Todd and who is at work on a major new biography of the poet, reveals some of the information her researches have brought to light -- including a new recognition that Dickinson's anxiety problems were a real and integral condition of her existence, an understanding that demystifies some of the more enigmatic aspects of her life, including her refusal to publish. Barton Levi St. Armand, meanwhile, shares the remarkable and previously untold inside story of Mary Hampson, the last resident of the Evergreens, and of the lives connected with the house over the last century; it was through the efforts of Hampson -- the heir of Austin's daughter -- that the Evergreens was saved from destruction and is now (like the Homestead) open to the public. Finally, Christopher Benfey offers an insightful appreciation of Liebling's photographs and the light they shed on Dickinson and her work; he teases out surprising but convincing affinities between the poems and the art of photography. The heart of this book is the one hundred plus photographs through which Jerome Liebling expands our understanding of Emily Dickinson's world and life. "You might say that the three essays are extended captions," says Benfey in his introduction, "taking their prompting and provocation from the images."

    

    Born Lady Georgiana Spencer, she married the fifth Duke of Devonshire in 1774; within a short space of time she had become the undisputed queen of fashionable society, adored by the Prince Regent, an intimate of Marie-Antoinette, an influential Whig hostess and a darling of the common people. Yet for all her aura of public glamour, Georgiana's personal life was fraught with suffering brought on by her compulsive gambling, which led to insurmountable debts and ignominy, and her search for love, which caused misery and exile. Georgiana's World is the illustrated version of Amanda Foreman's bestselling biography, Georgiana, Duchess of Devonshire, and brings a fresh perspective to her life and times. Filled with images of the people and places she actually knew, a series of special features explore such aspects of 18th-century life as aristocracy.

    45 plates of detailed, accurate illustrations include representations of claw-hammer frock coats and vests for the well-dressed man, loose pantaloons and shorter skirts for the working classes, high-waisted promenade gowns for fashionable ladies, and accessories. 45 black-and-white illustrations.

    This story of a sadistic transvestite and her pretty male lover was the first in a long series of novels, plays and stories dealing often in the most macabre and sensationalistic terms with sadism, gender inversion, and sexual desire.At the heart of the French literary world, Rachilde's life and writing defied patriarchal rules, particularly in relation to female sexuality, but she consistently and vehemently rejected feminism. Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle époque to the Second World War. This book is the first serious critical study of Rachilde's work. Exploring the interwoven themes of French naturalism, modernism, decadence and feminism, it will be essential reading for anyone interested in French culture, literature and sexuality at the turn of the twentieth century.

    More than a hundred thousand readers were spellbound by its startling vision—an account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, Vestiges combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began.In a pioneering cultural history, James A. Secord uses the story of Vestiges to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how Vestiges was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print.Beautifully written and based on painstaking research, Victorian Sensation offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted. Winner of the 2002 Pfizer Award from the History of Science Society

    This new anthology emphasizes Victorian nonfiction prose and verse with a generous, fresh selection of pieces from authors within the canon as well as outside of it.

    Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown.In ten years of serving as a correspondent and selling his writing in such periodicals as the New Orleans Daily Item, Times-Democrat, Harper's Weekly, and Scribner's Magazine he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints.He haunted the French Quarter to cover such events as the death of Marie Laveau. His descriptions of the seamy side of New Orleans, tainted with voodoo, debauchery, and mystery made a lasting impression on the nation. Denizens of the Crescent City and devotees who flock there for escapades and pleasures will recognize these original tales of corruption, of decay and benign frivolity, and of endless partying. With his writing, Hearn virtually invented the national image of New Orleans as a kind of alternative reality to the United States as a whole.S. Frederick Starr, a leading authority on New Orleans and Louisiana culture, edits the volume, adding an introduction that places Hearn in a social, historical, and literary context.Hearn was sensitive to the unique cultural milieu of New Orleans and Louisiana. During the decade that he spent in New Orleans, Hearn collected songs for the well-known New York music critic Henry Edward Krehbiel and extensively studied Creole French, making valuable and lasting contributions to ethnomusicology and linguistics.Hearn's writings on Japan are famous and have long been available. But Inventing New Orleans: Writings of Lafcadio Hearn brings together a selection of Hearn's nonfiction on New Orleans and Louisiana, creating a previously unavailable sampling. In these pieces Hearn, an Anglo-Greek immigrant who came to America by way of Ireland, is alternately playful, lyrical, and morbid. This gathering also features ten newly discovered sketches. Using his broad stylistic palette, Hearn conjures up a lost New Orleans which later writers such as William Faulkner and Tennessee Williams used to evoke the city as both reality and symbol.Lafcadio Hearn (1850-1904) was a prolific writer, critic, amateur engraver, and journalist. His many books-on a diverse range of subjects-include La Cuisine Creole: A Collection of Culinary Recipes (1885), Gombo Zhebes (1885), Chita (1889), and Glimpses of Unfamiliar Japan (1894).

    This honor catapulted her into contact with both high society and the greatest artists and writers of the day. Marie Antoinette, Catherine the Great, Benjamin Franklin, and Lord Byron were only a few of her vast and prestigious clientele. While describing her life as an artist, Vigee Lebrun also provides an exciting account of the dramatic events of her day, particularly the French Revolution and the Terror, from which she barely escaped.

    In thirty-five illuminating essays and one hundred and fifty thousand words, it examines the war from the perspectives critical to its outcome-the larger-than-life personalities of the important players from Lincoln to Lee, and the national strategies and key battle tactics that shaped the four-year-long crisis. Contributors include the leading lights of Civil War scholarship: James M. McPherson, Stephen W. Sears, Gary W. Gallagher, David Herbert Donald, and twenty others. James M. McPherson's essays ponder three diverse, yet fascinating subjects: Abraham Lincoln's use of language and its role in his victory; Jefferson Davis and Robert E. Lee's failed Southern strategies; and Ulysses S. Grant's memoirs as a reflection of his superlative generalship. Stephen W. Sears, in four essays, describes the daring flanking maneuvers of Stonewall Jackson at Chancellorsville, and presents the last word on Lee's infamous "lost order", among other topics. Other highlights include David Herbert Donald on Lincoln's early command; Gary W. Gallagher on Lee's record before his ascension as a Southern icon; John Bowers on Chickamauga; Noah Andre Trudeau on the battle of the Wilderness; Thomas Fleming on West Point, and much more.

    Keely Stauter-Halsted argues that such models overlook the independent contribution of peasant societies. She explores the complex case of the Polish peasants of Austrian Galicia, from the 1848 emancipation of the serfs to the eve of the First World War.In the years immediately after emancipation, Polish-speaking peasants were more apt to identify with the Austrian Emperor and the Catholic Church than with their Polish lords or the middle classes of the Galician capital, Cracow. Yet by the end of the century, Polish-speaking peasants would cheer, "Long live Poland" and celebrate the centennial of the peasant-fueled insurrection in defense of Polish independence.The explanation for this shift, Stauter-Halsted says, is the symbiosis that developed between peasant elites and upper-class reformers. She reconstructs this difficult, halting process, paying particular attention to public life and conflicts within the rural communities themselves. The author's approach is at once comparative and interdisciplinary, drawing from literature on national identity formation in Latin America, China, and Western Europe. The Nation in the Village combines anthropology, sociology, and literary criticism with economic, social, cultural, and political history.

    In this lively and literate study, the first book-length exploration of the artist, Alexander Nemerov presents a radical new reading of these paintings focusing on the uncanny quality of Raphaelle's still-life objects. Nemerov argues that the physical presence of these objects is not strictly their own but that of the artist's body. This imagery of embodiment, Nemerov argues, relates deeply to Raphaelle's own time. The Body of Raphaelle Peale focuses on not just Raphaelle's paintings but also the visual and intellectual culture of early-nineteenth-century Philadelphia, to which these works intimately relate. More broadly, the book presents a reading of romanticism in the American visual arts. Above all, it is an argument about selfhood in Raphaelle's era. Raphaelle's focus—in paintings both playful and morbid—was the pleasures and horrors of being a mere body, of being less than a self.Nemerov's primary source of evidence in this study is Raphaelle's art itself. After considering its theoretical and historical implications, he returns to the images, deftly guiding us to a fresh understanding of these remarkable paintings. Nemerov's formal analysis is infused with a sophisticated awareness of interdisciplinary issues, and he gracefully balances the formal, the theoretical, and the historical throughout his narrative. This beautifully illustrated study is sure to stimulate renewed appreciation of an exceptional American artist.

    Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.

    In this lucid collection of essays, Pearson bridges the continental-analytic divide in philosophy, bringing the virtual to centre stage and arguing its importance for re-thinking such central philosophical questions as time and life. Drawing on philosophers from Bergson, Kant and Nietzsche to Proust, Russell, Dennett and Badiou, Pearson examines the limits of continuity, explores relativity, and offers a concept of creative evolution.

    During the Civil War, plantation mistress Adelicia H.F.A Cheatham outfoxed Union and Confederate soldiers alike to make a fortune cashing in her cotton crop in London. With a 40,000 dollar bounty on her head, Harriet Tubman led slaves to freedom. Molly Brown refused to sink. In I Dwell in Possibility, award-winning author Donna Lucey turns our attention to the pioneering, innovative, and brave ways that women influenced the building of America before they had the right to vote.Through diaries, letters, and rare photographs and art works, this book evokes the many struggles and indispensable contributions of women who forged the nation we know today. Ranging from the outrageous -- daring young woman smoke in the Gilded Age! -- to the heartstopping -- an African-American woman jumps to her death rather than face slavery -- Lucey masterfully reveals that women's contributions to the life of America did not begin only with the right to vote, but long before even the concept of such a right became the American ideal.Intimate, compelling, and richly illustrated, I Dwell in Possibility is a truly unique look at American history.

    A Swedish book of women's garments from the eighteenth and nineteenth centuries taken from Swedish museum collections, photographed in color and thoroughly analyzed, along with patterns taken from the garments and complete sewing instructions to reproduce them.

    Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.In The Arts of Deception, James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the Prince of Humbug, P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences. We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.

    The Monied Metropolis is the first comprehensive history of New York's economic elite, the most powerful group in nineteenth-century America. Beckert explains how a small and diverse group of New Yorkers came to wield unprecedented economic, social, and political power from 1850 to the turn of the twentieth century. He reveals the central role of the Civil War in realigning New York's economic elite, and how the New York bourgeoisie reoriented its ideology during Reconstruction, abandoning the free labor views of the antebellum years for laissez-faire liberalism. Sven Beckert is the Dunwalke Associate at Harvard University. He is the recipient of several honors and fellowships, including the Aby Warburg Foundation prize for academic excellence, a MacArthur Dissertation Fellowship and a Andrew W. Mellon fellowship. This is his first book.

    But as she studies him for her report, she discovers that his art ranged far beyond the ballet and she gradually learns exactly what makes Degas's work so unique.

    The socialist ideal was, he suggests, embedded in Western civilization and its progenic cultures long before the opening of the modern era - and socialist thought did not begin with or depend on the existence of capitalism. Robinson proposes that the cultural, economic and social circumstances which spawned socialism are so diverse that the notion of socialism is best understood as a genetic phenomenon of resistance and should be treated in terms of "socialisms" rather than an enduring singular world-view. Paying particular attention to the impact of social conflicts and political competitions, the book interrogates the social, cultural, institutional and historical materials from which socialisms emerged. In doing so, it exposes the conceptual boundaries and restraints, and the definitive narrative and discursive structures, imposed on and by Engels and Marx in the process of giving a "destiny" to scientific socialism.

    In this fascinating book acclaimed author Clifford Pickover presents a nearly exhaustive list of fortune-telling techniques, from the ominous practice of human sacrifice to reading clues on the Internet.Pickover not only explores a vast and colorful array of methods of prediction--including dreaming--he also evaluates the accuracy of some of the most astonishing prophecies made throughout history. Just how accurate were such famous soothsayers as Nostradamus, the Delphic Oracle, Edgar Cayce, the children of Fatima (whose third vision has only recently been revealed), and dozens more?This book takes us one step further by exploring our own inner psyches: Why does looking into the future provide a source of solace in a world filled with uncertainty, disease, and chance? And why do the most noted prognosticators so often warn of natural catastrophes of biblical proportions, such as earthquakes and floods that will signal the end of the world?Through insight and wit, Pickover will unlock the door of your imagination with engrossing mysteries, intriguing illustrations, and even modern patents and computer techniques. Also included is a range of practical experiments and recipes--from Stone Age to New Age.Prepare yourself for a strange but captivating ride!

    E. Housman's "A Shropshire Lad" "the most vital English poetry collection of the 1890s and perhaps of the whole period from the death of Tennyson until Hardy's Satire of Circumstances". Drawing heavily on this volume, Hollinghurst gathers here a resonant collection of verse from Housman's oeuvre that, with its emphasis on the inevitable decay of youth and beauty and on the touching bonds of male friendship, was anthemic for the generation that went to war in 1914.

    East coast and Midwest prospectors, European immigrants, and African Americans newly freed from slavery, rushed to Denver to find work and their fortune in silver and gold. Captured here in almost 200 vintage images is the story of the African Americans who escaped the oppression and racism of the post Civil War South, and created a city within a city: the Five Points neighborhood of Denver. Named in 1881 for a bustling five-way intersection, the Five Points area became the commercial and social sector for African American churches, businesses, clubs, and homes, and the heart of Denver's black community. Showcased here are the photographs of once thriving Five Points businesses in the Welton Street business district, such as Otha Rice's Tap Room and Oven and the Rossonian Hotel, as well as the familiar faces of the Cosmopolitan Club, Madame CJ Walker, and Dr. Justina Ford, Denver's first African-American female doctor.

    

    Reintroducing the small group of young English artists who in 1848 founded the Pre-Raphaelite Brotherhood, this landmark book helped to attract both scholars and a new generation of admirers to the brilliant and audacious work of the Pre-Raphaelites. In this completely revised and updated second edition, Staley takes into account important artworks that have recently come to light as well as current understandings of the Pre-Raphaelite movement and its legacy. This lovely volume is greatly enhanced by more than 150 luminous color illustrations.Ranging widely in this volume, Staley offers a comprehensive account of the formation of the Brotherhood, the artists' theoretical concerns about depictions of the natural world, and the emergence and impact of a school of Pre-Raphaelite landscape painting. Staley also discusses all the figures important to Pre-Raphaelitism: the artists (among them John Everett Millais and William Holman Hunt), their associates (Ford Madox Brown, William Dyce), the landscape specialists they influenced (Thomas Seddon, George Price Boyce), and their most articulate supporter, John Ruskin.

    In this volume you'll find knitted and crocheted heirlooms, and both tatting (edgings and doilies galore) and beadwork. Patterns are exact replicas of the premier needlework magazine from turn-of-the-century England. Each volume is filled with hundreds of vintage projects, illustrations, information on little-known techniques, fashion as it was in the late 1800s and brief histories of needlework.

    In Doyle's original stories, Professor Moriarty is the bete noire of Sherlock Holmes, who deems the professor his mental equivalent and ethical opposite, declares him "the Napoleon of Crime, " and wrestles him seemingly to their mutual deaths at Reichenbach Falls. But indeed there are two sides to every story, and while Moriarty may not always tread strictly on the side of the law, he is also, in these novels, not quite about the person that Holmes and Watson made him out to be. In Kurland's fictions about Moriarty, the truth is finally revealed:The Infernal Device--A dangerous adversary seeking to topple the British monarchy places Moriarty in mortal jeopardy, forcing him to collaborate with his nemesis Sherlock Holmes.Death by Gaslight--A serial killer is stalking the cream o England's aristocracy, baffling both the police and Sherlock Holmes and leaving the powers in charge to play one last desperate card: Professor Moriarty.The Paradol Paradox--The first new Moriarty story in almost twenty years, it has never before appeared in print.Brilliantly and vividly evoking late Victorian England in all its facets, this first-ever omnibus of the adventures of Proefssor James Moriarty will delight longtime fans as well as readers new to the milieu.

    The governments of both the United States and Canada, having reduced Native nations to the legal status of dependent children, historically have asserted a surrogate parentalism over Native children themselves. Children of the Dragonfly is the first anthology to document this struggle for cultural survival on both sides of the U.S.-Canadian border. Through autobiography and interviews, fiction and traditional tales, official transcripts and poetry, these voices— Seneca, Cherokee, Mohawk, Navajo, and many others— weave powerful accounts of struggle and loss into a moving testimony to perseverance and survival. Invoking the dragonfly spirit of Zuni legend who helps children restore a way of life that has been taken from them, the anthology explores the breadth of the conflict about Native childhood. Included are works of contemporary authors Sherman Alexie, Joy Harjo, Luci Tapahonso, and others; classic writers Zitkala-Sa and E. Pauline Johnson; and contributions from twenty important new writers as well. They take readers from the boarding school movement of the 1870s to the Sixties Scoop in Canada and the Indian Child Welfare Act of 1978 in the United States. They also spotlight the tragic consequences of racist practices such as the suppression of Indian identity in government schools and the campaign against Indian childbearing through involuntary sterilization. CONTENTSPart 1. Traditional Stories and LivesSevert Young Bear (Lakota) and R. D. Theisz, To Say "Child"Zitkala-Sa (Yankton Sioux), The Toad and the BoyDelia Oshogay (Chippewa), Oshkikwe's BabyMichele Dean Stock (Seneca), The Seven DancersMary Ulmer Chiltoskey (Cherokee), Goldilocks ThereafterMarietta Brady (Navajo), Two StoriesPart 2. Boarding and Residential SchoolsEmbe (Marianna Burgess), from Stiya: or, a Carlisle Indian Girl at HomeBlack Bear (Blackfeet), Who Am I?E. Pauline Johnson (Mohawk), As It Was in the BeginningLee Maracle (Stoh:lo), Black RobesGordon D. Henry, Jr. (White Earth Chippewa), The Prisoner of HaikuLuci Tapahonso (Navajo), The SnakemanJoy Harjo (Muskogee), The Woman Who Fell from the SkyPart 3. Child Welfare and Health ServicesProblems That American Indian Families Face in Raising Their Children, United States Senate, April 8 and 9, 1974Mary TallMountain (Athabaskan), Five PoemsVirginia Woolfclan, Missing SisterLela Northcross Wakely (Potawatomi/Kickapoo), Indian HealthSherman Alexie (Spokane/Coeur d'Alene), from Indian KillerMilton Lee (Cheyenne River Sioux) and Jamie Lee, The Search for IndianPart 4. Children of the DragonflyPeter Cuch (Ute), I Wonder What the Car Looked LikeS. L. Wilde (Anishnaabe), A Letter to My GrandmotherEric Gansworth (Onondaga), It Goes Something Like ThisKimberly Roppolo (Cherokee/Choctaw/Creek), Breeds and OutlawsPhil Young (Cherokee) and Robert Bensen, WetumkaLawrence Sampson (Delaware/Eastern Band Cherokee), The Long Road HomeBeverley McKiver (Ojibway), When the Heron SpeaksJoyce carlEtta Mandrake (White Earth Chippewa), Memory Lane Is the Next Street OverAlan Michelson (Mohawk), Lost TribePatricia Aqiimuk Paul (Inupiaq), The ConnectionTerry Trevor (Cherokee/Delaware/Seneca), Pushing up the SkyAnnalee Lucia Bensen (Mohegan/Cherokee), Two Dragonfly Dream Songs

    Written by an international team of scholars, the Companion offers a wealth of biographical and historical information that illuminates Eliot's work. There are entries on all her novels (including plot synopses), stories, and important essays, plus coverage of poetry and translations, letters and journals, and notebooks and manuscripts. A long entry surveys her life, and shorter entries discuss her family, friends, and acquaintances, the places she lived and the countries she visited, and the writers, thinkers, artists, and composers whose work she knew. The volume also includes extensive cross-referencing and suggestions for further reading, a chronology, a bibliography, an alphabetical list of fictional characters, and maps of both fictional settings and the author's extensive travels. In sum, this is the first reference work to do justice to the extraordinary range and depth of George Eliot's intellectual life.

    Continuing in the format of the previous editions, a wide variety of subjects are included: individual carols and songs; historical events at Christmastime; popular Christmas symbols; Christmas plants, place names, and stamps; and celebrations in countries around the world, including the origins of some of the most cherished traditions in the United States. Unique to this work is its emphasis on Christmas as depicted in the popular media, with entries covering literary works such as Call Me Mrs. Miracle and Silver Bells, classic television series such as Bonanza and Little House on the Prairie, motion pictures such as Arthur Christmas and Santa Clause 3, and television specials expressing holiday themes.

    This Elibron Classics book is a facsimile reprint of a 1892 edition by Macmillan and Co., New York and London.

    Split up after his death, their pages scattered across various collections, the albums remain little known. This book reunites over 100 of the drawings.

    As both physicians and patients, Jews exerted a great influence on the formation of modern medical discourse and practice. This fascinating book investigates the relationship between German Jews and medicine from medieval times until its demise under the Nazis. John Efron examines the rise of the German Jewish physician in the Middle Ages and his emergence as a new kind of secular, Jewish intellectual in the early modern period and beyond. The author shows how nineteenth-century medicine regarded Jews as possessing distinct physical and mental pathologies, which in turn led to the emergence in modern Germany of the 'Jewish body' as a cultural and scientific idea. He demonstrates why Jews flocked to the medical profession in Germany and Austria, noting that by 1933, 50 percent of Berlin's and 60 percent of Vienna's physicians were Jewish. He discusses the impact of this on Jewish and German culture, concluding with the fate of Jewish doctors under the Nazis, whose assault on them was designed to eliminate whatever intimacy had been built up between Germans and their Jew

    S. Arthur, Martin Delany, Horatio Alger, Fanny Fern, Nathaniel Parker Willis, Henry James, Mark Twain, and William Dean Howells. For these nineteenth-century writers, he argues, sympathetic identification was not strictly an individual, feminizing, and private feeling but the quintessentially public sentiment--a transformative emotion with the power to shape social institutions and political movements.Uniting current scholarship on gender in nineteenth-century American culture with historical and theoretical debates on the definition of the public sphere in the period, Hendler shows how novels taught diverse readers to "feel right," to experience their identities as male or female, black or white, middle or working class, through a sentimental, emotionally based structure of feeling. He links novels with such wide-ranging cultural and political discourses as the temperance movement, feminism, and black nationalism. Public Sentiments demonstrates that, whether published for commercial reasons or for higher moral and aesthetic purposes, the nineteenth-century American novel was conceived of as a public instrument designed to play in a sentimental key.

    This study, which deals with the modernization of Ottoman public education during the period of reform, is based on sources such as Ottoman archives, published documents, textbooks, and memoirs. It discusses the main factors that led to Ottoman educational reforms. The topics in this volume include the expansion of provincial education, financial policies, curricular issues, the educational ideology of the Tanzimat (1839-1876) and the Hamidian periods (1878-1908), ethnic groups in the Balkans, Anatolia and Arabia, and the process of socialization. The book particularly addresses those readers interested in the educational, social and administrative history of the late Ottoman period.

    Hearing poetry spoken - as it was originally intended to be heard - adds dramatically to your understanding and appreciation of the form. Be moved, amused, and awed by these expert interpretations of even the most familiar poems.Revisit classics through the 1850s such as:"Sonnet 18 (Shall I Compare Thee to a Summer's Day)" by William Shakespeare"The Raven" by Edgar Allan Poe"Kubla Khan" by Samuel Taylor ColeridgeOther poets included in this collection are: Homer, Virgil, Ovid, Omar Khayyam, Dante Alighieri, Petrarch, Geoffrey Chaucer, John Donne, Ben Jonson, Robert Herrick, John Milton, Anne Bradstreet, Henry Wadsworth Longfellow, Alexander Pope, John Keats, Ralph Waldo Emerson, William Blake, Robert Burns, John Greenleaf Whittier, Elizabeth Barrett Browning, William Wordsworth, Walter Scott, Lord Byron, Percy Bysshe Shelley, Alfred Tennyson, Oliver Wendell Holmes, Emily Bronte, and Robert Browning.This is Volume 1 of The Best Poems of All Time. Don't miss Volume 2.

    history. From its beginning in the rural villages of eastern New York in 1839 until its collapse in 1865, the Anti-Rent movement impelled the state's governors, legislators, judges, and journalists, as well as delegates to New York's bellwether constitutional convention of 1846, to wrestle with two difficult problems of social policy. One was how to put down violent tenant resistance to the enforcement of landlord property and contract rights. The second was how to abolish the archaic form of land tenure at the root of the rent strike.Charles McCurdy considers the public debate on these questions from a fresh perspective. Instead of treating law and politics as dependent variables--as mirrors of social interests or accelerators of social change--he highlights the manifold ways in which law and politics shaped both the pattern of Anti-Rent violence and the drive for land reform. In the process, he provides a major reinterpretation of the ideas and institutions that diminished the promise of American democracy in the supposed "golden age" of American law and politics.

    Heather Cox Richardson argues instead that class, along with race, was critical to Reconstruction's end. Northern support for freed blacks and Reconstruction weakened in the wake of growing critiques of the economy and calls for a redistribution of wealth.Using newspapers, public speeches, popular tracts, Congressional reports, and private correspondence, Richardson traces the changing Northern attitudes toward African-Americans from the Republicans' idealized image of black workers in 1861 through the 1901 publication of Booker T. Washington's Up from Slavery. She examines such issues as black suffrage, disenfranchisement, taxation, westward migration, lynching, and civil rights to detect the trajectory of Northern disenchantment with Reconstruction. She reveals a growing backlash from Northerners against those who believed that inequalities should be addressed through working-class action, and the emergence of an American middle class that championed individual productivity and saw African-Americans as a threat to their prosperity.The Death of Reconstruction offers a new perspective on American race and labor and demonstrates the importance of class in the post-Civil War struggle to integrate African-Americans into a progressive and prospering nation.

    Salamanca, Spain. Frustrated at their first advance, British forces under Wellington's command have spent the last four days manoeuvering and retreating from the French army. Patient and cautious, Wellington is determined not to make a fatal mistake. He glimpses a moment of opportunity and grasps it, committing all of his troops to a sudden devastating attack. At the end of the day, the French army is broken, panic-stricken and reeling; Wellington has achieved the finest victory of his brilliant military career. This book examines in unprecedented detail the battle of Salamanca, the critical British victory that proved crushing to French pride and morale during the Peninsular War (1808-1814). Focusing on the day of the battle, Rory Muir skilfully conveys the experience of ordinary soldiers on both sides, dissects each phase of the fighting, and explores the crucial decisions made by each commander. He employs wide-ranging British and French sources, many unpublished or deeply obscure, to reconstruct every aspect of the battle. Having walked the battlefield itself, a site which remains today much as it was in 1812, Muir relates the ebb and flow of the battle with part

    He does his best to ease their suffering and decides to cheer them up by arranging, with the help of a Roma familty, for a carnival to come to town. All goes awry when Gabe fails to take into account the treachery of local politicians, a runaway daughter and a troubled teenage son.

    We witness life inside a hospital through the diary entires of a patient; the difficult decisions faced by a clergyman acting as charitable provider; a couple's grief at being parted by the war in India; a young woman's fears for her errant brother; and much more. Victorian Diaries presents the intricacies of ordinary daily lives with clarity and humor, and allows us to share their triumphs, sadnesses, and romances.

    She would spend the next fifteen years practicing medicine and living as a man.Drafted to serve as a surgeon in Napoleon's army, Faber endured the horrors of the 1812 retreat across Russia. She later embarked to the Caribbean and set up a medical practice in a remote Cuban village, where she married Juana de León, an impoverished local. Three years into their marriage, de León turned Faber in to the authorities, demanding that the marriage be annulled. A sensational legal trial ensued, and Faber was stripped of her medical license, forced to dress as a woman, sentenced to prison, and ultimately sent into exile. She was last seen on a boat headed to New Orleans in 1827.In this, his last published work, Antonio Benítez Rojo takes the outline provided by historical events and weaves a richly detailed backdrop for Faber, who becomes a vivid and complex figure grappling with the strictures of her time. Woman in Battle Dress is a sweeping, ambitious epic, in which Henriette Faber tells the story of her life, a compelling, entertaining, and ultimately triumphant tale.Praise for Woman in Battle Dress"Woman in Battle Dress by Antonio Benítez-Rojo, which has been beautifully translated from the Spanish by Jessica Ernst Powell, is the extraordinary account of an extraordinary person. Benítez-Rojo blows great gusts of fascinating fictional wind onto the all but forgotten embers of the actual Henriette Faber, and this blazing tale of her adventures as a military surgeon and a husband and about a hundred other fascinating things is both something we want and need to hear."––Laird Hunt, author of Neverhome"A fascinating novel, in a brilliant translation, about the unique fate of Henrietta Faber who played a gender-bending role in the history of Cuba."––Suzanne Jill Levine, noted translator and author of Manuel Puig and the Spider Woman: His Life and Fictions"A picaresque novel starring an adventurous heroine, who caroms from country to country around the expanding Napoleonic empire, hooking up with a dazzling array of men (and women) as she goes. A wild ride!"––Carmen Boullosa, author of Texas: The Great Theft"Very few novels dare to explore the historical representation of women to the extent that Woman in Battle Dress does, with impeccable veracity and bravado."––Julio Ortega, Professor at Brown University, author of Transatlantic TranslationsAntonio Benítez-Rojo (1931–2005) was a Cuban novelist, essayist and short-story writer. He was widely regarded as the most significant Cuban author of his generation. His work has been translated into nine languages and collected in more than 50 anthologies. One of his most influential publications, La Isla que se Repite, was published in 1989 by Ediciones del Norte, and published in English as The Repeating Island by Duke University Press in 1997.Jessica Powell has translated numerous Latin American authors, including works by César Vallejo, Jorge Luis Borges, Ernesto Cardenal, Maria Moreno, Ana Lidia Vega Serova and Edmundo Paz Soldán. Her translation (with Suzanne Jill Levine) of Adolfo Bioy Casares and Silvina Ocampo's novel Where There's Love, There's Hate, was published by Melville House in 2013. She is the recipient of a 2011 National Endowment for the Arts Translation Fellowship in support of her translation of Antonio Benítez Rojo's novel Woman in Battle Dress.

    Substantial selections, careful editing, and helpful annotations make this collection an ideal supplement for your course on the Civil War and Reconstruction.

    How did a young girl growing up on a hardscrabble Ohio farm become a legend in her own time?Based on her own writings and illustrated with hauntingly expressive oil paintings by one of America's foremost illustrators, this dramatic picture-book biography offers a fascinating glimpse into the life of a courageous young girl who went on to break barriers in the field of sports, becoming recognized by Will Rogers and others as "the greatest woman rifle shot the world has ever produced."

    This collection of biographical essays on the "winners and losers" of the Civil War covers some of the most intriguing: Ulysses S. Grant, Sam Houston, Nathan Bedford Forrest, and William Clarke Quantrill, to name just a few. The articles represent a broad cross-section of the scholarship of noted author Albert Castel; most were written over a fifty-year period for publication in national "popular history" magazines such as American Heritage, Civil War History, and Civil War Times Illustrated.

    The glimmering processions of the masked gods and bearded kings of New Orleans Carnival occupy a central position among the rites and glories of this great festival. The long succession of these glowing, torch-lit pageants--with their towering monsters and fantastic decors, their papier-m chE kingdoms and diamond-dust thrones--became the greatest and most beloved of New Orleans communal rituals. The introduction of the float brought tremendous artistry to the splendid conveyances for carnival revelry, but the artists and builders who created the fabled pageants have remained obscure or unknown, their amazing body of work largely forgotten. Even the surviving watercolor float plates and chromolithographed Carnival Bulletins are works of art and prized by collectors, as so few of these fragile items remain. Presented in this collection are dazzling examples of original float designs as rendered in watercolor and lithographs--most of them reproduced here for the first time.

    Joachim Murat was born in Gascony, the department of Lot, and although his father was relatively affluent, no-one realized the spectacular rise that would lead him to a the crown of Naples and an indelible imprint on the history of his native France and all of Europe.Atteridge wrote a number of books on the men who worked as satellites to Napoleon, Emperor of the French, his commanders on the battlefield and the brothers he placed, or tried to place in power as a buffer to a vengeful Europe. Marshal Murat has often been caricatured as a dashing cavalry commander with little more brains than the horse he rode, however the portrait here painted is much more complex than the simplistic view carted out by some other historians. More than a superlative leader of cavalry, in the short campaigns of the emergent French army, he grew distant from Napoleon due to constant goadings and rebukes, he was a varied man, vain and pompous, a dedicated family man, yet possibly also cuckold. He was to find a ignominious grave, for firing squad, at Pizzo having attempted to emulate his former master’s march on Paris in his adopted Naples.Highly recommended.Atteridge’s book forms a companion to his other single volume biography of Marshal Ney and his work on the varied personalities on Napoleon’s Brothers.Author- Andrew Hilliard Atteridge (1844–1912)Linked TOC and 7 Illustrations and 3 maps.