He is content. The tin house is well constructed and located miles from the tin houses of his nearest neighbors. Though he seems to have escaped society, however, society finds him. One day, a woman arrives and moves in. Soon a neighbor comes to visit, and then another. Soon, moving figures silhouette the horizon. People dismantling their tin houses and setting off to find a master builder with a revolutionary message. The gravitational pull cannot be resisted.Nor can this novel. Part mystery, part parable, Three to See the King stalks the reader’s imagination and grows inexorably and irresistibly in the telling.

    This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller's memoir Timebends. An essay by Harold Clurman and Christopher Bigsby's introduction discuss Miller's standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature.Contents:Biographical notesIntroduction to the Original Edition by Harold ClurmanIntroduction to the Revised Edition by Christopher BigsbyTimebends (excerpt from the autobiography) (1987)The Golden Years (excerpt from a play) (1939-1940)Death of a Salesman (1949)The Crucible (1953)After the Fall (1964)The American Clock (1980)The Last Yankee (1993)Broken Glass (1994)

    It scrutinizes its symbolistic dimensions and stylistic excellence while keeping an undeviating focus on the poignant classic of love in the time of war. This study further demonstrates how the novel appeals at different levels like the other works of Hemingwayas a story of war, a story of love, a story of the growth of the heros soul, a story of memorable characters and a work of artistic excellence. The present book will definitely prove useful to students, researchers as well as teachers of English Literature interested in the study of Hemingway and his works.

    368 pp. 15,000 print.

    A series of ghosts appear at their former bedsides, some distraught, some fascinated, to witness their unfamiliar occupants. A woman returns from a visit to Alcatraz with an uncomfortable feeling. The spirit of a prisoner has attached himself to you, a friend tells her. He sensed the empathy you had for those men.

    The Exes, an up-and-coming indie band, is made up of people who used to be lovers. Progressing from jam sessions in a basement to second-rate clubs to a cross-country tour that requires them to share seedy hotel rooms -- with their exes -- the four band members reveal their quirks, their problems, and their fantasies in alternating narratives. Wickedly funny, realistic, and poignant, The Exes sheds a knowing light on the compromises and connections we all make in avid pursuit of our ambitions and dreams.

    In a philosophical approach to color, William Gass explores man's perception of the color blue as well as its common erotic, symbolic, and emotional associations.

    Some of the stories here were collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four of the greatest writers in Russian literature: Nadezhda Teffi, Pavel Bazhov, Andrey Platonov, and Alexander Pushkin, author of Eugene Onegin, the classic Russian novel in verse. Among the many classic stories included here are the tales of Baba Yaga, Vasilisa the Beautiful, Father Frost, and the Frog Princess.

    Through eight chapters and over 800 pages, 150 writers present scores of myths, stories, poems, essays, and journals that document Montana's significant literary tradition. The selections range from pre-white Indian days to the present, and, taken as a whole, they offer a powerful microcosm of the entire western experience.The chapters, each prefaced by an original essay, progress chronologically from myths and tales of the Indian people to accounts of exploration and the fur trade, followed by the mining and stockmen's frontiers, the agricultural and small town experience, as well as a special chapter on Butte--the richest hill on earth.Contemporary chapters take up the emergence of the modern West in the middle years of the twentieth century as well as the renaissance of western literature in contemporary fiction and poetry. These chapters include many authors who have earned national reputations in fiction, poetry, and criticism, but they also include many younger writers whose careers are just beginning.

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.

    She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne's skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt's "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager empress Tzu Hsi, and the silk industry in Norwich.

    But what’s the real purpose behind their visit?

    His literary terrain is the world of science, with its charged boundary between the rational mind and the restless heart. In Iagnemma's stories, mathematicians and theoreticians, foresters and doctors, yearn to sustain bonds as steadfast as the equations and principles that anchor their lives. A frustrated academic tries to diagram his troubled relationship with his girlfriend but fails to create a formula for romance. A nineteenth-century phrenologist must reexamine the connection between knowledge and passion when a young con-woman beats him at his own game. A jaded professor dreams endlessly of his two obsessions: a beautiful former colleague and the theorem that made her famous. Inventive, wise, funny, and disquieting, Karl Iagnemma's first collection attests to his spirited imagination and his prodigious literary gifts.