Soon he realised that, if young Raman was around, it was best to expect the unexpected. This village bumpkin was no fool-even the fiery goddess Kali had given in to his wiles. wheeding his way into the mighty vijayanagaa court, it was but a short step into the heart of King Krishnadeva Raya, who welcomed a laugh or to to lighten his busy day

    The poor man will be either hopelessly embarrased or pleased to escape with his life. With an unfailing eye for human weakness, Birbal protects the innocent. People, from every strata of society, flock to him for help with endless lists of woes. Known for his compassion and tact, Birbal never fails them, even if it means pitting his wits against the all-powerful Emperor.

    He dispensed justice, dealt diplomatically with other rulers, led military expeditions and composed poetry. In addition, he also rescued Akbar from the dangers of arrogance and unfettered power. Most importantly, he made the Great Mughal laugh. Birbal, a real person with the name 'Maheshdas', was one of the 'nine gems' of court advisers of Akbar the Great. He also composed poetry by the pen name 'Brahma'. He led an expedition into faraway Afghanistan and managed to subdue the turbulence there. Hearing the news of his death there, Akbar burst forth: "Birbal, you always gave the helpless whatever you had. I am helpless now and yet you have left nothng for me!" Birbal's name however does not rest on these achievements. He is turned into a legend by the innumerable stories of his wit and wisdom, sense of justice and fairplay, and above all, his uncanny skill in turning the tables on his detractors including the king himself. In the stories here, Birbal proposes the punishment of a kiss for the offense of pulling a hair from the king's moustache; shows how one's own child is the most beautiful; proves that the whims of a child can beat the king; makes the king realize that inauspiciousness can be mutual; guesses the mother-tongue of a linguist with a spray of water.

    When her father and brother disappear, Ariana is arrested by the Reich. Facing imprisonment and repeated rape at the hands of unscrupulous soldiers who desire to humble the lovely blond, Ariana jumps at the opportunity to become a cook for a kind Nazi officer. Gradually, the two are able to put the specter of war behind them and fall in love. But calamity strikes again, leaving Ariana alone once more and running for her life. Desperately sick and pregnant, Ariana lands in New York, part of the wave of refugees brought there by relief organizations. Sponsored, then befriended, then betrayed, by the Liebman family, Ariana slowly recovers in time for the Christmas birth of her son. And Noel, a kind man who loves Ariana, gives her the strength to make a life for herself and for him, which she does, finally finding true happiness. Danielle Steel creates a tale of the phases of life and love that we all experience against a brutal background that hopefully will not be experienced ever again. --Alison Trinkle

    But what’s the real purpose behind their visit?

    The dynasty that rode high to the crest of power-only to reach the brink of a rebel-torn New Age. Prince Peter: the unbending heir to the tempest of change. Ilona: the heartstrong Princess, slave to a renegade passion. George: the roving American journalist, tied to the great family's fortunes. Tatiana: the wildest young beauty in a restless hour. Bound by pride , the Borodins must stand against the fated forces that threaten their priceless birthright and the dark-eyed monk who holds their monarch in thrall. A story of the longings of a people stirred by the false promises of unscrupulous men, and struggle to uplift the silken banner of their fragile world.

    During her lifetime she worked tirelessly to reunite the bereaved and their loved ones, and helped bring joy and happiness to thousands of people. This second collection of her bestselling books brings together many more of her remarkable and moving experiences.In Innocent Voices In My Ear, Doris tells of her special relationship with children and her psychic communications with children of every age; from the heroic young men of the Falklands War, to the sixteen-year-old hostage of a ruthless gunman and the tragic stars who died too young: John Lennon, Marc Bolan and Richard Beckinsale.Whispering Voices recalls the extraordinary, sometimes amusing and often emotional situations she has found herself in; of how her gift brought her into contact with famous names such as Princess Anne and Freddie Starr, but also the ordinary folk who inspired her with their courage, and to whom she offered a new sense of hope.

    "Once in a Lifetime" is a satire about three small-time vaudevillians who set out for Hollywood as films move from silents into sound.The 1936 Pulitzer Prize winner "You Can’t Take It With You" is about a zany family of hobby-horse enthusiasts. For thirty-five years Grandpa has done nothing but hunt snakes, throw darts, and avoid income-tax payments; his son-in-law makes fireworks in the basement, and other assorted family members write plays, operate amateur printing presses, and play the xylophone. They live in playful eccentricity until daughter Alice brings home her Wall Street boyfriend."The Man Who Came to Dinner" (1939) became a long-running hit. It portrays an eminent lecturer (based on Alec Woollcott) who accepts a dinner invite in a small Ohio town, slips on the ice outside his hosts’ home, and is forced to their sickbed. Convalescing he turns the house into bedlam with his wacky friends and diabolic pranks.Also included in this volume are “Men at Work” and “Forked Lightning,” two essays Kaufman and Hart wrote about each other.

    As Sarah says, It is a silence full of sound.

    This was the tragedy of Jahangir. It was a personal tragedy in which neither Anarkali not Noor Jahan had any role, though popular stories associate these two women, more than anyone else with Jahangir. Jahangir's love for his father was deep and his admiration vast. The events described in this book are based on the memoirs of Akbar and Jahangir and other historical records.

    For twenty years it has been hailed as not only the most reliable but the liveliest and most entertaining overview of Shakespearean theater available to students. For this third edition Professor Gurr has substantially revised the book, bringing it right up to date and incorporating many new discoveries, including those of the archaeologists at the sites of the Rose and Globe theaters. The invaluable appendix, which lists all the plays performed at a particular playhouse, the playing company and date of performance, has also been revised and rearranged.

    Book by

    Originating in dance and music performed at sacred rituals and festivals, it was developed and brought to maturity in the 14th and 15th centuries by Kan'ami Kiyotsugu and his son, Zeami Motokiyo, two great dramatists who distilled the crude entertainments of the open fields into a predominately tragic drama of illusion played upon an empty stage. This volume, first published in 1983 and long out of print, is the first work in either English or Japanese to offer a comprehensive explanation and analysis of the principles of the Noh theater. The author was an active practitioner of the art, representing the 22nd generation in a direct line of Noh performers. His book painstakingly outlines both physical and intellectual aspects of Noh-its technical principles and its philosophical perspectives-on a scope hitherto unknown. An invaluable tool for the student of any aspect of drama, it offers as well deeper insights into Japanese history and culture.

    

    From their different versions of the healer's performances and a terrible event at the centre of the drama, Friel creates a powerful and haunting work of art.

    In this remarkable blend of history and imagination, Paltiel Kossover meets the same fate but, unlike his real-life counterparts, he is permitted to leave a written testament. From a Jewish boyhood in pre-revolutionary Russia, Paltiel traveled down a road that embraced Communism, only to return to Russia and discover a Communist Party that had become his mortal enemy. Two decades later, Paltiel's son, Grisha, reads this precious record of his father's life and finds that it illuminates the shadowed planes of his own. Passionate and fierce, this story of a father's legacy to his son revisits some of the most dramatic events of our century, and confirms yet again Elie Wiesel's stature as "a writer of the highest moral imagination" ("San Francisco Chronicle").