Berlin is one of the high-water marks of the medium: rich in its well-researched historical detail, compassionate in its character studies, and as timely as ever in its depiction of a society slowly awakening to the stranglehold of fascism.Berlin is an intricate look at the fall of the Weimar Republic through the eyes of its citizens—Marthe Müller, a young woman escaping the memory of a brother killed in World War I, Kurt Severing, an idealistic journalist losing faith in the printed word as fascism and extremism take hold; the Brauns, a family torn apart by poverty and politics. Lutes weaves these characters’ lives into the larger fabric of a city slowly ripping apart.The city itself is the central protagonist in this historical fiction. Lavish salons, crumbling sidewalks, dusty attics, and train stations: all these places come alive in Lutes’ masterful hand. Weimar Berlin was the world’s metropolis, where intellectualism, creativity, and sensuous liberal values thrived, and Lutes maps its tragic, inevitable decline. Devastatingly relevant and beautifully told, Berlin is one of the great epics of the comics medium.

    No objective historian, declared the judge, would manipulate the documentary record in the way that Irving did. Richard J. Evans, a Cambridge historian and the chief advisor for the defense, uses this pivotal trial as a lens for exploring a range of difficult questions about the nature of the historian's enterprise. For instance, don't all historians in the end bring a subjective agenda to bear on their reading of the evidence? Is it possible that Irving lost his case not because of his biased history but because his agenda was unacceptable? The central issue in the trial -- as for Evans in this book -- was not the past itself, but the way in which historians study the past. In a series of short, sharp chapters, Richard Evans sets David Irving's methods alongside the historical record in order to illuminate the difference between responsible and irresponsible history. The result is a cogent and deeply informed study in the nature of historical interpretation.

    Eyewitness Travel Guide: Germany provides all the insider tips every visitor needs from where to find the best food and Christmas markets to ideas for walks and hikes with comprehensive listings of the best hotels, resorts, restaurants and night life in each region for all budgets. Including 3D cutaways and floor-plans of all the must-see sites, plus street-by-street maps of many of the great German towns and cities, Eyewitness Travel Guide: Germany explores the culture, architecture, history and art of this diverse country not forgetting to mention the best national parks and outdoor activities.

    Translated from the German by James Mitchell. Readers of these carefully crafted translations by James Mitchell will profit not only by their economy and clarity of expression, but also by the fact that the same translating technique allows Hölderlin's imagery and remarkable spiritual imagination to shine forth in English. Friedrich Hölderlin was born in Germany in 1770 and studied in Tubingen from 1788 to 1793, where he became friends with fellow-students Hegel and Schelling. Thereafter he wrote some of the most fascinating lyric poetry in the history of German literature. Translator James Mitchell has lived and worked for many years in Germany and San Francisco as a writer, book publisher and college teacher.

    That's what the wisdom of history teaches us. And Adolf Hitler was surely the greatest enemy ever faced by modern civilization. Over half a century later, the horror and fascination still linger.Professor Childers has designed this course to answer two burning questions that have nagged generations for decades, ever since Hitler and Nazism were destroyed.1) How could a man like Adolf Hitler and a movement like Nazism come to power in 20th-century Germany? An industrially developed country with a highly educated population, it lies within the very heart of Western Europe. 2) How were the Nazis able to establish the foundations of a totalitarian regime in such a short time and hurl all of Europe—and the world—into a devastating war that would consume so many millions of lives?Length: 6hrs 22mins

    In this book the country's most spectacular and internationally successful act reveals extraordinary views of a band that has never been one to toe the line. This complex documentary unmasks the personalities behind the image. It creates and reveals the myths surrounding these controversial heroes.

    It discusses materials, basic techniques and tools, and such specific techniques as joining and pl

    Written from a Christian perspective the author gives practical suggestions in coping with depression.

    Disturbing and controversial, Bellmer's dolls—with their uncanny, fragmented bodies and eroticized poses—were just as shocking during Bellmer's time as they are today. Until now there has been little available in English about Bellmer's dolls, and Lichtenstein's book will be welcomed for its fresh interpretation of the artist's work and his place in European modernism. Eighty striking photographs accompany the text.Working during a time when Nazism was on the rise, Bellmer created several dolls with fragmented bodies that could be dismantled and arranged in various configurations. Using a narrative format, he then photographed the dolls in a range of grotesque—often sexual—positions. The images he conveyed were of death and decay, abuse and longing, in stark contrast to Nazism's mythic utopian celebration of adolescence.Lichtenstein interprets Bellmer's complex expressions of eroticism as a protest against the Nazis and also against his father, a cold and repressive Nazi sympathizer. At the same time, she says, by hyperbolically flaunting a passive femininity in a theatrical manner, Bellmer's images allow us to consider how cultural representations can affect the formation of identity and alternative possibilities.

    From 1493Hartmann Schedel's Chronicle of the World, widely known as The Nuremberg Chronicle, after the German city in which it was created, was a groundbreaking encyclopedic work and, at the time, the most lavishly illustrated book ever printed in Europe. Both a historical reference work and a contemporary survey of urban culture at the end of the 15th century, the Chronicle had a remarkable influence on the cultural, ecclesiastical and intellectual history of the Middle Ages. In over 1,800 superb woodcut illustrations the Chronicle depicted events from the Bible, human monstrosities, portraits of kings, queens, saints and martyrs, and allegorical pictures of miracles, as well as views of a great number of "modern" cities, many of which had never before been documented. Today, copies of the Chronicle sell for up to $400,000. TASCHEN was granted rare access to an extraordinary hand-colored copy, and has created a complete facsimile of outstanding quality, true to the original in every respect. In case you don't read Old German, the comprehensive annex, with summaries of the book's main stories, provides a user-friendly way to explore this amazing historical masterpiece.

    Each chapter deals with a particular battle, but Guthrie also examines wider questions of strategy, leadership, armaments, organization, logistics, and war finances. The main emphasis is on the unique character and aspects of the Thirty Years War, with attention to the evolution of warfare and weapons, the impact of this evolution on actual operations, and the replacement of the previously dominant tercio style of warfare by the nascent linear system.The Thirty Years War is considered within its own context, rather than merely as a poor relation to the linear or Napoleonic periods. The campaigns covered in this volume include the defeat of the Bohemian and German Protestants (1618-1623), the Danish War (1625-1629), the victories of the Swedes under Gustavus Adolphus (1630-1632), and the final defeat of the Swedes at Nordlingen in 1634. Guthrie also pays particular notice to the important battle of Breitenfeld. With the inclusion of many secondary theaters and minor actions, the whole of this work constitutes a complete military history of the German War.

    A study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.

    One's kin could be one's closest political and military allies or one's fiercest enemies. While the general term used to describe family members was consanguinei mei, those of my blood, not all of those relations-parents, siblings, children, distant cousins, maternal relatives, paternal ancestors, and so on-counted as true family in any given time, place, or circumstance. In the early and high Middle Ages, the family was a very different group than it is in modern society, and the ways in which medieval men and women conceptualized and structured the family unit changed markedly over time.Focusing on the Frankish realm between the eighth and twelfth centuries, Constance Brittain Bouchard outlines the operative definitions of family in this period when there existed various and flexible ways by which individuals were or were not incorporated into the family group. Even in medieval patriarchal society, women of the aristocracy, who were considered outsiders by their husbands and their husbands' siblings and elders, were never completely marginalized and paradoxically represented the very essence of family to their male children.Bouchard also engages in the ongoing scholarly debate about the nobility around the year 1000, arguing that there was no clear point of transition from amorphous family units to agnatically structured kindred. Instead, she points out that great noble families always privileged the male line of descent, even if most did not establish father-son inheritance until the eleventh or twelfth century. Those of My Blood clarifies the complex meanings of medieval family structure and family consciousness and shows the many ways in which negotiations of power within the noble family can help explain early medieval politics.

    It is a memoir of horror and hope recounted by a man who survived the organized terror of Hitler’s "Final Solution" as it destroyed entire generations of European Jewish life within ten catastrophic years in the mid-twentieth century. Feldman’s memoir conveys the searing pain that has never left him, while demonstrating the triumphant humanity of a survivor.Feldman vividly describes the impact of the escalating anti-Semitic hatred and violence in Germany during the 1930s, the impact of the notorious Nuremberg Laws in 1935, and the terrifying Kristallnacht pogrom in 1938. By age sixteen, Feldman was living with his parents and three younger sisters in Antwerp, Belgium, during the 1939 German invasions of Poland, marking the start of World War II. In the face of increasing persecution, Feldman’s extended family scattered over the globe in a desperate attempt to remain one step ahead of their Nazi pursuers.Recalling his life on the run, Feldman describes what few survivors have chosen to write about: the Vichy raids of August 26, 1942; the French labor brigades; the Comité Dubouchage; and life in super-vised residence in France under the Italians. While in the south of France, Feldman endured food shortages and Nazi anti-Semitic measures, beginning with work camps and culminating in the deportation and ultimate death of his mother and sisters at Auschwitz.To evade the Germans, Feldman and his father fled into the Italian Alps in September of 1943, hiding between the Allies and the Germans. Aided by local villagers, the Feldmans survived precariously for over a year and a half, along with other Jewish refugees, until that region was liberated. Only then, and only gradually, did Feldman manage to piece together the fate of his surviving family and learn at last of the death of his mother and sisters.Now, as an adult, Alfred Feldman has retraced his escape and exile, taking his wife and children to his hometown in Germany, the mountains in Italy, and Montagnac, where a plaque commemorates his mother and sisters.

    Howard K. Smith worked as a young reporter in Berlin during Hitler's rise to power, and for the first two years of the Second World War. Finally granted a visa to leave the country--coincidentally on December 7th, 1941--he wrote everything censors had forbidden about the physical, emotional, and psychological manipulation of the German people by Hitler, Goebbels, and their lackeys. His personal experiences under difficult circumstances are extraordinary enough, but his descriptions of people forced to join the war, compulsory Nazi Youth groups, and of the German high command read like a chilling thriller.

    That is why the texts presented here, which sketch a philosophical physiognomy of Martin Heidegger, should also be characterized as a collected renunciation of exhaustiveness.In order to situate Heidegger's thought in the history of ideas and problems, Peter Sloterdijk approaches Heidegger's work with questions such as: If Western philosophy emerged from the spirit of the polis, what are we to make of the philosophical suitability of a man who never made a secret of his stubborn attachment to rural life? Is there a provincial truth of which the cosmopolitan city knows nothing? Is there a truth in country roads and cabins that would be able to undermine the universities with their standardized languages and globally influential discourses? From where does this odd professor speak, when from his professorial chair in Freiburg he claims to inquire into what lies beyond the history of Western metaphysics?Sloterdijk also considers several other crucial twentieth-century thinkers who provide some needed contrast for the philosophical physiognomy of Martin Heidegger. A consideration of Niklas Luhmann as a kind of contemporary version of the Devil's Advocate, a provocative critical interpretation of Theodor Adorno's philosophy that focuses on its theological underpinnings and which also includes reflections on the philosophical significance of hyperbole, and a short sketch of the pessimistic thought of Emil Cioran all round out and deepen Sloterdijk's attempts to think with, against, and beyond Heidegger. Finally, in essays such as Domestication of Being and the Rules for the Human Park, which incited an international controversy around the time of its publication and has been translated afresh for this volume, Sloterdijk develops some of his most intriguing and important ideas on anthropogenesis, humanism, technology, and genetic engineering.

    British and American troops were poised to cross the River Rhine in the west, while in the East the vast Soviet war machine was steam-rolling the soldiers of the Third Reich back towards the capital, Berlin. Even in retreat, the German Army was still a force to be reckoned with and vigorously defended every last bridge, castle, town and village against the massive Russian onslaught. Tony Le Tissier has interviewed a wide range of former German Army and SS soldiers to provide ten vivid first-hand accounts of the fighting retreat that, for one soldier, ended in Hitler's Chancellery building in the ruins of Berlin in April 1945. The dramatic descriptions of combat are contrasted with insights into the human dimension of these desperate battles, reminding the reader that many of the German soldiers whose stories we read shared similar values to the average British 'Tommy' or the American GI and were not all crazed Nazis. Illustrated with photographs of the main characters and specially commissioned maps identifying the location and course of the battles, With Our Backs to Berlin is a fascinating read for anyone who is interested in the final days of the Second World War.

    John Horne and Alan Kramer mine military reports, official and private records, witness evidence, and war diaries to document the crimes that have long been denied: a campaign of brutality that led to the death of some 6500 Belgian and French civilians. Contemporary German accounts insisted that the civilians were guerrillas, executed for illegal resistance. In reality this claim originated in a vast collective delusion on the part of German soldiers. The authors establish how this myth originated and operated, and how opposed Allied and German views of events were used in the propaganda war. They trace the memory and forgetting of the atrocities on both sides up to and beyond World War II. Meticulously researched and convincingly argued, this book re-opens a painful chapter in European history while contributing to broader debates about myth, propaganda, memory, war crimes, and the nature of the First World War. Winner of the Fraenkel Prize for Contemporary History in 2000.

    Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being.Weaving between opera's facts of life and a series of works including The Magic Flute, Parsifal, and Pell�as, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.

    Nowhere was this more true than in nineteenth-century Germany. It was there, Andrew Zimmerman argues, that the battle lines of today's "culture wars" were first drawn when anthropology challenged humanism as a basis for human scientific knowledge.Drawing on sources ranging from scientific papers and government correspondence to photographs, pamphlets, and police reports of "freak shows," Zimmerman demonstrates how German imperialism opened the door to antihumanism. As Germans interacted more frequently with peoples and objects from far-flung cultures, they were forced to reevaluate not just those peoples, but also the construction of German identity itself. Anthropologists successfully argued that their discipline addressed these issues more productively—and more accessibly—than humanistic studies.Scholars of anthropology, European and intellectual history, museum studies, the history of science, popular culture, and colonial studies will welcome this book.

    By burning and looting libraries and censoring "un-German" publications, the Nazis aimed to eradicate all traces of Jewish culture along with the Jewish people themselves. The Holocaust and the Book examines this bleak chapter in the history of printing, reading, censorship, and libraries. Topics include the development of Nazi censorship policies, the celebrated library of the Vilna ghetto, the confiscation of books from the Sephardic communities in Rome and Salonika, the experience of reading in the ghettos and concentration camps, the rescue of Polish incunabula, the uses of fine printing by the Dutch underground, and the suppression of Jewish books and authors in the Soviet Union. Several authors discuss the continuing relevance of Nazi book burnings to the present day, with essays on German responses to Friedrich Nietzsche and the destruction of Bosnian libraries in the 1990s. The collection also includes eyewitness accounts by Holocaust survivors and a translation of Herman Kruk's report on the Vilna ghetto library. An annotated bibliography offers readers a concise guide to research in this growing field.

    This engrossing book is the first full-length biography of Walter to appear in English. Erik Ryding and Rebecca Pechefsky describe Walter's early years in Germany, where his successes in provincial theatres led to positions at the Berlin State Opera and the Vienna State Opera. They then tell of his decade-long term as Bavarian music director and his romantic involvement with the soprano Delia Reinhardt; his other positions in the musical community until he was ousted from Germany when the Nazi Party came to power in 1933; and his return to Vienna, where he was artistic director of the Opera House until he was again forced out by the Nazis. Finally they trace his career in the United States, where he led the New York Philharmonic and other orchestras and in his last years made numerous recordings with the Columbia Symphony Orchestra, an ensemble created especially for him. Ryding and Pechefsky are the first biographers to make extensive use of the thousands of unpublished letters in the Bruno Walter Papers, now in the New York Public Library for the Performing Arts. In

    This is especially true for those German theorists who wrote during the half century preceding World War I. However, as Antulio Echevarria argues, although none of those thinkers approached Clausewitz's stature, they were nonetheless theorists of considerable vision. The Kaiser's theorists have long been portrayed as narrow-minded thinkers rigidly attached to an outmoded way of war, little altered since Napoleon's time. According to this view, they ignored or simply failed to understand how industrialization and modernization had transformed the conduct of war. They seemed unaware of how numerous advances in technology and weaponry had so increased the power of the defensive that decisive victory had become virtually impossible. But Echevarria disputes this traditional view and convincingly shows that these theorists-Boguslawski, Goltz, Schlieffen, Hoenig, and their American and European counterparts-were not the architects of outmoded theories. In fact, they duly appreciated the implications of the vast advances in modern weaponry (as well as in transportation and communications) and set about finding solutions that would restore offensive maneuver to the battlefield. Among other things, they underscored the emerging need for synchronizing concentrated firepower with rapid troop movements, as well as the necessity of a decentralized command scheme in order to cope with the greater tempo, lethality, and scope of modern warfare. In effect, they redefined the essential relations among the combined arms of infantry, artillery, and cavalry. Echevarria goes on to suggest that attempts to apply new military theories and doctrine were uneven due to deficiencies in training and an overall lack of interest in theory among younger officers. It is this failure of application, more than the theories themselves, that are responsible for the ruinous slaughter of World War I.

    Situated in West Germany after World War II, it was the one former concentration camp most subject to the push and pull of the many groups wishing to eradicate, ignore, preserve and present it. Thus its postwar history is an illuminating case study of the contested process by which past events are propagated into the present, both as part of the historical record, and within the collectively shared memories of different social groups. How has Dachau been used--and abused--to serve the present? What effects have those uses had on the contemporary world? Drawing on a wide array of sources, from government documents and published histories to newspaper reports and interviews with visitors, Legacies of Dachau offers answers to these questions. It is one of the first books to develop an overarching interpretation of West German history since 1945. Harold Marcuse examines the myth of victimization, ignorance, and resistance and offers a model with which the cultural trajectories of other post-genocidal societies can be compared. With its exacting research, attention to nuance, and cogent argumentation, Legacies of Dachau raises the bar for future studies of the complex relationship between history and memory. Harold Marcuse is Associate Professor of History at the University of California, Santa Barbara, where he teaches modern German history. The grandson of German emigr� philosopher Herbert Marcuse, Harold Marcuse returned to Germany in 1977 to rediscover family roots. After several years, he became interested in West Germany's relationship to its Nazi past. In 1985, shortly before Ronald Reagan and Helmut Kohl visited Bitburg, he organized and coproduced an exhibition Stones of Contention about monuments and memorials commemorating the Nazi era. That exhibition, which marks the beginning of Marcuse's involvement in German memory debates, toured nearly thirty German cities, including Dachau. This is his first book.

    it retraces not only the course of events of the war years as experienced by both Allied and Axis pilots, but also offers vivid descriptions of weaponry, aircraft and tactical developments during the extensive bombing campaign against Germany.Richly illustrated with some 300 photographs, many of which previously unpublished, Battles with the Luftwaffe is a fascinating account of the realities of air-combat during World War II.

    The papers presented here examine the artist's various productive modes by means of different critical tools and criteria. The result is a much needed reader that will help both students and art professionals come to terms with this controversial and eno

    The Klage, its consistent companion text in the manuscript tradition, continues the story, detailing the devastating aftermath of the Burgundians' bloody slaughter. William Whobrey's new volume offers both—together for the first time in English—in a prose version informed by recent scholarship that brilliantly conveys to modern readers not only the sense but also the tenor of the originals.

    In this innovative new study, Frank McDonough provides a clear account of opposition and resistance towards the Nazi regime from 1933 to 1945 and presents the historical debate surrounding this important aspect of the history of Nazi Germany. The book concentrates on the individuals and groups that resisted and opposed Nazi rule, including the Christian churches, industrial workers, youth groups and sections of the army, whose resistance culminated in the assassination attempt against Hitler in July 1944.

    These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor.Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.

    Long considered beyond the pale of Jewish historiography, converts played a central role in shaping both noxious and positive images of Jews and Judaism for Christian readers. Focusing on German Jews who converted to Christianity in the sixteenth through mid-eighteenth centuries, Elisheva Carlebach explores an extensive and previously unexamined trove of their memoirs and other writings. These fascinating original sources illuminate the Jewish communities that the converts left, the Christian society they entered, and the unabating tensions between the two worlds in early modern German history. The book begins with the medieval images of converts from Judaism and traces the hurdles to social acceptance that they encountered in Germany through early modern times. Carlebach examines the converts' complicated search for community, a quest that was to characterise much of Jewish modernity, and she concludes with a consideration of the converts' painful legacies to the Jewish experience in German lands.

    As both physicians and patients, Jews exerted a great influence on the formation of modern medical discourse and practice. This fascinating book investigates the relationship between German Jews and medicine from medieval times until its demise under the Nazis. John Efron examines the rise of the German Jewish physician in the Middle Ages and his emergence as a new kind of secular, Jewish intellectual in the early modern period and beyond. The author shows how nineteenth-century medicine regarded Jews as possessing distinct physical and mental pathologies, which in turn led to the emergence in modern Germany of the 'Jewish body' as a cultural and scientific idea. He demonstrates why Jews flocked to the medical profession in Germany and Austria, noting that by 1933, 50 percent of Berlin's and 60 percent of Vienna's physicians were Jewish. He discusses the impact of this on Jewish and German culture, concluding with the fate of Jewish doctors under the Nazis, whose assault on them was designed to eliminate whatever intimacy had been built up between Germans and their Jew

    Because many cultural and intellectual paradigms of the previous decade were left in ruins by that event, Chinese intellectuals were forced in the early 1990s to search for new analytical and critical frameworks. Soon, however, they found themselves engulfed by tidal waves of globalization, surrounded by a new social landscape marked by unabashed commodification, and stunned by a drastically reconfigured socialist state infrastructure. The contributors to Whither China? describe how, instead of spearheading the popular-mandated and state-sanctioned project of modernization, intellectuals now find themselves caught amid rapidly changing structures of economic, social, political, and cultural relations that are both global in nature and local in an irreducibly political sense. Individual essays interrogate the space of Chinese intellectual production today, lay out the issues at stake, and cover major debates and discursive interventions from the 1990s. Those who write within the Chinese context are joined by Western observers of contemporary Chinese cultural and intellectual life. Together, these two groups undertake a truly international intellectual struggle not only to interpret but to change the world.Contributors. Rey Chow, Zhiyuan Cui, Michael Dutton, Gan Yang, Harry Harootunian, Peter Hitchcock, Rebecca Karl, Louisa Schein, Wang Hui, Wang Shaoguang, Xudong Zhang

    With this study, military historian Dwight Messimer examines the weapons, tactics, and organization used by all the belligerents during the war and provides some surprising findings. Because he draws heavily from personal accounts as well as from official records, his book will appeal to both serious readers seeking hard facts and to general readers who like stories about war at sea.Messimer tells the story from both sides. German survivors who escaped from sunken U-boats explain what it was like to face the newly developed ASW weapons beneath the surface, and pilots tell what it was like from above. The author describes the German's well-organized and efficient ASW organization in the Baltic and the Helgoland Bight. He also discusses the weapons developed during the war that proved to be largely ineffective or outright failures. While his evaluations of the contributions made by aircraft and Q-ships put them in the category of only marginally effective, his analysis of the effectiveness of politics deems that ASW "weapon" the most effective of all. Solidly grounded in the best primary sources available in England, the United States, and Germany, this book is the first to address the ASW of all World War I belligerents.

    Only the fighting at Leningrad from 1941-1943, Stalingrad in 1942-1943, the Warsaw Rebellion of 1944, and Budapest in 1944-1945 lasted longer. The Jews had resisted en masse and had created a legend that would transcend the war and continue even to this day. Much has been written on this heroic struggle from the standpoint of the young men and women of the Jewish War Organization. Nevertheless, a book from the German perspective has yet to be written that captures all aspects of the fight from the standpoint of the attackers - until now. The Ghetto Men presents every fact possible concerning the who, when, with what and how the SS troops razed the Warsaw Ghetto. The men and officers of the dreaded Security Service and Gestapo are here as well as the units, weapons and tactics, and a day-by-day analysis of the fighting.

    It was essentially a struggle about access to worldwide resources, most clearly seen in the desperate German attempts to deal with the American industrial threat, which ultimately levered the United States into the war, and thus a consequence of British sea control. This radical new book concentrates on the way in which each side tried to use or deny the sea to the other, and in so doing it describes rapid wartime changes not only in ship and weapon technology but also in the way naval warfare was envisaged and fought. Combat produced many surprises: some, like the impact of the mine and torpedo, are familiar, but this book also brings to light many previously unexplored subjects, like creative new tactical practices and improved command and control. The contrast between expectation and reality had enormous consequences not only for the course of the war but also for the way navies developed afterwards. This book melds strategic, technical, and tactical aspects to reveal the First World War from a fresh perspective, but also demonstrates how its perceived lessons dominated the way navies prepared for the Second.

    

    intelligent, genuine, and genuinely talented storytellers of our time -- J. J. Reneaux. She was quite something -- a fiery Cajun mix who, at first blush, might seem sort of down-home and backwoods, Louisiana style. Then, as you sat and listened, you quickly discovered that she was also totally literate and as intellectually sophisticated as all get out.It is my privilege and good fortune to have known J.J. Now it will be yours.So, as my friend J.J. might say, I recommend that "you read these stories and that you all enjoy and share them, too, you hear?" For under the words of each of J.J.'s stories is a music, old and fine and wild and very wise. With this book, the spirit of J.J. is alive and talkin' to ya. You arc one lucky person, indeed.Rafe Martin

    Tamagne dissects the strands of euphoria, rebellion, exploration, nostalgia and yearning, and the bonds forged at school and on the battlefront, in a scholarly treatise charting the early days of the homosexual and lesbian scene. The period between the two world wars was crucial in the history of homosexuality in Europe. It was then that homosexuality first came out into the light of day. Berlin became the capital of the new culture, and the center of a political movement seeking rights and protections for what we now call gays and lesbians. In England, the confruntation was brisk to undermine the structures and strictures of Victorianism; whereas in France (which was more tolerant, over all), homosexuality remained more subtle and nonmilitant. Tamagne's 2-volume work outlines the long and arduous journey from the shadows toward acceptability as the homosexual and lesbian community sets out to find a new legitimacy at various levels of society. She weaves together cultural references from literature, songs and theater, news stories and private correspondence, police reports and government documents to give a rounded picture of the evolving scene.

    Of these units, one of the most famous was the SS-Totenkopf, or Death's Head division. This illustrated history explores the SS-Totenkopf's formation, the men it recruited, key leaders, and its organization, as well as specialized training, uniforms, and insignia. Completely illustrated with photographs from European archives, the book also provides full combat and casualty records for the division, which fought on both of the Eastern and Western Fronts. Outlined are the unit's involvement in the fall of France, its service on the Russian Front, its fruitless attempt to relieve Budapest, and its eventual destruction by Allied forces.

    

    A provocative re-evaluation of the traditional role and methods of theatre designers, pointing towards a more holistic approach to making theatre.

    A study of East European and Middle Eastern Collaboration with Nazi Germany in World War II.Hundreds of color, b&w photos, diagrams, tables, charts, line drawings, etc.