After a quick engagement and marriage, the couple produce four childrenand are joined by boarder Mary Snelling, who teaches at the country school across the road. This addictive story winds through many twists before ending in a deadly rampage that results in one of the most notorious ax murders in American history.

    The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules.'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent'A startling and revealing project' Daily Mail'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

    The book focuses on the scene surrounding the extreme heavy metal subgenre black metal in Norway in the early 1990s, with a focus on the string of church burnings and murders that occurred in the country around 1993.

    Its roots stem from a heady blend of horror movies, heavy metal music, Satanism, Paganism, and adolescent angst. In the early-mid 1990s, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society.

    Packed with more than 400 photographs arranged in chronological order, this book covers everything from arson to connibalism, con men, mass murderers, sabotage, victims and vital clues.

         How does a farm girl from Ennismore enter a male-dominated field and become a top criminal profiler and groundbreaking leader? For Kate Lines, it started humbly, patrolling highways. She learned quickly that the best way to thrive was to keep calm, carry on and never lose her sense of humour. In what would be the first of many dramatic turns in her career, Kate traded in her uniform for a tight miniskirt and a leather jacket, becoming one of the OPP's first female undercover officers.     In 1990 came the opportunity of a lifetime: to be chosen as the 2nd-ever Canadian in an elite program at Quantico, Virginia in what was then the emerging field of criminal profiling. After 10 months of an intensive education in the intricacies of violent crime, Kate's new skills made her much in demand back home. Over the years she was involved in a number of high-profile cases, such as the abduction and murder of Kristen French and of Tori Stafford and the disappearance of Michael Dunahee.      Kate was an early proponent of ViCLAS--the Violent Crime Linkage Analysis System, and when she took charge of the new and massive Behavioural Sciences division in Orillia, she took over ViCLAS and turned the department into a hub of innovation. Kate was awarded a Governor General's medal for being in the top 1/10th of 1% of the members of police forces that year. The following year the Canadian Police Leadership Foundation named her Police Leader of the Year.     Always taking care not to aggrandize in any way the criminals whose names we may know all too well, Kate feels it's much more important to focus on the courage of victims and their families. Kate is an unsung, groundbreaking Canadian woman, one of a kind in this country, with a unique, inspiring and fascinating story to share.

    Purity, elegance, and passion are the hallmarks of Strand's imagery. This inaugural volume of Aperture's "Masters of Photography" series presents 41 of Strand's greatest photographs, drawn from a career that spanned six decades. Included are his earliest experimental efforts, created from 1915 to 1917, which Alfred Stieglitz declared had begun to redefine the medium. Subsequent photographs reveal the artist's impeccable vision in locales as diverse as New England and the Outer Hebrides, France and Ghana. During Strand's last years, he concentrated on still lifes and the poignant beauty of his own garden at Orgeval, France.In an introductory essay, Mark Haworth-Booth, Curator of Photography at the Victoria and Albert Museum, London, provides an overview of the artist's life and his enduring contribution to photography.

    Though he’s known for the raw power of his expression, Rollins has shown that the greatest statements can be made with the simplest of acts: to just bear witness, to be present.             In Occupants, Rollins invites us to do the same. The book pairs Rollins’s visceral full-color photographs—taken in Bangladesh, Burma, Cambodia, India, Indonesia, Northern Ireland, Saudi Arabia, South Africa, and elsewhere over the last few years—with writings that not only provide context and magnify the impact of the images but also lift them to the level of political commentary. Simply put, this book is a visual testimony of anger, suffering, and resilience. Occupants will help us realize what is so easy to miss when tragedy and terror become numbing, constant forces—the quieter, stronger forces of healing, solidarity, faith, and even joy.

    At the time of my arrest, I was a thirty-seven year old Harvard graduate with medical and post-doctoral degrees. I attended one of the finest residency and fellowship training programs in the world at the University of California, San Francisco. I played two sports in college, earned awards at every level of education and training, had wonderful friends and a beautiful three-year-old daughter. Having grown up the son of a restaurant manager and a housewife, I had transcended the humble beginnings of a small Midwestern town to become the quintessential American Dream.Or so I thought. But with my arrest on felony importation charges, everything I had worked so hard for was swept away and the entire trajectory of my life was indelibly altered. I would embark on a three year battle not only for my medical license, but also for my freedom. This journey would lead to intense personal introspection, and in that process, I would discover with ugliness, there was also beauty, and with punishment, mercy.There are many reasons I have written this manuscript, with one of the most important being that I hoped my story would resonate with others who have gone through difficult circumstances as a consequence of a dark side of their personality. With this book, I hope to inspire others to accept and embrace the good and bad, while continually striving for improved self-understanding and acceptance.I have changed names primarily for legal purposes, but the facts are unchanged. Although the events described in the book occurred more than ten years ago, I think about them nearly every day. The shame and humiliation are ever-present. Any simple Google search of my name reveals the truth, and that truth has affected me over and over, despite the years, as it probably should. As the judge told me that day in a federal courtroom, "You have betrayed the public's trust." This is my confessional.

    These winged creaturesfrom exotic parrots to everyday sparrows, and endangered penguins to woody owlsare captured with Zuckerman's painstaking perspective against a stark white background to reveal the vivid colors, textures, and personalities of each subject in extraordinary and exquisite detail. The ultimate art book for ornithologists and nature enthusiasts alike, Bird is a volume of sublime beauty.

    Simply constructed, the book explores 50 key photographs from the first experiments in the early 19th century to digital photography. The design of the book allows the student or photography enthusiast to easily navigate their way around key genres, artists, themes, and techniques. Accessible and concise, the book explains how, why, and when certain photographs really have changed the world.

    This exquisite book, now in softcover, is the result of that bold and immensely personal project. Through the accompanying essay, Brandenburg shares his innermost thoughts and passions as he witnesses the cycle of nature near his home in the northwoods of Minnesota.Brandenburg also contributes new photos and an Epilog that illustrates and discusses the devastating summer wind storm that wreaked havoc on the locations photographed for the original project.

    They include a special reader's letter from Karen explaining how the darkness in these stories became more than she could bear and prompted a dramatic career change to write Life-Changing Fiction.Final Vows: When Carol Montecalvo began writing to a man in prison through a program at her church, she considered it her Christian duty. But these letters soon became her lifeline as she fell in love with Dan, the man behind the letters. In Final Vows, Karen Kingsbury chronicles a couple’s unlikely romance and marriage, and what led to Carol's bloody death on her kitchen floor. It seems her husband has obvious motives for murder. But is this former felon really guilty? Or could he actually be a grieving widower, in the wrong place at the wrong time, showing the wrong type of emotions when faced with his wife's lifeless body?Deadly Pretender: CIA Agent. Business Owner. Lobbyist. Bigamist. David Miller was the envy of both friend and foe, with a dream job and perfect family. He seemed to have it all. But he wanted more. One family wasn't enough: he wanted two. Two careers weren't enough; he invented a third. He juggled it all quite well . . . until the day his two wives found out about each other. David Miller groped for ways to hold on to his finances and reputation. His solution? Murder. But it had to be done right, leaving him off the list of suspects.The Snake and the Spider: Florida. Spring Break. Words that evoke excited anticipation for young adults . . . and extreme angst for their parents. But the parents of best friends Daryl Barber and James Boucher were confident their sons could be trusted to spend a week in the sun without them. As they all waved goodbye, no one imagined it would be the last time they'd see each other alive. When the boys missed their agreed-upon daily check-ins, both sets of parents were disappointed. When the boys failed to come home on their planned return date, both sets of parents were furious. And when it was clear the boys had vanished without a trace, both sets of parents were terrified.Missy’s Murder: On an October day, teenager Missy Avila was lured into the woods, beaten, tortured, and drowned. Missy's best friend, Karen, publicly vows to find the killer and even moves in with Missy's family to help. No one could have guessed what would happen next. Missy's Murder is a shocking tale of how jealousy can drive people to acts of great evil.

    A rich compendium of looniness!

    MuchLoved collects 60 of these images along with their accompanying background tales. An exhibit in the photographer’s studio led to a small sensation on the Internet when a few of the pictures circulated unofficially on scores of blogs and on many legitimate news sites. Viewers have been intrigued by the funny, bittersweet images and their ironic juxtaposition of childhood innocence and aged, loving wear and tear.  When you see these teddy bears and bunnies with missing noses and undone stuffing, you can’t help but think back to childhood and its earliest companions who asked for nothing and gave a lot back. Praise for Much Loved: “Much Loved is impossibly endearing in its entirety.” —Brain Pickings