Beginning with Quintilian and Delsarre he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actor's Studio, Yale University, NYU, Juillard and many more are visited. Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today. Some of the teachers focused on are Stella Adler, Stanford Meisner, Lee Strasberg, Brecht, Stanislavsky, and Suzuki.

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    ​Something dark and evil dwells in the basement. It roams the house, surrounds and traps you; then feed on your fears and flesh. No child is safe from what lives…in The Basement.

    Summaries, notes, essays, guides, lessons, and more - everything you need to understand or teach The Drawing of the Three.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Weaving together the stories of ten couples, the movie is as real as our own lives, and as funny, wise, and poignant as only Richard Curtis (Four Weddings and a Funeral) could create.Set in contemporary London just before Christmas, the cast includes a lovelorn Prime Minister, an aging rock star, a sexually ambitious assistant, a newly widowed stepfather, a beautiful housekeeper, a straying husband, and other characters entangled in the silly, sloppy, sexy, sweet business of finding love. The film's stellar actors include Hugh Grant, Emma Thompson, Alan Rickman, Colin Firth, Liam Neeson, Laura Linney, and others.Introduced by Richard Curtis, the book features the full screenplay plus outtakes, behind-the-scenes snapshots, and more. With marvelous full-color photographs throughout, this smart, funny, romantic book is a valentine for anyone who still believes that despite the madness and uncertainty of modern life, love actually is all around.

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    Lot 150 was supposed to be a place of relaxation, a place to forget about the strange past they all share, but it quickly turns into a place worse than hell itself. Billie Dean Shoemate III offers his greatest novel to date...with a story he cites as the most terrifying one he has ever written.

    Alongside a full cast, Michael Biehn and Lance Henriksen reprise their iconic roles as Corporal Hicks and Bishop from the 1986 film Aliens. Father of cyberpunk William Gibson’s original script for Alien III, written in 1987 as a sequel to Aliens, never made it to our screens, although it went on to achieve cult status among fans as the third instalment that might have been after being leaked online. This terrifying, cinematic multicast dramatisation - directed by the multi-award-winning Dirk Maggs - is the chance to experience William Gibson’s untold story and its terrifying, claustrophobic and dark encounters between humans and aliens, as a completely immersive audio experience. The story begins with the Sulaco on its return journey from LV-426. On board the military ship are the cryogenically frozen skeleton crew of that film’s survivors: Ripley, Hicks, Newt and Bishop. We travel aboard and hear an alarm blare. Our heroes are no longer alone....Starring: Tom Alexander, Barbara Barnes, Michael Biehn, Cliff Chapman, Samantha Coughlan, Ben Cura, Dar Dash, Harry Ditson, Mairead Doherty, Lance Henriksen, Graham Hoadly, Lorelei King, Laurel Lefkow, Martin McDougall, Sarah Pitard, Michael Roberts, David Seddon, Andrew James Spooner, Siri Steinmo, Dai Tabuchi, Keith Wickham, Rebecca Yeo.©2019 20th Century Fox (P)2019 Audible, Ltd

    But he discovers that there is more than a ghost causing mayhem. The Mansion is a fast-paced supernatural story about 10,000 words long.

    Seeking answers, he teams up with paranormal expert Jeremy Rhinehart. They race against time to stop a man who’s spreading chaos and violence by way of deadly, haunted objects… 1 - Collecting Death Victor Daniels and Jeremy Rhinehart discover a myriad of haunted collectibles unleashed upon the world. Together they begin to hunt them down. But it’s not long before they realize the haunted spirits within are more bloodthirsty now than when they were alive… 2 - Walter’s Rifle Stefan Korzh’s plan to spread fear and paranoia is unraveling perfectly, but Victor Daniels and Jeremy Rhinehart won’t let that happen. They race against time to stop the mayhem, but as they get closer, they discover how dangerous Stefan truly is. 3 - Blood in the Mirror As Victor and Jeremy continue their quest against evil, they discover a terrifying force lurking in their midst. Nothing is ever as it seems…

    

    The savage killing of two New York City policemen leads two detectives, a man and a woman bound together by a strange, tough passion, to hunt down the wolfen, called werewolves in former days.

    Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious—if flawed—piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures—many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.