Rather than preparing a steady diet of spiritual meat, pastors are mistakenly serving up a self-focused snack--ultimately leaving congregations malnourished and ill prepared to stand firm when their faith is challenged.Recognizing the need for a return to biblical preaching, Begg has written this practical book, outlining the nature of power-filled, expository preaching and demonstrating its importance in the life of the church.

    In Dangerous Ambition, Susan Hertog chronicles the separate but intertwined journeys of these two remarkable women writers, who achieved unprecedented fame and influence at tremendous personal cost.   American Dorothy Thompson was the first female head of a European news bureau, a columnist and commentator with a tremendous following whom Time magazine once ranked alongside Eleanor Roosevelt as the most influential woman in America. Rebecca West, an Englishwoman at home wherever genius was spoken, blazed a trail for herself as a journalist, literary critic, novelist, and historian. In a prefeminist era when speaking truth to power could get anyone—of either gender—ostracized, blacklisted, or worse, these two smart, self-made women were among the first to warn the world about the dangers posed by fascism, communism, and appeasement.   But there was a price to be paid, Hertog shows, for any woman aspiring to such greatness. As much as they sought voice and power in the public forum of opinion and ideas, and the independence of mind and money that came with them, Thompson and West craved the comforts of marriage and home. Torn between convention and the opportunities of the new postwar global world, they were drawn to men who were as ambitious and hungry for love as themselves: Thompson to the brilliant, volatile, and alcoholic Nobel Prize winner Sinclair Lewis; West to her longtime lover H. G. Wells, the lusty literary eminence whose sexual and emotional demands doomed any chance they may have had at love. Tragically, both arrangements produced troubled sons, whose anger and jealousy at their mothers’ iconic fame eroded their sense of personal success.   Brimming with fresh insights obtained from previously sealed archives, this penetrating dual biography is a story of twinned lives caught up in the crosscurrents of world events and affairs of the heart—and of the unique trans-Atlantic friendship forged by two of the most creative and complex women of their time.

    Now Tannen is back with another groundbreaking book, this time widening her lens to examine the way we communicate in public--in the media, in politics, in our courtrooms, and classrooms--once again letting us see in a new way forces that have powerfully shaped our lives.The war on drugs, the battle of the sexes, political turf combat--in the argument culture, war metaphors pervade our talk and influence our thinking. We approach anything we need to accomplish as a fight between two opposing sides. In this fascinating book, Tannen shows how deeply entrenched this cultural tendency is, the forms it takes, and how it affects us every day--sometimes in useful ways, but often causing damage.The Argument Culture is a remarkable book that will change forever the way you perceive--and communicate with--the world.

    The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing--nobody's supposed to. So, of course, that's what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.And then he made sense of it--seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk's hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day--a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.As a work of cultural exegesis, this is sneakily significant, even a landmark; it's also ludicrously fun. Wolk sees fascinating patterns--the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story's progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it's also a revelation for readers who don't know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

    As presented by Professor Dues, these lectures will show you how to effectively deal with conflicts of all kinds, using the "win-win" model that has dominated the field for the past six decades.You'll gain effective techniques for handling conflicts in your workplace, other organizational settings, or your personal life, whether you're dealing with supervisors, coworkers, acquaintances, close friends, or family members. You'll learn the best ways to analyze conflicts and work through the steps toward resolving them, including clarifying goals, handling difficult emotions, and negotiating agreements. And you'll grasp the fundamental tricks of the trade that experienced negotiators have long used to deal with even the most seemingly intractable moral and cultural conflicts.While drawing on the latest groundbreaking research, Professor Dues has designed these lectures to be as practical as possible. Requiring no background in conflict management, negotiation, or psychology, they offer you not just knowledge, but strategies and tactics you can put to work in your own life right now. Best of all, you'll be able to see those strategies and tactics in action through 70 professionally acted dramatizations that illustrate different conflict situations at home and in the workplace.You don't have a choice about becoming involved in conflict. You do, however, have a choice about learning to manage it successfully by using the invaluable tools these lectures can give you.

    “There are two times in a man’s life when he should not speculate,” he wrote. “When he can’t afford it and when he can.” The publishing company Twain owned was failing; his investment in a typesetting device was bleeding red ink. After losing hundreds of thousands of dollars back when a beer cost a nickel, he found himself neck-deep in debt. His heiress wife, Livy, took the setback hard. “I have a perfect horror and heart-sickness over it,” she wrote. “I cannot get away from the feeling that business failure means disgrace.”     But Twain vowed to Livy he would pay back every penny. And so, just when the fifty-nine-year-old, bushy-browed icon imagined that he would be settling into literary lionhood, telling jokes at gilded dinners, he forced himself to mount the “platform” again, embarking on a round-the-world stand-up comedy tour. No author had ever done that. He cherry-picked his best stories—such as stealing his first watermelon and buying a bucking bronco—and spun them into a ninety-minute performance.     Twain trekked across the American West and onward by ship to the faraway lands of Australia, New Zealand, Tasmania, India, Ceylon, and South Africa. He rode an elephant twice and visited the Taj Mahal. He saw Zulus dancing and helped sort diamonds at the Kimberley mines. (He failed to slip away with a sparkly souvenir.) He played shuffleboard on cruise ships and battled captains for the right to smoke in peace. He complained that his wife and daughter made him shave and change his shirt every day.     The great American writer fought off numerous illnesses and travel nuisances to circle the globe and earn a huge payday and a tidal wave of applause. Word of his success, however, traveled slowly enough that one American newspaper reported that he had died penniless in London. That’s when he famously quipped: “The report of my death was an exaggeration.”     Throughout his quest, Twain was aided by cutthroat Standard Oil tycoon H.H. Rogers, with whom he had struck a deep friendship, and he was hindered by his own lawyer (and future secretary of state) Bainbridge Colby, whom he deemed “head idiot of this century.”     In Chasing the Last Laugh, author Richard Zacks, drawing extensively on unpublished material in notebooks and letters from Berkeley’s ongoing Mark Twain Project, chronicles a poignant chapter in the author’s life—one that began in foolishness and bad choices but culminated in humor, hard-won wisdom, and ultimate triumph.

    Comprehensive coverage includes traditional analog systems, as well as modern digital techniques. Extensive discussion of today's modern wireless systems- including cellular, radio, paging systems, and wireless data networks- is also included. In addition, sections on data communication and the internet, high-definition television, and fiber optics have been updated in this edition to enable readers to keep pace with the latest technological advancements. A block-diagram approach is emphasized throughout the book, with circuits included when helpful to lead readers to an understanding of fundamental principles. Instructive, step-by-step examples using MultiSIM, in addition to those that use actual equipment and current manufacturer's specifications, are also included. Knowledge of basic algebra and trigonometry is assumed, yet no calculus is required.

    

    Use too little force and you're in for a world of hurt.Conflict and violence cover a broad range of behaviors, from intimidation to murder, and they require an equally broad range of responses. A kind word will not resolve all situations, nor will wristlocks, punches or even a gun.In Scaling Force the authors introduce you to the full range of options, from skillfully doing nothing to applying deadly force. They realistically guide you through understanding the limits of each type of force, when specific levels may be appropriate, the circumstances under which you may have to apply them, and the potential cost, legally and personally, of your decision.Level 1 -- Presence. Staving off violence using body language alone. Level 2 -- Voice. Verbally de-escalating conflict before physical methods become necessary. Level 3 -- Touch. Defusing an impending threat or gaining compliance via touch. Level 4 -- Empty-Hand Restraint. Controlling a threat through pain or forcing compliance through leverage. Level 5 -- Less-Lethal Force. Incapacitating a threat while minimizing the likelihood of fatality or permanent injury. Level 6 -- Lethal Force. Stopping a threat with techniques or implements likely to cause death or grievous bodily harm. It is vital to enter this scale at the right level, and to articulate why what you did was appropriate. If you do not know how to succeed at all six levels there are situations in which you will have no appropriate options. More often than not, that will end badly.

    He reveals the hidden power of identity in fueling conflict, and presents a practical framework to reconcile even the most contentious situations. Field-tested around the world, the results are empowering.

    Putting on the Armor of God discusses these and many more adversarial whisperings, their origins, effects, and defenses.

    Lasater, language is a spiritual practice based on giving and receiving with compassion. In What We Say Matters, they offer new and nurturing ways of communicating. Long-term students of yoga and Buddhism, the authors here blend the yoga principle of satya (truth) and the Buddhist precept of right speech with Marshall Rosenberg's groundbreaking techniques of Nonviolent Communication (NVC) in a fresh formula for promoting peace at home, at work, and in the world. The authors offer practical exercises to help readers in any field learn to diffuse anger; make requests rather than demands or assign blame; understand the difference between feelings and needs; recognize how they strategize to get needs met; choose connection over conflict; and extend empathy to themselves and others.

    It also provides the best, most sustained exposure possible to the most wide-ranging, acute, and original literary intelligence of the post—World War II years. United States is an essential book in the canon of twentieth-century American literature and an endlessly fascinating work.

    & Ezra Pound The mother: Rebecca West & H.G. Wells The ingénue: Jean Rhys & Ford Madox Ford The mistress: Anaïs Nin & Henry Miller The long-termer: Simone de Beauvoir & Jean-Paul SartreThe survivor: Martha Gellhorn & Ernest HemingwayThe chaser: Elizabeth Smart & George BarkerThe wife: Sylvia Plath & Ted HughesNotesBibliographyIndex

    Tillman upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfiguring the world with the turn of a sentence. Like other unique thinkers, Tillman sees the world differently—she is not a malcontent, but she is discontented. Her responses to art and literature, to social and political questions change the reader's mind, startling it with new angles. Which is why so many of us who know her work often wonder: what would Lynne Tillman do? A long-time resident of New York, Tillman's sharp humor is like her city's, tough and hilarious. There are distinct streams of concern coursing through the seeming eclecticism of topics—Hillary Clinton, Jane Bowles, O.J. Simpson, art and artists, Harry Mathews, the state of fiction, film, the state of her mind, the State of the Nation. There is a great variety, but what remains consistent is how differently she writes about them, how well she understands, how passionate and bold her writing is.What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you're a better, smarter person for it.