But he isn't like anyone she's ever met. After arriving, he receives sole custody of his autistic son, Tyler.Sadie and Tyler form an immediate bond, and her feelings for Kade start to change. The only problem is, their worlds couldn't be farther apart."Plain Paradise"Josie was a teenager when she left her baby in the care of an Amish couple. Since then, much has changed, but one thing hasn't. Josie still longs to reconnect with her daughter Linda.But Linda is unaware that she was adopted. When she's introduced to her birth mother, there's an immediate connection. Meanwhile, her adoptive parents--and Amish beau--try to understand how this interruption in Linda's life could possibly be God's will."Plain Proposal"Miriam's heart is set on having a future with Saul Fisher. When rumors circulate that Saul may be leaving the community, Miriam makes a bold claim: she will stand by him, either way.As Miriam and Saul make plans, God reveals things to Miriam that make her think twice.

    This wonderfully colorful and appealing anthology gathers more than 130 Native American legends, many told to the authors by elder storytellers and tribal historians.

    A wealthy and beloved philanthropist abandons his palatial home, leaving behind six corpses pickled in alcohol and 17 more buried in the surrounding neighborhood. After committing 27 "perfect" murders, a trio of sadistic killers is discovered when they begin torturing and slaying each other.In True Crime Stories, you'll discover vast and horrifying group of killers who have committed some of the most bizarre, brazen, and barbarous crimes in history. Among these pitiless perps are men and women of every station in life—from laborers and clerks to doctors, politicians, and millionaires. Some are hapless bumblers quickly brought to justice; others concocted desperate ploys to hide their crimes; a select few, either through devious brilliance or sheer luck, are still at large. Among the grizzliest episodes recounted in this expos

    . .marching into an old man's house to tell him it's about to be burned down . . .or seeing a childhood friend shot down at Chickamauga.The result is history that lives again in our imagination, as the creative vision of these great writers touches our emotions and makes us witness to the human tragedy of this war, fought so bravely by those in blue and gray.

    W. Rolleston masterfully retells the great Celtic myths and illuminates the world that spawned them. Focusing principally on Irish myths, the book first takes up the history and religion of the Celts, the myths of the Irish invasion and the early Milesian kings.What follows is pure enchantment as you enter the timeless world of heroic tales centered around the Ulster king Conor mac Nessa and the Red Branch Order of chivalry (Ultonian cycle). These are followed by the tales of the Ossianic cycle, which center on the figure of Finn mac Cumhal, whose son Oisín (or Ossian) was a poet and warrior, and the traditional author of most of the tales. Next comes a summary of the Voyage of Maeldūn, a brilliant and curious piece of invention that exemplifies the genre of "wonder-voyages" — adventures purely in the region of romance, out of earthly space and time. Finally, the author recounts a selection of the myths and tales of the Cymry (Welsh).In these pages, readers will delight in the favorite and familiar tales of Cuchulain, King Arthur and the Knights of the Round Table, the Grail, Deirdre, and many more figures that haunt the shadowy, twilight world of Celtic legend. The magic of that world is further brought to life in more than 50 imaginative full-page illustrations by Stephen Reid, Arthur G. Bell, and the famed illustrator J. C. Leyendecker. Reprinted here in its first paperback edition, Celtic Myths and Legends also includes several helpful genealogical tables: Gods of the House of Dōn, Gods of the House of Llyr, and Arthur and His Kin, as well as a useful glossary.

    Here are Icarus flying too close to the sun, mighty Hercules, Achilles and that darn heel, the Trojans and their wooden horse, brave Perseus and beautiful Andromeda, wandering Odysseus and steadfast Penelope. Their stories and the stories of the powerful gods and goddesses who punish and reward, who fall in love with and are enraged by the humans they have created, are set forth simply but movingly, in language that retains the power and drama of the original works by Aeschylus, Sophocles, Euripides, and Homer. In Gustav Schwab’s masterful retelling, they are made accessible to readers of all ages.Part of the Pantheon Fairy Tale and Folklore Library

    Here are the gods of the Olympian pantheon. Here too are the demigods, demons, heroes, and many of the best-loved (as well as lesser-known) cycles, fables and nature myths. The entries, always readable and informative, convey the significance of Greek mythology and its place at the core of Western culture. They evoke the majesty, as well as the all-too-human foibles, of the Greek deities and their acolytes. Whether they find themselves caught up by the single combat of Hector and Achilles before the looming walls of Troy; or find themselves transported, like Odysseus, by the haunting song of the Sirens; or are thrilled by the quest of Jason and his Argonauts for the fabled Golden Fleece - enthusiasts of myth and ancient history will discover many richnesses to enjoy here. Gods, Demigods and Demons is both a helpful guide and a one-stop resource that can be consulted again and again. It will prove an indispensable companion to the world of the ancient Greeks and the gods they worshipped.

    . . Even when, brutally overriding her refined sensibility, he imprisoned her in a mansion of overwhelming opulence, an accursed house that brought all who lived there grief. . . Even when, before her eyes, she saw him destroying their children with his misguided indulgence. . . For here was a man more powerful, more truly gigantic than any she had ever known, a man she knew she would love until death. . .

    Yet here are over thirty true stories of real life murderers who abused the trust of the public, their patients, their friends and their colleagues, indulging in chilling killing sprees. Neville Heath, the charming RAF officer with uncontrollable urges. Susan Christie, the ‘Fatal Attraction’ killer from the Ulster Defence Regiment. Robert Erler, the so-called Super Cop who shot a mother and daughter seemingly on a whim. Genene Jones, the loving nurse who killed many of the children in her care. James Camb, the ship’s steward who charmed and then killed one of his passengers. What drove these people to commit such heinous acts and how did they utilise the confidence placed in those in uniform? Killers in Uniform is saturated with stark reminders that real-life killers are far from monsters of fiction. In providing a comprehensive history of some of the most shocking crimes on record, Adrian Vincent raises important questions about patterns of crime, the psychology of murder and regulation of systems where trust and exploitation can unfortunately go hand in hand. He also charts changes in the justice system and controversial judicial attitudes towards punishment: documenting the move away from the death penalty and punitive punishment towards rehabilitation and flexible sentencing terms, detailing crimes which ended in hanging and life-sentences to prisoners sent to psychiatric hospitals including Broadmoor. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    The wind tries first, but however hard it blows it fails to make any progress because the traveller simply buttons his coat even tighter than before. Only when the sun shines brightly does he finally remove it, and the wind roars away in a bad temper.

     Chuck Nielson hung up his six shooter and retired from the Texas Rangers ten years ago, at one time the fastest draw west of the Mississippi. He loves two things, his wife and his ranch. Now the Sunset Kid is in town. He’s killed seven men—all seven died with the sun in their eyes. Chuck is number eight and the Kid has sent word for him to be in the town street at sunset. If Chuck meets the Kid, he risks everything; if he stays home he loses his self-respect, and the Kid goes on killing. This is a short story by Donald L. Robertson, the author of Logan’s Word: A Logan Family Western - Book 1.

    Though abridged, the book maintains the drama and continuity of the original novel and is heavily illustrated with more than 200 original photographs and more than 150 paintings, drawings, engravings and artifacts. The selection of art represents some of the most important 19th-century marine painters and American fine art collections. Many images are drawn from logbooks, journals and scrimshaw belonging to mid-19th century whaler-artists. Rare photographs depict the port of New Bedford, whaling ships, life at sea, whaling methods, and items involved inthe business of whaling, which Melville researched and described in full detail. The pictures in "Moby Dick: A Picture Voyage" are accompanied by short captions and compendia that feature quotes from the novel, information about the artwork, reflections of Melville's real-life whaling experiences, and biographical anecdotes. The majority of images chosen for the book were obtained from the New Bedford Whaling Museum and the museum's new Kendall Institute, the largest repository of whaling prints and artifacts in the world. Images were also obtained from private collections, rare books, old films and libraries. "Moby-Dick: A Picture Voyage" will be the first version of the American classic to give readers a colorful look inside the real world of whaling as it was so eloquently described in Melville's own words. Noted Melville historian Laurie Robertson-Lorant, author of Melville: A Biography, has written the Introduction to the book. Editorial consultants include staff and curators at the New Bedford Whaling Museum and Kendall Institute.