Jane Eyre, Shirley, Villette, and The Professor by Charlotte Brontë and Wuthering Heights by Emily Brontë are included in this new addition to the Library of Literary Classics.

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In 'The Short Stories of F. Scott Fitzgerald', Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. This essential collection is a monument to the genius of one of the great voices in the history of American literature.

    His 1st poems appeared in the context of the Young Bosnia movement. The writing of its members is in marked contrast to their robust active personalities. The poems Andrić published before WWI are virtually indistinguishable in tone from much of what his contemporaries were writing. Nevertheless, it's probably true to say that in his case the role of the political activist, however sincerely he played it at the time, was fundamentally unsuited to him. By contrast, however, the prevailing melancholy seemed to match his temperamental reponse to the world. These early poems point in no particular direction, beyond establishing the free verse form of virtually all of Andrić’s poetry and a tendency to a mournful self-pity which sometimes threatens his personal statements. The prose poems written during the War represent a personal conffesion & cannot be considered merely the reflection of a literary vogue. “Ex Ponto” (refers to Ovid’s account of his Black Sea exile) was published in 1918; “Unrest” in 1920, when “Ex Ponto” was already reprinted. Thereafter Andrić refused to allow them to be included in any of his collections of his works published before his death. He rejected them because they seemed to him too intimate. But, they're important since they contain ideas & themes which recur in his later works. The strong emotional colouring was toned down in Andrić’s later prose poems & verse but their form, a combination of aphoristic statements & longer reflective passages, continued to appeal to him. “Ex Ponto” & “Unrest” record his emotional reaction to the circumstances of his early life & the development of a number of themes around the central paradox of his personality & work.

    Born in 1862 into an exclusive New York society against whose rigid codes of behavior she often rebelled, she lived to regret the passing of that stable if old-fashioned community and to appreciate the sense of personal identity its definitions provided. She became a prolific professional writer, author of more than forty published volumes, including novels, short stories (many of them tales of the supernatural), poetry, war reportage, travel writing, and books on gardens and house decoration. An expatriate in France for three decades before her death in 1937, she included among her many distinguished friends men as various as Henry James, Theodore Roosevelt, Kenneth Clark, and André Gide.The four novels in this Library of America volume show Wharton at the height of her powers as a social observer and critic, examining American and European lives with a vision rich in detail, satire, and tragedy. In all of them her strong and autobiographical impulse is disciplined by her writer’s craft and her unfailing regard for her audience.The House of Mirth (1905), Wharton’s tenth book and her first novel of contemporary life, was an immediate runaway bestseller, with 140,000 copies in print within three months of publication. The story of young Lily Bart and her tragic sojourn among the upper class of turn-of-the-century New York, it touches on the insidious effects of social convention and upon the sexual and financial aggression to which women of independent spirit were exposed.The Reef (1912) is the story of two couples whose marriage plans are upset by the revelation of a past affair between George Darrow (a mature bachelor) and Sophy Vener, who happens to be the fiancée of his future wife’s stepson. Henry James called the novel “a triumph of method,” and it shares the rich nuance of his own The Golden Bowl.The Custom of the Country (1913) is the amatory saga of Undine Spragg of Apex City—beautiful, spoiled, and ambitious—whose charms conquer New York and European society. Vulgar and voracious, she presides over a series of men, representing the old and new aristocracies of both continents, in a comedy drawn unmistakably from life.The Age of Innocence (1920) is set in the New York of Wharton’s youth, when the rules and taboos of her social “tribe” held as-yet unchallenged sway. A quasi-anthropological study of a remembered culture and its curious conventions, it tells the story of the Countess Olenska (formerly Ellen Mingott), refugee from a disastrous European marriage, and Newland Archer, heir to a tradition of respectability and family honor, as they struggle uneasily against their sexual attraction.

    Lawrence and something of a rival of Virginia Woolf, her stories suggest someone writing in a different era and in a vastly different English. Her language is as transparent as clean glass, yet hovers on the edge of poetry. Her characters are passionate men and women swaddled in English reserve -- and sometimes briefly breaking through. And her genius is to pinpoint those unacknowledged and almost imperceptible moments in which those people's relationships -- with one another and themselves -- change forever. This collection [of 28 stories] includes such masterpieces as "Prelude," "At the Bay" "Bliss," "The Man Without a Temperament" and "The Garden Party" and has a new introduction by Jeffrey Meyers.Introduction / Jeffrey Meyers --Tiredness of Rosabell (written 1908; published 1924) --Baron (1910) --Modern (1911) --Woman at the store (1912) --Ole underwood (1913) --Little governess (1915) --Prelude (1918) --At the bay (1922) --Psychology (1920) --Bliss (1918) --Je ne Parle Pas Francais (1920) --Sun and moon (1920) --This flower (1924) --Man with a temperament (1920) --Revelations (1920) --Young girl (1920) --Stranger (1921) --Daughters of the late Colonel (1921) --Life of Ma parker 91921) --Singing lesson (1921) --Voyage(1921) --Garden-party (1922) --Miss Brill(1920) --Marriage a la mode (1921) --Doll's house (1922) --Doves' nest t(1923) --Six years after (1923) --Fly (1923).

    It discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It is one of Frost's best-known and most anthologized poems.Source: http://en.wikipedia.org/wiki/Fire_and...

    The Man of the Forest isn't about to let a tough guy kill Helen to get his hands on her uncle's ranch.

    Now he returns to captivate a new generation in this carefully produced reissue, which restores the book to its original appearance. All the original stories are here, as Raggedy Andy arrives in the mail at Marcella's father's office, displays his cheery smile, and is eagerly reunited with his sister, Raggedy Ann. After a warm welcome from the other dolls, Raggedy Andy adds to their fun with a dance, a pillow fight, and a taffy pull. His merry escapades frequently show his generosity in helping others, as he bravely ventures into the gutter to find the penny dolls, "cures" the French doll, and encourages the wooden horse. Other stories also include Raggedy Andy and the other dolls' encounters with the Easter bunny, Santa Claus, and a beautiful seashell. Johnny Gruelle's delicate illustrations are the perfect companion to the well-loved stories in this American classic, the only edition authorized by the Gruelle family. A brief biography of the author-artist by his grandson, Kim Gruelle, makes this edition especially valuable.

    The inspiration for Ray Bradbury's story.From Sara Teasdale's "Flame and Shadow" collection.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.

    First published in 1920, Jill the Reckless commences in the better circles of London society. Jill Mariner is engaged to Derek Underhill. Both of these young people are well to do and Derek has a title to boot! What better match could be made? Unfortunately matches made in heaven are generally between just two people. This match depended, alas to a certain extent to the will of Lady Underhill, Derek’s mother.

    Penguin's award-winning art director Paul Buckley presents Penguin Threads, a series of Penguin Classics Deluxe Editions inspired by the aesthetic of handmade crafts with specially commissioned cover art. Jillian Tamaki's embroidered artwork appears on The Secret Garden by Frances Hodgson Burnett, Emma by Jane Austen, and Black Beauty by Anna Sewell. This latest set features three beloved classics for both adults and children with cover art by painter and illustrator Rachell Sumpter. Sketched in a traditional illustrative manner, the final covers are sculpt embossed and present full front and reverse hand-stitched designs. Through story, style and texture, the Penguin Threads is an exciting chapter in Penguin's long history of excellence in book design, for true lovers of the book, design, and handcrafted beauty.This fully annotated volume collects three of Baum's fourteen Oz novels in which he developed his utopian vision and which garnered an immense and loyal following. The Wizard of Oz (1900) introduces Dorothy, who arrives from Kansas and meets the Scarecrow, the Tin Woodman, the Cowardly Lion, and a host of other characters. The Emerald City of Oz (1910) finds Dorothy, Aunt Em, and Uncle Henry coming to Oz just as the wicked Nome King is plotting to conquer its people. In Baum's final novel, Glinda of Oz (1920), Dorothy and Princess Ozma try to prevent a battle between the Skeezers and the Flatheads. Tapping into a deeply rooted desire in himself and his loyal readers to live in a peaceful country which values the sharing of talents and gifts, Baum's imaginative creation, like all great utopian literature, holds out the possibility for change. Also included is a selection of the original illustrations by W. W. Denslow and John R. Neill.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, social conventions, and political undercurrents of the period. Her prose combines the sounds and style of Nordic ballads, European courtly poetry, and religious literature.But the story Undset tells is a modern one; it mirrors post-World War I political and religious anxieties, and introduces a heroine who has long captivated contemporary readers. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who not only loves with power and passion but intrepidly confronts her sexuality.

    Reddy, of course, is full of reckless ideas, such as getting into Farmer Brown's chicken house in daylight.Using the wisdom she's acquired over the years, Granny overrules many of Reddy's foolhardy suggestions, taking the conceit out of a youngster who thinks he knows more than anyone else. Granny also teaches Reddy quite a bit about patience, common sense, and resourcefulness.A timeless fable by master storyteller Thornton W. Burgess, Old Granny Fox will delight youngsters with an entertaining story while teaching important lessons — in a painless and enjoyable way — about wildlife, the environment, and personal conduct.

    The poem's title makes reference to the Biblical reappearance of Christ, prophesied in Matthew 24 and the Revelations of St. John, which according to Christianity, will accompany the Apocalypse and divine Last Judgment. Other symbols in the poem are drawn from mythology, the occult, and Yeats's view of history as defined in his cryptic prose volume A Vision. The principal figure of the work is a sphinx-like creature with a lion's body and man's head, a "rough beast" awakened in the desert that makes its way to Christ's birthplace, Bethlehem.Other poems in this collect include 'Easter, 1916,' which chronicles Yeats' complicated feelings on the execution of Irish patriots of the Easter Rebellion in Dublin.

    

    Originally serialized in the Atlantic Monthly.

    A refugee of the Great War, Poirot has settled in England near Styles Court, the country estate of his wealthy benefactor, the elderly Emily Inglethorp. When Emily is poisoned and the authorities are baffled, Poirot puts his prodigious sleuthing skills to work. Suspects are plentiful, including the victim’s much younger husband, her resentful stepsons, her longtime hired companion, a young family friend working as a nurse, and a London specialist on poisons who just happens to be visiting the nearby village. All of them have secrets they are desperate to keep, but none can outwit Poirot as he navigates the ingenious red herrings and plot twists that contribute to Agatha Christie's well-deserved reputation as the queen of mystery.Librarian's note: the first 5 Christie mysteries featuring Poirot are: 1) The Mysterious Affair at Styles, 1920; 2) The Murder on the Links, 1923; 3) The Murder of Roger Ackroyd, 1926; 4) The Big Four, 1927; and 5) The Mystery of the Blue Train, 1928. There are many short stories and a collection featuring Poirot in this period as well. Each novel and short story has its own entry on Goodreads.

    Round them flowed the smell of the night sea, bringing with it an infinite languor.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. This Plains veteran's book "In the Great Apache Forest " was published in 1920 and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. Considered one of the best of Schultz' Indian stories, "In the Great Apache Forest," is the true story of 17-year-old George Crosby who being too young to serve his country in France becomes a member of the forest service in Arizona, where he encounters troublesome outlaws and helps to rout them. This book satisfies the reader's love of a struggle for he is fighting not merely the forest fires but real flesh and blood villains. The book introduces incidentally considerable interesting information about the Hopi Indians and a plea for fairer treatment of them. It is while at his lookout station high up on a hilltop that Crosby is visited by a group of Hopi Indians. One of these, trained in an American school, tells of the Indian customs. It is with these Indians' help he is able to protect the forest from a group of left-wing "fire bug" activists seeking to burn it down (members of the Industrial Workers of the World). Other antagonists include a giant grizzly and an Army deserter---both intent on causing havoc. A bit of mystery adds to the interest. The geography on which this adventure unfolds is Apache National Forest which covered most of Greenlee County, Arizona southern Apache County, Arizona, and part of western Catron County, New Mexico. Here is a high country; the altitude of Greer is 8500 feet, and south of it there is a steady rise for eleven miles to the summit of the range, Mount Thomas, 11,460 feet. And here, covering both slopes of the White Mountains, is the largest virgin forest that we have outside of Alaska, the Apache National Forest. It is about a hundred miles wide, and more than that in length, and contains millions of feet of centuries-old Douglas fir, white pine, and spruce. The great forest still harbors an abundance of game animals and birds, and its cold, pure streams are full of trout. Here the sportsman could still find in 1918 grizzly bears, some of them of great size. There were black bears, also, and mule deer and Mexican whitetail deer, and of wild turkeys and blue grouse great numbers. Cougars, wolves, coyotes, and lesser prowlers of the night were quite numerous and in most of the streams the beavers were ever at work upon their dams and lodges. Of Crosby and his home range, Schultz writes: "George Crosby was born and has lived all of his seventeen years, in Greer, a settlement of a halfdozen pioneer families located on the Little Colorado River, in the White Mountains, Arizona, The settlers of Greer are a hardy people. Theirs is one continuous struggle with Nature for the necessities of life. It was then, at the opening of the war, that George Crosby considered what he could do for the good cause. Came the summer of 1918, and the Supervisor of the Apache National Forest found himself woefully short of men, and the dreaded fire season coming on. The most of his rangers, fire lookouts, and patrols had gone to the war, and he could not find enough men of the right sort to take their places. . . . With this introduction, I let George tell his story, a story that I found exciting enough. "

    He was the self-styled spokesman of the "Lost Generation" and author of The Great Gatsby (1925). His debut novel, This Side of Paradise (1920) examines the lives and morality of post-World War I youth. Flappers and Philosophers (1920) was his first collection of short stories. His second novel, The Beautiful and Damned (1922), demonstrates an evolution and maturity in his writing, and provides an excellent portrait of America during the Jazz Age, as does Tales of the Jazz Age (1922).

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    At its margin there are willows; on the small forelands, which flood in June when the mountain waters are released, cottonwoods grow, leaning toward the southwest like captives straining in their bonds, yearning in their way for the sun and winds of kinder latitudes. Rain comes to that land but seldom in the summer days; in winter the wind sweeps the snow into rocky canons; buttes, with tops leveled by the drift of the old, earth-making days, break the weary repetition of hill beyond hill. But to people who dwell in a land a long time and go about the business of getting a living out of what it has to offer, its wonders are no longer notable, its hardships no longer peculiar. So it was with the people who lived in the Bad Lands at the time that we come among them on the vehicle of this tale. To them it was only an ordinary country of toil and disappointment, or of opportunity and profit, according to their station and success. To Jeremiah Lambert it seemed the land of hopelessness, the last boundary of utter defeat as he labored over the uneven road at the end of a blistering summer day, trundling his bicycle at his side. There was a suit-case strapped to the handlebar of the bicycle, and in that receptacle were the wares which this guileless peddler had come into that land to sell. He had set out from Omaha full of enthusiasm and youthful vigor, incited to the utmost degree of vending fervor by the representations of the general agent for the little instrument which had been the stepping-stone to greater things for many an ambitious young man. According to the agent, Lambert reflected, as he pushed his punctured, lop-wheeled, disordered, and dejected bicycle along; there had been none of the ambitious business climbers at hand to add his testimony to the general agent's word. Anyway, he had taken the agency, and the agent had taken his essential twenty-two dollars and turned over to him one hundred of those notable ladders to future greatness and affluence. Lambert had them there in his imitation-leather suit-case-from which the rain had taken the last deceptive gloss-minus seven which he had sold in the course of fifteen days. In those fifteen days Lambert had traveled five hundred miles, by the power of his own sturdy legs, by the grace of his bicycle, which had held up until this day without protest over the long, sandy, rocky, dismal roads, and he had lived on less than a gopher, day taken by day. Housekeepers were not pining for the combination potato-parer, apple-corer, can-opener, tack-puller, known as the "All-in-One" in any reasonable proportion.

    i 1922. godine u Beogradu, ali delovi ove pripovetke su izlazili u zagrebačkom Književnom jugu. Iako je osnova za sadržinu i značenje Puta Alije Đerzeleza, Mustafe Madžara, Mosta na Žepi i Trupa pronađena u istoriji, legendi i sudbini pojedinca u njima, Andrić istoriju ne posmatra kao zbir poznatih i poverljivih događaja medju njenim učesnicima, niti legendu doživljava kao gotovu i nepromenljivu sižejnu činjenicu priče, nego kao adekvatnu početnu osnovu za dublje i postojanije shvatanje smisla i značenja istorije, legende u životu pojedinca i trajanju sveta. Vidi ih kao simboličan doživljaj istorije, kao pozornicu na kojoj se odvija čovekov susret sa neminovnostima svoje prolaznosti, nesavršenstva, straha i nemoći. Andrić’s first short story, published in 1920. Its protagonist is the hero of a large number of Moslem heroic ballads. Bearing in mind the special place accorded to “legend” and “fairy-tale” in Andrić’s statements about art, we should consider exactly what form “the grain of truth contained in legend” takes in this tale. The traditional ballads concerned with Alija deal exclusively with his prowess on the battlefield. Andrić refers to his fame in just one sentence: "He was renowed for many battles and his fearful strength... " and immediatelly takes him off his horse, setting him down in a context where he appears awkward because he is not used to being on the ground, or to normal social interaction. His stature is a t once diminished: “In a few days the magic circle around Đerzelez had quite disappeared. “There is no clear reason why the label “hero“ should have attached itself to this particular person. He is small, unprepossessing and ungainly as soon as he dismounts, awkward and uninteresting in conversation. He is slow-witted and chronically lacking in imagination. But he is also obsessive. Once he sees a beautiful woman he can think of nothing else but possessing her. Or he abandons himself wholeheartedly to the singing of a particularly fine traditional singer: “Đerzelez felt that the singer tugging at his soul and that any moment now, he would expire, from excessive strength, or excessive weakness. “ Đerzelez can flourish only in circumstances where his simple-minded strength energy can be expressed in the immediate violent ways he understands. He is quite baffled by more intricate social relationships and by the whole deeply disturbing question of women. Andrić here exploits the comic possibilities exposing a renowned hero to the demands made on men by their ballads about Marko Kraljević.

    They also produced much of the country's best literature. Three of these amazing ladies wrote these diaries, among them the highly skilled writer Murasaki Shikibu (ca. 973-1025 a.d.). A lady-in-waiting to the Japanese Empress, she became very adept at observing the daily activities and attitudes of the upper classes. Her diary is a remarkable record of events staged with rare and exquisite taste. The Sarashina Diary, filled with an appreciation of nature, begins with a nine-year-old girl's dreams and ends with the grown woman's account of her husband's funeral (1009-1059 a.d.). Izumi Shikibu's diary is a delicately written work, with poetic thoughts characteristic of the lady's shy reserve. Brimming with poetry and understated social observations, all three provide an extraordinary glimpse of court life in old Japan. Unabridged republication of the edition originally published by Houghton Mifflin Company, Boston and New York, 1920. 2 color illustrations. 12 black-and-white illustrations. Appendix.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He is best known for his children's stories. His love of imagination made his children's books very popular, but this also may have contributed to his other writings being taken less seriously. The Listeners is his most famous work. This volume contains the following sections: lyrical poems, characters from Shakespeare, sonnets, memories from Childhood, The Listeners, and Motley.

    The titles collected in this literary omnibus - IThe House of Mirth/I IEthan Frome/I, IThe Custom of the Country/I, ISummer/I, and IThe Age of Innocence/I - represent the best of her novel-length fiction.pWharton wrote with empathy for her characters, endowing them with a dignity that makes their moral dilemmas worthy of our attention. Each of these novels speaks to the reader with elegance and clarity that was her unique gift.PIEdith Wharton: Five Novels/I is part of Barnes Noble's Library of Essential Writers. Each title in the series presents the finest works - complete and unabridged - from one of the greatest writers in literature in magnificent, elegantly designed hard-back editions. Every volume also includes an original introduction that provides the reader with enlightening information on the writer's life and works.

     She was Skelton’s boat, a six-hundred-tonner, turbine engined, rigged with everything new in the way of sea valves and patent gadgets, and she had anchored at sundown off Palm Island, a tiny spot, gull haunted, and due west of Andros. Skelton was a Christchurch man, Bobby Ratcliffe a Brazenose, and Bobby, tonight, as he leaned on the starboard rail smoking and listening to the wash of the waves on the island beach, was thinking of Skelton, who was down below writing up his diary. Before coming on this “winter cruise to the West Indies in my yacht” Bobby did not know that Skelton kept a diary, that Skelton was so awfully Anglican, so precise, so stuffed with the convenances, that he dined in dress clothes even in a hurricane, that he had a very nasty, naggling temper, that he had prayers every Sunday morning in the cabin2 which the chief steward, the under stewards, and the officers off watch were expected to attend—also Bobby. Two other men were booked for the cruise, but they cried off at the last moment. If they had come, things might have been different. As it was, Bobby, to use his own language, was pretty much fed up. Skelton was a right good sort, but he was not the man with whom to share loneliness, and Bobby, who had plenty of money of his own, was thinking how jolly this winter cruise would have been if he had only taken it on board a passenger liner, with girls and deck quoits and cards in the evening, instead of Skelton. Bobby was only twenty-two, a good-looking clean youth, well-balanced enough, but desirous of fun. Oxford had not spoiled him a bit. He had no “manner,”—just his own naturalness,—and he had shocked Skelton at Barbados by getting a great negro washing woman on board (she had come alongside in a blue boat) and giving her rum, for the fun of the thing. “Debauching a native woman with alcohol!” Skelton had called it. Skelton vetoed shark fishing. It messed his decks. He was like an old woman about his decks. “I tell you what you ought to do, Skelly,” Bobby had said. “You ought to start a blessed laundry!” They had nearly quarreled at Guadeloupe over sharks. And again at St. Pierre, where, lying off the ruins of the town, Skelton had likened it to Gomorrah, declaring it had been destroyed because of the wickedness of its inhabitants. “And how about the ships in the bay?” had asked3 Bobby. “What had they to do with the business? Why weren’t they given notice to quit?” “We won’t argue on the matter,” replied Skelton. And there was still two months of this blessed cruise to be worked out! He was thinking of this when Skelton came on deck, his white shirt-front shining in the starlight. He was in an amiable mood tonight and, ranging up beside Bobby, he spoke about the beauty of the stars. It was chiefly on Bobby’s initiative that they had dropped the anchor so that they might prospect the island on the morrow, and as they smoked and talked the conversation passed from stars to desert islands, and from desert islands to the old Spaniards of the West Indies, bucaneers, filibusters, pirates, and Brethren of the Coast.

    Rhesus. Hecuba. The daughters of Troy. Helen2 Electra. Orestes. Iphigeneia in Taurica. Andromache. Cyclops3 The Bacchanals. The madness of Hercules. The children of Hercules. The Phoenician maidens. Suppliants4 Ion. Hippolytus. Medea. Alcestis

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Excerpt from A Prairie-Schooner PrincessFather, he called, with a note of anxiety in his voice, look back there to the northeast! What is that against the horizon? It looks like a cloud of dust or smoke.In a second prairie schooner, just ahead of the one the boy was driving, a man with a brown, bearded face looked out hastily, then continued to scan the horizon with anxious gaze.

    A mysterious nobleman offers him an immense fortune if he will consent to cure her...of her life! Horrified, Urbino refuses to murder her, and must flee his native Venice with his family to avoid the powerful stranger's vengeance. They flee to the isolated Castello della Torvida, which local peasants affirm to be haunted. But the spectre the servants see and the supernatural warnings the family receives are the least of their worries when Urbino's niece, the lovely Paulina, is kidnapped by the lascivious Marchese di Valdetti. Confined a prisoner in Valdetti's castle, Paulina must choose: become the Marchese's wife, or fall victim to his insatiable lust! Can her friends penetrate the mysteries of the haunted castle and save Paulina in time? With a colourful cast of characters and an intricate plot, Italian Mysteries was among Francis Lathom's most successful Gothic novels. This edition, the first since 1820, includes a new introduction and explanatory notes for modern readers.