Scholem was a precocious teenager when he met Benjamin, who became his close friend and intellectual mentor. His account of that relationship--which was to remain crucial for both men--is both a celebration of his friend's spellbinding genius and a lament for the personal and intellectual self-destructiveness that culminated in Benjamin's suicide in 1940.At once prickly and heartbroken, argumentative and loving, Walter Benjamin: The Story of a Friendship is an absorbing memoir with the complication of character and motive of a novel. As Scholem revisits the passionate engagements over Marxism and Kabbala, Europe and Palestine that he shared with Benjamin, it is as if he sought to summon up his lost friend's spirit again, to have the last word in the argument that might have saved his life.

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Forty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the "true victims" of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But over the past decade they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how - despite tens of thousands of living witnesses and vast amounts of documentary evidence - this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, "independent" research centers, and official publications that promote a "revisionist" view of recent history. One sign of the movement's disturbing resonance is the rise of such figures as the Holocaust denier David Duke to national prominence. Holocaust deniers have also begun to make common cause with radical Afrocentrists such as Leonard Jeffries of New York's City University, who retells racist myths about the Jews; and a recent campaign of ads in college newspapers calling for "open debate" on "so-called facts" about the Holocaust suggests a bold new bid for mainstream intellectual legitimacy. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge.

    This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.

    It would alsomake a good RCIA resource as well as a blockbuster stimulus fordiscussions."—Book Nook, Pecos BenedictineThe authors answer the question, "Why Be Catholic?" fairly and squarely, showing a deep appreciation about what is good in Catholicism and a penetrating honesty about the Church's shortcomings. Rohr and Martos also examine what it means to be Catholic in the United States today. Finally, to answer the title question in a more personal way, they present portraits of some outstanding Catholics, especially those we call saints, who have found personal fulfillment by living their faith to the utmost.After reading this book, you will appreciate more fully the unique heritage of the Catholic Church. You will understand how its magnificent tradition enriches the lives of Catholics today and propels the ever-changing Church into the 21st century and third millennium. A popular resource for RCIA, evangelization and religious education.

    The author grapples with both medieval and contemporary interrogations of the argument with reference to Greek, Enlightenment and Medieval philosophers. It gives the reader an insight into some of the main areas of controversy (for example discussions of infinity and contingency) and attempts to make critical assessments throughout. The book concludes with the author’s understanding of the ‘strongest forms’ which attempt to postulate the most undercutting arguments for the existence of God.

    Dr. Frye offers, in addition, challenging and stimulating ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and kaleidoscopic experience found in the study of literature.Dr. Frye's proposals for the teaching of literature include an early emphasis on poetry, the "central and original literary form," intensive study of the Bible, as literature, and the Greek and Latin classics, as these embody all the great enduring themes of western man, and study of the great literary forms: tragedy and comedy, romance and irony.

    Drawing on history & popular culture, textual research & everyday beliefs, Heaven offers an understanding of one of the most shared ideals of spiritual life. Miller raises discussions not just about visions of the afterlife, but about how beliefs have influenced the societies we've built & the lifestyles to we've adopted, exploring the roots of beliefs in heaven & how these have evolved through the ages to offer hope. She also reveals how the notion of heaven has been used for manipulation, as inspiration for selfless behavior & as justification for mass murder. As she demonstrates, the desire for a celestial afterlife is shared by the faithful around the world & across religions. While there are many notions of what exactly heaven is & how to get there, Jews, Christians & Muslims all agree that heaven is god's home. From Revelation to the Left Behind series, Augustine to Osama bin Laden, Muslims in the W. Bank to Mormons baptizing the dead, Heaven is a look at a cherished religious ideal.IntroductionWhat is heaven?The miracleThe kingdom is near Green, green pastures ResurrectionSalvation VisionariesReunionsIs heaven boring?EpilogueAuthor's Note & AcknowledgmentsNotesBibliographyIndex

    This fascinating best-seller weaves these golden threads into a glorious tapestry, presenting hundreds of ideas and comments on the Aleph-Beis, including: the Aleph-Beis as the force of Creation, as a primer for Jewish living, and as a fountainhead of Torah insight and mystical meaning. The product of decades of learning, thinking, and teaching by the revered educator, lecturer, and community activist Rabbi Michael L. Munk. A treat not to be missed.

    Now And God Said provides readers with an authoritative account of significant mistranslations and shows how new translation methods can give readers their first glimpse into what the Bible really means.And God Said uncovers the often inaccurate or misleading English translations of the Hebrew Bible and the New Testament that quotes from it. Sometimes the familiar English is just misleading. Other times the mistakes are more substantial. But the errors are widespread. This book tackles such issues as what's wrong with the Ten Commandments (starting with the word "commandments"), the correct description of the "virgin" birth, and the surprisingly modern message in the Song of Solomon, as well as many other unexpected but thought-provoking revelations.Acclaimed translator Dr. Joel M. Hoffman sheds light on the original intention of the text and the newly developed means that readers can use to get closer to it. In And God Said his fresh approach has united the topics of religion, language, and linguistics to offer the first modern understanding since the Bible was written.

    Book Specs Paper BackPublisher: Review & Herald Publishing AssociationPages: 107 Table of Contents

    This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

    The chief Rabbi of Palestine prior to the establishment of the state of Israel, Kook (1865-1935) represents the renewal of the Jewish mystical tradition in modern times.

    Martin Luther King, Jr., isolated himself from the demands of the civil rights movement, rented a house in Jamaica with no telephone, and labored over his final manuscript. In this prophetic work, which has been unavailable for more than ten years, he lays out his thoughts, plans, and dreams for America's future, including the need for better jobs, higher wages, decent housing, and quality education. With a universal message of hope that continues to resonate, King demanded an end to global suffering, asserting that humankind-for the first time-has the resources and technology to eradicate poverty.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.