The war was over, and Eric Smythe's party was in full swing. All his clever Greenwich Village friends were there. So too was his sister Sara -- an independent, canny young woman, starting to make her way in the big city. And then in walked a gatecrasher, Jack Malone -- a U. S. Army journalist just back from a defeated Germany, and a man whose world-view did not tally with that of Eric and his friends. Set amidst the dynamic optimism of postwar New York and the subsequent nightmare of the McCarthy witch-hunts, The Pursuit of Happiness is a great tragic love story; a tale of divided loyalties, decisive moral choices, and the random workings of destiny.

    Shy, afflicted with a stutter, and struggling with his sexuality, Will Parker comes to New York to escape the provincial western towns where he grew up. In New York, he finds himself surrounded for the first time by people who understand and celebrate his quirks and flaws. He also begins an unforgettable love affair with a volatile, six-foot-five African-American drag queen and performance artist named Rose. But even as he is falling in love with Rose and growing into himself, Will must watch as AIDS escalates from a rumor into a devastating tragedy. When a vicious riot erupts in a local park, Will seizes the chance to repay the city for all it has taught him, in a climax that will leave readers shaken, fulfilled, and changed. "In the City of Shy Hunters is so finely crafted ... you'll think you've been reading a modernist classic." -- Peter Kurth, Salon.com "Spanbauer's genius resides even in the asides ... teas[ing] out the genuine complexity of human love." -- Thomas McGonigle, The Washington Post Book World "Ambitious and compelling ... a mixture of the ghastly, the hilarious, and the curiously touching." -- John Hartl, The Seattle Times "In the City of Shy Hunters has the earmarks of a literary landmark ... Its importance and originality are unmistakable." -- Laura Demanski, The Baltimore Sun

     It's gonna be. I believe. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant." -- Russ Hodges, October 3, 1951 On the fiftieth anniversary of "The Shot Heard Round the World," Don DeLillo reassembles in fiction the larger-than-life characters who on October 3, 1951, witnessed Bobby Thomson's pennant-winning home run in the bottom of the ninth inning. Jackie Gleason is razzing Toots Shor in Leo Durocher's box seats; J. Edgar Hoover, basking in Sinatra's celebrity, is about to be told that the Russians have tested an atomic bomb; and Russ Hodges, raw-throated and excitable, announces the game -- the Giants and the Dodgers at the Polo Grounds in New York. DeLillo's transcendent account of one of the iconic events of the twentieth century is a masterpiece of American sportswriting.

    Born into a conservative Italian American family, di Prima grew up in Brooklyn but broke away from her roots to follow through on a lifelong commitment to become a poet, first made when she was in high school. Immersing herself in Manhattan's early 1950s Bohemia, di Prima quickly emerged as a renowned poet, an influential editor, and a single mother at a time when this was unheard of. Vividly chronicling the intense, creative cauldron of those years, she recounts her revolutionary relationships and sexuality, and how her experimentation led her to define herself as a woman. What emerges is a fascinating narrative about the courage and triumph of the imagination, and how one woman discovered her role in the world.

    Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.

    Now the editors of LIFE have assembled a moving, brilliantly illustrated account of tragedy and triumph. This is about firemen going in amidst the rubble, but it is also about a Frenchman in Paris holding up a sign that says, We are all Americans. This is about our leaders taking charge, but it is also about schoolchildren in Iowa hanging an American flag on a tree in their backyard. Beginning with the history of lower Manhattan, the book explains what happened on September 11, profiles many of the heroes, victims and rescuers (fireman, police, doctors, and rescue dogs among them), and paints an inspiring portrait if a nation and world coming together in sadness, pride and resolve.The book is more than photographs. Explanatory text runs throughout, and the book also includes a selection of original essays about America and September 11, written by such notables as Maya Angelou, Thomas Keneally (Schindlers List), Stephen Ambrose, Melissa Fay Greene (The Temple Bombing), AndreiCodrescu, Gordon Parks, Doug Stanton (In Harms Way), Bob Greene (Duty), James Bradley (Flags of Our Fathers), and others. All profits from the sales of this book will be donated to American Red Cross, September 11th Fund, International Association of Fire Fighters, New York Fraternal Order of Police WTC Fund, The National Organization for Victim Assistance, and The Twin Towers Fund. When Americans think of photographic journalism at its finest, they think of LIFE magazine. This book will draw upon the best photographers employed by TIME, LIFE, PEOPLE and other magazines. Many of the photographers have had their own collections published in book form.

    Back in the days, gangs would battle not with guns, but by breakdancing. Back in the days, the streets-not corporate planning-set the standards for style. Back in the days, Jamel Shabazz was on the scene, photographing everyday people hangin' in Harlem, kickin' it in Queens, and cold chillin' in Brooklyn. Street styling with an attitude not seen in fashion for another twenty years to come, Shabazz's subjects strike poses that put supermodels to shame-showing off Kangol caps and Gazelle glasses, shell-top Adidas and suede Pumas with fat laces, shearling coats and leather jackets, gold rope chains, door-knocker earrings, name belts, boom boxes, and other designer finery. For anyone who wants to know what "keepin' it real" means, Back in the Days is the book of your dreams.

    Through the long hot days, Grandma fills her apartment with the blaring horns and conga drums of Bomba y Plena, salsa, and merengue-the music she grew up with in Puerto Rico-sharing her memories and passions with Eric.But Eric sees Grandma in a new light when she gets them tickets to hear their favorite band in concert. The music sounds so different than it does at home on their scratchy records. And then the lead singer serenades Grandma right in front of the whole audience!Join Eric Velasquez on a magical journey through time and across cultures, as a young boy's passion for music and art is forged by a powerful bond between generations.

    Now this classic history is being reissued, with a new foreword byacclaimed biographer Arnold Rampersad.As Rampersad notes, Harlem Renaissance remains an indispensable guide to the facts and features, the puzzles and mysteries, of one of the most provocative episodes in African-American and American history. Indeed, Huggins offers a brilliant account of the creative explosion in Harlem during thesepivotal years. Blending the fields of history, literature, music, psychology, and folklore, he illuminates the thought and writing of such key figures as Alain Locke, James Weldon Johnson, and W.E.B. DuBois and provides sharp-eyed analyses of the poetry of Claude McKay, Countee Cullen, and LangstonHughes. But the main objective for Huggins, throughout the book, is always to achieve a better understanding of America as a whole. As Huggins himself noted, he didn't want Harlem in the 1920s to be the focus of the book so much as a lens through which readers might see how this one moment in timesheds light on the American character and culture, not just in Harlem but across the nation. He strives throughout to link the work of poets and novelists not only to artists working in other genres and media but also to economic, historical, and cultural forces in the culture at large.This superb reissue of Harlem Renaissance brings to a new generation of readers one of the great works in African-American history and indeed a landmark work in the field of American Studies.

    Never before have the complexities and dramas of urban preservation been as keenly documented as in Preserving the World’s Great Cities. In researching this important work, Anthony Tung traveled throughout the world to visit remarkable buildings and districts in China, Italy, Greece, the U.S., Japan, and elsewhere. Everywhere he found both the devastating legacy of war, economics, and indifference and the accomplishments of people who have worked and sometimes risked their lives to preserve and renew the most meaningful urban expressions of the human spirit.From Singapore’s blind rush to become the most modern city of the East to Warsaw’s poignant and heroic effort to resurrect itself from the Nazis’ systematic campaign of physical and cultural obliteration, from New York and Rome to Kyoto and Cairo, we see the city as an expression of the best and worst within us. This is essential reading for fans of Jane Jacobs and Witold Rybczynski and everyone who is concerned about urban preservation. From the Hardcover edition.

    Although their work conjures the texture of wind and the broad spaces of the sky, these poems are not serenely pastoral. Rather, Myles' sparse blank verse is concerned with the diaphanous qualities of perception, as if her momentary experiences were as slippery and translucent as clouds. A sometimes brutal loneliness and urgent but stoic sensuality results, finding its expression in simple colors: orange, grey, yellow, white, rose.

    Brick listens to their games on the radio in Windy Hill, in upstate New York, where his family has an apple orchard; Mariel, once a polio patient in the hospital in Windy Hill, lives in Brooklyn near the Dodgers’ home, Ebbets Field. She was adopted by Loretta, a nurse at the hospital, and has never known what happened to her own mother. Someday, somehow, she plans to return to Windy Hill and find out. When a fire destroys their orchard, Brick’s parents must leave the farm to find work. They send him to live in Brooklyn with their friend Loretta, even though Brick knows that their elderly neighbors need his help to pick what’s left of the apples. The only good thing about Brooklyn is seeing the Dodgers play–that, and his friendship with Mariel. Maybe, together, they’ll find a way to return to Windy Hill, save the harvest, and learn the truth about Mariel’s past.From the Hardcover edition.

    Then the game changes and the stakes get higher. Someone begins following Philip's every move, waiting for the chance to strike--with a vengeance. Soon, Philip is at the center of a murder investigation that can end his career, his marriage, and his fabulous life.

    Then everything changed. Peter opened his heart to the Scottish Fold kitten and their adventures to Paris, Fire Island, and in the subways of Manhattan took on the color of legend and mutual love. The Cat Who Went to Paris proves that sometimes all it takes is paws and personality to change a life.In A Cat Abroad, Peter Gethers recounts the further adventures of Norton, the extraordinary cat with the great Scottish Fold ears, who finds new worlds and people to conquer. Norton, who charmed even the most avowed cat haters with his antics in the best-selling The Cat Who Went to Paris, now hightails it to the south of France - stopping off all over Europe along the way - for a year with his favorite human. As always, Norton astounds those around him with his calm, uncatlike demeanor and succeeds in becoming the object of everyone's affections. In America, Norton goes on the TV talk-show circuit, finds himself on the "A" list of desirable celebrities who stay at the ultra-chic Four Seasons Hotel in Los Angeles, and is the star of a party at Spago, where superstar chef Wolfgang Puck presents him with a Pounce pizza. When Norton and Peter tour the Continent, Norton leaves his mark on Paris, where he encounters five not-so-friendly dogs and a devious chef; Italy, where he almost starts a war over an uneaten sardine; Holland, where he tours the canals; the Swiss Alps, where he has his first raclette dinner; and, of course, Provence, where over the course of a year he hikes in the mountains, makes friends with a goatherder (and his goats), dines in three-star restaurants, and, generally, becomes the most recognizable new inhabitant of the area since Peter Mayle decided to leave London. Along the way, Norton and his human companion face change and learn to understand the problems and the pleasures that come with growing up and growing older together. Like its predecessor, A Cat Abroad is funny, touching, and wise.

    The section began in the first issue, in 1925. But it wasn't until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.The Fun of It is the first anthology of Talk pieces that spans the magazine's life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section's most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter's field; James Thurber following Gertrude Stein at Brentano's; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world.

    Within the city's boundaries are dozens of islands—some famous, like Ellis, some infamous, like Rikers, and others forgotten, like North Brother. While the spotlight often falls on the museums, trends, and restaurants of Manhattan, the city's "other" islands, each with its own personality, offer the day-tripper everything from nature trails to military garrisons to sailing excursions. This detailed guide and comprehensive history to forty islands tells their colorful, often lurid stories, and will give you a sense of how New York City's politics, population, and landscape have evolved over the last three and a half centuries. Full of offbeat stories and little-known facts and legends, this is much more than a travel guide.

    Combining one poem with two improvisations and his first published talk-poem, Talking is a unique book that cannot be classified as solely poetry, fiction or criticism. Infusing the lyricism of poetry with the compelling pull of the spoken voice, this collection is a testament to David Antin's reputation as one of the most influential artists of the contemporary era.

    McNulty's characters are the ones you just chatted with in the street, the elevator, or, God help us, in the saloon. He shows us that wherever you look, there's a story."-Frank McCourt "John McNulty, city man and newspaperman, self-assigned in his mature years to human-interest stories of the world around him, left a body of work that throbs with his love of life...American writing in our time developed few men with so keen an eye and so sharp an ear. [He] cannot be replaced."- James Thurber, in his New Yorker obituary of McNulty Author Biography: From 1937 until his death in 1956, John McNulty walked many beats for The New Yorker, but his favorite—and the one that he made famous—was Tim & Joe Costello's, an old-fashioned Irish saloon at Third Avenue and Forty-fourth Street. The place is gone now—it was leveled and replaced by the lobby of a skyscraper in 1973-but it and its hard-living mid-century patrons live on in these twenty-eight immortal stories and sketches, many of them collected here for the first time.

    The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of films such as 42nd Street, Rear Window, Annie Hall, Taxi Driver and Do the Right Thing. This text examines how the real and mythic cities reflected, changed and taught each other.

    The decision in 1962 to replace the old station and its subsequent demolition ultimately proved to be key moments in the birth of the historical preservation movement--a movement that came too late to save Penn Station itself. But during this period one might on any given day of the week, have seen Peter Moore in the station, carefully photographing the building and the process of its destruction, even as above his head--and above the heads of the 200, 000 commuters who transversed the station each day--cranes were beginning to take down what had been one of the grandest public buildings of the twentieth century. Moore visited the Station again and again between 1962 and 1966 to document its architectural form as well as the drama of its ''unbuilding.'' The resulting photographs combine compositionally elegant images of architectural form and details with haunting pictures of glass and masonry stripped away from steel girders as the building is progressively demolished.

    Since he first came to public attention in the 1970s, Richard Hell has made a spectacular if specialized reputation for himself in every conceivable medium—from music, painting, and photography to fashion, design, and writing. A man with a vision, Hell was the Prophet of Punk: the originator of the spiked haircut; ripped, drawn-on, safety-pinned clothes; and the seminal punk anthems “Love Comes in Spurts” and “(I Belong to the) Blank Generation.” “I came back to England determined. I had these images that I came back with, it was like Marco Polo, or Walter Raleigh. These are the things I brought back: the image of this distressed, strange thing called Richard Hell. And this phrase, ‘the blank generation.’” —Malcolm McLaren

    With peerless authority, Cannato explores how Lindsay Liberalism failed to save New York, and, in the opinion of many, left it worse off than it was in the mid-1960's.

    

    The Monied Metropolis is the first comprehensive history of New York's economic elite, the most powerful group in nineteenth-century America. Beckert explains how a small and diverse group of New Yorkers came to wield unprecedented economic, social, and political power from 1850 to the turn of the twentieth century. He reveals the central role of the Civil War in realigning New York's economic elite, and how the New York bourgeoisie reoriented its ideology during Reconstruction, abandoning the free labor views of the antebellum years for laissez-faire liberalism. Sven Beckert is the Dunwalke Associate at Harvard University. He is the recipient of several honors and fellowships, including the Aby Warburg Foundation prize for academic excellence, a MacArthur Dissertation Fellowship and a Andrew W. Mellon fellowship. This is his first book.

    Crossing these thresholds, the discriminating diner and shopper can step into a gilded Belle Epoque setting favored by Manet and Degas, a vintage confectioner that supplied bonbons to Monet, or a shaded café terrace frequented by Zola. From tiny pâtisseries, cozy bistros, and rustic wine bars barely known outside the quarter to bustling brasseries, elegant tea salons, and world-famous cafés, The Historic Restaurants of Paris is an indispensible guide to classic cuisine served in settings of startling beauty. Charming anecdotes relating to a restaurant’s history and celebrated former patrons, among them Proust, Balzac, George Sand, and the Impressionists, enhance this pocketable guide, which is both a practical resource and lovely gift book.

    It tells the fascinating story of how downtown—and the way Americans thought about downtown—changed over time. By showing how businessmen and property owners worked to promote the well-being of downtown, even at the expense of other parts of the city, it also gives a riveting account of spatial politics in urban America. Drawing on a wide array of contemporary sources, Robert M. Fogelson brings downtown to life, first as the business district, then as the central business district, and finally as just another business district. His book vividly recreates the long-forgotten battles over subways and skyscrapers in the late nineteenth and early twentieth centuries. And it provides a fresh, often startling perspective on elevated highways, parking bans, urban redevelopment, and other controversial issues. This groundbreaking book will be a revelation to scholars, city planners, policymakers, and general readers interested in American cities and American history.Author Biography: A superb book that offers an insightful, engaging, and informative account. (Richard Longstreth, George Washington University)

    Its magnificent site, breathtaking span, cutting-edge technology, and sheer beauty have made it the subject of poems, paintings, photographs, novels, plays, and movies. Beneath the Brooklyn Bridge's triumphant arches lie astonishing tales of death, deception, genius, and daring. Over the fourteen-year course of its construction, there were many deaths, including that of John A. Roebling, designer and chief engineer; an underwater fire; and even fraud. Finally, though, the bridge was finished, and as part of the opening day festivities, the president, and two mayors crossed it. In this stunning visual history, Lynn Curlee tells the fascinating story of the history and construction of the "Eighth Wonder of the World."

    She chronicles their journeys as they struggle to "go straight" and find respect in a city that fears and rejects them.

    "Manhattan Unfurled" was published in October 2001 and was quickly embraced by New York City and the entire country. In this new version for young people, the drawing is bound into two sections (East Side and West Side) in an unusual and eye-catching new format. Pericoli adds simple text, and hand-drawn labels, telling young readers how he came to create his drawing (the journey includes boat rides, a motorcycle, and hundreds of photographs). He also enourages kids to see--and draw--a place in a whole new way. "Draw everything," he tells them, "and you'll know a place as you never did before." A wonderful tribute to Manhattan, to cities, and to thinking like an artist. Praise for Matteo Pericoli's "Manhattan Unfurled" (Random House adult trade): "Pericoli has fixed a moment of the ever-shifting skyline, and done so with delicacy and authority."--"The New York Times Book Review" "Pericoli's drawing is at once monumental and gentle . . . together the buildings seem almost to be swaying softly in a chorus line along the Hudson."--"The New Yorker""Seen through [Pericoli's] eyes, Manhattan takes on the quality of Maurice Sendak's "Where the Wild Things Are.""--"Vogue"

    If you were a member of the large Confino family you’d be living in 325 square feet of space. The only fresh air and natural light would come from the two windows in the front room. No heat, no water, no bathtub, no shower. Toilet in the hall.The Confinos’ apartment is only one part of the Lower East Side Tenement Museum, an extraordinary facility in New York City. The Museum has restored 97 Orchard Street to provide us with an opportunity to understand the immigrant experience shared by millions who have come to North America.In text and with archival photos, Linda Granfield tells the story of four families, including the Confinos, who called 97 Orchard Street home, and provides information about the period, the history of the house, and the neighborhood, bringing to life conditions that were familiar to immigrants in many of North America’s big cities. The stories and archival materials are beautifully complemented by Arlene Alda’s sensitive photographs that evoke the hardship, the dignity, and the hope encompassed in 97 Orchard Street.The book includes useful facts, information about the Museum and its efforts to help new immigrants who share similar experiences. Whether or not the reader can visit the Museum itself, this book is a valuable resource in understanding our own histories in North America.

    The remnants of nineteenth-century New York reveal much about its inhabitants and neighborhoods, from fashionable Washington Square to the notorious Five Points. Underneath there are traces of the Dutch and English colonists who arrived in the area in the seventeenth century, as well as of the Africans they enslaved. And beneath all these layers is the land that Native Americans occupied for hundreds of generations from their first arrival eleven thousand years ago. Now two distinguished archaeologists draw on the results of more than a century of excavations to relate the interconnected stories of these different peoples who shared and shaped the land that makes up the modern city.In treating New York’s five boroughs as one enormous archaeological site, Anne-Marie Cantwell and Diana diZerega Wall weave Native American, colonial, and post-colonial history into an absorbing, panoramic narrative. They also describe the work of the archaeologists who uncovered this evidence—nineteenth-century pioneers, concerned citizens, and today’s professionals. In the process, Cantwell and Wall raise provocative questions about the nature of cities, urbanization, the colonial experience, Indian life, the family, and the use of space. Engagingly written and abundantly illustrated, Unearthing Gotham offers a fresh perspective on the richness of the American legacy.